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There is no part two ?
Drop d. Insane. Never knew there were lyrics.
really good presentations, discussion(s).
This is a great and helpful lesson Keith even for person like me. Nice job... However I have to correct you on something. I apologize especially given this is the first time I have watched one of your video's. The 12 bar blue's does not just consist of 3ea / 4 bar sections in a typical 1-4-5 progression. For example lets take a look at the old famous 12 bar blues song " Before you accuse me". The 1 chord (E) is played for 1 bar / then the 4 chord (A) is played for 1 bar / then back to the 1 chord for 2 bars / then to the 4 chord for 2 bars / then 1 chord (E) again for 2 bars / then to the 5 chord (B) for 1 Bar (This is where the turn around begins) / the (A) for 1 bar / (E) for 1 bar / The finally (B) for 1 bar. So lets add that up E1 + A1+ E2+ A2+ E2+B1+A1+E1+B1= 12 Bars.....The thing is- there many variations of the 12 bar blues - Trust your ear.
Legend
Paul is amazing, so cool, knows so many songs on guitar that we love and learned(of course he plays much better).
I know me three chords and I know about the truth so I’m basically a country punk hero.
It really can be dangerous to watch shuch genious play his beat when you're trying to go to sleep! Gee I all got tuned up! Awesome drummer, who I saw acutally perform last weekend here in Reykjavik
All wisdom. Thank you Bryan! I am new to bluegrass and no one has explained the point of the G run till now.
Thank You so much.
People who don’t listen to bluegrass rarely have an appreciation for just how difficult it is to play at this level. These folks really are amazing.
Speechless
all thumbs up to the BEST piano teacher. Subscribed. Thanks for teaching
brilliant band; I saw video testimonials by Alison Brown at MIM (Phoenix, AZ) at their exhibit on Acoustic Instruments; another brilliant artistic acheivement
Hooooot🎉
Great work man!
Hello! I watched after the live! Thanks for keeping this up! I am a student of Paul and this is my introduction to Jared! And I want to welcome Jared to the Artistworks family! Loved this amazing discussion! Watched from Southern Indiana! I am looking forward to more of these! Thanks Paul, Jared and Artistworks! 🎸😝🤟
I like this
Blah, what hes trying to say in sinple terms is. You want your fingers perpendicular to the guitar nexk/strings. Like a paino on keys almost.
Such a great lesson. Stick placement makes a huge difference to cymbal sounds, and consistent placement concentrates the overtones and wash so the cymbal is more focused. It’s so easy to ignore, I curse myself for the gigs I’ve ignored this and the sound is messy as an effect.
Great overview. Coming from the guitar to the tenor banjo (and recently, the plectrum), this is completely logical. Check out some of Harry Reser's work, such as "Lollypops" and "Crackerjack", and you'll hear (from the 1920s) the similarities between single string flatpack/tenor style and the way it has been developed from Don Reno through today on the five string. In fact, give a listen to "Feudin' Banjos" (the tune the more famous "Dueling Banjos" was taken from) to hear this in one tune, with Don Reno on the five string tracking licks with Arthur Smith on tenor.
Beautiful bangee
What a great interaction with these two guys! So much info in this format. PG was one of my instructors in '88 at MI in Hollywood. Great guy.
The evolution of the name used for a simple blues bend. 1960s: "blues bend". 2020s: "microtonal bend". 2070s: "quantum bend". Quantum bends sound great with a bit of induced frequency oscillation (in case you don't know, in the old days, that was mundanely called "vibrato").
😅😂😂😅 love that - stay noizy my friend 🤘🏻
this man makes it look TOO easy to play w fingers 🤘🏻🤘🏻🤘🏻 thanks for the help Jared and keep rockin🔥🔥 stay noizy and bluezy my friend 🤘🏻🤘🏻
So awesome thank you!
Van Halen Eruption 59:40
Love the Van Halen Beautiful Girls fill breakdown at 30:48.
Ottimo
Such a great conversation. Thanks for all the tips and tricks! PG, I saw you play in San Francisco, and got a photo of your board! Would love to hear about your recent changes.
Thanks for these videos. I wish I could afford your class on ArtistWorks, but it's beyond my budget by a lot.
what beautiful, smooth fiddling!
Hermoso!!!
I have a question? Do you read sheet music? Im 65 and have been a avid bluegrass fan since a child, my folks hail from southern wva and pickers are everywhere, they dont like the limelight so they just hone there craft for 60, 70 years and believe me they are good! Not a single one reads sheet music? I think its probably the difference between true craftsman and just playing from paper, Thank You
I have played blues for many years and am now trying to learn the proper way to play classical guitar. I was pleased to learn this technique. Thank's Jason.
those two chords at 1:40 are my favorite part..
Marvellous !!!!!
Bro that's one of the coolest cello tones I've ever heard from Rushad. Jesus great stuff
Very good stuff. Unit 4? I'll be back in a couple of years. 😎
Thank you so much for this, just got my first dobro and this is EXACTLY what i needed
Nice video
Great instructional video. Lots of interesting background information along a full breakdown of the framework. Chris is a masterful player and teacher. Thank you for posting.
i saw this video so many times and Bulgaria so so many times . Love it ♥️
1:50 reminds me of “sometimes, all I need is the Air That I Breath and to love you”. I love that song.
This is what i looking for. Thank you. I love the angle of camera. It´s helpfull.
Pretty psyched about VEs with David Isaacs, but I have to ask. Is this course appropriate for an acoustic only player?
Knowing your scales and arpeggios makes all the difference. Great tips on locking into vocal and guitar melodies. It’s like make a statement with words. Appropriate choice of words, rhythms, intonation and well timed pauses to let the listener digest what you’ve just said.
Brilliant! Thank you ✌️🇦🇺
He plays only half of the song.