80 BPM Drum Beat - Simple Straight

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80 bpm drum beat 4/4
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• 80 BPM Drum Beat - Sim...
• 85 BPM Drum Beat - Sim...
• 90 BPM Drum Beat - Sim...
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#80bpm #drum #beat
The best sounding drumming tracks & loops for playing, jamming, practicing or composing.
Use it like a cool metronome. Pop, Rock. It shows the measure number at the top left.
80 Beats per Minute 4/4
Rhythm is a fundamental aspect of human existence, reflecting the intrinsic patterns of our daily lives such as walking and the rhythmic pulsing of our hearts. Scholars like Howard Goodall suggest that the rhythms we create in music echo these everyday human rhythms. However, the connection between rhythm and our heartbeat is indirect; it is more about the rhythm of our emotions, which in turn influences our heartbeat. This idea is supported by further research that ties rhythmic experiences to the evolutionary developments of early humans, suggesting that our ability to process rhythmic beats is deeply rooted in our history. Musician Justin London discusses how we perceive and anticipate musical rhythms, abstracting a series of beats from the music we hear, which guides our participation in it, much like how we instinctively respond to the ticking of a clock.
Drums are one of the oldest musical instruments around, playing a key role in various cultural, spiritual, and everyday life activities. Typically, they have a membrane stretched over a shell that makes a sound when hit. Despite thousands of years passing, the basic design of drums hasn't changed much, which shows how important they still are. Whether played alone or as part of a drum kit, drums can sound quite different depending on how they're made, the drumhead's tightness, and the materials used. For instance, an 80 BPM Drum Beat showcases the drum's versatility and timeless appeal.
Joseph Jordania offers insights into how rhythm likely played a crucial role in the survival of early human communities. Rhythmic sounds facilitated the development of coordinated group activities, which were essential for defense and community unity. This unifying aspect of rhythm persists today in various forms, such as military drills, communal dancing, and even in the shared experience of listening to rhythmic music during collective events.
Music fundamentally revolves around creating and perceiving rhythmic patterns. These patterns aren't just a series of beats; they're organized in a way that humans can anticipate, enhancing the musical experience. Rhythms can range from simple to complex, involving single or multiple time signatures. They can vary from the straightforward drum beats of a rock band to the intricate cross-rhythms found in Sub-Saharan African music. The perception of rhythm involves a hierarchy of metric levels-beats, division levels, and multiple levels-all shaping how we experience music. For example, an 80 bpm drum loop can provide a steady foundation that listeners can easily follow, enriching the overall musical texture.
Drums hold various symbolic meanings in different cultures. For example, in Burundi, drums were so revered they symbolized the authority of the king. The diversity in drum usage underscores its cultural significance, from religious ceremonies to communal celebrations, and even as a form of therapy. The adaptability and appeal of drums are evident in their widespread use across different musical genres and settings.
The ability to perceive and interact with rhythm is not universally present among animals, indicating a unique evolutionary development in humans. Neurologist Oliver Sacks notes that while many animals can perform rhythmic movements, the ability to synchronize with an auditory beat is uniquely human. This suggests a specialized neurological development that supports rhythmic coordination, which plays a vital role in social bonding and communication.
In conclusion, rhythm, particularly expressed through drums and beats, is not just a musical foundation; it is a bridge to our past, a reflection of our innermost biological rhythms, and a tool for social cohesion and emotional expression. By understanding the multifaceted roles of rhythm, we can appreciate its power in human culture and individual experiences.

Пікірлер: 15

  • @suggest_6153
    @suggest_615316 күн бұрын

    it's much better old beats. I really like new drums!

  • @deaddiamond3698
    @deaddiamond36982 ай бұрын

    Glad to see a new beat! Thanks for your work, it’s my go-to way for warming up

  • @LumBeat

    @LumBeat

    2 ай бұрын

    Glad you enjoy it and happy warming up!

  • @dipierijuanpablo3364
    @dipierijuanpablo33642 ай бұрын

    Great work! Weckl si a jerk jajaja!!

  • @LumBeat

    @LumBeat

    Ай бұрын

    😬

  • @Br0ken_7ecord
    @Br0ken_7ecordАй бұрын

    i miss the old kanye!!!!

  • @glo8797
    @glo87972 ай бұрын

    Thanks. Luv your work! 🎶

  • @LumBeat

    @LumBeat

    2 ай бұрын

    Glad you like it!👍

  • @matthennagersguitarlessons
    @matthennagersguitarlessons2 ай бұрын

    You guys are back!!!!!

  • @LumBeat

    @LumBeat

    2 ай бұрын

    Yeah, and ready to rock 🥁🎸 🤘

  • @matthennagersguitarlessons

    @matthennagersguitarlessons

    2 ай бұрын

    @@LumBeat How come you guys took down the basic beats down? I've been using those beats since 2010

  • @LumBeat

    @LumBeat

    2 ай бұрын

    @@matthennagersguitarlessons KZread removed them due to copyright issues. No worries, we have even better tracks ready for you now!

  • @matthennagersguitarlessons

    @matthennagersguitarlessons

    2 ай бұрын

    @@LumBeat That's amazing, Who owned them?

  • @_____8106
    @_____81062 күн бұрын

    Verse] Gm F Dm On a cobweb, afternoon in a room Eb full of emptiness Gm F By a freeway I confess Dm Eb I was lost in the pages Gm F Of a book, full of death Dm Eb Reading how we'll die alone Gm F And if we're good we'll lay to rest Dm Eb Anywhere we want to go Gm Bb F Gm In your house I long to be Gm Bb F Gm Room by room patiently Eb Gm I'll wait for you there F Gm Like a stone Eb Gm I'll wait for you there D D7 Alone Gm F On my deathbed, I will pray Dm Eb To the gods and the angels Gm F Like a pagan to anyone Dm Eb Who will take me to heaven Gm F To a place, I recall Dm Eb I was there so long ago Gm The sky was bruised F The wine was bled Dm Eb And there you led me on Gm Bb F Gm In your house I long to be Gm Bb F Gm Room by room patiently Eb Gm I'll wait for you there F Gm Like a stone Eb Gm I'll wait for you there D D7 Alone Alone [Solo] Gm Bb F Gm Gm Bb F Gm Eb Gm F Gm Eb Gm D7 [Verse] Eb Bb And on I read D Eb Until the day was gone Ebm C7 And I sat in regret D7 Gm Of all the things I've done Eb Bb For all that I've blessed D Eb And all that I've wronged Ebm C7 In dreams until my death D7 D7 I will wander on Gm Bb F Gm In your house I long to be Gm Bb F Gm Room by room patiently Eb Gm I'll wait for you there F Gm Like a stone Eb Gm I'll wait for you there D D7 Eb Alone Alone.. X Please rate this tab 57 VERSIONS Ver 1 889 Ver 2 4,378 Ver 3 57 1 COMMENT shmekie shmekie Aug 23, 2020 0 I would add one chord to the end when they leave the melody unresolved on Eb! RELATED TABS Bend In The RoadChris Cornell 70 Like A StoneChris Cornell 4,378 I Am The HighwayAudioslave 2,818 Cleaning My GunChris Cornell 66 As Hope And Promise FadeChris Cornell 59 Disappearing OneChris Cornell 52 ScreamChris Cornell 50 BlackPearl Jam 607

  • @_____8106
    @_____81063 күн бұрын

    Verse 1] (6/4) Dm A/C# Before the story begins, is it such a sin, Fm G#m For me to take what's mine, until the end of time? Dm A/C# We were more than friends, before the story ends, Fm And I will take what's mine, G#m create what God would never design Dm A/C# Our love had been so strong for far too long, G#m Dm I was weak with fear that something would go wrong, Dm A/C# Before the possibilities came true, G#m Dm I took all possibility from you Dm Dm/F Fm G#dim7 Almost laughed myself to tears, (CRAZY LAUGHTER) Dm Dm/F Fm G#dim7 Conjuring her deepest fears (COME HERE YA’ FUCKIN’ BITCH!) Dm Dmmaj7/C# Must have stabbed her fifty fucking Fm6 times, I can't believe it, Dm Dmmaj7/C# Ripped her heart out right before her Fm6 eyes, G#dim7 Eyes over easy, eat it, eat it, eat it (4/4) Dm She was never this good in Dm bed even when she was sleepin' A/C# Now she's just so perfect I've A/C# Dm* Never been quite so fucking deep in Bb - Dm (*Strings play notes: D E F Bb A) Dm Dm A/C# It goes on, and on, and on, I can keep you Dm Dm lookin' young and preserved forever, Dm Dm With a fountain to spray on your A/C# youth whenever [Chorus 1] Bb 'Cause I really always knew that my C little crime F Would be cold that's why I got a Dm heater for your thighs Bb C F And I know, I know it's not your time Dm But bye, bye Bb C And a word to the wise when the fire dies A You think it's over but it's just Dm C Bb begun C But baby don't cry C Bb You had my heart, at least for the C most part F C/E Dm 'Cause everybody's gotta die sometime, C Bb we fell apart C Let's make a new start F C/E Dm 'Cause everybody's gotta die sometime C Bb yea-yeah C C But baby don't cry-ay-ay-ay-ay [Verse 2] (6/4) Dm New possibilities I'd A/C# never considered, G#m Dm Are occurring the likes of which I'd never heard, Dm A/C# Now an angry soul comes back from beyond the grave, G#m Dm To repossess a body with which I'd misbehaved Dm Dm/F Fm G#dim7 Smiling right from ear to ear Dm Dm/F Fm G#dim7 Almost laughed herself to tears Dm Dmmaj7/C# Must have stabbed him fifty fucking Fm6 times, I can't believe it, Dm Dmmaj7/C# Ripped his heart out right before his Fm6 eyes, G#dim7 Eyes over easy, eat it, eat it, eat it (4/4) Dm Now that it's done I Dm realize the error of my ways A/C# I must venture back to A/C# apologize from somewhere far beyond Dm* Bb - Dm the grave Dm Dm Dm I gotta make up for what I've done A/C# Dm Dm 'cause I was all up in a piece of heaven Dm Dm While you burned in hell, no peace A/C# forever [Chorus 2] Bb 'Cause I really always knew that my C little crime F Would be cold that's why I got a Dm heater for your thighs Bb C F And I know, I know it's not your time Dm But bye, bye Bb C And a word to the wise when the fire dies A You think it's over but it's just Dm C Bb begun C But baby don't cry C Bb You had my heart, at least for the C most part F C/E Dm 'Cause everybody's gotta die sometime, C Bb we fell apart C Let's make a new start F C/E Dm 'Cause everybody's gotta die sometime C Bb yea-yeah C C But baby don't cry-ay-ay-ay-ay [Interlude 1] (3/4) Dm Dm/F A/E A/C# Fm Fm/Ab C/G C/E x2 [Bridge 1] Dm Dm Dm Dm Bb Bb Bb Bb I will suffer for so long (What will you do, not long enough) Gm Gm Gm To make it up to you (I pray to God Gm that you do) Csus4 C Csus2 I'll do whatever you want me to do C#dim7 Dm (Well then I'll grant you one chance) Dm Dm Dm Bb Bb Bb And if it's not enough (If it's not Bb enough, if it's not enough) Gm Gm Gm If it's not enough (Not enough) Try Gm again (Try again) Csus4 C Csus2 And again (And again) Over and over C#dim7 again (5/4) Dm We're coming back, coming back Dm We'll live forever, live forever Fm Let's have wedding, have a wedding Fm Let's start the killing, start the killing [Enter Drums 2] (4/4) Dm Dm Fm Fm x2 [Interlude 2] Dm Dm Do you take this man in death for Dm Dm the rest of your natural life? (Yes, A/C# I do) Dm Dm Do you take this woman in death Dm for the rest of your natural life? Dm A/C# (I do) I now pronounce you... [Chorus 3] Bb 'Cause I really always knew that my C little crime F Would be cold that's why I got a Dm heater for your thighs Bb C F And I know, I know it's not your time Dm But bye, bye Bb C And a word to the wise when the fire dies A You think it's over but it's just Dm C Bb begun C But baby don't cry C Bb You had my heart, at least for the C most part F C/E Dm 'Cause everybody's gotta die sometime, C Bb we fell apart C Let's make a new start F C/E Dm 'Cause everybody's gotta die sometime C Bb yea-yeah Csus2 N.C. But baby don't cry - ay - ay - ay - ay

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