American Fictions: Why Oscar Contender Cord Jefferson (Still) Gives A F*ck | PTFO

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This fall, Emmy-winning screenwriter Cord Jefferson (Watchmen, Succession, The Good Place, Master of None) has become a major Oscar contender for his directorial debut movie, the forthcoming (and deeply funny) American Fiction. So we wanted to ask Cord the truth about awards, competitiveness, race, external validation, and happiness. Also, the Men In Black soundtrack.
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Пікірлер: 24

  • @thehoboman
    @thehoboman7 ай бұрын

    As one of a few black males in a huge, mostly white organization I identify with this so much.

  • @TheThizzelle

    @TheThizzelle

    7 ай бұрын

    Me too man, me too. It's absurd on a level that is hard to convey.

  • @jordytippins6167
    @jordytippins61677 ай бұрын

    My favorite thing about Pablo is that he is so good at helping the interviewee at explaining what they are trying to explain to us with metaphors/analogies. Always brings topics full circle as well. Bravo PTFO! Also anyone know if this show is going to have like Seasons? or is it going to to go non-stop until Pablo finds out the meaning to life?

  • @RodDammit
    @RodDammit7 ай бұрын

    This is a investigative report show that covers actual interesting topics that i actually care to listen to

  • @asceticblur
    @asceticblur7 ай бұрын

    As an actor it offends me to this day that Geoffrey Wright didn't win best actor for "Basquiat". It's absolutely one of the finest displays of acting I've ever seen.

  • @sheri_LA_native
    @sheri_LA_native7 ай бұрын

    Another great episode! Looking forward to seeing American Fiction

  • @isaaccervantes5955
    @isaaccervantes59557 ай бұрын

    Things I found out . I got a movie to take my wife to. And we all want to secretly win whatever category life throws at us . Great stuff as always !!

  • @petern326
    @petern3267 ай бұрын

    cord's been a legend for years

  • @Randiddle
    @Randiddle7 ай бұрын

    Congrats Pablo.

  • @JawnLouis
    @JawnLouis7 ай бұрын

    This movie is modern version of Hollywood Schuffle… can’t wait too see it

  • @fexcab
    @fexcab7 ай бұрын

    Another great guest and interview…graxias🙏🏼

  • @steezy49
    @steezy497 ай бұрын

    Great show. Excited for this movie!

  • @SomiariTobin
    @SomiariTobin7 ай бұрын

    Pablo has a goated friends list.

  • @adcast98
    @adcast987 ай бұрын

    Shout out to his jawbreaker shirt

  • @BipoCosmo
    @BipoCosmo3 ай бұрын

    Loved this movie so much. Cheers to all involved! I haven’t read the book but it’s interesting how Monk is named after two artists and the story invokes a Ralph Ellison "The Invisible Man" crossover with Langston Hughes "Simple" novels.

  • @cw2962
    @cw29627 ай бұрын

    Pablo Torre in... WhitAvatar

  • @thomasford1429
    @thomasford14297 ай бұрын

    That movie looks hilarious

  • @zoinforms
    @zoinforms7 ай бұрын

    what an interesting dude, great episode!

  • @EzeICE
    @EzeICE6 ай бұрын

    Cord kinda gives me Jeffery Wright vibes. Its hilarious 😁😁😁😁

  • @otd248
    @otd2485 ай бұрын

    this movie is going to be fire.

  • @likearollingstone007
    @likearollingstone0076 ай бұрын

    Pablo admitting he’s a wannabe…cute

  • @danb8046
    @danb80467 ай бұрын

    no continuity in that starbucks cup..

  • @jajujones
    @jajujones7 ай бұрын

    First?

  • @jnkazee2526
    @jnkazee25264 ай бұрын

    Im sorry but this film is a strawman of Ghettoism to deflect from critiquing the black proffesional class, which is actually*, what the industry is behind. The hood film is not what's being pushed for a decade now. Every film referenced in AF are over at minimum over decade old. Today it's the black bourgeoisie that Hollywood wants. THATS what should've been critiqued. But that would compromise Cords tribe. Casting Issa Rae is a tell because she's a prime example of this age of black art the industry pushes. That scene at the end was a deflection to pretend the hood story is whatwhite people wanna hear from black artists today*. The biggest rappers aren't gangster rappers. It's a scapegoating of lower class black folks. The Erasure was a response to Push , which was in a different time. There are no Boyz N The Hood as it was in that context. It's films like Dear White People, or American Fiction itself that are pushed

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