From 1993 until 2008 Companions Opera presented some of the best-known opera titles in a “360 Degree" setting in areas and stadiums, combining high artistic and musical quality.
Looking back, we feel privileged that we, as a commercial opera company, with the support from so many promoters and venues in so many cities, could stage our productions in venues and stadiums with seating capacities from 6.000 to 80.000 in Europe and Asia. We feel proud to have reached more than one million spectators in the 15 years of our producing and touring endeavours.
This live-experience will never be offered by us again, but we have decided to make all our 15 live video recordings available on a new archival website companions-opera.com as well as on this Companions Opera KZread channel.
You can also enjoy the music of Companions Opera’s audio recordings of Aida, Carmen, Turandot, Cavalleria Rusticana, Pagliacci, Il Trovatore, Nabucco and La Traviata, available on all streaming services.
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Thank's
Esse tenor não serve nem para cantar em uma churrascaria de beira de estrada.
Il tenore non lo commento ..La Signora Patane ..una delle mie Turandot preferite ..sempre . Questi Riddles ❤️❤️❤️
#HISTORIASOCIALXXI Representació de la Traviata excel•lent: Location: Ahoy Arena Rotterdam, The Netherlands, January 2000: Dixo ara este breu comentari d’este vídeo on line: Quant al protagonista no enganya, oferix l’amor que és batec de l’univers, misteriós, creu i delícia al cor: SINCER! Sóc a poc a poc elaborant més connexions tan emotives que considero que brollen al cor des d’esta lírica.
A l’inici ja interpretació del primer tempo de waltz és genuïna; i el posat de Violetta; i la claretat de la seua veu i les altres del clor són totes nítides. I la posada en escena del cor… L’explicació on Alfredo recorda y remarca emotivament el seu primer enamorament… Començo a indicar moments: 4:00 9:10 20:33 30:22 33:45 35:33 43:46 52:15 1:03:15 1:14:10 1:27:17 1:40:42 1:44:05 1:45:51 1:51:54 1:54:14 2:04:50
De las sopranos más increíbles haciendo el papel de Carmen. Escenario espectacular elenco sublime!!! Micaela una voz hermosa Gracias por esta grabación Un regalo para los sentidos Nada mas que agregar
Eine 🌺🌺🌺sehr schöne Inszenierung !
Sehr schöne Inszenierung, tolle Stimmen, herzlichen Glückwunsch an alle Beteiligten ! ( incl. der Pferde 🙂 ) 💐💐💐🌼🌼🌼
Bruttissima regia 😮😮😮😮 orrobileeee regia
Это моя самая любимая опера. Могу слушать её в любом исполнении бесконечно! Браво великому Верди!
Non capisco il costume degli uomini,quella sorta di bavaglio che hanno al collo 😂 pessima idea che rende soprattutto Germont ridicolo
fake 4k . Too low quality for viewing.
My poor friend Maurizio Frusoni….rest in peace
Franz Grundheber der beste Amonasro aller Zeiten. Sängerisch wie schauspielerische.
Good memories! This and Turandot are my favorites. Any recordings of that one??
Well it's certainly an interesting stage. Takes a little bit to get used to it. I like that Turandot actually had a reaction to each time Calaf got the riddles correct. Most women who played Turondot don't really react very much and I always thought they should. The orchestra needs a little kick in the ass though. They're not giving it enough passion.
Finalmente una vera regia......
This is a knockout staging of Carmen. The somber entrance of death on horseback was memorable. Kudos for NIkolov and Krasteva for their spell binding performances.
There's a version of Carmen I've been looking for where at the end, the stage turns around and Escamillo is shown with the dead bull on the floor, mirroring Carmen's death and his victory over the bull. The best ending of Carmen I have seen yet
Great Marco Spotti
Marco Spotti fabulous as King
The enactment of Liu's death doesn't make any sense. Would a slave girl have gotten that close to a princess with a weapon?
It is such a pity, because all the singers were excellent, with lovely voices and they looked like the role (Carmen was very beautiful and the two men really handsome and believable). But the direction and the acting were very lacking, lifeless and almost amateurial. The soldiers marched nonchalantly, even at the change of guard, when the words (sung by the children) said "shoulders back, chest to the front". They didn't, LOL. Carmen's body language was completely inadequate. She felt like a high-society lady who just plays the seductress for a home theatre Sunday afternoon performance. It's a pity because she had all the physical prerequisites, and the sultry voice to match. (UPDATE: I was shocked to see how much better she was in another production, here. kzread.info/dash/bejne/ZZxhyLJtqrauZJM.htmlsi=Ao1I3X0j3t9l2MUm How much more "active", comfortable with her body... Unfortunately the other video didn't have a performance date, so I don't know whether it was from the same period or after, but the difference was obvious!) Don José looked bored or slightly annoyed most of the time, and when he first meets Micaela, he seems to view her with distaste - I first thought it was a directorial idea, but then he actually gave her a romantic kiss at the end, so he wasn't supposed to find her repulsive after all. The director of course was the main culprit. Most notably, he didn't know how to move crowds, which is crucial in this particular opera. Especially the scene at Lilas Pastia's was almost embarrassingly static and boring - not once did I feel the crescendo of drunken gaiety and joie de vivre. And because the people couldn't express anything with their bodies, they just rotated some toreador capes? What? Come on!
I googled the information based on "Krasteva" and "Brno Ernst" (the conductor's name). The performance which you preferred occurred in 2005. If she seemed less energetic, my guess is she got bored after performing Carmen for whole year.
Musicalmente inascoltabile, rappresentazione pessima
I don't wanna be hateful but i don't think she is singing it right. She is forcing her voice to sound deeper than it actually is and it’s clearly not natural but like the energy tho ☺️
I disagree. That's her voice, and a great voice it is for Carmen.
Mil gracias
The tenor is a Bad jock but she is an Amazing surprise. There is so much Callas in her, some notes if you close the eyes.....and she never tries to do it so, it just like this. InThe end of the Enigma scène, wich is even more difficult than the aria itself, she is almost perfect. Very few soprano understand the writing like this. I wish i saw her live.
Sia Francesca Patane' che Fiamma Izzo non csntano più da tempo.
How did I just find this jewel???? I am simply speechless. Such great production, singing, acting, costumes, stage, everything .... Does Il.Trovatore get any better than this? 😊
바리톤 김동규다....와....김동규 유명한 사람이었구나......그냥 방송인인줄 알았는데.....
Sehr gut Harry. Grüße von Gerlinde F. USA
🖤
テノール、ラダメスにピッタリの声質やね。しかし死ぬまでに一度ベローナでアイーダをみたい！
Horrible performance!
98sailad :: The _Di quella pira_ was too bad considering how difficult it is for the tenor.
Ich war hier dabei auch, wir sind von Hamburg nach Paris gefahren mit dem Bus war ein einmaligen Erlebnis dabei zu sein in diesen opera , Ich habe drei Rolle bekommen. Nabucos Ehefrau ist von Perú wo ich auch geboren bin. Habe mich gefreut mich und allem zu sehen schöne Erinnerungen. Dankeschön 🎶🌹👏🎶🌹👏🎶🌹👏
Vielen Dank für Posten die Opera Carmen in die HH Ich bin stolz dabei gewesen zu sein , habe mich riesig gefreut auch alle meine kamaraden wieder zu sehen und alle anerkannt hier in dies Video war super !! Habe alles wieder erlebt als wäre gestern. DANKESCHÖN LIEBE GRÜSSE DIE HANSA STADT HAMBURG.💯🌹♥️🎶👏
Hallo, ich habe auch mitgespielt. 😊❤❤😍😍👍👍
Sempre grandiosi gli spettacoli di Companions Opera in Ahoy Arena a Rotterdam. Voci bellissime ! Spettacolo Fantastico .
Ein sehr gutes video das danke
Lip singing
all of our recordings have been live recorded and if you look closely you will see the mics in the wigs of the singers. We never used any 'lip singing'!
'promosm' 😓
❤👏🌹
1:47:39
Many performances shared on this channel are great, but they need subtitles…
we are working on it!
Please, could you add English subtitles to the performance ?
we are working on it!
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