00:00 Allegro con brio 09:04 Adagio affettuoso ed appassionato 18:12 Scherzo.Allegro con brio 21:43 Allegro

@anaisbordes609

3 жыл бұрын

merci!

I just realized how much I like the key of F Major.

@eskimopython2807

3 жыл бұрын

Same

That development section is stunning!!!

No. 1? Not bad for a first try at this. This Beethoven guy shows some real potential, IMHO. :)

@rossini9mozart10

5 жыл бұрын

The first quartet is the no3 actually, Beethoven just changed the order

@crisgkh

5 жыл бұрын

Les YTP de la médiocrité that is true

I read Beethoven altered the opening motives 120 times before he was satisfied. If your skeptical, so am I, I might of read wrong. I imagined it included the first 4 measures. It is subtle and bold, true to Beethoven's style. Two sixteenth notes and two eighth notes are framed by a dotted quarter note and a quarter note. The only difference between the two statements is one ends on c, the other on d. These subtleties of asymmetry/symmetry are exploited beautifully throughout the movement. Point is Beethoven has a Hellenistic hardness of precision and bareness that is more stark than even Haydn, though this does not imply superiority. I love Haydn's music. Indeed both composers are masters of the Hellenistic hardness I referred to and, though this is unimportant, it is not more easily won than Bach's counterpoint, the rich harmonies of late Romanticism or the orchestration of Strauss. It's just a different kind of mastery. People who love Japanology would understand this

@elibamberger5104

3 жыл бұрын

@@afriendlymusician3829 Brahms did that to the max

@noahmosley

2 жыл бұрын

I’m interested in you calling Beethoven and Haydn Hellenistic. I would have placed them more into a classical category and the generations after them into a more Hellenistic category? Let me know if there is anything you think I should read. I’ve always been interested in the archaic/classical/Hellenistic cycle of analysing traditions so found your comment interesting.

@BearDimka

2 жыл бұрын

Man, you don't know how much I love you for your understanding that between masters there is no superiority. Because I seldom see opinion like yours and I really dislike point of view when one style or composer is "objectively" superior and others is meh and beh. You either become master or not, you either work on your inner-self or not. In this rank there is no superiority. It's people with potential which is 10% of their mastery and 90% of work to bloom that potential.

@obrcht

2 жыл бұрын

@@BearDimka I didn't expect anyone to heed my comments really. I've familiarized the arts of many nations, and there are wide differences in aesthetic pleasure. Man is not a herd of cow, least of all with aesthetic response. Art is too personal to be standardized.

@obrcht

2 жыл бұрын

@@noahmosley Your right, I was careless.

Una calma y dulce felicidad es lo que ha quedado, gracias por complacernos con lo maravilloso

The striking late string quartets offer great challenges to both players and audience, and include the remarkable Grosse Fugue (Great Fugue), a gigantic work. It was originally intended as the final movement of a string quartet, but it was published separately.

Thank you for this upload, I am very grateful

Qué maravilla es el Adagio.

Awesome music

Gracias gracias gracias a ustedes puedo alimentar a mi espíritu Aplausos

09:04 I only think about "The Lobster" and Rule of Rose :'')

Schnittke brought me here.

Great

The party is Catch That Kid

Excelente la calidad de los intérpretes, puede agregar a Andrés Segovia, Julián bream,, narciso Yepes,. Muchas gracias y felicitaciones.

17:00 amazing!!!

What’s interesting here is that the cellist took the parts that were written in treble clef down an octave.

@EmilianoManna

4 жыл бұрын

@@timothyruszala6395 Yes, it was a (rather useless) convention of 19th century engraving. So useless that it's called "trouble clef" by the cellists :D

@Gozoman24

4 жыл бұрын

Geez- I thought that this confusion with treble clef on cello was unique to Dvorak.

Bethoven is the best composer ever...

@vittoriomarano8230

3 жыл бұрын

Beethoven..not Bethoven! Yes...but just a bit after Wolfgang Amadeus Mozart. ☺

@jonblablabla1014

3 жыл бұрын

Sorry not as good as Bach 😁 I'm kidding. All 3 were Great.

@vittoriomarano8230

3 жыл бұрын

@@jonblablabla1014 ..of course. But first place goes to Wolfgang!

@therealrealludwigvanbeethoven

3 жыл бұрын

@@vittoriomarano8230 No... it goes to me!

@ymaysernameuay1113

2 жыл бұрын

@@jonblablabla1014 Bach was not a composer. He was a god.

The Lobster, Anyone?

I wonder if Fauré knew of, or was subtly influenced by, the Adagio movement of Beethoven's Op. 18/1 when he wrote 'Après un rêve' ...

@xuzheng1642

2 жыл бұрын

I found the two pieces were similar too, especially the beginning...

thank u the lobster

11:39

@user-oy5kd9bl8y

3 жыл бұрын

Впервые слушаю...наслаждаюсь....

The score has some incorrect notes

So selfish the first violinist named the entire quartet after himself.

@therealrealludwigvanbeethoven

3 жыл бұрын

LOL!

Seems like a call-back to Haydn's Op.50, No.1: kzread.info/dash/bejne/aaOnrKWdlKqwg8Y.html

you cat

@therealrealludwigvanbeethoven

3 жыл бұрын

?

@ultimateconstruction

3 ай бұрын

meow