Пікірлер

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  @user-ki7jl4kf2c5 күн бұрын

  Прекрасная меланхолия!😢❤

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  @ArtiomGaluza6 күн бұрын

  Beautiful

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  @emilioalvarez20498 күн бұрын

  Me sumo a DanielFajardo: cuanta belleza!! Y qué laud tan precioso!! Alguien sabe de qué luthier es??

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  @danielfajardo909219 күн бұрын

  Precioso, cuanta belleza😊

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  @Aresmusic.official26 күн бұрын

  So beautiful ❤️

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  @spirospetroАй бұрын

  Really, really beautiful !!

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  @blainetrain2299Ай бұрын

  Holy Moly

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  @VA-lo4ulАй бұрын

  First time I hear these songs accompanied on the orpharion, it sounds wonderful. Clara Brunet's voice is absolutely perfect for this repertoire (and for much more, I'm sure). A delightful recital, thank you!

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  @VA-lo4ulАй бұрын

  Bravissimo!

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  @garysimkins21792 ай бұрын

  hello Bor, once again , thankyou for your mastery. I have sent two emails to Jiri regarding this instrument and have yet to hear from him. Can you tell me if he is away or if there is an issue with his contact information as I would very much like to have him make this Lute for me. I am in Canada, and there are very few makers that match the mastery of his instruments.. With Thanks in advance.

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  @borzuljan77132 ай бұрын

  Jiři sometimes takes time with answering and I think he has quite a long waiting list now. Maybe write again if he still didn't answer. But there are also really amazing makers in Canada! (Tomlinson, Carey, Van Berkel...)

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  @Freotheric2 ай бұрын

  For listeners' convenience, here are the texts: [John Dowland] Come ye heavy states of night, Do my fathers spirit right, Soundings baleful let me borrow, Burthening my song with sorrow, Come sorrow come her eyes that sings, By thee are turnèd into springs. Come you virgins of the night, That in dirges sad delight, Choir my anthems, I doe borrow Gold nor pearle, but sounds of sorrow: Come sorrow come her eyes that sings, By thee are turnèd into springs. --Anonymous [Robert Johnson] Care-charming Sleep, thou easer of all woes, Brother to death, sweetly thyself dispose On this afflicted [k]night*; fall like a cloud in gentle show'rs; give nothing to it loud Or painful to his slumbers; easy, sweet. And as a purling stream, thou son of Night Pass by his troubled senses; sing his pain Like hollow murmuring wind or silver rain. Into thyself** gently, O gently, O gently slide And kiss him into slumbers like a bride. -- John Fletcher, *Valentinian* (1610-14) Alternative readings: * prince ** Into this prince [John Dowland] Goe nightly cares, the enemy to rest, Forbeare a while to vexe my grieved sprite, So long your weight hath lyne upon my breast, that loe I live of life bereaved quite, O give me time to draw my weary breath, Or let me dye, as I desire the death. Welcome sweete death, oh life, no life, a hell, Then thus, and thus I bid the world farewell. False world farewell, the enemy to rest, now doe thy worst, I doe not weigh thy spight: Free from thy cares I live for ever blest, Enjoying peace and heavenly true delight. Delight, whom woes nor sorrowes shall amate, nor feares or teares disturbe her happy state. And thus I leave thy hopes, thy joyes untrue, and thus, and thus vaine world againe adue. -- Anonymous [Mr. Dowland's Midnight (John Dowland) - Tis Now Dead Night (text by John Coprario)] CORRECTION: Text by Thomas Campion* 'Tis now dead night, and not a light on earth, Or starre in heaven, doth shine: Now let a mother mourne the noblest birth That ever was both mortall, and divine. O sweetnesse peerlesse! more then humane grace! O flowry beauty! O untimely death! Now Musicke, fill this place With thy most dolefull breath: O singing wayle a fate more truly funerall Then when with all his sonnes the sire of Troy did fall. -- *Songs of Mourning bewailing the vntimely death of Prince Henry. Worded by Tho. Campion. And set forth to bee sung with one voyce to the lute, or violl: by Iohn Coprario*. London, 1613 [John Dowland] From silent night, true register of moanes From saddest Soule consumde with deepest sinnes From hart quite rent with sighes and heavie groanes My wayling Muse her wofull worke beginnes. And to the world brings tunes of sad despaire Sounding nought else but sorrow, griefe and care. -- Anonymous [John Dowland] In darkness let me dwell; the ground shall sorrow be, The roof despair, to bar all cheerful light from me; The walls of marble black, that moist'ned still shall weep; My music, hellish jarring sounds, to banish friendly sleep. Thus, wedded to my woes, and bedded in my tomb, O let me living die, till death doth come, till death doth come. -- Anonymous [Peter Warlock]* SLEEP Come, Sleep, and with thy sweet deceiving Lock me in delight awhile; Let some pleasing dreams beguile All my fancies; that from thence I may feel an influence All my powers of care bereaving! Though but a shadow, but a sliding, Let me know some little joy! We that suffer long annoy Are contented with a thought Through an idle fancy wrought: O let my joys have some abiding! -- John Fletcher *Philip Arnold Heseltine (1894-1930) DARKNESS I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went-and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires - and the thrones, The palaces of crowned kings - the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire-but hour by hour They fell and faded-and the crackling trunks Extinguish'd with a crash-and all was black. * * * The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless - A lump of death - a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge - The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them - She was the Universe. --George Gordon, Lord Byron (1816)

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  @Freotheric2 ай бұрын

  It's a pleasure to hear Peter Warlock matched with the Elizabethan composers whom he was among the first to appreciate, and imitate. "Sleep" is perhaps his finest song, but I would welcome more of his other settings. Clara Brunet's delivery is subtle and lovely, and the orpharion makes a fine substitute for the piano. Thanks too for Byron's "Darkness" -- a text for our grim times.

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  @djvycious2 ай бұрын

  Such performative singing. The power in your voice is very intoxicating. Thank you for posting this masterpiece.

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  @garysimkins21793 ай бұрын

  I am completely in awe of your mastery!. I cannot express how you have thrust me into another realm. This is simply divine in every possible way. Your intensity, your focus and phrasing... my God. Can you please tell me who made your Lute? Respectfully Sir.

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  @borzuljan77133 ай бұрын

  Thank you!! I am glad it touches you so deeply! The lute was made by Jiri Cepelak in Prague.

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  @garysimkins21793 ай бұрын

  @@borzuljan7713 Thankyou, can you send me the website information to order one of his instruments. I would love to have an 8 course Lute from him.

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  @garysimkins21793 ай бұрын

  @@borzuljan7713 Thankyou Bor, can you tell me which model this is? It's so incredible. Thankyou.

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  @borzuljan77133 ай бұрын

  It's his Venere 1582 model, 66,5cm, tuned to F.

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  @garysimkins21792 ай бұрын

  @@borzuljan7713 Thankyou. I have contacted him and hope to hear back about ordering that Lute.

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  @garysimkins21793 ай бұрын

  Literally transported back to the early Renaissance. So sublime and delicate. I am in heaven listening to this. Bless you both for your beautiful music.

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  @euledj794 ай бұрын

  great interpretation! Today I started to learn this piece on my new liuto attiorbato also with a full gut set. Not easy to get a good tone on 5th- 7th course. Did you take pure sheep gut for the thick string on 7th course or venice catline or metal core gut? Which diameter? Also my 5th course is pretty weak. I took 0,85mm Aquila HU sheep gut for 58,5 cm mensur. Any better advices? Thanks!

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  @borzuljan77134 ай бұрын

  Thanks! That's some pretty specific questions ;) ...the 5th-7th courses are indeed problematic on most of attiorbatos I played. I generally use slightly higher tension on the 5th course (plain sheep gut, cordoncini by Corde Drago). In the recording I used loaded gut for 6th and 7th course by Corde Drago (appesantite in rame)

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  @borzuljan77134 ай бұрын

  ...and congrats on trying to play a real attiorbato with real gut strings! Not an easy things to master ... (and to finance neither, unfortunately...)

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  @euledj794 ай бұрын

  @@borzuljan7713 Yes, I guessed that some load or wound for 6th-7th course is needed for a reasonable sound. So maybe I have to make that compromise. The extreme differences in thickness of the octave strings makes it also difficult to grip it propperly.

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  @euledj794 ай бұрын

  @@borzuljan7713 Youre right, not an easy task but I like to pursue this project consequently. And yes, it was expensive. But I saved some money by choosing beef gut to a discount price for most of the bass strings. But if you have more money and you want to string it gut-only I can recommend Kürschner "Luxline" with a metal core.

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  @euledj794 ай бұрын

  ​@@borzuljan7713 Do you play a Sellas or a Koch/Choc-attiorbato?

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  @--Bomb--5 ай бұрын

  CHE BANGERR🗣️🗣️🔥🔥🔥🔥🔥🔥🔥🔥

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  @kelesays5 ай бұрын

  Perfect tempo and tone! Superb!

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  @borzuljan77135 ай бұрын

  Thanks!

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  @ARAUTOLI6 ай бұрын

  Bravo !

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  @borzuljan77136 ай бұрын

  Thanks!

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  @giorgiazanin76756 ай бұрын

  Beautiful, Bravi!

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  @borzuljan77136 ай бұрын

  Grazie!

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  @dbadagna6 ай бұрын

  It's my first time to hear an orpharion played in delicate, lute-like manner; in other hands it usually sounds much more rough and brash.

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  @LEMENG8856 ай бұрын

  BRAVO!!!

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  @borzuljan77136 ай бұрын

  thank you!

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  @haimlute6 ай бұрын

  Marvelous!!!

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  @borzuljan77136 ай бұрын

  Gracias, merci!

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  @brd556 ай бұрын

  Great!!! ❤

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  @brd556 ай бұрын

  Bore, you are privileged! 🙂 Clara is FANTASTIC! 🙂

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  @borzuljan77136 ай бұрын

  She is! :)

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  @fabiocalzavara64937 ай бұрын

  Magnificent! Absolute greatness.

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  @borzuljan77137 ай бұрын

  Grazie!

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  @adrienpiece7 ай бұрын

  👍😍how beautiful ! happy new year!

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  @borzuljan77137 ай бұрын

  Merci Adrien ! Magnifique année à toi !

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  @Archiluth147 ай бұрын

  Poésie , quand tu nous tiens!

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  @tamarabernstein62377 ай бұрын

  Sublime!

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  @borzuljan77137 ай бұрын

  Thank you Tamara!

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  @brd557 ай бұрын

  Fantastic! Bravo Bore! Brava Clara! Branislav

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  @borzuljan77137 ай бұрын

  Hvala Brane!

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  @szymonnowak46287 ай бұрын

  Ah, Bor. was anything you did any less than brilliant?

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  @borzuljan77137 ай бұрын

  Oh, thank you! Glad you like it all!

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  @bostjankovacic89607 ай бұрын

  Beautiful. 🎼👌❤

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  @borzuljan77137 ай бұрын

  Hvala!

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  @ThomasLangloisLute7 ай бұрын

  Beautiful!

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  @borzuljan77137 ай бұрын

  Thank you Thomas!

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  @timmypeko7 ай бұрын

  Wonderful as always, Bor. Thank you. -Timotej

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  @borzuljan77137 ай бұрын

  Hvala!

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  @GiulioTanasini7 ай бұрын

  Mezmerizing! Bravissim*

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  @borzuljan77137 ай бұрын

  Grazie!

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  @mattcecil90077 ай бұрын

  wonderful! Are the Preludium and Fancy original compositions?

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  @borzuljan77137 ай бұрын

  Thanks! They are free improvisations

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  @patrigkernoa36287 ай бұрын

  Magnifique!!!! Who is the luthier? Qui a réalisé ce bel instrument?

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  @borzuljan77137 ай бұрын

  Merci ! L'orpharion ? C'est Bruce Brook qui l'a fait.

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  @patrigkernoa36287 ай бұрын

  je m'en doutais. Je lui ai commandé un instrument, l'attente est le premier pas vers le plaisir.

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  @borzuljan77137 ай бұрын

  @@patrigkernoa3628 super ! Bonne attente alors ;)

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  @tonyjohnson58937 ай бұрын

  I was held captive by this well of musical beauty, thank you!

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  @borzuljan77137 ай бұрын

  Thank you, dear Tony!

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  @EmmaLisaRoux7 ай бұрын

  Enchanting. Thanks for sharing!!

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  @borzuljan77137 ай бұрын

  Merci Emma-Lisa!

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  @Mitchie-Pixofish8 ай бұрын

  I would like to comment, but i can‘t find words for this 😊

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  @borzuljan77138 ай бұрын

  You just found them! And if it smells of duende, then I'm really glad ... thank you ! ;)

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  @zapicodani8 ай бұрын

  ¡Fantásticos! ¡Me encanta! Enhorabuena

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  @borzuljan77138 ай бұрын

  Gracias!!!

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  @MagicLute8 ай бұрын

  I also play lute and I wish I could play as beautiful as you.

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  @borzuljan77138 ай бұрын

  It's indeed a magical instrument... I'm sure one day you will!

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  @MagicLute8 ай бұрын

  🥰

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  @MagicLute8 ай бұрын

  Beautiful! Lute music and esp. Dowlands music has healing virtues, as has the one who plays it.

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  @borzuljan77138 ай бұрын

  Thank you! Glad you like it!

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  @luthval8 ай бұрын

  Wonderful, as usual, a pity the camera is moving too much.

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  @callenclarke3718 ай бұрын

  Recording, Lute-tone, Performance. Home run on all fronts. Just Beautiful. Well done.

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  @borzuljan77138 ай бұрын

  Thanks!

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  @genaroglielmi8 ай бұрын

  Me inclino ante ustedes en señal de reverencia. Muchas gracias por tan sentida interpretación. (I bow before you in reverence. Thank you very much for such a heartfelt interpretation).

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  @borzuljan77138 ай бұрын

  Grazie! Contento che piaccia!

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  @dondufay22098 ай бұрын

  Que impresionante!. Sensei, gurú, supersayayin!!

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  @virginier94259 ай бұрын

  Mon interprétation préférée !

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  @robinmiric202710 ай бұрын

  Jeffrey and Bor are a wonderful duo!

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  @Ken_oh54510 ай бұрын

  Delighted to find this - Romain sounds very fine