Is there any particular oscilloscope display in common use for the purpose of tuning, visually?
@thaexception3406Күн бұрын
First and only Audio book I’ve finished so far - his audio book.
@SHOOTLAB17 күн бұрын
An amazing Graduation Event at Abbey Road Studios, congratulations to all of the students 🔥🔥🔥
@shouviknandakumar944017 күн бұрын
Congratulations to each and everyone of you . All the best 🎉 enjoy
@Abbeyroadinstitute17 күн бұрын
Thank you! 🎓
@user-qm7uw8if9kАй бұрын
Leggend
@sthnwatchАй бұрын
I'm goin'!!
@jammck13992 ай бұрын
When Bryan said that he wrote for Vesta, Shanice, Barry, Janet and Sting all of those acts are of course from A&M Records in the 80s. Never knew he was the son of Gene Dozier. Bryan did his best on the MJ Dangerous album in 1991, especially when he did Do the Bartman from Simpsons.
@carlangas9772 ай бұрын
The Crossing and Steeltown, by Big Country. Awesome albums by an amazing band, made real by the talent of Steve Lillywhite. Great producer.
@nobletrashspencer2 ай бұрын
*for wealthy people.
@elviraxxs2 ай бұрын
🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰
@sergiopugliese10062 ай бұрын
She did with MJ the BAD tour and the DANGEROUS tour...what a great memory of life for her ! Jenny you're great and thanks. ❤
@aerov24842 ай бұрын
How to explain complicated things in a simple way. She's the most articulate person in her field. She has the Prince street cred and now the scientific background, she really is one of a kind. Everything I have read of her, or anything I have heard her say has always made me feel better about my abilities and always allowed me to move one little step forward. Protect her at all costs.
@sharonhendrix74963 ай бұрын
Brilliant. Thank you for this invaluable information, Susan Rodgers.❤
@user-xb1gg2nn6i4 ай бұрын
my dream is to study music production in London but it's too expensive there
@thomaspensedent99525 ай бұрын
Interview très inspirante merci pour le partage
@thesearethesuns5 ай бұрын
I love this guy- so humble, so engaging, and so real. I’ve learned so much from his talks.
@chazbayley6 ай бұрын
I really wanted to hear his stories about how Michael would sing his musical parts and hear entire tracks in his head and expect everyone to help him bring his vision to life
@LeGrandSeigneur886 ай бұрын
I am still listening to Bryan Loren! Espcially the Song with Michael Jackson "Satisfy You"...Happy New Year 2024 to You and Community!
@solootto6 ай бұрын
Daxz why you delete all your stuff
@tiffanimorris71277 ай бұрын
The debut albums he did for Vesta and Shanice are ICONIC!!!
@operasinger21269 ай бұрын
Thanks, Tom!
@scottmackenzie669910 ай бұрын
Great sound. I have the same turntable. Really considering that AT cartridge. Do you know what headshell you used?
@gmar783610 ай бұрын
Lmao! Steve summed up Brian Eno! lol
@gmar783610 ай бұрын
I’m glad Steve produced U2. I don’t think their albums would’ve been the same without him.
@seydinatoure323111 ай бұрын
after moving to abbey road will i be able to work in big houses like universal music atlantic rec I really love the abbey roads history by the way
@Abbeyroadinstitute11 ай бұрын
Hello, thanks for your question. You can find out more about our Advanced Diploma in Music Production and Sound Engineering here on our website - abbeyroadinstitute.co.uk/courses/diploma-music-production-sound-engineering/ And you can find out about the types of jobs that our graduates go into and who they're working with here as well abbeyroadinstitute.co.uk/courses/diploma-music-production-sound-engineering/careers/ And some interviews with our alumni too! abbeyroadinstitute.co.uk/category/alumni/ Hope that's useful :) If you'd like to speak with one of our admissions team, they'll be very happy to help you. Please contact [email protected]
@ericjay602111 ай бұрын
This guy did the rap on black or white
@bengroovesgh Жыл бұрын
Are you open for international students?
@Abbeyroadinstitute Жыл бұрын
Hi Ben! Thanks for your question. Yes, we are now able to sponsor international students to study with us. You can find out more about applying to study with us here - abbeyroadinstitute.co.uk/courses/diploma-music-production-sound-engineering/international/ and please drop us an email at [email protected] if you have any questions at all :)
@ZzXDiegoXzZ Жыл бұрын
I would like to know the prices of the music production and sound engineering course. I can't find the information anywhere. Regards
@Abbeyroadinstitute Жыл бұрын
Hello, You can find the fees for the Advanced Diploma in Music Production and Sound Engineering here on the course page - abbeyroadinstitute.co.uk/courses/diploma-music-production-sound-engineering/fees-funding/ If you'd like to speak with our team and arrange a call with admissions or a tour of the studios you can contact us on [email protected] Speak soon!
@antonyjohn6136 Жыл бұрын
He did s great job with So Alone by Johnny Thunders. Bought it on vinyl when it came out I 1978 & still play it.
@dimetilldeath Жыл бұрын
Responsible for how famous MJ became
@billbradleymusic Жыл бұрын
This interview is invaluable. What a smoking hot drum sound.
@ProphetsOfRockTV Жыл бұрын
How does one get invited to these songwriting camps ?
@Abbeyroadinstitute Жыл бұрын
Hello! This Songwriting Camp was hosted at our Abbey Road Institute in Sydney for students studying on the Music Production course they teach. If you'd like to find out more about the course, head to abbeyroadinstitute.com.au/program/advanced-diploma-of-music/ and also reach out to our team there on sydneyatabbeyroadinstitute.com and they'll chat with you about how to join!
@manifestgtr Жыл бұрын
100% agree about gear being “meh”…I will, however, say that the IK SSL emulations are top shelf. About ten years ago, I used them on a pretty important record in my career and they sounded incredible. Very, shockingly faithful to the consoles. I’ve since shifted to the waves strips because the CPU hit is so much lighter. Maybe I’ll dust that stuff off at some point for busses or something. I don’t know if it’s changed but the one thing that used to suck about IK was its infrastructure…you had to buy “points” and get plugins through their “custom shop”. Hopefully they’ve done away with that 😑
@badgrand Жыл бұрын
So intrigued by this amazing artist, especially the work he did with Michael. Making demo from ~84-‘86.. The nucleolus of my favorite period of MJ artistic life.
@adamvitovskyfilms Жыл бұрын
I just love this guy. Rest in peace Al...
@WhitestarsRx Жыл бұрын
I live in Russia, and we don't have the same level as the Abbey Road Institute, and this imposes some limitations in knowledge. there is a feeling that you lose heart, and you think why am I doing all this ..? watching such videos, I find support from a distance! Good job Solomon, you lit a spark. the best motivation for me🙂
@oddfungaming3940 Жыл бұрын
I am from India ....can I enroll in this institute?
@Abbeyroadinstitute Жыл бұрын
Thanks for your question and your interest in studying at Abbey Road Institute, you can find out about how to apply to study with us by following the link here - abbeyroadinstitute.co.uk/courses/diploma-music-production-sound-engineering/entry-requirements/
@DJSTOEK Жыл бұрын
😷🙂🙂
@ILikeItfilms Жыл бұрын
Yo
@artifexastrum Жыл бұрын
I love the deesser trick! I usually use a frequency side-chain HF cut EQ, often with a frequency specific compressor with just enough mix information to position it in separation to all frequencies above my cut limit. But using the deesser is brilliant; as it allows for high cut without subjecting frequencies below that threshold to any artifacts or coloration. Thanks, man!
@terrytees Жыл бұрын
AL Schmitt "I turn down jobs if I don't like the desk" ARI have Al sat infront of a SSL, one of the desk's that made him turn down work 🤣
@alexandranava Жыл бұрын
I'm tired of holding my phone waiting for a worthy comment to make but after the understanding of this concept, which Susan so blissfully esposed my mind rejects everything to say... I can't not thank her, 'though... This MI graduate THANKS YOU 🙏
@Only1Science Жыл бұрын
Shout out to the electrifying mojo midnight funk association! The soundtrack of the 80's in Detroit!
@KingMJForeverAndEver Жыл бұрын
Thank you for you sir. The world is getting to know The King much better because of all of your work. Thank you, thank you, thank you 🌻🌻🌻
@compucorder64 Жыл бұрын
Great artist, I've always been a big fan. I love how characteristic Kenny Larkin's voice is. Apart from the big club tracks, he can make such pretty music too, like Amethyst, where it's all for the love of the cosmic electric tone - like Derrick May's timeless track 'Icon'. I think you can hear some of Larkin's particular style come through a bit in some great soulful techno artists that followed him, like Patrice Scott and EP's like Motions. Good interview too, I like how respectful he was, but without fawning, and just got out of the way transparently - like clean recording channel :) I get his point, but there are classically trained musicians that make great techno, people like Matthew Dekay. But like he said, it needs to be approached as an artist rather than a trained musician. Modern 'classical' musician training is a lot more artistic, broadly based and culturally aware than it used to be. And, Matthew's approach is more similar to Larkin's than different, loves the sounds and hands on playable technology. And he plays everything in live, by feel, in takes - Lost in a Moment isn't a million miles away from Larkin, especially in vibe, timbres, spaciousness and cosmic outlook.
@philpower_ Жыл бұрын
Amazing.
@jbarkerhill92 Жыл бұрын
That advice to automate eq and roll off high end of toms only when on same beat as cymbals is 🤯
@ableton-i3d Жыл бұрын
Nobody: Waves: Introducing the new TLA-76 Compressor
Пікірлер
Is there any particular oscilloscope display in common use for the purpose of tuning, visually?
First and only Audio book I’ve finished so far - his audio book.
An amazing Graduation Event at Abbey Road Studios, congratulations to all of the students 🔥🔥🔥
Congratulations to each and everyone of you . All the best 🎉 enjoy
Thank you! 🎓
Leggend
I'm goin'!!
When Bryan said that he wrote for Vesta, Shanice, Barry, Janet and Sting all of those acts are of course from A&M Records in the 80s. Never knew he was the son of Gene Dozier. Bryan did his best on the MJ Dangerous album in 1991, especially when he did Do the Bartman from Simpsons.
The Crossing and Steeltown, by Big Country. Awesome albums by an amazing band, made real by the talent of Steve Lillywhite. Great producer.
*for wealthy people.
🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰
She did with MJ the BAD tour and the DANGEROUS tour...what a great memory of life for her ! Jenny you're great and thanks. ❤
How to explain complicated things in a simple way. She's the most articulate person in her field. She has the Prince street cred and now the scientific background, she really is one of a kind. Everything I have read of her, or anything I have heard her say has always made me feel better about my abilities and always allowed me to move one little step forward. Protect her at all costs.
Brilliant. Thank you for this invaluable information, Susan Rodgers.❤
my dream is to study music production in London but it's too expensive there
Interview très inspirante merci pour le partage
I love this guy- so humble, so engaging, and so real. I’ve learned so much from his talks.
I really wanted to hear his stories about how Michael would sing his musical parts and hear entire tracks in his head and expect everyone to help him bring his vision to life
I am still listening to Bryan Loren! Espcially the Song with Michael Jackson "Satisfy You"...Happy New Year 2024 to You and Community!
Daxz why you delete all your stuff
The debut albums he did for Vesta and Shanice are ICONIC!!!
Thanks, Tom!
Great sound. I have the same turntable. Really considering that AT cartridge. Do you know what headshell you used?
Lmao! Steve summed up Brian Eno! lol
I’m glad Steve produced U2. I don’t think their albums would’ve been the same without him.
after moving to abbey road will i be able to work in big houses like universal music atlantic rec I really love the abbey roads history by the way
Hello, thanks for your question. You can find out more about our Advanced Diploma in Music Production and Sound Engineering here on our website - abbeyroadinstitute.co.uk/courses/diploma-music-production-sound-engineering/ And you can find out about the types of jobs that our graduates go into and who they're working with here as well abbeyroadinstitute.co.uk/courses/diploma-music-production-sound-engineering/careers/ And some interviews with our alumni too! abbeyroadinstitute.co.uk/category/alumni/ Hope that's useful :) If you'd like to speak with one of our admissions team, they'll be very happy to help you. Please contact [email protected]
This guy did the rap on black or white
Are you open for international students?
Hi Ben! Thanks for your question. Yes, we are now able to sponsor international students to study with us. You can find out more about applying to study with us here - abbeyroadinstitute.co.uk/courses/diploma-music-production-sound-engineering/international/ and please drop us an email at [email protected] if you have any questions at all :)
I would like to know the prices of the music production and sound engineering course. I can't find the information anywhere. Regards
Hello, You can find the fees for the Advanced Diploma in Music Production and Sound Engineering here on the course page - abbeyroadinstitute.co.uk/courses/diploma-music-production-sound-engineering/fees-funding/ If you'd like to speak with our team and arrange a call with admissions or a tour of the studios you can contact us on [email protected] Speak soon!
He did s great job with So Alone by Johnny Thunders. Bought it on vinyl when it came out I 1978 & still play it.
Responsible for how famous MJ became
This interview is invaluable. What a smoking hot drum sound.
How does one get invited to these songwriting camps ?
Hello! This Songwriting Camp was hosted at our Abbey Road Institute in Sydney for students studying on the Music Production course they teach. If you'd like to find out more about the course, head to abbeyroadinstitute.com.au/program/advanced-diploma-of-music/ and also reach out to our team there on sydneyatabbeyroadinstitute.com and they'll chat with you about how to join!
100% agree about gear being “meh”…I will, however, say that the IK SSL emulations are top shelf. About ten years ago, I used them on a pretty important record in my career and they sounded incredible. Very, shockingly faithful to the consoles. I’ve since shifted to the waves strips because the CPU hit is so much lighter. Maybe I’ll dust that stuff off at some point for busses or something. I don’t know if it’s changed but the one thing that used to suck about IK was its infrastructure…you had to buy “points” and get plugins through their “custom shop”. Hopefully they’ve done away with that 😑
So intrigued by this amazing artist, especially the work he did with Michael. Making demo from ~84-‘86.. The nucleolus of my favorite period of MJ artistic life.
I just love this guy. Rest in peace Al...
I live in Russia, and we don't have the same level as the Abbey Road Institute, and this imposes some limitations in knowledge. there is a feeling that you lose heart, and you think why am I doing all this ..? watching such videos, I find support from a distance! Good job Solomon, you lit a spark. the best motivation for me🙂
I am from India ....can I enroll in this institute?
Thanks for your question and your interest in studying at Abbey Road Institute, you can find out about how to apply to study with us by following the link here - abbeyroadinstitute.co.uk/courses/diploma-music-production-sound-engineering/entry-requirements/
😷🙂🙂
Yo
I love the deesser trick! I usually use a frequency side-chain HF cut EQ, often with a frequency specific compressor with just enough mix information to position it in separation to all frequencies above my cut limit. But using the deesser is brilliant; as it allows for high cut without subjecting frequencies below that threshold to any artifacts or coloration. Thanks, man!
AL Schmitt "I turn down jobs if I don't like the desk" ARI have Al sat infront of a SSL, one of the desk's that made him turn down work 🤣
I'm tired of holding my phone waiting for a worthy comment to make but after the understanding of this concept, which Susan so blissfully esposed my mind rejects everything to say... I can't not thank her, 'though... This MI graduate THANKS YOU 🙏
Shout out to the electrifying mojo midnight funk association! The soundtrack of the 80's in Detroit!
Thank you for you sir. The world is getting to know The King much better because of all of your work. Thank you, thank you, thank you 🌻🌻🌻
Great artist, I've always been a big fan. I love how characteristic Kenny Larkin's voice is. Apart from the big club tracks, he can make such pretty music too, like Amethyst, where it's all for the love of the cosmic electric tone - like Derrick May's timeless track 'Icon'. I think you can hear some of Larkin's particular style come through a bit in some great soulful techno artists that followed him, like Patrice Scott and EP's like Motions. Good interview too, I like how respectful he was, but without fawning, and just got out of the way transparently - like clean recording channel :) I get his point, but there are classically trained musicians that make great techno, people like Matthew Dekay. But like he said, it needs to be approached as an artist rather than a trained musician. Modern 'classical' musician training is a lot more artistic, broadly based and culturally aware than it used to be. And, Matthew's approach is more similar to Larkin's than different, loves the sounds and hands on playable technology. And he plays everything in live, by feel, in takes - Lost in a Moment isn't a million miles away from Larkin, especially in vibe, timbres, spaciousness and cosmic outlook.
Amazing.
That advice to automate eq and roll off high end of toms only when on same beat as cymbals is 🤯
Nobody: Waves: Introducing the new TLA-76 Compressor
Thank you so much for the feature!
T-RAcks max is amazing.