Botticelli: The Curator's View
Botticelli’s signature style-including strong contours and transparent, flowing drapery-is instantly recognizable five centuries later. But what does it mean if the top artistic brand of 15th-century Florence was often produced by group of helpers in a workshop? And how did Botticelli fit into the rich artistic milieu of Renaissance Florence? Explore the creative process in a painter’s studio in the Italian Renaissance with curator of “Botticelli and the Search for the Divine,” and hear about the challenges of organizing an exhibition about such a familiar artist.
Frederick Ilchman, chair and Mrs. Russell W. Baker Curator of Paintings, Art of Europe; curator of “Botticelli and the Search for the Divine”
Tuesday, June 13, 2017
Пікірлер: 10
One of the best lecturers I've come across on You Tube.
What a fabulous lecture! One of the best!
I greatly enjoyed your magnificent exposition as well as clear cut introduction. Regards from Colombia.
It would have been wonderful to be at the exhibition! Very nice presentation!
Such a fun presentation. Thank you!
fantastico!
Terrific presentation--love the humour here. This lecture would have been apex if, when alluding to Botticelli's style, the now-cliched buzz word 'brand' had been omitted. The man was a capital A Artist, and not churning out disegni for the lire.
Boticeli legszebb dalai
The negation of perspective indicates non-worldly > inverse perspective from iconography. As if Lippi would be unaware > 20:34 > like you.
@ericwilkins6583
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Just couldn't resist taking a shot could you? A little bit of knowledge wielded intemperately makes you appear rather egregiously obnoxious . . . If that was your intention you succeeded magnificently.