Scandinavian Cello School
Scandinavian Cello School
Official channel for the Scandinavian Cello School.
On the coastline 60km south of Copenhagen, an international school for young elite classical music talents has made their home. Becoming one of the most viral stories to hit the classical music world in recent years, media coverage such as The New York Times has brought the story of Scandinavian Cello School to over 2 billion people worldwide. An explosion in interest is due to the unique ethos at the school - achieve a healthy work-life balance, side by side with world class music training. Outreach concerts, outdoor experiences and collective living are all part of their philosophy to create more balanced and ultimately better musicians.
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Heartwarming and inspiring❤ A lot of good people in this ep. @flesselt Very good cinematography, mein Freund😉
Thank you Kenneth ❤️
Sehr schön, Viviana! ❤
Bravissima, Brave, Powerful & Beautiful
It was great having Viviana with us
Как же он постарел, боже😢 кажется ещё вчера, будучи ребёнком, смотрела на весёлого и молодого Венгерова. Как же быстро летит время
billetto.dk/users/scandinavian-cello-school
😍😍
“SCS Next Generation”, på Traktørstedet Højeruplund, Stevns Klint! Fredag 25.08 - kl.19: Vinder af DR P2 Kammermusikkonkurrence 2023, Absalon String Quartet Tickets - billetto.dk/users/scandinavian-cello-school 🥰
7:56 eh?
When the instrument reaches its mechanical limits :)
What is this piece?
Ysaye Solo Sonata No. 6!
Max Stop Teaching us, You're not Human
Nice. But seriously needs english subtitles.
Thank you for watching. We added them recently
roberta verna is such a legend already
For everyone saying “this student is better than him”-y’all. YALL. The student here is playing in a room with good reverb and plenty of space. Maestro Vengerov, on the other hand, is playing in pretty damp room with NO reverb; of course his playing is gonna sound slightly “choppier” !! I mean jeez, we’re all musicians/music lovers here, so I’d think y’all would understand that. But even despite the room that he’s recording in, he’s still one of the most technically and expressively gifted violinists in the world today and deserves no such petty criticisms, especially when he’s taking the time to give a masterclass.
The people criticizing him are ignorant idiots.
Stop yapping about who's "better" - what can be learned with that mindset..? is there no benefit in what he's teaching? Should he just hand her his violin and say, "you got it, Maestro!" And not teach her anything?
She is better than he is.
lmao
Lol, nope
In your envy dreams, nobody.
You can tell you don't know much about violin playing
What piece does he actually sounds good on? It always seems like the people in his master classes sound better than he does
Sibelius Violin concerto, at least. His is the best version I've heard. Aside from that, he's all around good, but there's better violinists.
ΜΙΛΩ ΑΚΟΥΩ there will always be better violinists. I agree with you tho
Listen to him at 12 years old (or 11) and understand that he was better than most of the people he teaches even at such a young age. You have no clue… every single one of the students would give so much just for a single lesson. Why? You wouldn’t know
ysaye 3
Ysaye violin sonata no.6
Tillykke til Jacob Shaw med prisen som "Årets Ildsjæl 2022" og TAK for musikken og dit engagement <3
I find in most of Maxim's lessons he's very vague. I understand the whole watch and repeat routine works for many, but he wouldn't be detailed enough for me to not go "what do you mean?" every 5 seconds.
That is because he is full of crap.
@@davidjacobson9907 In what sense?
@@OttoKuus Vengerov's comments are highly subjective...essentially useless to a student..what general principles could he elucidate that would differentiate his competence and the student's? That sort of teaching might help, although Vengerov's technique itself is not the level of the great masters such as Heifetz or Milstein. It is limited and he has some problems and confusions about bowing and phrasing.
I find his master classes to be very helpful.
@@davidjacobson9907 well, when you’re as talented as vengerov it’s hard to explain something that comes so naturally to you
matur suksma
Heartwarming message in the cold of winter. Wonderful presentation. Brought a tear to my eye. Best of luck, merry Christmas, and a glorious 2022. (Member of Faxe Kunst- og Musikforening)
I wish I could talk with this amazing human… . .
Me too....
aku juga.
1:23 putting the F# on the G string, I love that hack!
Me too...I definitely stole that when I played this. It makes the vibrato much easier and gives fuller ending to the phrase. it's brilliantly simple.
BRAVI!
everyone, this piece is not meant to be extremely rhythmical. it is rubato, also popper's intention was for it to be interpreted by the musician playing it. can't believe some of these ignorant comments. he played it beautifully. I can't it play nearly as well as him. I'm a freshman in high school and this piece is my solo. I love it so much.
great performance :)
lol guys its supposed to be "random" its cadenza. that means you phrase it anyway you want. Its a solo. haha get your music facts straight :)
Excellent ... Popper would have liked this performance. Can't believe some of the ignorant and inaccurate comments!
Beautiful. Thank you.
no music /has/ to be memorized. most professionals choose to, because if you know the piece by heart, you don't need to spend energy reading the notes. instead you can do other things... like concentrate on emotion. actually. it's becoming more acceptable in modern days (compared to about 50 years ago) to not have a virtuosic piece memorized. not sure why...
Justin Louie I can't memorise so I have a page turner. Also, back in the good old days, lol, it was considered ride to memorise another composers work. It was seen as the performer taking credit for it.
Hm, really, definitely a different culture back then!
How come this piece has to be memorized?
I think he's excellent! I don't know much about this piece - what Popper put into his part as far as tempo markings or rubato, etc., nor do I know much about Hungarian music in general - but it seems to me that Hungarian music is quite passionate and to expect it to be played at a strict tempo throughout would seem incorrect. I would imagine Popper scored a number of tempo changes but I think the soloist has a certain artistic license and this cellist does a nice job of expressing it.
you should keep in mind that it a RHAPSODY... so what some of you call "mistakes" are just a way to interprete that wonderful and very VERY hard piece of work. I think the things you judge ill interpretated are just actually a mater of taste write?! He is just great and I really like his work on that piece. He has a pure and clear sound too!
@Xbelt I'm not sure whether or not you are familiar with this piece, but I wanted to defend the cellist in this video because it is supposed to be played in this style, and he plays it gorgeously. Much of the piece can be thought of as a cadenza. The rhythm is meant to be almost ad-libbed according to emotion, desire, will--whatever you'd like to call it--as Hungarian compositions often meant to be.
@shafran100 I absolutely agree with you! I have recordings of actual hungarian gypsy violinists and they play with the tempo all over the place! If people don't like flexible, improvistory tempos, they should not listen to, or try to play, Hungarian music! Great job!
hello from switzerland, it's such a beautiful music, I play this song with my bassoon and piano in the church. Sincerely Peter Tschirky
@ 3:00 He's like "Get outa my way, bow!! I'm fingering all the way to the BRIDGE! (TWANG!!!)" This piece will separate the men from the boys in a cello section.
Perfecto. Perfect!, awesome!!!. Congrats from Spain
Hungarian Rhapsody is a piece built upon interpretation, It is up to the cellist as to how he/she plays the tempo, the whole piece could be considered one huge cadenza.
Finally, the tone interweaves Liszt's Rhapsody.
Très très belle technique mais musicien avant tout. C'est très rare de trouver de la musicalité dans ce genre de composition. Ce n'est pas un problème pour Jacob!!! Bravo.
very good,it´s so good
well done. very brave of you to play this concerto. my favourite piece - rostropovich only played it once because he was embarrassed about the mistake he played in his first performance he never wanted to play it again, so bravo. I'm playing it now too. Would like to perform it too. Thank you for providing inspiration! Peace
Good job!
awesome sound man! great interpretation, full of energy! a couple of intonational slips, but overall really good playing!
what a great sound jacob, i love it! really impressing. i love that piece, such a pity it's cut in the middle. would say it's a little too fast for me though.. what do you think? see you soon i hope! post more vids! xoxo josephine
What nice memories of your performance in Liezen, Jacob. Hope to see some new ones too :)