It looks like Billy’s final film made his directorial filmography an even 20. RIP you legend.
@jackwilburn22592 ай бұрын
Why is Nicolas so unbelievably try hard and cringe. “We as filmmakers are celluloid dreams”….”hah”. What do you say to such a fake deep opener to an interview. Nicolas is a different side of the “film bro” archetype, the type that has done the studying but is so incompetent that he has to make movies and talk as if he were a prophet when in actually he comes off like a pretentious clown. He seems to be as insufferable as his filmmaking. “Like a destiny concept like it was meant to be”… *waits for a reaction from Kenneth*… nothing… realizes or neglects to realize that what he said was pseudo intellectual and something you’d hear from anybody who wants to appear smarter than they are. The forced chuckles from Anger say it all. Unbearably insipid interviewer, but genius interviewee.
@xavierpaquin3 ай бұрын
They got their ukrainian war in the end
@phalliccc4 ай бұрын
Nicholas Winding Refn is one of the best popular voices we have today in the film world.
@1981messiking5 ай бұрын
It seems that Refn wanted to extract Noe's technique, but he asked too directly. I would imagine that he should have been subtle.
@sttarch51506 ай бұрын
The interviewer is insufferable. Takes forever to get out a question.
@losmon19997 ай бұрын
why? why did you make that film, why Ryan gosling?
@CelphTitled76 ай бұрын
idk what you wanna say but he didnt make the film, he just plays in it ??
@ak147772 ай бұрын
Same thought came to me that why did he did this film it's weird but he and the director were the reason I watched this film as previously had seen drive
@losmon19997 ай бұрын
this is the most Saturday Night Live (wanna fight) I have ever seen
@akash68218 ай бұрын
The goats
@Major429 ай бұрын
This was so good for me to hear that I can't describe it in words. I dream of making films. My mother is a nurse, my father died when I was young. I'm going on an adventure with my backpack. Wish me luck.
@jkardez47949 ай бұрын
"We have no control over our lives " . An absolutely true and honest statement which I keep saying to myself whenever I look back and analyse my life and the stupid mistakes that I have unwittingly made . All I can agree is that they were completely out of my control . Sadly the audio quality could have been rectified.
@Major429 ай бұрын
Be honest.
@jaredwhitaker121110 ай бұрын
😯😯😯😯😯😯
@benmcfee10 ай бұрын
I've seen Gaspar Noé compared to Nicholas Winding Refn before, but I wonder how much of that comparison has to do with their usages of violence, and maybe colour? Because beyond that, I wouldn't really liken their films. Refn (and I say this as someone who really likes his movies) belongs very much to the artsploitation class like Dario Argento and Tinto Brass. Whereas if I had to find Noé a spiritual counterpart, this maybe a hot take, but I'd go with Rickard Linklater. Tonally, the two couldn't be further apart: Noé practically lives in the darkness, whilst Linklater is light, and real-life, almost to the point of being mundane [but never committing the sin of being boring]. However, both Linklater and Noé seem determined to represent certain aspects of life (and death), that we seldom get to see, and most importantly, to do it _truthfully._ They are both directors who use their cameras to capture truthful moments and emotions, and tell stories that ring equally true... even if that story is about a soul being ejected from its body and drifting through time and space. Even their explorations of time, whilst wildly different in approach, arrive at similar places. _Irreversible_ ends on a card that reads "Le temps détruit tous." ("Time destroys everything") but Noé has said, in interviews that the card almost read "Le temps dévore tous." ("Time devours everything"). Now watch _Boyhood_ or even the _Before_ trilogy and try not to see the Wolf of Time lurking in the background. In short, Linklater and Noé may be telling fictional stories, but they refuse to lie.
@sonpham3210 ай бұрын
RIP, a great storyteller.
@filmnoirfan10 ай бұрын
Refn's a narcissistic, pretentious, name-dropping twit, but Friedkin is a joy to listen to.
@LoyalOpposition11 ай бұрын
RIP
@Johnconno Жыл бұрын
Nice living room.
@carlahernandez8081 Жыл бұрын
To bad they (The Business) will not work w/ Writers that are on strike.....Wow they need their help....
@hesolex7674 Жыл бұрын
Why is it so hard to hear Kenneth and the interviewer is loud and clear? Amateurs..
@riccardobrembilla5077 Жыл бұрын
love anger, forever. cant stand refn
@sasha1586 Жыл бұрын
Wait.. Stranger Things music? 😅
@eduarfeliz8336 ай бұрын
This movie is 3 years older than Stranger Things
@fireman6244 ай бұрын
Dude it was released in 2016 😂
@eduarfeliz8334 ай бұрын
@@fireman624 but Only God Forgives was released in 2013
@manuelbarajas4517 Жыл бұрын
Does anyone know the names of the paintings in the background? Primarily the the two big ones directly behind them when the camera's cut to the Anger and the interviewer's close ups. Thank you!
@Nuruddunya Жыл бұрын
The audio is horrible
@massi6528 Жыл бұрын
When the voice is low, put there subs at least!
@120.V Жыл бұрын
hello! if you can put the subtitle, like the 2 others part, it's great ! Thanks
@szdat2166 Жыл бұрын
who is Andre Kenneth talks about on 13:23 ?
@johnryan3913 Жыл бұрын
Andre Gide (1869 - 1951), who is well worth investigating. I first read his novels The Counterfeiters, and The Immoralist, when I was about 20.
@szdat2166 Жыл бұрын
@@johnryan3913 ah, yes, i got it now! had problems understanding what is the last name Kenneth pronounced, but i guess it is because of the little knowledge i have about Andre Gide - otherwise the "sound" of Andre's last name wouldn't have left me confused. And i think It is time for me to come closer and get to know him better. Thanks for advice, i ll start with these two works you mentioned. P.S. Rest in Peace, Kenneth.
@rexfreeman4981 Жыл бұрын
Paintings aren't like a pre-photography snapshot at all. Look at that painting behind him for example.
@mateuspyluchmann Жыл бұрын
Thanks for putting this incredible interview on KZread. It's really an amazing interview!
@Valkonnen Жыл бұрын
I love Billy Friedkin because I think that he has an almost perfect demeanor. He exudes an alpha quality without the attributes that would normally be associated with a powerful person, Like aggression or judgement . I've worked in film for over 35 years and would love to sit and talk with him.
@paulsontag9233 Жыл бұрын
Friedkin and Kid Refn
@joeyferguson840 Жыл бұрын
i always felt the same about paintings. capturing....not a moment in time but more so a moment in time in the artists head. they don't make art like they did hundreds & hundreds of years ago.
@nikolademitri731 Жыл бұрын
I’m not sure specifically what you’re referring to when you say “they don’t make art like they did”, but if I understand you correctly as meaning the “style” and/or “aesthetic” and/or “craft”, say of the renaissance, baroque, and even romantic periods, then I’d say you’re only partly correct. I think it’s not so much that art like this isn’t made anymore, it is, but it’s not considered to be so worthy of attention, certainly not the kind of art that’s going to attract a lot of media attention in the modern age, let alone be put in museums. I’m sure there are current artists who are stylistically/aesthetically very similar to those eras who at least get some patronage, be it a living or not, from art collectors/buyers, though I can’t name any current artists doing so.. I’m not really a part of any art circles, I don’t actively seek out new art/ists the way I used to, so I am absolutely not an authority, but rather quite ignorant. I simply know enough to be confident of the general accuracy of my general statements, in general. ✌️
@dario6253 Жыл бұрын
Love this guy.
@hoshiref Жыл бұрын
Maestro meets Maestro
@johnwright2912 жыл бұрын
Can't believe this guy is 81. Maybe i do have a bit of time left after all.
@sideshow4212 Жыл бұрын
he's 95 how and still kicking it
@johnwright291 Жыл бұрын
@@sideshow4212 very interesting guy. I can't belive i just became aware of him. Im 66 and i read and study history all the time.
@cuimhnichbasalpin2 жыл бұрын
Just annoying that the author didn't read a single book about the Danish volunteers. No mention om Demjansk, but war crimes and even service at Stalingrad.... Disappointment!
@bryanchu53792 жыл бұрын
these two alone create 95% of the business in the neon lights industry
@sam_-gu1mn Жыл бұрын
Damn you right
@calderon87574 ай бұрын
Dont forget half of the movies that A24 has aquired
@ltcolumbo97082 жыл бұрын
I can hear him fearlessly speak his mind all day long
@PierluigiPuccini2 жыл бұрын
The moment anger talks is like, you almost feel like saying to yourself (shh.. a genius is talking!) you gotta hear this instead of typing it in your cellphone for other people to read it.
@vivian95382 жыл бұрын
The anecdote of the riot between the (white) sailors versus the Mexican zoot suit(er)s (-> an expressive clothing style back then in the 1940s) as Kenneth's inspiration for his official debut "Fireworks" (1947) doesn't sound like one of his usual myths. In addition to his queer underground short it's important to know. Thank you! PS: for me, Kenneth Anger will always be a rebel in its best sense.
@felipeoros87232 жыл бұрын
The audio is horrible!!!
@FrancoisDressler2 жыл бұрын
Cool
@mayukh95362 жыл бұрын
I don't know why Refn thinks movies should be seen in small screens...his films are specifically made to be watched on the biggest screens possible.
@hoshiref Жыл бұрын
That's where he lost me... but not completely, he's truly right but damn, that right call sucks ass
@danielstorm3332 жыл бұрын
Gaspard Noe was extremely inspired by the first Pusher film from Refn. That is very clear… however Noe has a more Extreme approach than Refn does. I think they are hard to compare.
@ku4ha2 жыл бұрын
Awesome.
@johnnysopals2 жыл бұрын
two of the most polarising directors of all time, love it that they know who they are as directors and dont give a shit what people think of it.
@TylerRJenkinsMusic2 жыл бұрын
Noé: “Nowadays people care more about the timing of a movie than the quality” Refn: “I like that.” 😐
@kre_dopeprod.37667 ай бұрын
Whats means timing? Duration or rythm? Rythm is the base. Both of them has movies that shouldn't be full-length. For example try to watch some De la Iglecia movies Day of the beast for example cause of Christmas is soon and u see how much adventures can be in one lenth with perfect timing. And what make Refn with rythm all this was mad in asian movies before. Its quite radical joke but put more wierd neon lightings in Kitano's films and here you go) Takeshi movies made with math method
@TylerRJenkinsMusic2 жыл бұрын
25:21 😬
@godsfrontline55992 жыл бұрын
Why interview this satanic piece of crap?
@lockandloadlikehell Жыл бұрын
Why not? People interview pay doe loving Christian garbage all the time. What are you confused about, you little shitstain Mediterranean?
@lockandloadlikehell Жыл бұрын
"God's Frontline" lmao Sure, champ- whatever you say
Пікірлер
1:36:27 well, that statement aged like milk.
kzread.info/dash/bejne/g4182ql7eJnVZLA.htmlsi=_WsDyLbFQJigj6XP
It looks like Billy’s final film made his directorial filmography an even 20. RIP you legend.
Why is Nicolas so unbelievably try hard and cringe. “We as filmmakers are celluloid dreams”….”hah”. What do you say to such a fake deep opener to an interview. Nicolas is a different side of the “film bro” archetype, the type that has done the studying but is so incompetent that he has to make movies and talk as if he were a prophet when in actually he comes off like a pretentious clown. He seems to be as insufferable as his filmmaking. “Like a destiny concept like it was meant to be”… *waits for a reaction from Kenneth*… nothing… realizes or neglects to realize that what he said was pseudo intellectual and something you’d hear from anybody who wants to appear smarter than they are. The forced chuckles from Anger say it all. Unbearably insipid interviewer, but genius interviewee.
They got their ukrainian war in the end
Nicholas Winding Refn is one of the best popular voices we have today in the film world.
It seems that Refn wanted to extract Noe's technique, but he asked too directly. I would imagine that he should have been subtle.
The interviewer is insufferable. Takes forever to get out a question.
why? why did you make that film, why Ryan gosling?
idk what you wanna say but he didnt make the film, he just plays in it ??
Same thought came to me that why did he did this film it's weird but he and the director were the reason I watched this film as previously had seen drive
this is the most Saturday Night Live (wanna fight) I have ever seen
The goats
This was so good for me to hear that I can't describe it in words. I dream of making films. My mother is a nurse, my father died when I was young. I'm going on an adventure with my backpack. Wish me luck.
"We have no control over our lives " . An absolutely true and honest statement which I keep saying to myself whenever I look back and analyse my life and the stupid mistakes that I have unwittingly made . All I can agree is that they were completely out of my control . Sadly the audio quality could have been rectified.
Be honest.
😯😯😯😯😯😯
I've seen Gaspar Noé compared to Nicholas Winding Refn before, but I wonder how much of that comparison has to do with their usages of violence, and maybe colour? Because beyond that, I wouldn't really liken their films. Refn (and I say this as someone who really likes his movies) belongs very much to the artsploitation class like Dario Argento and Tinto Brass. Whereas if I had to find Noé a spiritual counterpart, this maybe a hot take, but I'd go with Rickard Linklater. Tonally, the two couldn't be further apart: Noé practically lives in the darkness, whilst Linklater is light, and real-life, almost to the point of being mundane [but never committing the sin of being boring]. However, both Linklater and Noé seem determined to represent certain aspects of life (and death), that we seldom get to see, and most importantly, to do it _truthfully._ They are both directors who use their cameras to capture truthful moments and emotions, and tell stories that ring equally true... even if that story is about a soul being ejected from its body and drifting through time and space. Even their explorations of time, whilst wildly different in approach, arrive at similar places. _Irreversible_ ends on a card that reads "Le temps détruit tous." ("Time destroys everything") but Noé has said, in interviews that the card almost read "Le temps dévore tous." ("Time devours everything"). Now watch _Boyhood_ or even the _Before_ trilogy and try not to see the Wolf of Time lurking in the background. In short, Linklater and Noé may be telling fictional stories, but they refuse to lie.
RIP, a great storyteller.
Refn's a narcissistic, pretentious, name-dropping twit, but Friedkin is a joy to listen to.
RIP
Nice living room.
To bad they (The Business) will not work w/ Writers that are on strike.....Wow they need their help....
Why is it so hard to hear Kenneth and the interviewer is loud and clear? Amateurs..
love anger, forever. cant stand refn
Wait.. Stranger Things music? 😅
This movie is 3 years older than Stranger Things
Dude it was released in 2016 😂
@@fireman624 but Only God Forgives was released in 2013
Does anyone know the names of the paintings in the background? Primarily the the two big ones directly behind them when the camera's cut to the Anger and the interviewer's close ups. Thank you!
The audio is horrible
When the voice is low, put there subs at least!
hello! if you can put the subtitle, like the 2 others part, it's great ! Thanks
who is Andre Kenneth talks about on 13:23 ?
Andre Gide (1869 - 1951), who is well worth investigating. I first read his novels The Counterfeiters, and The Immoralist, when I was about 20.
@@johnryan3913 ah, yes, i got it now! had problems understanding what is the last name Kenneth pronounced, but i guess it is because of the little knowledge i have about Andre Gide - otherwise the "sound" of Andre's last name wouldn't have left me confused. And i think It is time for me to come closer and get to know him better. Thanks for advice, i ll start with these two works you mentioned. P.S. Rest in Peace, Kenneth.
Paintings aren't like a pre-photography snapshot at all. Look at that painting behind him for example.
Thanks for putting this incredible interview on KZread. It's really an amazing interview!
I love Billy Friedkin because I think that he has an almost perfect demeanor. He exudes an alpha quality without the attributes that would normally be associated with a powerful person, Like aggression or judgement . I've worked in film for over 35 years and would love to sit and talk with him.
Friedkin and Kid Refn
i always felt the same about paintings. capturing....not a moment in time but more so a moment in time in the artists head. they don't make art like they did hundreds & hundreds of years ago.
I’m not sure specifically what you’re referring to when you say “they don’t make art like they did”, but if I understand you correctly as meaning the “style” and/or “aesthetic” and/or “craft”, say of the renaissance, baroque, and even romantic periods, then I’d say you’re only partly correct. I think it’s not so much that art like this isn’t made anymore, it is, but it’s not considered to be so worthy of attention, certainly not the kind of art that’s going to attract a lot of media attention in the modern age, let alone be put in museums. I’m sure there are current artists who are stylistically/aesthetically very similar to those eras who at least get some patronage, be it a living or not, from art collectors/buyers, though I can’t name any current artists doing so.. I’m not really a part of any art circles, I don’t actively seek out new art/ists the way I used to, so I am absolutely not an authority, but rather quite ignorant. I simply know enough to be confident of the general accuracy of my general statements, in general. ✌️
Love this guy.
Maestro meets Maestro
Can't believe this guy is 81. Maybe i do have a bit of time left after all.
he's 95 how and still kicking it
@@sideshow4212 very interesting guy. I can't belive i just became aware of him. Im 66 and i read and study history all the time.
Just annoying that the author didn't read a single book about the Danish volunteers. No mention om Demjansk, but war crimes and even service at Stalingrad.... Disappointment!
these two alone create 95% of the business in the neon lights industry
Damn you right
Dont forget half of the movies that A24 has aquired
I can hear him fearlessly speak his mind all day long
The moment anger talks is like, you almost feel like saying to yourself (shh.. a genius is talking!) you gotta hear this instead of typing it in your cellphone for other people to read it.
The anecdote of the riot between the (white) sailors versus the Mexican zoot suit(er)s (-> an expressive clothing style back then in the 1940s) as Kenneth's inspiration for his official debut "Fireworks" (1947) doesn't sound like one of his usual myths. In addition to his queer underground short it's important to know. Thank you! PS: for me, Kenneth Anger will always be a rebel in its best sense.
The audio is horrible!!!
Cool
I don't know why Refn thinks movies should be seen in small screens...his films are specifically made to be watched on the biggest screens possible.
That's where he lost me... but not completely, he's truly right but damn, that right call sucks ass
Gaspard Noe was extremely inspired by the first Pusher film from Refn. That is very clear… however Noe has a more Extreme approach than Refn does. I think they are hard to compare.
Awesome.
two of the most polarising directors of all time, love it that they know who they are as directors and dont give a shit what people think of it.
Noé: “Nowadays people care more about the timing of a movie than the quality” Refn: “I like that.” 😐
Whats means timing? Duration or rythm? Rythm is the base. Both of them has movies that shouldn't be full-length. For example try to watch some De la Iglecia movies Day of the beast for example cause of Christmas is soon and u see how much adventures can be in one lenth with perfect timing. And what make Refn with rythm all this was mad in asian movies before. Its quite radical joke but put more wierd neon lightings in Kitano's films and here you go) Takeshi movies made with math method
25:21 😬
Why interview this satanic piece of crap?
Why not? People interview pay doe loving Christian garbage all the time. What are you confused about, you little shitstain Mediterranean?
"God's Frontline" lmao Sure, champ- whatever you say