I need to start low-cutting my Front Fills a little more. Wonderful explanation.
@josephehab422422 сағат бұрын
can you please make a video for bose modeler
@karstenreisser440022 сағат бұрын
Great usefull video, thanks! I really enjoy the good and visible explanation! I am a dj and mostly have gigs inside. So my subs happen to crossover at 100Hz. Is it correct to assume that, when I am in a small+long room, 7.53 feet from center woofer to center woofer is a good distance to position the subs? 🙃👍
@williamthesoundguybalestri1745Күн бұрын
FYI I haven't done point source speakers for mains in OVER FIFTEEN YEARS! People that think 12.2's are the cat's meow don't have experience with column arrays, like Turbosound IP3000. You can move from 80 degrees in ALL directions to 120 degrees wide and only 15 degrees vertical with column line array speakers. Just a thought.
@inipivisionstudioКүн бұрын
I know MJ! Cool dude.
@cinemaipswich4636Күн бұрын
The Audince is the one with money. If they can't hear it then it is fraud. Line Arrays only project sound in a narrow angle. Wide ranging horns and tweeters offer up dispersion of sound. Line Arrays only offer sound to that narrow band of people right in front of them. It would be better for those arrays to be mounted HORIZONTALLY, so as to insure wide dispersment of sound. Any other argument, is fraud. Don't build your PA at the same plane of the stage. Mount them on a sonal point at the side of the stage, so that all the audience can hear the performance.
@johnstone3448Күн бұрын
This was so helpful, I am just setting up dual subs and ive realised that the cardioid option is the , one I should adopt , as I'm in a brewery and there is a row of tanks behind the stage area, I have built the subs inside two large rum barrels and was going to put them both on the same cradle after watching this they need to be on separate cradles to really increase my options, thank you for explaining things so clearly
@jourellbacani97932 күн бұрын
isnt it pooch and rabold use LR system and not doing aux sub fed?
@kingtenstudios58703 күн бұрын
Tulsa, OK.... Yahmaha CL5 is good. My primary board is Presonus StudioLIve.
@VICTOR.TAVAREZ3 күн бұрын
does this work for live sound as well?
@JohnMirandathesounddoctor3 күн бұрын
Great video, thank you for all the tips on good softwares that do work . ❤
@hopefulsyrus93263 күн бұрын
Hello Kindly help me understand why my M32 Midas main LR output has low sensitivity towards vocal signals even when the gain is cranked all way up. The channel shows it's clipping but not much is reaching the LR mains output. So because of this, the backup vocals usually sound too quiet in the live mix. Thank you.
@stevemail52394 күн бұрын
Great videos Michael!, I’m a dj and I have future gig in a convention center and I can not compete with the main stage. I’m working space is 30’x30’ and my issue is I can not be louder than the main stage. I have smaller rig that I use for house party’s consists of 8” mains and 12” subs. Questions is is there a formula of putting 4 8” mains 90/60 coverage in 30’x30’ space in each corners to contain sound in this type of space? Will add two 12” or one15” sub there are no walls just open space with curtain piping to enclose the area.. also do smaller speaker have a smaller coverage?
@smpmusiclinksstudio27694 күн бұрын
You should make alot of money knowing all this because it's serious knowledge/ work.
@revelationevents23235 күн бұрын
What are the specific points to look at when defending the dm7 compact for example comparing it to the avantis solo? I’m still trying to decide. Thanks
@MichaelCurtisAudio2 күн бұрын
I haven't got my hands on the DM7C or the Avantis solo yet, but I've mixed plenty on both the DM7 and Avantis. Check out this other series I did on the DM7 and you can see some of the key features I like - kzread.info/dash/bejne/jJ990byKetnglrg.html
@revelationevents23232 күн бұрын
@@MichaelCurtisAudio yes I already saw that video. It’s great info. One of the things that stops me from deciding on the avantis is the fact that I’ve seen many complaints on sticky faders and frozen screens. I spoke a few days ago with the regional representative and told me that issue was taken care of last year. I know these two are different price wise and I love Yamaha. But the avantis would be more attainable for me right now. Knowing the console would you buy and avantis for yourself to use professionally?
@panca42385 күн бұрын
Hello, does this software also calculate sound distribution by considering sound reflections and room acoustics?
@TheRhettjohnson7075 күн бұрын
I just don’t think I could ever be happy with a mono system. Nice video though!!!
@macfmradio16946 күн бұрын
Am confused about which is my reference signal spectrums on reall time on 😢😢😢 wen I was opan pink . I can find only mic response I can't understand reference 😕😕
@oOBiohazardxOo6 күн бұрын
the 4k sound laser
@LosTimmos6 күн бұрын
Unfortunately not able to import the target trace into Smaart (Di2+new suite)... any help would be appreciated
@roshandigal5826 күн бұрын
Hey sir can you suggest speakers for our church I can send the pictures of church
@PedjaStam7 күн бұрын
Nice introduction video Michael! What I wonder is, how do you get separate signals of your recording for each channel? It's great way for practice if you have multitrack recording on your computer.
@gavinbarrett-hayes7 күн бұрын
My major shortcoming is understanding the dB ratio in terms of math, and soundsystem tuning - hope to learn that later. Also a major challenge for me has been / is getting hands on experience with the gear can be a bit of a challenge - for instance I'm Dante V2 L3 trained but haven't had the chance to use it in-person on a show site.
@abecoulter85507 күн бұрын
with your survival spread sheet, is it offered in metric for the rest of the world?
@MichaelCurtisAudio2 күн бұрын
Yes, there's a tab for metric and imperial.
@georgeogrady4497 күн бұрын
Stereo to digital
@donnycollins17977 күн бұрын
Hi Michael! So...if the subs are placed up to one half the wavelength of the crossover point (I'm using 80 Hz), you're still able to avoid power alleys and valleys? I'm I getting that correct?
@georgeogrady4497 күн бұрын
Don't like them mixer they popping sound volume gose
@macfmradio16947 күн бұрын
Hello sir i would like to learn more with assist you is there any chance to offline with you ?
@chrisloizou39728 күн бұрын
Great video!! This is a terrific guide for both beginner and veteran engineers. At times i can feel complacent about learning new skills, or equipment standards, or simply am not around other A1 engineers often enough to see what "they are doing." WEaknesses for me: i need to spend time improving my knowledge of networking equipment, and speed of room tuning with SMAART. My colleagues would likely say my STRENGTHS are mixing musically, Soft skills with talent/team.
@zBalistiqRain8 күн бұрын
Super helpful and to the point especially when you mentioned how you calibrate your levels to use with BMD switchers as we use them and have been unsure if i was doing it correctly! So if i understood correctly if you hit ebu s2 standards the DBs should be at -16? Because i will meter externally to get -16 lufs but do dbs match the lufs metering or what? A bit confused here 😅
@finnrowden33418 күн бұрын
this was amazing, thank you Michael
@robendj8 күн бұрын
Great video for beginners, would have loved this when I first started out. You should do a digital mixer like the Yamaha or DigiCo next, they're a lot of fun to unpack :)
@tobin_nathan8 күн бұрын
Yet again I learn so much from your videos. Thanks Michael! -you teased at how to get better data or coherence from a subwoofer trace capture, please do a video on that! I’ve been combing KZread for help on the subject
@perikodiff8 күн бұрын
Hello, if you only have time to do a single measurement, would you put the microphone in the center where the conttol foh?
@GerhardAlbinus8 күн бұрын
Thank you so much for this tutorial. Wonderfully explained! It helps out greatly for the live shows!
@Gershy138 күн бұрын
Would love to see a version on a digital console like the x32, and incorporating some things you always get with digital (compression, busses/subgroups, etc)
@ArbyButNotTheRestaraunt8 күн бұрын
You constantly put out great content and are one of the best teachers I’ve seen in a while. Keep up the great work, Michael!
@FreeKeenan9 күн бұрын
Sounds as if guitar centers sold you too to the idiot world of space saving. Not even the best of best can dial in a super mix in under one song! You're delusional!
@intoxicode9 күн бұрын
my thing ive been struggling with lately is moving from stereo outs to mono outs, and pan settings..
Пікірлер
I need to start low-cutting my Front Fills a little more. Wonderful explanation.
can you please make a video for bose modeler
Great usefull video, thanks! I really enjoy the good and visible explanation! I am a dj and mostly have gigs inside. So my subs happen to crossover at 100Hz. Is it correct to assume that, when I am in a small+long room, 7.53 feet from center woofer to center woofer is a good distance to position the subs? 🙃👍
FYI I haven't done point source speakers for mains in OVER FIFTEEN YEARS! People that think 12.2's are the cat's meow don't have experience with column arrays, like Turbosound IP3000. You can move from 80 degrees in ALL directions to 120 degrees wide and only 15 degrees vertical with column line array speakers. Just a thought.
I know MJ! Cool dude.
The Audince is the one with money. If they can't hear it then it is fraud. Line Arrays only project sound in a narrow angle. Wide ranging horns and tweeters offer up dispersion of sound. Line Arrays only offer sound to that narrow band of people right in front of them. It would be better for those arrays to be mounted HORIZONTALLY, so as to insure wide dispersment of sound. Any other argument, is fraud. Don't build your PA at the same plane of the stage. Mount them on a sonal point at the side of the stage, so that all the audience can hear the performance.
This was so helpful, I am just setting up dual subs and ive realised that the cardioid option is the , one I should adopt , as I'm in a brewery and there is a row of tanks behind the stage area, I have built the subs inside two large rum barrels and was going to put them both on the same cradle after watching this they need to be on separate cradles to really increase my options, thank you for explaining things so clearly
isnt it pooch and rabold use LR system and not doing aux sub fed?
Tulsa, OK.... Yahmaha CL5 is good. My primary board is Presonus StudioLIve.
does this work for live sound as well?
Great video, thank you for all the tips on good softwares that do work . ❤
Hello Kindly help me understand why my M32 Midas main LR output has low sensitivity towards vocal signals even when the gain is cranked all way up. The channel shows it's clipping but not much is reaching the LR mains output. So because of this, the backup vocals usually sound too quiet in the live mix. Thank you.
Great videos Michael!, I’m a dj and I have future gig in a convention center and I can not compete with the main stage. I’m working space is 30’x30’ and my issue is I can not be louder than the main stage. I have smaller rig that I use for house party’s consists of 8” mains and 12” subs. Questions is is there a formula of putting 4 8” mains 90/60 coverage in 30’x30’ space in each corners to contain sound in this type of space? Will add two 12” or one15” sub there are no walls just open space with curtain piping to enclose the area.. also do smaller speaker have a smaller coverage?
You should make alot of money knowing all this because it's serious knowledge/ work.
What are the specific points to look at when defending the dm7 compact for example comparing it to the avantis solo? I’m still trying to decide. Thanks
I haven't got my hands on the DM7C or the Avantis solo yet, but I've mixed plenty on both the DM7 and Avantis. Check out this other series I did on the DM7 and you can see some of the key features I like - kzread.info/dash/bejne/jJ990byKetnglrg.html
@@MichaelCurtisAudio yes I already saw that video. It’s great info. One of the things that stops me from deciding on the avantis is the fact that I’ve seen many complaints on sticky faders and frozen screens. I spoke a few days ago with the regional representative and told me that issue was taken care of last year. I know these two are different price wise and I love Yamaha. But the avantis would be more attainable for me right now. Knowing the console would you buy and avantis for yourself to use professionally?
Hello, does this software also calculate sound distribution by considering sound reflections and room acoustics?
I just don’t think I could ever be happy with a mono system. Nice video though!!!
Am confused about which is my reference signal spectrums on reall time on 😢😢😢 wen I was opan pink . I can find only mic response I can't understand reference 😕😕
the 4k sound laser
Unfortunately not able to import the target trace into Smaart (Di2+new suite)... any help would be appreciated
Hey sir can you suggest speakers for our church I can send the pictures of church
Nice introduction video Michael! What I wonder is, how do you get separate signals of your recording for each channel? It's great way for practice if you have multitrack recording on your computer.
My major shortcoming is understanding the dB ratio in terms of math, and soundsystem tuning - hope to learn that later. Also a major challenge for me has been / is getting hands on experience with the gear can be a bit of a challenge - for instance I'm Dante V2 L3 trained but haven't had the chance to use it in-person on a show site.
with your survival spread sheet, is it offered in metric for the rest of the world?
Yes, there's a tab for metric and imperial.
Stereo to digital
Hi Michael! So...if the subs are placed up to one half the wavelength of the crossover point (I'm using 80 Hz), you're still able to avoid power alleys and valleys? I'm I getting that correct?
Don't like them mixer they popping sound volume gose
Hello sir i would like to learn more with assist you is there any chance to offline with you ?
Great video!! This is a terrific guide for both beginner and veteran engineers. At times i can feel complacent about learning new skills, or equipment standards, or simply am not around other A1 engineers often enough to see what "they are doing." WEaknesses for me: i need to spend time improving my knowledge of networking equipment, and speed of room tuning with SMAART. My colleagues would likely say my STRENGTHS are mixing musically, Soft skills with talent/team.
Super helpful and to the point especially when you mentioned how you calibrate your levels to use with BMD switchers as we use them and have been unsure if i was doing it correctly! So if i understood correctly if you hit ebu s2 standards the DBs should be at -16? Because i will meter externally to get -16 lufs but do dbs match the lufs metering or what? A bit confused here 😅
this was amazing, thank you Michael
Great video for beginners, would have loved this when I first started out. You should do a digital mixer like the Yamaha or DigiCo next, they're a lot of fun to unpack :)
Yet again I learn so much from your videos. Thanks Michael! -you teased at how to get better data or coherence from a subwoofer trace capture, please do a video on that! I’ve been combing KZread for help on the subject
Hello, if you only have time to do a single measurement, would you put the microphone in the center where the conttol foh?
Thank you so much for this tutorial. Wonderfully explained! It helps out greatly for the live shows!
Would love to see a version on a digital console like the x32, and incorporating some things you always get with digital (compression, busses/subgroups, etc)
You constantly put out great content and are one of the best teachers I’ve seen in a while. Keep up the great work, Michael!
Sounds as if guitar centers sold you too to the idiot world of space saving. Not even the best of best can dial in a super mix in under one song! You're delusional!
my thing ive been struggling with lately is moving from stereo outs to mono outs, and pan settings..