I LOVE the fact that Annique didn't bang the hell out of No. 1. She brought out melodic and inner lines beautifully. Really musical rendition :--) ...

@anonymousl5150

Жыл бұрын

And missed a ton of notes... was this live performance?

@maxthepianist.

Жыл бұрын

@@anonymousl5150it was an exam

@AdrenalineLegends

11 ай бұрын

@@anonymousl5150 notes don't matter, only musicality

@andrewzhang8512

11 ай бұрын

@@AdrenalineLegends ?? this performance is great but notes definitely matter for something like this

@AdrenalineLegends

11 ай бұрын

@@andrewzhang8512 yes, but every human makes mistakes right, dynamics and musicality wins, like bethoven said.

The Op10 No1 probably is by far the most interesting version I have ever heard, so refreshing, so detailed and beautiful!

00:01 Etude op 10 n 1 02:21 Etude op 10 n 2 03:59 Etude op 10 n 3 08:24 Etude op 10 n 4

@Ash1nerTV

Жыл бұрын

Thank you!

@kaleidoscopio5

Жыл бұрын

@@Ash1nerTV 🤗

@sacott2023

Жыл бұрын

Thank you ,very useful.

@kaleidoscopio5

Жыл бұрын

@@sacott2023 😀😎

@robertorosario4052

8 ай бұрын

Good recital. Do another one. Chopin is a genious.

that emphasis on the first note of every last descending and every first ascending arpeggio in op 10 no 1 is amazing

2:32 where she starts to bring out the thumb harmony more. So slick 👌🏻. And the ending too… so well done…

@dankr7009

Жыл бұрын

love the username!

@ThatOneGuyRAR

Жыл бұрын

Congrats on 500 subs!

Those inner voices are just insane! Never ever heard them before!! Very very impressive indeed!!!

@johnybrug5406

Жыл бұрын

Yes so good!

@KK-vs2nd

Жыл бұрын

I also hear voices

@sebastianperez3696

Жыл бұрын

En el primero, Yo prefiero la ametralladora de semicorcheas de la versión de Ohlsohn

@zakkosu727

11 ай бұрын

What voices? There's no voices!

@tymek4238

11 ай бұрын

@@KK-vs2nd uh

Beautifully played. I love the notes you sing in the middle register of op. 10 No. 1. Never heard anyone do that before. It pleases me to see that you are more interested in making music than in showing off your technique. Thank you

@carljacobs1287

Жыл бұрын

Likewise, have never seen this done before. It added a whole other dimension to the piece - WOW!

@henrywong8922

Жыл бұрын

I agree.. 👍

@carljacobs1287

Жыл бұрын

@@publiovirgilio2238 I see you have plenty of videos online to demonstrate your prowess - NOT.

@omarino99

Жыл бұрын

I find them insufferable to be honest.

@cliveparaschis

Жыл бұрын

@@publiovirgilio2238 rubbish

I need to see the doctor - I am hearing voices that I never heard before - and I checked the music sheets - they have always been there. This is music, not just playing piano. What a great rendition!

@fanfan1914

Жыл бұрын

doctor.🤣🤣🤣

@igrz2852

Жыл бұрын

Try Margulis Vittaly interpretation

@robertorosario4052

7 ай бұрын

I like the third etude. Its my favorite.

a very unique interpretation of 10-1. it's amazing in how many ways the same score on paper can sound, depending on the pianist. loved this one! ❤

The gentlest Op.10 no.1 I have ever heard. Fabulous.

You are a fantastic pianist. This was honestly an experience to listen to, one of my favourite renditions!

That look at 3:45 😅. So good! Well done Annique, your work over the past year has been so inspiring. 👏👏

Number 1, 2, 3 or 4? which one is your favorite?:P

@barneyd9785

Жыл бұрын

Defo #1. It's been a fave since childhood :)

@_Arovin

Жыл бұрын

3

@kjaeckle03

Жыл бұрын

3 and 5

@user-go3se9hv3q

Жыл бұрын

1 and 4

@PokeManiacArceus

Жыл бұрын

2. It's excentric, fast, chromatic, weird and very difficult.

Those inner voices Annique!! Wow!! You made this piece sound so lyrical, extremely well done.

If you ask me, all the pianists who thought they could play Chopin now dig a hole and jump in. Outstanding interpretation and performance. Bravo!

@user-xv4he4mt4x

Жыл бұрын

No, I won’t ask you.

@DavitMinasyan-rn3fv

Жыл бұрын

that’s including me

@emilio-wm9jt

Жыл бұрын

Wtf man, her interpretation ok, why so dramatic haha

@hazel-rah4997

Жыл бұрын

Glad, i have not asked you...😄

@emilio-wm9jt

Жыл бұрын

@@hazel-rah4997 i don t understand all this hype for a good but not outstanding performance

Wow! The articulation is nuts. This is such a fresh look at pieces that are played by pianist that substitute color with speed. Well done!

"I also aspire to play the piano in Japan, and I came across this video on KZread while searching for examples to follow. I think it's the most beautiful rendition of Chopin's Etude Op. 10 No. 1 that I've ever heard, and I listen to it every day. And you are beautiful."

Such warmth and generosity of spirit in your playing. Brava, Annique.

Breaking news: New voices, hitherto unknown to mankind, have been unearthed in popular Chopin etude. As of today, there now exists a Göttler version of Opus 10.1 😮🎉❤

@kevinm6790

Жыл бұрын

Comment of the Year!

@jpdj2715

Жыл бұрын

Between 40 and 50 years ago I bought a big box of vinyl discs called LP - the complete solo piano works of Chopin, played by relatively unknown pianist Nikita Magaloff (of Georgian noble family descent, 1912-1992). He always seemed to play slower than the Rubystone type pianists of his generation, but then, looking at the recorded time, the difference was minimal. About 10 years ago, in KZread, I bumped into a French or Swiss documentary on Magaloff, probably violating someone's IPr that was taken offline and later reappeared in partial form. Integrated in the documentary was a masterclass like playing to him by a couple of his students. One of them played a Chopin piece and after she finished, Magaloff asked her to go back to a specific bar (paraphrased): "why don't you play this and the next few bars as a fugue?" These bars, played in the same way as the surrounding Romantic Chopin music had sounded a bit foreign but she had played the notes/keys without fault, before. Now she played the same notes as fugue and the penny dropped. Here it helps to know that Chopin was a big fan of J.S. Bach's music that was not extremely popular in Chopin's day and age. Not all advanced students of music would have studied the lives of composers to know that, when their university-level music schools did not ask them to study that for grades. But it also requires great ability to read sheet music and experience, even when knowing such contextual information, in order to be able to recognise it when reading it. When Wagner rose to fame in Western Europe, there were haters and fans. So in those days, when no recorded music existed yet, in a café in Paris where a group of Bohemian lifestyle artists frequented, one night, one of the fans brought a book with some sheet music of a bigger symphonic work by Wagner. Approaching the table with the friends, he threw the book on the table and commanded "read!". One of the haters started reading and turning the pages after some time he uttered: "hm, Wagner's music is more beautiful than it sounds." Which illustrates how "reading music" is a skill that not all advanced musicians have. It also illustrates that some musicians can read sheet music at another level of abstract patterns. If you studied piano, you may have been frustrated by your teacher asking that you learn études (and "étude" is a study or practice piece) by e.g. Diabelli (1781-1858) or Czerny (1791-1857). And most students never rise above feeling tortured by these pieces that may come across like a diarrhoea of notes without music. Why don't we just practice the scales and chord progressions, a student might think. And the listener to that may think, "silent piano", thoughts meandering to John Cage's "composition" known as "4:33" or " 4' 33" " (a piece in 3 "movements", 0:30, 2:23, 1:40 that add up to 4:33 - each completely silent). As Annique illustrates - which is your comment - with her highlighting of notes in Chopin's practice pieces, there is actual music in these études - which, in the case of Chopin (1810-1849), is completely expected, but not easy to reveal in playing. With Diabelli and Czerny, some "music" content is there but I would argue more buried in a more Baroque (i.e. musically old-fashioned in their lifetime already) style. And it needs a seriously virtuoso and great pianist to make such music tolerable between a performer and a listener. The fun thing then is, when you ever studied piano, that such musically virtuoso performances are full of "a-ha" experiences. As a student never fast and good enough to get to this point, with a teacher who was not motivated to treat these practice pieces as music, or at least illustrate how it could be music, the penny never dropped. Here it does. Long story short: "Hitherto unknown to mankind" suggests that a composer and virtuoso pianist like Chopin accidentally wrote notes while not understanding his music in this way Ms. Göttler played it. With Chopin in mind, I can only respond with "objection, your honour!"

@kevinm6790

Жыл бұрын

@@jpdj2715 …accidentally wrote notes without understanding… OMG, he’s not saying that at all. Lighten up.

@eduardoinke2943

Жыл бұрын

I echoed your comment above. Hadn't read yours yet.

@John-boy

Жыл бұрын

@@jpdj2715 sheet music is like poetry or prose. It can be read aloud and sound flat and boring, or with a good voice it can have phrasing, rhythm, tempo, colour, expression, emotion etc. No 2 people will sound the same. Which is the correct way? It’s in the ear of the listener.

3 is my favourite. But your playing makes all Chopin pieces favourites!

I've never heard such a singing first etude. Well, and so much poetry in every performance. You have found your way to Chopin, and many of us are eager to follow you. This is a real achievement.

@nikolalaric2433

Ай бұрын

What a lovely performance. This is the Chopin i know. Beautiful phrasing and amazing interpretation of each etude. Special mention about etude number 1. Magnificently played. Bravo.

Love the cohesive voicing line in No.1 and No.2

Bravo! That's how technical études become music! 👏👏👏 No. 1 and 2: amazing voicing. No. 3: sweet cantabile (interesting though: all my editions of Op. 10 No. 3 are somewhat different from yours). No. 4: crystal clear (and turbulent like a torrent should be...).

so schön. wunderbar!!! danke für deine videos.

I just went to a Chopin candlelight concert this evening, coming home and seeing you perform one of the most magical Chopin pieces completed this musical day perfectly👌

1 for the voicing, 3 for the interpretation. Hope you will continue to play Chopin for a long time 👍

@sgreplays7336

Жыл бұрын

Hearing it again I also liked crispiness of the 4th 😅

I don’t know why people here think Annique has “discovered” hidden voices in both etudes If you ever look at professional concert pianists both from the past and today, they put an incredible amount of effort into exploring every piece to its most unreachable depths. Why we don’t hear them play these wonderful voices is mainly because they’re not brave enough to present such an interpretation as they fear the audience will disapprove and call it eccentric especially since the late 20th century competitions and critics came into popularity. Annique has been very brave to present to us a new and fantastic rendition of all the etudes!

@Lennythewinner

10 ай бұрын

Or perhaps it's just down to the recording quality,,,

@Thijs-Kuiken

9 ай бұрын

@cziffrathegreat666 so.... other "professional concert pianists both form the past and today".. actually have discovered this as well... but... even though "they put an incredible amount of effort into exploring every piece to its most unreachable depths.."... they simply weren't brave enough? Their artistic decisions were based on fear of disapproval of the audience? How do you know that.. you talked to them? witnessed them practicing these etudes with the inclusion of "these wonderful voices"... but were too afraid to play it like that live? You really do not make any sense and have the tendency to exaggerate in order to give your statement weight that it can't have because of a lack of logic:... "incredible amount"... to its "most unreachable depths".. I mean.. jeezz.. In the first etude there's a clear example of playing a descending line in the bass - no doubt perceived as a "hidden voice".. that she plays very very deliberately.. but it resolves into a sort of nothingness (around 1:06) .. because Chopin isn't Bach.. and following such a line as deliberately as you could when playing Bach.. doesn't yield musical satisfaction... it does sound ...eh.. brave?

@cziffrathegreat666

9 ай бұрын

​@@Thijs-Kuiken Well, although I wouldn't say it's the sole reason behind it, but it is one of them. I don't intend in any manner to disregard Annique's work or discredit her in any way. Pianists spend a great deal of their time in perfecting pieces, and it is easily observable from masterclasses, practice sessions, rehearsals, documentaries etc. I might have exaggerated based on the comments people were posting here, but it wasn't the sole intention of my comment in any manner. I do acknowledge that pianists don't choose to enunciate all the voices they observe based on personal artistic choices too. If you take pianists like Katsaris and Cziffra for example, you will notice that they do live up to the point I mentioned, but in no way am I setting that as the standard for playing piano repertoire. The choices are their own, and uniqueness is every great musician's aim in their career, which they achieve by making their audience satisfied using their own personal style of playing. And if you have any issues with my language (I don't see how it has negatively impacted anything), kindly excuse, that's the way I am.

@Thijs-Kuiken

9 ай бұрын

@@cziffrathegreat666 What I wrote wasn't about your thoughts on her playing - it's obvious that when you write "Annique has been very brave to present to us a new and fantastic rendition of all the etudes!"... you in fact praised her.. so no need to make it sound like I suggested otherwise by bringing it up with an irrelevant disclaimer. It's about the "bravery" nonsense for which you provide NO proof. Your actual text is this: "Why we don’t hear them play these wonderful voices is mainly because they’re not brave enough to present such an interpretation as they fear the audience will disapprove and call it eccentric especially since the late 20th century competitions and critics came into popularity". That's a judgement call that bypasses a notion of artistic decisions playing a role.. Your assertion isn't made credible if you can't come up with proof but only resort to a cop out like : "And if you have any issues with my language (I don't see how it has negatively impacted anything), kindly excuse, that's the way I am." Kind of difficult to come to an understanding of who you are and what your intentions are, since you now write that it's because of others that you wrote in an exaggerative manner: "I might have exaggerated based on the comments people were posting here, but it wasn't the sole intention of my comment in any manner." Sigh.. besides the nonsense of having to resort to exaggerations in the first place; what other intentions were there and why didn't you make the other intention(s) clear from the get go...?? I think there's a connection between the way you let your writing (the extend to which you exaggerate) be dependent on others... and your willingness (without providing verifiable proof) to assert that there are pianists who don't play a certain way because of a presumed lack of bravery as a result of fear of audiences and critics. Either way; you now come back and add some nuances that weren't there in your original post.. e.g. your "main reason" .. has become: " I wouldn't say it's the sole reason behind it, but it is one of them". Again: what other reasons are there behind it and why not bother to provide them all at once? You're entitled to your opinion and ideas of course.. but it doesn't follow that because you're entitled, they're automatically truthful or meaningful.

@cziffrathegreat666

9 ай бұрын

@@Thijs-Kuiken My point is only based on the fact that many pianists especially in the 20th century have been criticized by critics for their interpretations of some pieces. If you want an example, take Cziffra's recordings of chopin waltzes, it wasn't well received, but later on people start to appreciate it. Its all to do with the audience. In my original comment I was just considering one factor, and not disregarding the others. My main intention was to raise one specific point and not to write an entire report on the topic with arguments and counter-arguments. Anyways its up to you to interpret the comment. I don't know what you expect from me at this point, but if you really want me to edit the comment, delete it, kindly guide me. Take it positively, and as a humble statement, in no way do I want to show any superiority or harshness.

Just wow. You're an incredibile pianist, i can't Imagine all the years and hard work spent for reaching this tier. Amazing, keep it up 🤍

Annique congrats in general, amazing performance, but in particular i’m so excited to hear that second voice in the op 10 n. 2 etude, i’ve only heard it once and i was waiting for someone to highlight it and you did it with your own interpretation (staccato with barely no pedal, super interesting). Great!

not sure whether it is because of your interpretation on this occasion or the *_fabulous_* acoustics or this specific Steinway, but there are voicings I heard this time that I had not heard in previous videos of this piece . . . videos of yours in particular and others in general . . . absolutely *_EVERYTHING_* about this video (the performance, choice of venue, lighting, camera set ups, audio recording quality and post production editing) is at such a *_HIGH_* level I was moved to tears . . . your passion, emotion and musicianship are on full display . . . probably the closest thing to a live performance yet . . . on behalf of your fans who will never have the chance to see you perform in person, thank you *_SO_* much for this 💖

@paulzeng6211

Жыл бұрын

Means everyone got good audio and piano for youtube except for me.

Your op. 10 No.1 was really beautiful to listen!

what the hell...i've never seen that inner melody brought out like that before on no1....not by anyone. i didn't even realize what it was fully supposed to sound like. great job.

Amazing Performances!

I'm a dunce when it comes to classical music. But I watched this entire performance in a spellbond condition. Your are truly amazing. ❤

My father Stanislaus Degorski was a concert pianist in Poland in his late teens (1930’s). I never learned to play but could hum every single note of every Chopin composition! Chopin was highly esteemed in my home. My father was the organist & choir director at the Shrine of the Little Flower Basilica, Royal Oak MI for 25+ years. He also served in the Polish underground cavalry on horseback at age 17 during WWII. Thank you young lady for wrapping me in the most beautiful hug from my dad in heaven listening to your God-given talented interpretation of Chopin. ♥️

Just bought your album on iTunes. You deserve to get paid properly. Not the almost non existent pay per streams like Spotify. Folks, please buy the abum so Annique can get paid properly.

What a treat to hear you play these etudes on a Steinway, amazing as always!

The part I enjoy the most of this performance is the majority of your videos are your 1 min, 10 min and 1 hour challenge. I know the ability you have from those videos but there are very rarely full performances of a piece. To watch and hear you play fully through is a great experience.

The OP 10 nr 1 is the coolest i've never heard !i like the meditative tempos..

No .1 has always been my favorite. You’re excellent& a joy to listen to!!!

Loving the diminuendo on the seconds part ❤ on no 1. It's rare !

i love how you bring out the middle voices. you definitely feel chopin and bring pleasure and joy to your listeners

As an amateur pianist and enthusiast, I totally admire and enjoy her playing and her videos. As a visual artist, I admire and enjoy that she is a stunning beauty. I could do her portrait while listening to her performances and that would be a great day in my book.

Op 10 no 1 was phenomenal

Du meine Güte, diese Etüden so abzuliefern. Vor 50 Jahren waren es nur die Besten der Besten, die das konnten. Chapeau Weiter so !!!

@caudaliecaudalie5317

15 күн бұрын

I pianoforti erano diversi, difficili. Ora è molto più facile, provane uno nuovo e vedi la differenza, fai fatica a frenarti.

Großartige Begabung für Chopins Musik. Selten so "edel" gehört! Egal ob " gefühlvoll" oder virtuos , sie findet immer den passenden Ton. Sehr beeindruckend ❤

GRACIAS!!

BRILLIANT, FANTASTIC, SUPER interpretation! YOU ARE GREAT!

Outstanding technic ! Bravo

I agree with Lofi Tone! I too, never heard those inner melodic lines before, and I have been listening to the two Opus' of the Etudes for well over 40 years! What a genius interpretation and execution here! So many other pianists just slam through these complex interspersed melodies. Heck, they're *melodies* folks... even Ashkenazy could learn a thing or three from these realizations performed by Ms. Gottler! Brava!

Love the crispness of bringing out the voices and melody lines in such relaxed way. Great performance

You have taught me to listen to these etudes in a totally new and different way! Thank you!

Thinking about how much work must have gone into playing that so beautifully ...

Thank you so much for uploading this beautiful, revealing performance. I have never heard such OP 10-1. I also liked the speed of OP 10-3, which you explained in another video of this channel the other day. You move people.

So awesome for you to share the process of reading and learning and then performing these pieces.

In all my years (I'm 62 now), have I ever heard the melody brought out in op.10 n.1 like this. I didn't even know this melody was there. None of the greats if my memory serves me well have done that. I commend you for that!!!

@deniz117

Жыл бұрын

That's what I noticed too. She plays the piece like it's a concert piece, rather than an etude.

@EntelSidious_gamzeylmz

Жыл бұрын

@@deniz117they are literally called concert etudes

@EntelSidious_gamzeylmz

Жыл бұрын

@Miraak I meant in in that these were meant to be played in concert halls, and are the first prominent concert etudes. These were written to be performed artistically and started the movement of concert etudes

@EntelSidious_gamzeylmz

Жыл бұрын

@Miraak thats the same thing in this context, its for performing in front of an audience

The playing is amazing! Thank you for these awesome performances.

beauty and music always go very well together. Wonderful !

Fantastic

If I could vote every time I watch your video's there would be way more likes. 🥰💯

Oh thank you, thank you, for posting #1-4 on your channel. I enjoyed this so much - made my Saturday evening!

i absolutely loved your op 10 no 1 interpretation the inner voices were amazing and creates an entire new piece. learning that etude rn and gonna steal some ideas here for my interpretation :p

A fresh youthful approach to these classic gems. I especially loved her broad , sweeping reach in the C Major Etude.

Holy moly you look like a piano goddess :D Absolutely amazing rendition

Your playing technique is perfect.

I much enjoyed that interpretation. The Op. 10 No. 3 is one of my favourite pieces.

Excellent, sensitive playing! Exactly what Chopin needs and what so many spend a lifetime attempting to achieve. Brilliant.

Really like the way performed from 1:00 - 1:15

Bravo, Annique! You play with calm and confidence. Beautiful.

Perfect !!!

Thank you Annique🥺💜 you’ve brought so much light & inspiration to my music journey!! What a bright blessing you are💛

La 1ère est exceptionnelle grâce à ce chant medium, quelle grâce et douceur

The best C major n 1 I have ever heard

Interesting hidden voices brought out in the LH in No,2. Never thought of that . . . BRAVA for your overall perfoermance!

5:47 - The face a person makes when Horowitz's accuracy is channeling through ... Magnificent playing and most of all; unique. Brava.

Brilliant performance, i loved everything and you're an extraordinary artist! By the way the passage from 3 to 4 is something out of this world. The way You used the resonance from the Ending of the 3rd and the bump of the pedal to start the fu**in rockin' 4th it can't be teached, you got to feel it and, damn, i felt it into every single bone of my body! Love You from the very deep!

Wonderful live,Annique! You were amazing!❤️

Gorgeous, so enjoyable. I love hearing you play number three especially, it's so tender, but then the middle section is controlled chaos - the contrast really emphasizes the emotion. And the variation in the repeats at the end just make my heart ache❤ Also that dress is killer!! Great performance, thanks for sharing 😁

You are Fantastic!!!!!

Thank you. I'm not really familiar with Chopin but you've opened my ears with this. To think that these works were merely meant as teaching tools amazes me. I really like No. 3. Beautiful! I can't wait for the next set!

Bravo!!!!!

Quite an outstand and unique performance, Annique...! full of true feelings. I loved it.

WoW, you are literally insane I support you and you inspire me so much, you’re play is why I wanted to play piano by myself and I’m always impressed by your musicaly! Good gob 🎹🎼🎶🎵

“To play a wrong note is insignificant; to play without passion is inexcusable.” - Ludwig van Beethoven... Con gratulation for your fantastic interpretation and Thank You from Poland. Country of Frederic Chopin...

Vor vielen Jahren hörte ich einen russischen Pianisten, Alexei Skavronsky, der Chopins Opus 10 Nr. 1 auf ähnliche Weise spielte, und ich fand es damals sehr interessant und mochte die Aufnahme sehr. Jetzt habe ich Anniques Interpretation gehört, und sie war wunderbar. Sie ist sehr anders, sehr nachdenklich. Du hast den Mut, deine eigenen Ideen zu dieser großartigen Musik zu äußern, und du machst sie noch interessanter. Die melodische Linie des zweiten Stücks ist auch sehr gut! Herzlichen Dank!

Wow!! Just love your connection with the piano! Your lovely personality as seen in your tutorials is expressed so beautifully here with precision and musicianship!! Well done and thank you for sharing your talent with us!!

Touched the heart and the mind! Thank you!!

So underrated!! Never give up! Stunning

Phantastisch! Weltklasse! 😊

The live rehearsal was impressive, this one an outstanding 'debut' on the world stage and very well presented.

Excellent!! I, honestly, don't know how one can play that well without at least three hands. Gorgeous!!

Amazing and beautiful. Well presented. Especially I liked your number 3 being quite different from most other interpretations, not too slow in section A, more lyrical in B, all became a colorful expression.

My day is not complete without this. It's part of my routine now.

0:01 No.1 2:20 No.2 3:59 No.3 8:24 No.4

Refreshing , musical, amazing ! Well done ! I enjoyed so much

Courageous and beautiful interpretation! Love the way you’ve voiced the inner melody. Unique. Brava!

Outstanding rendition. Thank you.

Beautiful playing and looks so elegant !

I would be so happy to play these at half the speed. Fantastic performance

Annique das ist großartig. Danke!! Und weiter so.