Your hands are not together. When crossing over the LH you must place the note perfectly so as to play with the RH. You aren’t doing this and it makes for a very juvenile understanding of this piece. The articulation must be clearer: too much pedal. Strive for mezzo staccato.
@jeantatu85732 күн бұрын
Without a doubt, you are a pianist; I would therefore have great pleasure in listening to your version of this Scarlatti sonata, or another… Don’t hesitate to send me a link…
@channingchu35252 күн бұрын
Be quiet Bart, you aren’t trying to be constructive, you’re just being a pretentious clown and you know it. You say ‘Strive for mezzo staccato’ as if Scarlatti wrote any articulation markings. Give a justification for it or else it’s just your personal preference off of instinct that you critique him for not adhering to. If he has a counter argument to your justification then it only adds to the art of interpreting baroque music. You say ‘too much pedal’ when his harmonies are very much clear, you have to provide a better reasoning or keep your mouth shut. I wouldn’t play this Scarlatti in the same manner as Mr Jean Tatu here but this is a fine performance.
@channingchu35252 күн бұрын
Be quiet, you aren’t trying to be constructive, you’re just being pretentious and you know it. You say ‘Strive for mezzo staccato’ as if Scarlatti wrote any articulation markings. Give a justification for it or else it’s just your personal preference off of instinct that you critique him for not adhering to. If he has a counter argument to your justification then it only adds to the art of interpreting baroque music. You say ‘too much pedal’ when his harmonies are very much clear, you have to provide a better reasoning or keep quiet. He does place the note perfectly during the crossovers but at times chooses to split them, you can’t just complain it makes for an ‘juvenile understanding’ of the piece without providing any reasoning. I wouldn’t play this Scarlatti in the same manner as Mr Jean Tatu here but this is a fine performance.
@c-3por2d28 күн бұрын
Что характерно, эта его вещь очень похожа на Шопена, ну прямо некоторые гармонические ходы и пассажи...У зрелого Рахманинова уже более чётко свой стиль
@gopher76919 күн бұрын
This much rubato in a baroque piece? I don’t think so
@jeantatu85739 күн бұрын
When I was a young student, I remember a lecturer who came to tell us how to play baroque: a purist to his fingertips, he condemned for example the double concerto of Bach by Oistrakh and Menuhin, judging it interpreted in a way that was too romantic! On the other hand, according to him, Scarlatti for example could only be played on the harpsichord, and where there were strings, baroque instruments with baroque bows were absolutely necessary… Which raises quarrels between purists without any real solution. With such reasoning, then certainly I play perhaps too flexibly (to speak of "rubato" would be excessive in my opinion); but we would have to condemn most of the Scarlatti interpreters on the piano. The balance that I tried to approach: without ever falling into the "too much", letting myself be guided by the underlying dance from which the phrasing emerges, while also taking my pleasure, without misplaced taste. That said, I understand those who prefer stricter interpretations… Here, the musicians will never be able to agree completely. And then, as for Scarlatti, don’t they say that he is “the most romantic of the baroques”! With all due respect, Jean Tatu
@gopher76919 күн бұрын
@@jeantatu8573 thanks. But even romantic music can be distorted beyond recognition. Look what Ivo Pogorelich did to Rachmaninov second piano concerto. This particular Scarlatti performance was a bit much for me. Horowitz played these romantically AND with rhythmic integrity
@jeantatu85739 күн бұрын
@@gopher7691 Thanks for your feedback. If, however, you have one of your Scarlatti sonatas recorded, I will listen to it with pleasure.
@gopher76919 күн бұрын
@@jeantatu8573 you are very kind and thoughtful. Thank you
@lisatutunjian355510 күн бұрын
Beautiful ❤❤
@jeantatu857310 күн бұрын
Merci à vous !
@user-tv9vr4lj8g11 күн бұрын
Рахманинов написал это в 18 лет. Потрясающе!
@jeantatu857311 күн бұрын
потрясающий !
@stefanoventuri299615 күн бұрын
Bellissimo....
@jeantatu857315 күн бұрын
Merci 🙏 beaucoup
@anscharius639116 күн бұрын
Enhorabuena desde Madrid
@jeantatu857315 күн бұрын
Merci 🙏 beaucoup
@painetcirque569518 күн бұрын
Ah, comme cette musique m'as prit sans déffensse. Jamais écoutté et jai subbit au eaux et le vertige sans pitié de la douleurs du compositeur et du compasse de l'exécution presque funèbre, si proffonde de l'artiste et pianiste. Ils on du quelque secondes puis du commencement de cette interpretation pour lancer mon âme dans les larmes du musicien qui a créé les mémoires de ses chagrins et des êchos reprises par l'artiste qui a interprété sa musique de manière qu'on subbit toutes au même douleurs. Quelle seras-t-elle son histoire celle du compositeur et que seras-t-elle celle du pianiste qui nous font coincider avec la douleur de cette musique? Voilá une conversion preque réligieuse qui nous unissent dans les tempêtes d'être humain! la musique resta déjà inscrite si vivante dans mon esprit et ma chaire que je marchais toute la journé au même compasse funèbre, ensuite. J'ai du l'écouter et lire les note afin de récupèrer ma vitalité. Sans pouvoir m'élibérer, je laisse la preuve de la désolation sublime que cette musique laisse dérière de son première êcoutte dans mon âme.
@jeantatu857318 күн бұрын
Merci beaucoup pour votre commentaire.❤ Cette danse, comme nourrie de douleur noble, déambule hors du temps de manière quasi hypnotique, telle une vie…si on est en mesure de l’observer avec recul. La couleur de ce menuet me fait penser au poème de Musset « le pélican » /…/ Les plus désespérés sont les chants les plus beaux, et j’en sais d’immortels qui sont de purs sanglots /…/
@thierrywarot5792Ай бұрын
Superbe !!!
@jeantatu8573Ай бұрын
😊 merci !
@AlanMearns-YesTheRavenАй бұрын
Beautiful Thank you 🙏
@jeantatu8573Ай бұрын
Thank you too! 🙏😊
@thierrywarot5792Ай бұрын
Superbe !!!
@thierrywarot5792Ай бұрын
Magnifique !!!
@rogopoulosАй бұрын
Très belle élégie magnifiquement interprétée. La poésie du message de Rachmaninov est restituée à la perfection 🙏🙏🙏
@stephaniefarrugia10252 ай бұрын
Très beau 😊 !
@stephaniefarrugia10252 ай бұрын
Très beau 👏 !
@jeantatu85732 ай бұрын
00:00 - "Julien zur Erinnerung" - I. Allegro, Lebhaft 02:32 - "Julien zur Erinnerung" - II. Thema mit Variationen: Ziemlich langsam 05:57 - "Julien zur Erinnerung" - III. Puppenwiegenlied: Nicht schnell 08:01 - "Julien zur Erinnerung" - IV. Rondoletto: Munter
@albertobernal68052 ай бұрын
Excelenre sube mas videos asi 😊
@H5691j2 ай бұрын
I really enjoyed your interpretation with its stronger contrasting dynamics and timing, noticeably different than other renditions on YT. Bravo!!
@jeantatu85732 ай бұрын
Many thanks for your comment… This encourages me to post new videos soon. Musically yours…
@andreoliveira6853 ай бұрын
Lovely! First time I played this piece was about 25 years ago and now that I have a piano again I still play it =)
@jeantatu85733 ай бұрын
Glad you enjoy it!
@antoniocurcio53104 ай бұрын
Sublime!!!
@kkrylovskiy4 ай бұрын
Fantastic! .. profound, sincere with a beautiful, full, deep sound... a reference recording!
@jpl004-064 ай бұрын
Excellente interprétation certainement une des meilleures
@armenghazaryan-of2pg18 күн бұрын
ugly playing
@susancampbell40624 ай бұрын
I love this!
@gillesbruneau85934 ай бұрын
Très beau !
@marciamello22495 ай бұрын
👏👏👏
@ajmatula40895 ай бұрын
Great playing. Very reverential with an air of simplicity
Пікірлер
Dark
Your hands are not together. When crossing over the LH you must place the note perfectly so as to play with the RH. You aren’t doing this and it makes for a very juvenile understanding of this piece. The articulation must be clearer: too much pedal. Strive for mezzo staccato.
Without a doubt, you are a pianist; I would therefore have great pleasure in listening to your version of this Scarlatti sonata, or another… Don’t hesitate to send me a link…
Be quiet Bart, you aren’t trying to be constructive, you’re just being a pretentious clown and you know it. You say ‘Strive for mezzo staccato’ as if Scarlatti wrote any articulation markings. Give a justification for it or else it’s just your personal preference off of instinct that you critique him for not adhering to. If he has a counter argument to your justification then it only adds to the art of interpreting baroque music. You say ‘too much pedal’ when his harmonies are very much clear, you have to provide a better reasoning or keep your mouth shut. I wouldn’t play this Scarlatti in the same manner as Mr Jean Tatu here but this is a fine performance.
Be quiet, you aren’t trying to be constructive, you’re just being pretentious and you know it. You say ‘Strive for mezzo staccato’ as if Scarlatti wrote any articulation markings. Give a justification for it or else it’s just your personal preference off of instinct that you critique him for not adhering to. If he has a counter argument to your justification then it only adds to the art of interpreting baroque music. You say ‘too much pedal’ when his harmonies are very much clear, you have to provide a better reasoning or keep quiet. He does place the note perfectly during the crossovers but at times chooses to split them, you can’t just complain it makes for an ‘juvenile understanding’ of the piece without providing any reasoning. I wouldn’t play this Scarlatti in the same manner as Mr Jean Tatu here but this is a fine performance.
Что характерно, эта его вещь очень похожа на Шопена, ну прямо некоторые гармонические ходы и пассажи...У зрелого Рахманинова уже более чётко свой стиль
This much rubato in a baroque piece? I don’t think so
When I was a young student, I remember a lecturer who came to tell us how to play baroque: a purist to his fingertips, he condemned for example the double concerto of Bach by Oistrakh and Menuhin, judging it interpreted in a way that was too romantic! On the other hand, according to him, Scarlatti for example could only be played on the harpsichord, and where there were strings, baroque instruments with baroque bows were absolutely necessary… Which raises quarrels between purists without any real solution. With such reasoning, then certainly I play perhaps too flexibly (to speak of "rubato" would be excessive in my opinion); but we would have to condemn most of the Scarlatti interpreters on the piano. The balance that I tried to approach: without ever falling into the "too much", letting myself be guided by the underlying dance from which the phrasing emerges, while also taking my pleasure, without misplaced taste. That said, I understand those who prefer stricter interpretations… Here, the musicians will never be able to agree completely. And then, as for Scarlatti, don’t they say that he is “the most romantic of the baroques”! With all due respect, Jean Tatu
@@jeantatu8573 thanks. But even romantic music can be distorted beyond recognition. Look what Ivo Pogorelich did to Rachmaninov second piano concerto. This particular Scarlatti performance was a bit much for me. Horowitz played these romantically AND with rhythmic integrity
@@gopher7691 Thanks for your feedback. If, however, you have one of your Scarlatti sonatas recorded, I will listen to it with pleasure.
@@jeantatu8573 you are very kind and thoughtful. Thank you
Beautiful ❤❤
Merci à vous !
Рахманинов написал это в 18 лет. Потрясающе!
потрясающий !
Bellissimo....
Merci 🙏 beaucoup
Enhorabuena desde Madrid
Merci 🙏 beaucoup
Ah, comme cette musique m'as prit sans déffensse. Jamais écoutté et jai subbit au eaux et le vertige sans pitié de la douleurs du compositeur et du compasse de l'exécution presque funèbre, si proffonde de l'artiste et pianiste. Ils on du quelque secondes puis du commencement de cette interpretation pour lancer mon âme dans les larmes du musicien qui a créé les mémoires de ses chagrins et des êchos reprises par l'artiste qui a interprété sa musique de manière qu'on subbit toutes au même douleurs. Quelle seras-t-elle son histoire celle du compositeur et que seras-t-elle celle du pianiste qui nous font coincider avec la douleur de cette musique? Voilá une conversion preque réligieuse qui nous unissent dans les tempêtes d'être humain! la musique resta déjà inscrite si vivante dans mon esprit et ma chaire que je marchais toute la journé au même compasse funèbre, ensuite. J'ai du l'écouter et lire les note afin de récupèrer ma vitalité. Sans pouvoir m'élibérer, je laisse la preuve de la désolation sublime que cette musique laisse dérière de son première êcoutte dans mon âme.
Merci beaucoup pour votre commentaire.❤ Cette danse, comme nourrie de douleur noble, déambule hors du temps de manière quasi hypnotique, telle une vie…si on est en mesure de l’observer avec recul. La couleur de ce menuet me fait penser au poème de Musset « le pélican » /…/ Les plus désespérés sont les chants les plus beaux, et j’en sais d’immortels qui sont de purs sanglots /…/
Superbe !!!
😊 merci !
Beautiful Thank you 🙏
Thank you too! 🙏😊
Superbe !!!
Magnifique !!!
Très belle élégie magnifiquement interprétée. La poésie du message de Rachmaninov est restituée à la perfection 🙏🙏🙏
Très beau 😊 !
Très beau 👏 !
00:00 - "Julien zur Erinnerung" - I. Allegro, Lebhaft 02:32 - "Julien zur Erinnerung" - II. Thema mit Variationen: Ziemlich langsam 05:57 - "Julien zur Erinnerung" - III. Puppenwiegenlied: Nicht schnell 08:01 - "Julien zur Erinnerung" - IV. Rondoletto: Munter
Excelenre sube mas videos asi 😊
I really enjoyed your interpretation with its stronger contrasting dynamics and timing, noticeably different than other renditions on YT. Bravo!!
Many thanks for your comment… This encourages me to post new videos soon. Musically yours…
Lovely! First time I played this piece was about 25 years ago and now that I have a piano again I still play it =)
Glad you enjoy it!
Sublime!!!
Fantastic! .. profound, sincere with a beautiful, full, deep sound... a reference recording!
Excellente interprétation certainement une des meilleures
ugly playing
I love this!
Très beau !
👏👏👏
Great playing. Very reverential with an air of simplicity
Merci pour votre commentaire !