하나님의 은혜와 사랑과 보호하시고 도우심의 축복이 윤찬님의 일생토록 함께 하시기를 기도합니다🙏 하나님께서 주신 달란트로 하나님 영광 받으소서🙏
@jplopezcalvaКүн бұрын
Nobody like Sokolov.
@benedictcowell6547Күн бұрын
I have been an admirer of Schiff since he played the D minor 'Concerto in the final of the leeds Piano Competition because of which he came fourth but he was the best of the finalists and I cannot remember who the others were This tingles doesn't, the whole of one being is alive and alert and that is Schiff's art. It always has been
@user-cs3hy3on6kКүн бұрын
1.25배속으로 보는듯한 템포네요~~
@JFNolet2 күн бұрын
22:20
@kuasiellesius79912 күн бұрын
Please note, I'm not a translator. But I acknowledge the desire to hear word from sokholov, especially since anything available from him is so very rare. So I give it my best shot - don't blame me for mistakes, please. --- Sokholov: You know, music is not a profession, it is a part of life. Musicians are paid, but they don't play for money. --- Interviewer: It's easy for Sokholov to say, not because he won the Tchaikowsky competition with only 16 years and up to today earns a lot of money with his concerts throughout the world. You might assume that for the almost 60 years old chubby Sokholov money and fame is of little importance, when you see him cross the stage, right hand on his back like a waiter, with stoic face, sitting down on the piano stool while still bowing. He's interested in a different thing. Asked for his home, the permanently traveling St.Petersburger gives a strange answer. Sokholov: Concerts are a part of life. I cannot imagine life without concerts. My life is tightly connected to concerts. I never travel without concerts. Nowhere. Interviewer: Don't you like being at home? Sokholov: I do! But withtout concerts it's much worse. --- Interviewer: In the 70s and 80s Sokholov didn't have permission for western travels during his great soviet-career. Since he doesn't care (at all) for promotion, it took a long time until the western world acknowledged his rank. He prefers a half-filled concert-hall than a full one. Acoustics in a half-filled concert-hall are better, he thinks. At least from the stage. To him, there is only the stage. Sokholov: Concert-athmosphere is important, but that's a bit of a one-way street. From stage to audience. Not back. You can feel that. You can feel the audience. That's difficult. The audience might hear a piece for the first time and I have sacrificed my whole life for it. --- Interviewer: Instead of the dualism between stage and audience, duality for Sokholov is something within the interprete himself. Whoever has experienced him in one of his concertos cannot withdraw from the magic of his piano-playing. It is born from the risky dialectic between simultaneous devotion to the heart and the control of the heart. Sokholov: If you have the whole audience crying that doesn't mean you're crying yourself. You cannot play (when you're crying). If you play a piece called fog play like fog, nothing will transfer. You have to play fog crystal clear. That means that you have to split yourself ("you're always double"). --- Sokholov: It's like life. A new day is interesting to live. Nobody commits suicide after one day. I'm always different. Probably even tomorrow with a different concert-hall with a different piano it's possibly different. That's why the interpretation will be different. It's impossible to explain music in words. The more precise you talk about music, the further away from music you get. --- Sokholov: Frankly, I don't like records. It's the same as with fresh food and canned food. With good artists, concerts are always way better than records. With mediocre artists, records are way better than the concerts. That's the reason for the big crisis. --- Interviewer: It's strange that sokholov the concert-pianist and cd disdainer as a piano-colleague solely admires the studio artist and concert-hall evader Glenn Gould. The number of records of Sokholov at the french mini-label Opus 111 is single digit, the number of his concert-recordings legend. Sokholov: There are many concert-recordings located in Paris. Opus 111 did it, there are radio-recordings, lots of material. But honestly I don't have the time to travel there and listen to all recordings and decide which is better, which is ok. And then you have to cut it. It's a pain. For example I never play the same. I believe the best is as in the old times. A concert recording without cuts. --- Interviewer: He stays a studio-evader, the dread of marketing. That way he became cult, because cult is free of advertisement. If cult makes you odd, then Grigory Sokholov is at least wondrous which relates to the word wonder. He's a wonder of concentration. Concentration on the essential, the desired. Sokholov: I need to have a strong wish to play something. That's the most important thing. Sometimes I know ... We are lucky people. We do what we want to do. We do what we like.
@MonsieurPALOMAR3 күн бұрын
38:40
@sunnycalifornia32603 күн бұрын
Me qhen i jav penut buter with waturmelin
@BlackOpsClasherTH104 күн бұрын
gotta love the 7:13 - 7:32
@johnnyyeung39664 күн бұрын
❤
@sk-fk7om4 күн бұрын
Only he can produce that tone♬
@user-li6tq3lz5m4 күн бұрын
懐かしい、アヴェベルムコルプス
@janvermeer39314 күн бұрын
Eine Sternstunde der Menschheit !
@beramodemoon71305 күн бұрын
I m listening now his playing first note make me happy
@miico08965 күн бұрын
泣きそうな時に聴いたら完璧泣く。
@jiancao95535 күн бұрын
See how the orchestral musicians in the background are depressed 😅
@cecilgriffiths63997 күн бұрын
The sound is so clear, it’s like crystal clear water! And the performance quite extraordinary! Definitely the best I have ever seen or heard!! 🌟😎🙌👏❤️🎹 Rach
@samueltaylor99355 күн бұрын
This is not a very good interpretation of this piece. The orchestra and piano get out of sync quite a few times. And he plays multiple key sections way too harshly
@aguilacalva26258 күн бұрын
Superb 👍👏👏👏
@davidmartins049 күн бұрын
I had the privilege to watch this master at work, on the stage. I took a photo with him and everything, focused on stage but the nicest person on earth backstage. Such an experience
@alessandrococchi16459 күн бұрын
Hi! Have you got the other pieces of this concert?
@AnsonYeung18 күн бұрын
Sorry I don’t think so
@sottpris9 күн бұрын
Una permanenza dolorosamente lunga in un doloroso stato di insolubilità, sia ai tempi di Scriabin che adesso, è una prova per l'anima, che tuttavia trova gioia.
@firefly17999 күн бұрын
17:32
@shredcases10 күн бұрын
um expetaculo Grigory MARAVILHOSO
@user-ro6jj7ox1f10 күн бұрын
Wonderful
@frajah195910 күн бұрын
Scintillating beyond words
@IanG2710IanG11 күн бұрын
With Nobu everything is a tune, everything sings. Listen to all the other great pianists and in my opinion nothing sings in the same way.
@paulgreen692111 күн бұрын
Such a curious title. But it’s Scriabin. PWG
@andreagriseri765611 күн бұрын
🥲Adagio......tears!!! Thank you Maurice Thank you Helène
@Xanadu202512 күн бұрын
The infamous leaping passage defeated even Volodos!
@pamplayer408613 күн бұрын
Stunning! 👏🏻👏🏻👏🏻
@stefanbalcerak383014 күн бұрын
Mistrz
@stefanbalcerak383014 күн бұрын
Mistrz Grigori słychać, że uwielbia Chopina🎉
@anhducduong010514 күн бұрын
Wow, I have never seen Sokolov play Scriabin's before 😮
@user-eg1vd8ty5t14 күн бұрын
최고다
@Jack-hy1zq15 күн бұрын
I do love Sokolov's playing but he does drop some awful clangers 😄
@bbbartolo16 күн бұрын
Last movement was the jewel in the crown.wonderfully played
@mackiceicukice16 күн бұрын
Where is tih wonderful pianist now ? Anybody ?
@luciaartizzu435116 күн бұрын
Grande Sokolov Una interpretazione che fa accelerare il cuore e la mente . Grazie
@voraciousreader334117 күн бұрын
So weird to hear the host-who CONSTANTLY and rudely interrupts his guest!-try to reduce Zimerman to a wee Polish speck as Zimerman reduces himself to recorded nothingness due to his pathological sense of perfection! It is so bizarre that this wonderful artist has saddled himself with his varying pianos, seemingly trying to work himself up to a neurotic emotional straitjacket, wasting decades of his life! Was it growing up in such a repressive totalitarian environment which caused this, or what??
Пікірлер
하나님의 은혜와 사랑과 보호하시고 도우심의 축복이 윤찬님의 일생토록 함께 하시기를 기도합니다🙏 하나님께서 주신 달란트로 하나님 영광 받으소서🙏
Nobody like Sokolov.
I have been an admirer of Schiff since he played the D minor 'Concerto in the final of the leeds Piano Competition because of which he came fourth but he was the best of the finalists and I cannot remember who the others were This tingles doesn't, the whole of one being is alive and alert and that is Schiff's art. It always has been
1.25배속으로 보는듯한 템포네요~~
22:20
Please note, I'm not a translator. But I acknowledge the desire to hear word from sokholov, especially since anything available from him is so very rare. So I give it my best shot - don't blame me for mistakes, please. --- Sokholov: You know, music is not a profession, it is a part of life. Musicians are paid, but they don't play for money. --- Interviewer: It's easy for Sokholov to say, not because he won the Tchaikowsky competition with only 16 years and up to today earns a lot of money with his concerts throughout the world. You might assume that for the almost 60 years old chubby Sokholov money and fame is of little importance, when you see him cross the stage, right hand on his back like a waiter, with stoic face, sitting down on the piano stool while still bowing. He's interested in a different thing. Asked for his home, the permanently traveling St.Petersburger gives a strange answer. Sokholov: Concerts are a part of life. I cannot imagine life without concerts. My life is tightly connected to concerts. I never travel without concerts. Nowhere. Interviewer: Don't you like being at home? Sokholov: I do! But withtout concerts it's much worse. --- Interviewer: In the 70s and 80s Sokholov didn't have permission for western travels during his great soviet-career. Since he doesn't care (at all) for promotion, it took a long time until the western world acknowledged his rank. He prefers a half-filled concert-hall than a full one. Acoustics in a half-filled concert-hall are better, he thinks. At least from the stage. To him, there is only the stage. Sokholov: Concert-athmosphere is important, but that's a bit of a one-way street. From stage to audience. Not back. You can feel that. You can feel the audience. That's difficult. The audience might hear a piece for the first time and I have sacrificed my whole life for it. --- Interviewer: Instead of the dualism between stage and audience, duality for Sokholov is something within the interprete himself. Whoever has experienced him in one of his concertos cannot withdraw from the magic of his piano-playing. It is born from the risky dialectic between simultaneous devotion to the heart and the control of the heart. Sokholov: If you have the whole audience crying that doesn't mean you're crying yourself. You cannot play (when you're crying). If you play a piece called fog play like fog, nothing will transfer. You have to play fog crystal clear. That means that you have to split yourself ("you're always double"). --- Sokholov: It's like life. A new day is interesting to live. Nobody commits suicide after one day. I'm always different. Probably even tomorrow with a different concert-hall with a different piano it's possibly different. That's why the interpretation will be different. It's impossible to explain music in words. The more precise you talk about music, the further away from music you get. --- Sokholov: Frankly, I don't like records. It's the same as with fresh food and canned food. With good artists, concerts are always way better than records. With mediocre artists, records are way better than the concerts. That's the reason for the big crisis. --- Interviewer: It's strange that sokholov the concert-pianist and cd disdainer as a piano-colleague solely admires the studio artist and concert-hall evader Glenn Gould. The number of records of Sokholov at the french mini-label Opus 111 is single digit, the number of his concert-recordings legend. Sokholov: There are many concert-recordings located in Paris. Opus 111 did it, there are radio-recordings, lots of material. But honestly I don't have the time to travel there and listen to all recordings and decide which is better, which is ok. And then you have to cut it. It's a pain. For example I never play the same. I believe the best is as in the old times. A concert recording without cuts. --- Interviewer: He stays a studio-evader, the dread of marketing. That way he became cult, because cult is free of advertisement. If cult makes you odd, then Grigory Sokholov is at least wondrous which relates to the word wonder. He's a wonder of concentration. Concentration on the essential, the desired. Sokholov: I need to have a strong wish to play something. That's the most important thing. Sometimes I know ... We are lucky people. We do what we want to do. We do what we like.
38:40
Me qhen i jav penut buter with waturmelin
gotta love the 7:13 - 7:32
❤
Only he can produce that tone♬
懐かしい、アヴェベルムコルプス
Eine Sternstunde der Menschheit !
I m listening now his playing first note make me happy
泣きそうな時に聴いたら完璧泣く。
See how the orchestral musicians in the background are depressed 😅
The sound is so clear, it’s like crystal clear water! And the performance quite extraordinary! Definitely the best I have ever seen or heard!! 🌟😎🙌👏❤️🎹 Rach
This is not a very good interpretation of this piece. The orchestra and piano get out of sync quite a few times. And he plays multiple key sections way too harshly
Superb 👍👏👏👏
I had the privilege to watch this master at work, on the stage. I took a photo with him and everything, focused on stage but the nicest person on earth backstage. Such an experience
Hi! Have you got the other pieces of this concert?
Sorry I don’t think so
Una permanenza dolorosamente lunga in un doloroso stato di insolubilità, sia ai tempi di Scriabin che adesso, è una prova per l'anima, che tuttavia trova gioia.
17:32
um expetaculo Grigory MARAVILHOSO
Wonderful
Scintillating beyond words
With Nobu everything is a tune, everything sings. Listen to all the other great pianists and in my opinion nothing sings in the same way.
Such a curious title. But it’s Scriabin. PWG
🥲Adagio......tears!!! Thank you Maurice Thank you Helène
The infamous leaping passage defeated even Volodos!
Stunning! 👏🏻👏🏻👏🏻
Mistrz
Mistrz Grigori słychać, że uwielbia Chopina🎉
Wow, I have never seen Sokolov play Scriabin's before 😮
최고다
I do love Sokolov's playing but he does drop some awful clangers 😄
Last movement was the jewel in the crown.wonderfully played
Where is tih wonderful pianist now ? Anybody ?
Grande Sokolov Una interpretazione che fa accelerare il cuore e la mente . Grazie
So weird to hear the host-who CONSTANTLY and rudely interrupts his guest!-try to reduce Zimerman to a wee Polish speck as Zimerman reduces himself to recorded nothingness due to his pathological sense of perfection! It is so bizarre that this wonderful artist has saddled himself with his varying pianos, seemingly trying to work himself up to a neurotic emotional straitjacket, wasting decades of his life! Was it growing up in such a repressive totalitarian environment which caused this, or what??
Thank you, Sir!
❤