Alexis Weissenberg (RIP Jan 8th 2012) Chopin Scherzo No.1 (1 of 2) Rare LP

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This performance by Weissenberg of the first Chopin Scherzo in B Minor, op.20 has never been released on CD and this LP recording was released in 1967.
I put the cover of the original LP , a short video of the actual LP on the turntable and a selection of photos as a visual element.
Biography of Alexis Weissenberg:
Born: July 26, 1929 - Sofia, Bulgaria

The noted Jewish-born, French pianist of Bulgarian birth, Alexis Weissenberg, was taught to play the piano by his mother. Several members of her family were Vienna Conservatory-trained musicians, and he grew up in an environment where the sight-reading of chamber music was as common as watching television is for most children today. His second piano teacher was a disciplinarian dentist, his third Bulgaria's top composer and pedagogue, Pancho Vladigerov, at whose house Weissenberg heard Dinu Lipatti perform.
At age 10 (or 8), Alexis Weissenberg gave his first recital, performing, among other works, an etude of his own composition. Shortly thereafter, Weissenberg and his mother attempted to flee Bulgaria for Turkey as fascist terror deepened. They were caught and thrown in a concentration camp. "Only three elements remained constant," Weissenberg recalled. "Silence, singing, and crying." What saved the pair was an accordion Weissenberg had been given as a gift by an aunt. A German guard who liked music let Weissenberg play and after three months put the Weissenbergs on a train to Istanbul, throwing the accordion into their compartment through an open window as they left.
In 1945 they made their way to Turkey and then to Israel (then Palestine), where Alexis Weissenberg studied at the Jerusalem Academy of Music with Leo Kestenberg. In 1945 he made his first appearance as a soloist with an orchestra. Later he performed with the Israel Philharmonic Orchestra under the baton of Leonard Bernstein. He left his accordion with a group of children after playing an outdoor concert and departed for the USA in 1946. He enrolled at the Juilliard School of Music, studying with Olga Samaroff and at times with Artur Schnabel and Wanda Landowska. He also made contact with Vladimir Horowitz, who urged Weissenberg to enter the Leventritt Award competition. Weissenberg won the award in 1947, and his career was launched. His USA debut came in 1947, playing Sergei Rachmaninov's Piano Concerto No. 3 with the New York Philharmonic Orchestra (or Philadelphia Orchestra) under the baton of George Szell.
After touring extensively the USA and Europe, Alexis Weissenberg moved in 1956 to Paris, eventually becoming a French citizen. For a decade beginning around that time, he took a hiatus from performing, subjecting himself to a reconstruction of his keyboard technique. In 1966 he resumed his career by giving a recital in Paris; later that year he gave Tchaikovsky's Piano Concerto No. 1 in Berlin under Herbert von Karajan, who called him "one of the best pianists of our time". Subsequently he toured all over the world, and remained active into old age.
Alexis Weissenberg possesses one of the finest techniques of any pianist in the generation following the great Russian School pianists (Lhevinne, Horowitz, et al.), yet he never used it for the sole purpose of virtuosity. Pyrotechnics only served the musical exposition. He is also well known for his expressive readings of Chopin, Schumann, S. Rachmaninov and Prokofiev, and the J.S. Bach's Chromatic Fantasy and Fugue was a staple of his recital programming. He also is a great teacher, giving piano master-classes all over the world. He has founded the Alexis Weissenberg's Piano Master Class in Engelberg (Switzerland), where he has had as students many pianists of the new generation: Kirill Gerstein, Simon Mulligan and Nazzareno Carusi among others.
Alexis Weissenberg's recording of the Franz Liszt Sonata of the early 1970's is one of the most exciting and also lyrical, in a discography with at least 75 recordings. His recordings of the 1960's and 1970's remained well represented in reissues on the EMI label as of the early 2000's. Among his recordings: Beethoven: Piano concertos Nos. 4, 5 (EMI); Chopin: Works for piano and orchestra (EMI); Debussy: Piano works (Deutsche Grammophon); S. Rachmaninov: Piano sonatas Nos. 1, 2 (Deutsche Grammophon); S. Rachmaninov: Complete Preludes (RCA Gold Seal); Johannes Brahms: Sonatas for violin & piano Nos. 1-3 (EMI).

Пікірлер: 18

  • @user-kt5bg6zr3p
    @user-kt5bg6zr3p Жыл бұрын

    ワイセンベルクさんは20世紀最高の偉大なピアニストの1人です。なぜこんなにワイセンベルクさんのピアノに惹かれるのか。 評論家が何を言おうと素晴らしいものは素晴らしい! コンサート、CD、ユーチューブ何を聴いても感動します。あの強靭で柔らかな、滑らかな指から美しいピアノの音色が流れます。 何度涙を流したでしょう。 もう、ライブでは聴けないのですね。 病気で思うよう弾けなかったワイセンベルクさん。 天国で思いっきりピアノ弾いてください。

  • @nodepe
    @nodepe5 жыл бұрын

    I am excited to see so many devoted fans of Weissenberg! Although I have heard him at least twice at live concerts in his and my native Bulgaria (the late 70s and early 80s), I couldn't say that the grandiosity of Weissenberg's talent was obvious to me. I became aware of his place at the summit of the pianistic Olympus when started comparing his renditions with other prominent artists. The more I listened, the more I realized that I had the rare chance to listen to a genius pianist and artist. When I heard about his death in 2012, I felt it as a personal loss.

  • @user-kt5bg6zr3p
    @user-kt5bg6zr3p2 ай бұрын

    1972年に初めてワイセンベルクさんのコンサートを聴いて、大ファンになりました。 とても感動して、この気持ちは50年以上たっても変わりません。 パーキンソン病に30年も闘病していたとはまったく知りませんでした。 どんなに辛かったでしょう! 私は毎日、ワイセンベルクさんの演奏を聴いて感動し、冥福を祈っています。

  • @dmburke007
    @dmburke0076 жыл бұрын

    He has always been my favorite panist along with AMB, Thank you for sharing this marvelous interpretation!!.

  • @bvbwv3
    @bvbwv312 жыл бұрын

    The most exciting, articulate, dramatic, intelligent performance of this work I've yet to hear. One thinks of this composition in a new light after Mr Weissenberg's performance. Thanks for the upload.

  • @themattikman
    @themattikman9 жыл бұрын

    Great! That's a nice run at the end wow! Inspiring!

  • @BelfioreSara
    @BelfioreSara5 жыл бұрын

    Bellissima

  • @davepipe
    @davepipe13 жыл бұрын

    This is the recording I grew up hearing -- better than Rubinstein's. I wish there were a video of his performance of this.

  • @FurutayoshimotoAgon
    @FurutayoshimotoAgon13 жыл бұрын

    thankyou!!!

  • @chopinopus28
    @chopinopus2812 жыл бұрын

    AndrewToovey first of all thank you very much for this upload! i'm a big admirer of weissenreg's art. and may i ask something else. by the time you have this lp that had never been reissued could you please upload the third sonata??? i have read that the interpretation is thrilling ! in any case thank you for the scherzos!

  • @DESANDREphilip
    @DESANDREphilip10 жыл бұрын

    Enregistrement rare!

  • @madaboutvoice
    @madaboutvoice12 жыл бұрын

    Thank you for sharing! I'm an old fan of Mr Weissenberg and had many LP's by him but was forced to leave them behind when I moved countries (donated them to a college music library). Have you got his recording of Schumann's Carnival? I, among many, would be so appreciative if you could upload it. Many thanks and regards.

  • @user-ln9gp5qt4h
    @user-ln9gp5qt4h9 жыл бұрын

    ワイセンベルクのコンサートに行く度に惹かれたものです。 しかし、次の日の新聞の音楽評論屋の評価に胸を痛めました。音楽雑誌にも。自分の感性が、おかしいのかと、自己嫌悪に 陥るくらいに。自身、ピアノが、専門なのでワイセンベルクの全てが、私。評論屋なんて今のテレビのワイドショーのコメンテーターと同じ。ペライもの。

  • @user-kt5bg6zr3p

    @user-kt5bg6zr3p

    8 ай бұрын

    ワイセンベルクの魅力を再認識して、CD、DVD、楽譜等たくさん求めました。 毎日、ワイセンベルクのピアノを聴いて、ワイセンベルクの編曲や自作の曲を弾いています。 初めて聴いてから50年以上経つのに、未だに熱中しています。 なんて偉大なピアニストでしょう! ワイセンベルクさんの演奏は生涯私の心の中にいます!

  • @AndrewToovey
    @AndrewToovey13 жыл бұрын

    @morvensky Hi not sure I have heard this - it's difficult to keep up with all the various recordings.

  • @liopopliopo
    @liopopliopo12 жыл бұрын

    haha come on weissenberg is one of the best pianists ever and he plays the fast part very clean but in the song he really cant match rubinstein!!

  • @pchk1
    @pchk112 жыл бұрын

    @Bret6464 oops . . . he just ruined the great ending

  • @dw6600
    @dw66005 жыл бұрын

    For Rachmaninoff I prefer Weissenberg. For Chopin it’s Zimerman all the time.

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