Beethoven Patreon Evaluation 20. Adam Bravo
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Sonata no. 24 in F# Major, Op. 78 by Ludwig van Beethoven, as performed by pianist Spencer Myer. Recording used by permission.
Original performances:
Movt. 1: • Spencer Myer plays Bee...
Movt. 2: • Spencer Myer plays Bee...
Spencer's website: www.spencermyer.com
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Пікірлер: 16
BRAVO, ADAM BRAVO! ♥
Really enjoyed this Adam - thank you /Hugh Wallis
Adam: Brilliant work! Very much in the spirit of Haydn and Beethoven. Beautiful writing - especially for the winds. Great contrasting colours and textures.
I love the smoothness and balance at the start of the Allegro section.
Wonderful entry Adam! Great job!
Magnificent work, Adam!
Very very nice Adam! Love the opening.
It's amazing how those 4 notes from the horns with the timpani at the beginning of the phrase make the effect last for the whole phrase. 👏🏽👏🏽
You write so well for all the instruments. Well done!
I really enjoyed your score. Great work!😊
Great work, Adam. A perfect balance of going big in parts and pulling back in others. The big parts feel unforced and inevitable.
Nice Score..!! I'd say it's kind of professional one. Very well done.!! Grettings.
Thanks for the great feedback as always, Thomas! This era is a bit of a blind spot for me as a writer, and so it was really illuminating to really sit with Beethoven for the first time since I was in college. I too am enjoying hearing all the different ways we interpret this period!
What a great opening! I also loved the way you orchestrated m11. The trading off between strings and woodwinds at m20 works but I would also say it's the part of your orchestration that's most out of the style of Beethoven. Nice job, Adam!
@clifford2222
7 ай бұрын
I agree, veeery ingenious.
Very captivating opening, so characteristic with the forte chord, then the excellent flute-clarinet trio. Great buildup of colour in the main theme. Good string slurring everywhere. Love the sudden outburst in the triplets. Good natural horn writing, but I’d have switched horn 2 and 3 in the chord right before reh.B, and given horn 3 a D right before reh.C. Clever solutions for the 16ths figuration of section B, and interesting exchange of winds and strings, I like the pointed pizz. accents. I have my doubts about the ease, and thus effectiveness, of the violin parts in m. 24-27 (disclaimer: I'm a cellist, just imagining violin fingering). In all, a magnificent score showing great skills and imagination, kudos.