Angela Goh, an artist working with choreography whose practice is regularly presented in both museums and traditional performance contexts, staged the recently conceived "Pattern Recognition" at Astrup Fearnley Museet in November. Borrowing and reconfiguring gestures from previous works, temporality is compressed and expanded through repetition. Goh makes slight changes in each version of these gestures and a narrative is created through the differences in the repeated sequences. This suggests an instability in how we apprehend time and its relation to the body.