Пікірлер

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  @user-ro6jr2mu8o10 ай бұрын

  リヒァルト・シュトラウス大好きです❤ 素晴らしい録音ですね😊 ゾクゾクします どうもありがとうございます

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  @user-ro6jr2mu8o10 ай бұрын

  クラシック音楽を聴き初めて　50 年ぐらいになりますですが　、 こんなに凄い幻想交響曲は聴いたことがありません😊 本当に素晴らしい演奏だと思いました❤ 感動しました! 何故か、二楽章のワルツの途中で、動画が止まってしまいます? 42:23 ここからワクワクします 42:44 凄い凄い!! 46:41 ティンパニが大活躍

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  @wiwipapillon6928 Жыл бұрын

  Je reviens l'écouter chaque année pour essayer mais .. rien . Je ne comprends rien. Mise a part la partie en 3/4 qui est agréable, c'est vraiment parmis les rares oeuvres qui me laissent ce sentiment de "rien". Je trouve ça fade, je ne comprends pas en quoi elle est citée comme révolutionnaire

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  @labourisnotinvain Жыл бұрын

  can not appreciate it sounds just like an ordinary bluetooth speakers

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  @obiwan882 жыл бұрын

  Uploader you should really have ensured video and audio is in sync. This is so awful to watch.

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  @caveatemptor26972 жыл бұрын

  Fantástico Blomstet, increíble su energía dirigiendo con mas de 93 años. Admirable, un ejemplo para todos.

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  @davidowen14082 жыл бұрын

  This truly excellent performance should have many more views and pluses!

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  @shin-i-chikozima2 жыл бұрын

  It is my blissful moment to think about various scene of this work while listening to the wonderful performance

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  @keithk7882 жыл бұрын

  , M

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  @hernangenero74272 жыл бұрын

  ¡estupendo!

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  @MrBohuslav2 жыл бұрын

  More Mozart than Berlioz, but why not?

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  @user-wc7hu6ur1l2 жыл бұрын

  Супер!!!

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  @user-wc7hu6ur1l2 жыл бұрын

  Шикарно!!!!

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  @VuotavaSaapas2 жыл бұрын

  Do you have them in closed cabinets?

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  @koipinliew39892 жыл бұрын

  What is the brand of this pair of speakers?

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  @carljonsson99642 жыл бұрын

  Verity Sarastro II

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  @koipinliew39892 жыл бұрын

  @@carljonsson9964 This pair of speakers sound very analogue and have a deep low bass like my AE

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  @user-ql3mm2to2y2 жыл бұрын

  amazing

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  @guillermozimbron51212 жыл бұрын

  Estupenda interpretación

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  @tomaxi0072 жыл бұрын

  Herrlich, so eine ehrliche Ansprache, so ein souveräner Mann und doch einfach geblieben. Überaus bewundernswerter Mensch! Dirigenten haben eine große Gabe mit großem Wissen. Herbert Blomstedt ist ein Menschenkenner par excellence und ein wunderbarer Musiker. Danke!

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  @pibbles-a-plenty11052 жыл бұрын

  A concert hall architecture that is the antithesis of music - just plain ugly.

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  @aukej60242 жыл бұрын

  It actually has very good acoustics.

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  @richardwilliams4733 жыл бұрын

  This conductor is amazing! Age is no barrier!BRAVO to you Maestro Blomstedt

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  @richardwilliams4733 жыл бұрын

  How old is this conductor?

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  @philthefox19482 жыл бұрын

  94 since july 2021... Can you believe that ? Many people are much older at 30!

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  @richardwilliams4732 жыл бұрын

  @@philthefox1948 IT seems to me that conductors all have the propensity to live to a ripe old age ?

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  @user-zs7eb5uc9r2 жыл бұрын

  He was born in 1927. 94years old in 2021. 2yr younger Haitink(b.1929)already retired.

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  @barronhung82463 жыл бұрын

  2:24

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  @antonio_rioseco3 жыл бұрын

  "Die Hörner mit Dämpfer..." unglaublich! Niemals hatte ich "Marche au Suplice" so gehört!!

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  @mauricioduron31933 жыл бұрын

  Many versions are worthy, but Maestro Blomstedt and orchestra capture the imagination, lyrical yet majestic, as did Solti, Szell and other greats. Great detail in the balance and recording.

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  @SamsonCheung3 жыл бұрын

  To the people of Hong Kong. Spirit of Egmont lives on.

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  @user-wc7hu6ur1l2 жыл бұрын

  Что за дух?

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  @alexeyizmirliev643 жыл бұрын

  Bello!

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  @carloslaguensbermejo98123 жыл бұрын

  Magnifica interpretación por esta prestigiosa Orquesta de Leipzig de la célebre obra "La Sinfonia Fántastica" perteneciente al periodo Romántico Temprano compuesta por el francés Héctor Berlioz. Es digno de destacar el trabajo del longevo y genial director musical Herbert Blomstedt que a sus 93 años todavía continua en activo. IMPRESIONANTE !!!! Saludos desde España.

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  @m_c_86563 жыл бұрын

  good things!

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  @sivakumarvakkalanka49383 жыл бұрын

  Can someone please post a summary of what he is saying in English? He is a conductor i admire a lot.

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  @RogerBesst2 жыл бұрын

  I would like a translation also. He is a wonderful musician. Bravo!

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  @ruthlau91822 жыл бұрын

  I am learning German, but I could not understand everything he said. I tried my best and I came up with this: First, he talked about the enormous will-power and strength of Beethoven’s Egmont overture. He compared the downbeats of different conductors like Toscanini and Furtwängler. He went on saying that this overture is short but very moving. He then mentioned about there were about 100 players on stage, and used it as a transition to talk about Berlioz. The orchestral force needed by Berlioz (for the Symphonie Fantastique) is much greater than Beethoven. How such a big orchestra works, he said the most significant aspect is that all players listen to each other as if they were players in small chamber ensembles. When the players listen to each other, they don’t need someone to count beats or cue them. He said sometimes he does not conduct at all in rehearsals, he just let the players have an atmosphere to work in. He had an orange pamphlet on the score stand (programme notes, I think?) There were quotes from Berlioz’s memoir. “What Berlioz thought about this symphony as he came to Leipzig”. He recounted about Mendelssohn met Berlioz eralier in Rome, Mendelssohn and Berlioz have very different musical styles, Mendelssohn heard the symphony before but didn’t like it. He invited Berlioz to Leipzig in spite of this, because he was convinced that Berlioz was a great artist, and an original and educated person. Blomstedt mentioned that Mendelssohn was a wonderful role model. He went on quoting from Berlioz’s memoir, how he praised the orchestra, the Gewandhaus, the players able to play a difficult programme with just two rehearsals, etc. Blomstedt added that a good orchestra has the ambition to be better each time, the strife for beauty shared by every member of the orchestra. He recounted how he came to Leipzig, which was at that time part of East Germany. At the end, he mentioned that some orchestras in the USA rate success as making a big article in the newspapers, but he stressed once again the growth in quality and getting a little better every week. I hope it helps. :)

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  @adrianhille80372 жыл бұрын

  He is basically saying how the beginning of the overture sounds different coming from different conductors as well as different orchestras but it's still always very powerful and then interpreting the piece. How after or in between the power there may be the question of mercy and at the end the light wins. Then, for Berlioz, there is the orchestra way bigger (about 100 musicians). Two more tubas, harps,...because Berlioz had fantastic visions. He says that he is conducting for roughly 100 years now, is still fascinated about it and still doesn't really understand how it works. :D The most important thing is that the people in the orchestra needs to listen to each other and then it can become music. They need a conductor who gives them space to start fantasizing about the piece and how to play. He then welcomes musicians from Dresden who joined the orchestra just for this piece. (As a Saxon, I can assure you, that to swap musicians between Dresden and Leipzig usually doesn't happen and only with Blomstedt that's possible.) He speaks about his experiences with rehearsals. How he arrives, the orchestra is already there and everybody is very well prepared. The rehearsal starts at 10am. He says the difference between the Saxon orchestras and other orchestras is: already 10 minutes before 10am, everybody is there and ready to start. 3 minutes before 10am, the first violin gets up so the orchestra can do the tuning. After the tuning, there is completely silence. Nobody says anything. It's kind of this atmosphere asking how will it go? will it be a good/interesting/boring rehearsal/...? Blomstedt says: That's an incredible feeling. He asks the audience to get the written program for the evening and to read the document no. 2. There is written what Berlioz was thinking about this symphony when he came to Leipzig. He actually was waiting to come to Leipzig and Dresden when Mendelsohn asked him to come there and play the "Symphony Fantastique" with our orchestra. The reason for the waiting of Berlioz to come to Saxony was that after 1831, when Berlioz and Mendelsohn met in Rome, he thought they were going on with such different kind of lifestyles and music-styles that he wouldn't get any sympathies there. After he gave the concerts Mendelsohn wrote Berlioz how great it has been. Back in Rome Mendelsohn didn't like the Symphony Fantastique at all and he called it disgusting because of the opium taking to suicide himself, failing and getting psychologically ill. But still Mendelsohn invited him and wanted him to perform in Leipzig. -> "That's a way to life together and that should be an example for us. For me, as a foreigner, the orchestra still works like that and even when we are playing pieces which we don't like so much, we will appreciate them if they are played well."--Blomstedt. Berlioz was fascinated of the audience, the "Musikverein", the orchestra and the acoustics of the Gewandhaus. Berlioz arrived when the orchestra was playing the "Walpurgisnacht" from Mendelsohn and he stated that he felt like it's a miracle, because of the singing, the playing and the beauty of the piece...so he had a huge respect for Mendelsohn as a colleague. He observed that the respect between the orchestra, the conductor/composer, and the concertmaster is so high that 2 rehearsals are enough to practice that difficult, new piece. (Blomstedt said that they needed 5 rehearsals and would actually like to have even more sometimes.) "To have the ambition to never be good enough and to play it even better than before is what makes a good orchestra."(Blomstedt)...just that thinking to be able to make it even better....that makes a perfect atmosphere. "Imagine how much talent there is on stage. As I was young, I was able to play a little bit violin. But I have never been so good as they are."(Blomstedt) He says how much work and effort it takes to be part of the Gewandhausorchester and the Staatskapelle Dresden. It's incredible. There is a special connection between Blomstedt and Saxony: I have been principle conductor in Leipzig and Dresden which wasn't always easy. He said that he also was waiting to go to Dresden because of the political system (DDR/GDR) which he was not familiar with at all. As he was a kid he had a radio and was usually listining to the Staatskapelle Dresden Sundays where he heard a nice symphony, didn't know the name but recognized the melody. It was the Mozart variations of Max Reger played by the Sächsische Staatskapelle Dresden conducted by Karl Böhm. "Oh! More beauty isn't possible!!"(Blomstedt) He made it his ideal way of life and music. Now, 30 years later, he can is standing in front of the orchestra and can listen to that sounds live. He was very impressed by that idea but still upset because Dresden still wasn't well reconstructed after World War 2. One year later, he was asked to become the principle conductor but he refused. Two and a half years later, he thought, he gotta do that! The orchestra welcomed him warmly and invited him to little trips in Saxony for example where Weber composed the "Freischütz", Wagner "Lohengrin". Later in Leipzig, the same with Bach. In Leipzig he visited the music store Becker because it's unique he was told. It was kind of hard to find but he found the place and Becker opened it for him. Becker asked him what he was looking for and Blomstedt didn't know exactly what to say, but then he said he heard of a sonata by Albrecht Berger for 4 trombones. Becker just went up a letter pulled on a score without even searching and gave Blomstedt that exact rare piece. Blomstedt couldn't find that piece in either Paris or New York City, but now he found it in Leipzig. -> Saxony is a land of culture! Two days ago, they performed the "Symphony Fantastique" where the whole audience happened to be teenagers. Blomstedt said it was amazing how those young people enjoyed the music and he is assured that with that the future of culture is saved. In this orchestra, there are people from 20 different nations and they are so happy and opened to welcome other nations to the orchestra. The father of the concertmaster was a solo-cellist in this orchestra. So, there is a big tradition in the orchestra. There is a from Switzerland, a viola player from France, a lot of Germans, oboe from Italy, clarinet from Germany, bassoon from Italy.....and they play together very well because they all want to give there best. He loves the orchestras and respects them. He especially loves to conduct in Dresden and Leipzig.

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  @frantark25352 ай бұрын

  ​@adrianhille8037 Thanks so much to you and preceding person for this detailed translation and effort to put it down here as well, it enlightens and helps me appreciate Blomstedt more as well

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  @sivakumarvakkalanka49382 ай бұрын

  @@adrianhille8037 Thank you for translating

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  @davidparrish25343 жыл бұрын

  Doesn't come close to the exciting Bernstein version with French orchestra on utube

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  @johnnysun6166 Жыл бұрын

  You get excitement with French orchestra, just like a teenager excited about McDonald's and coke. You don't know what is gourmet.

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  @liloruf28387 ай бұрын

  Haha! Perfectly put. Don't wanna compare Blomstedt to any dirigent alive. Makes them look like..

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  @galas0623 жыл бұрын

  danke....

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  @rashhri15823 жыл бұрын

  Do you have instructions on how to work with this plate when setting up the cartridge

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  @klausimausischmidt57913 жыл бұрын

  Ich liebe Herbert Blomstedt!

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  @firzaakbarpanjaitan94083 жыл бұрын

  42:25

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  @WinrichNaujoks3 жыл бұрын

  Ahhhh! The picture is slighty behind the sound!

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  @antoineduchamp49313 жыл бұрын

  Yes, I thought that too.

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  @liloruf28387 ай бұрын

  Please, what does that mean?

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  @Henning_S6 ай бұрын

  video and sound are not in sync @@liloruf2838

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  @ionia-life3 жыл бұрын

  Another magic of Supravox... kzread.info/dash/bejne/oJ6jyqSYZM23e8o.html

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  @ionia-life3 жыл бұрын

  Supravox ... Magical sound wherever it is!

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  @asdrubalperez15073 жыл бұрын

  Lovely rendition. This maestro belongs to the great past of music making.

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  @donaldallen1771 Жыл бұрын

  The present, too. He really is amazing.

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  @hmderka4 жыл бұрын

  Großartiges Konzert! Herbert Blomstedt ist ein Wunder - Gott erhalte ihn uns noch länger!

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  4 жыл бұрын

  What’s the preamp? Audionote ....?

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  @carljonsson99642 жыл бұрын

  Audionote M5 Phono

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  @germanquintero101219464 жыл бұрын

  MAGNIFICO

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  @deepgrooved5 жыл бұрын

  what cartridge??

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  @jakosyjanar58385 жыл бұрын

  speaker?? amplifier??? name??? DIY???

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  @pellefyrby5 жыл бұрын

  Tack, missade dom igen...

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  @turntable49835 жыл бұрын

  Could you please tell what´s the title of this record? I´ve tried to find this version of the World´s End on different records without luck, so it would be very nice with some help. Great sounding stereo you got there!

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  @carljonsson99645 жыл бұрын

  Thanks. It's the us original from 1970 on ABC/Dunhill label with cat# DS-50095. It's actually a promo, but of course the version is the same.

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  @turntable49835 жыл бұрын

  @@carljonsson9964 Thank you very much.

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  @walterkleewein99485 жыл бұрын

  wann war die Übertragung auf ARTE? Insgesamt unglaubliches Detailwissen von Blomstedt, er kann Dinge aus der Geschichte erzählen, die sonst keiner mehr weiß. Fast jeder Satz hat eine Aussage, es gibt meist nur 5 % der Menschen, die so bedeutsam sprechen können. Ein Genuss.

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  @carljonsson99645 жыл бұрын

  Es war "Live" Samstag 15 September 2018. Ich bin deiner Meinung. Er ist außergewöhnlich.

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  @rousseau1able4 жыл бұрын

  Carl P pp

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  @bfriebe24 жыл бұрын

  Herbert Blomstedt ist ein Ausnahmedirigent. Seine fachliche Kompetenz, seine tiefe Religiosität ist beeindruckend. Man muss diesen uneitlen, bescheidenen und charmanten Menschen einfach lieben!

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  @aureliebraymand72485 жыл бұрын

  merci pour cette vidéo, auriez vous aussi celle diffusé sur arte il y a quelque temps de la symphonie n°3 en La Mineur dite "écossaise" de félix mendelssohn bartholdy dirigé par Andris Nelson et jouer par l'orchestre du Gewandhaus de leipzig?? merci

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  @carljonsson99645 жыл бұрын

  Thanks. Sorry I don't have that concert.

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  @IvanHernandez-gx4rt5 жыл бұрын

  It is absolutely amazing!

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  @narcis.prisacaru5 жыл бұрын

  Briliant!

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  @bradleysmith6816 жыл бұрын

  Great.. A scope and test record combined is really the best method to set-up a turntable. My friend was (still is) a broadcast engineer back in the 70's and 80's.. He told me that he would use the NAB test record and a scope when setting up a broadcast turntable within a studio.. The NAB record is no longer made, but this test record here is a suitable replacement..

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  @metnoc106 жыл бұрын

  Its a shame better recording gears isn't used, because its such a nice system. I myself have Verity Parsifal speakers, but Karan class A transistor amp and considering replacing my streaming components for vinyl. +Carl Jonsson , what pickup is used?