They should look at them again since this video looks 30 yrs old
@nivi319Ай бұрын
Image these goofballs trying to figure out a Bob Ross Painting. It must have taken him years to make this masterpiece and he probably made his paint by beating elements together with rocks
@nivi319Ай бұрын
It bugs me they took samples of his work for their greedy purposes. People are so annoying they have to research everything and usually get it all wrong. We are a dumb species
@AbdulAbdul-qp4yo2 ай бұрын
❤❤❤❤❤
@jdawson384 ай бұрын
What paper are you using and what grade/number of charcoal pencils did you use, especially for the initial block-in?
@Classdemos4 ай бұрын
I was using Canson Mi-Teintes Paper- Royal Blue color. The pencils were Wolff’s brand carbon pencils, B and 2B with a white charcoal pencil for the lights. The carbon pencils hold a better point that standard charcoal pencils, which tend to get dull quickly. Unlike other types of pencils, the carbon pencils will work well with charcoal, if you decide to use it at some point in the process.
@jimmyfortrue37414 ай бұрын
Imagine if the mass production of paint tubes in the later 19th century and their consistancy had not been intruduced to the art world.... The myriad of different techniques that would have subsequently been created which now, alas, have not. Then again, plein air painting probably wouldnt have reached the heights it did.
@lonewolfmtnz4 ай бұрын
amazing how many monkeys are paid to 'reveal' the obvious and the trivial
@justtim97674 ай бұрын
Very interesting.
@philiphanes74374 ай бұрын
wonderful. thank you
@DanielSprouse4 ай бұрын
I read the title as Rembrandt and His Pants, which would be a much different video, I'm sure.
@wheelsmcdealsace4 ай бұрын
.
@James-eo6bu5 ай бұрын
I think he mixed in feces
@James-eo6bu5 ай бұрын
I think he mixed in feces
@arthurmcbride12355 ай бұрын
What is not mentioned or considered, is that Rembrandt did not paint like a figourative painter does today, which is to paint wet into wet like an impressionast. Instead Rembrandt would paint, and then let it dry and then scumble and glaze over the top of his dried work, let that dry completely and then do another layer over the top again. This is how he built his impasto areas and textures. At every stage he got it right, and then let it dry, and then painted another layer into the dried paint. I am however fascintated to learn about the filler that he used, chalk or ground sand. I did not know that.
@scottkendall56555 ай бұрын
"Rembrandt must have prepared different portions of paint of varying thicknesses". Everyone who has ever painted in oil collectively says: "Duh?".
@toddaulner5393Ай бұрын
I tried to make a copy of his portrait at the beginning. I did not draw it out and got his head too big, then I got frustrated because I could not do it and gave up. I am much better as a painter today but now the canvas is damaged.
@beccagee59055 ай бұрын
Temperature also affects oil paint viscosity. I watched a plein air painter paint a cityscape, as a snow storm started. The paint got thicker as the snow came down faster and faster, and as the temperature dropped. Near the end of the painting, the painter had to string out the paint onto the canvas, or glop it on. The painting really did look like a city in a blizzard. I dont know how he did it. I've bundled up, and tried painting during just a light fluffy snow, and could only manage maybe 45 minutes, or an hour tops.
@jasminespencer39925 ай бұрын
Does anyone know what his friends called him? Like did he have a nickname or short version of Rembrandt? Remi?
shame the visual quality of this video is exceptionally poor
@jimmyfortrue37414 ай бұрын
Appears to have been digitally copied from a VHS tape. For example see around 13:35
@justinferguson97795 ай бұрын
Amazing work.
@larrysorenson47895 ай бұрын
It would be interesting to make an exact copy using some modern techniques. For instance, the surface could be laser scanned to create a topographical duplicate file that could be fed into a CnC machine. The machine would need to be extremely accurate and work in 5 dimensions to capture the textures. Application of color would be very tricky. A high resolution printer would apply it and many trial examples would need to be created until the three dimensional coverage could be achieved. Then I suspect that a final clear coating would need to be applied but it must duplicate different sheens across the surface. What a fun project this would be.
@JiveDadson5 ай бұрын
Next, we analyze the works of Ernest Hemingway by studying his typewriter.
@TNT-km2eg5 ай бұрын
Rembrandt and his Pants
@robertjackson3015 ай бұрын
Have you considered that if he were alive today he would not want his methods revealed. If it was something he was happy to share with the world he would have written it. So, out of respect for this great man why not let the mystery continue and let us enjoy his illusion without revealing his secret. I don’t know many magicians who like their magic revealed to the world.
@ronagoodwell27095 ай бұрын
Good to see Rembrandt is still baffling the experts, astounding the pundits and dazzling the cognoscenti. As a mere fan I consider myself wowed.
@jakesmerth19195 ай бұрын
This video was posted almost a decade ago and is older than that, take this info as probably updated since.
@ronagoodwell27095 ай бұрын
@@jakesmerth1919Thanks for the head's up.
@randallbruursema75535 ай бұрын
trouble is Rembrandt did not paint most of his so called paintings, he had apprentices do it, I am a Dutchman
@stewartbrands5 ай бұрын
The "magic" you refer to is in the artist's consciousness. Analysing materials is interesting but will not inform,however minutely one looks, as to how he did it. This is a matter of the mind and experience. The use of silica was not for "economy" as she suggests. That suggestion is ludicrous.' It was used for its refractive index and body. It refracts light. It is like analyzing in the quantum levels.You know the electrons are there and even behave like objects but you can find them exactly. Same with Rembrandt. Even he was approximately exact and knew the quantum aspects of painting. Same with Leonardo and Turner.
@mariapilarme5 ай бұрын
It’s not magic it’s hard work. Who gives authority to an art historian about the craft of painting. They are not painters themselves so much bs in the art world! Don’t believe what these guys say , show me your paintings and I will trust you. They don’t know how to do it, that’s impasto Velazquez did the same thing. They are ocre sands in the world and of course will have quartz, this woman it’s an ignorant , in south Spain you find ochre yellow and red ochre in nature that’s how they use the power mix with oils, walnut oil. Not a clue how to paint. They need to read how to create oil paint there’s a treate. It depends if what to need to do if you need to dry fast you use sandarac oil. Waisting public money in stupid things. All the painters used the same colors. They didn’t measure or have the same temperatures.I know what Rembrandt used and you are not going to find out with a microscope. These people are dumb and not artists they say dumb things.
@Zukalski5 ай бұрын
I agre on that so much, at a certain point you even see that cuntd rubbing the 140 million painting with her poopy finger. I mean WTF are you doing touching that with your nasty boomer finger. the arrogance in it and the selfloathing makes me want to puke. I am a dutch artist.
@anthonywilson89985 ай бұрын
My own experience is that how long a mixed paint is left produces various viscosity and is controlled by time alone. Semi dry oil paint is almost sculptural like soft clay and will be thicker to use as a sculptural effect. Also a hit and miss effect creates its own roughness or happy surface,so examination of content makes no difference. It is all the same paint but of differing age.waiting untill the correct stiffness is achieved before applying as a texture finish as fit jewellery highlights ,thay are actually 3 dimensional mini sculptures to which paler colours can be added to lighten or darken.
@beccagee59055 ай бұрын
Temperature also affects the viscosity of oil paint. I once watched a plien air painter, painting a cityscape during a snow storm. The more intense the storm, and drop in the temperature, the thicker the paint became. He literally had to string the paint, or glop it on, in order to add more paint. It was pretty intense, and the painting looked like a blizzard in the end. You could feel the storms energy just looking at the painting.
@ohshessoart6 ай бұрын
Amazing work. Thank you
@EricBuechel7 ай бұрын
Rembrandt allowed paint to thicken on the palette before applying the paint. He rarely cleaned off the paint on the palette and he used this nearly dried paint to create beautiful surface textures. Cold wax was also used. I completely disagree with the assertion that he used different mixtures of mediums for different areas of the painting. It was all about dry vs. wet.
@Samuel-im8mj5 ай бұрын
totally agree, its cool that they analyzed his work to depth but it really feels like they were overthinking it 😅
@jenniferlehr22415 ай бұрын
Agree with you.
@guynouri7 ай бұрын
I’m imaging Rembrandt watching this manificent documentary. 😅
@Zukalski5 ай бұрын
and rolling around in his grave
@peterhendriks47368 ай бұрын
Nice to hear a narrator who can actually pronounce Dutch names.
@Zukalski5 ай бұрын
UHMMM thats probably why he is DUTVH you can clearly hear his dinglish accent
@lynnralph837316 күн бұрын
I agree, people don't even try to pronounce names at all. Irritating.
@emilleum48 Жыл бұрын
This presentation and research methods, and final conclusions are astounding, and as a novice portrait painter, trying to capture some of the feelings and gestures of a few of his self-portraits, I have so much greater respect for his work, but as you said, even this opens us up to even more questions, this was so incredibly wonderful and helpful, especially when you specified that he worked with a limited pallet, thank you, MSG Leum
@nelsonx5326 Жыл бұрын
Megilp Megilp /məˈɡɪlp/ also known as Macgilp and McGuilpis is an oil painting medium consisting of a mixture of mastic varnish and an oil medium: such as walnut, linseed, safflower, poppy, or black oil (linseed oil) cooked with litharge or white lead. Earlier recipes may omit the mastic and substitute wax.[1]
@CaptainCrempog Жыл бұрын
What an absurd project, Art Garfunkel makes for a damn good Art Historian though.
@myprivatechannel4517 Жыл бұрын
Very Very Beautiful Drawing ;:, i will like To learn ;: , Thank you ;:,
@user-yk4ni2co8w Жыл бұрын
👍👍👍
@rickeytjrooster7236 Жыл бұрын
The paint is laid thet deep in small bumps that they cast shadows
@plasmer9784 Жыл бұрын
i think to improve your videos you need to edit them but other than that this is good
@tatuco82 жыл бұрын
Who the hell is the Artist!!
@Classdemos2 жыл бұрын
Here's the info for the website website and instagram - @tbutlerart thomasbutlerart.com
@JohnWolffPortraits2 жыл бұрын
While it is instructional in some ways, it would be better as a “how to” if you dramatically slowed down the presentation and presented some commentary about the process you have chosen to use to make the portrait….at any rate, I do thank you for these…
@Classdemos2 жыл бұрын
Here's a link to another demo from my channel that I recorded in class. It includes the audio of me talking through the process. The video uploaded today was review of the process introduced in this link kzread.info/dash/bejne/pnmN0pSceMnQeso.html
@JohnWolffPortraits2 жыл бұрын
@@Classdemos That is fantastic! Thank you!
@okaytoletgo2 жыл бұрын
If you were here, and reading this, you might well be very interested in a jolly terrific film called My Rembrandt: the story of how Jan Six saw a picture in an auction catalogue and strongly felt it was a Rembrandt. One of the persons in this here film, young here, is in the My Rembrandt film--years older. I streamed the film My Rembrandt on a platform called Kanopy, available through public libraries using one's library card #. An aside, I've been gazing at a Chagall picture of a loving couple--it is a sweet homage to the painting discussed in this video: the Jewish Bride of 1664. Thank you for reading and caring. Sweet wishes to you.
@byronmilla98652 жыл бұрын
Didn't know !!! I know why they burn so much when I have spray water base paint !!!
@FF-so3su2 жыл бұрын
Rembrandt looks like Rumpole!
@luzarsacdetoro9032 жыл бұрын
Top! Sur ses premières peintures on comprend qu il était a la limite du caricaturiste!
@pdworld34212 жыл бұрын
I'm laughing. Lol. "It was hard work?" You're kidding.
@arturhakobyan68502 жыл бұрын
Oooo these pixel peepers of analog epoch...
@debsquires8472 жыл бұрын
I have a painting signed by him how can I tell if it’s real or a reproduction
Пікірлер
They should look at them again since this video looks 30 yrs old
Image these goofballs trying to figure out a Bob Ross Painting. It must have taken him years to make this masterpiece and he probably made his paint by beating elements together with rocks
It bugs me they took samples of his work for their greedy purposes. People are so annoying they have to research everything and usually get it all wrong. We are a dumb species
❤❤❤❤❤
What paper are you using and what grade/number of charcoal pencils did you use, especially for the initial block-in?
I was using Canson Mi-Teintes Paper- Royal Blue color. The pencils were Wolff’s brand carbon pencils, B and 2B with a white charcoal pencil for the lights. The carbon pencils hold a better point that standard charcoal pencils, which tend to get dull quickly. Unlike other types of pencils, the carbon pencils will work well with charcoal, if you decide to use it at some point in the process.
Imagine if the mass production of paint tubes in the later 19th century and their consistancy had not been intruduced to the art world.... The myriad of different techniques that would have subsequently been created which now, alas, have not. Then again, plein air painting probably wouldnt have reached the heights it did.
amazing how many monkeys are paid to 'reveal' the obvious and the trivial
Very interesting.
wonderful. thank you
I read the title as Rembrandt and His Pants, which would be a much different video, I'm sure.
.
I think he mixed in feces
I think he mixed in feces
What is not mentioned or considered, is that Rembrandt did not paint like a figourative painter does today, which is to paint wet into wet like an impressionast. Instead Rembrandt would paint, and then let it dry and then scumble and glaze over the top of his dried work, let that dry completely and then do another layer over the top again. This is how he built his impasto areas and textures. At every stage he got it right, and then let it dry, and then painted another layer into the dried paint. I am however fascintated to learn about the filler that he used, chalk or ground sand. I did not know that.
"Rembrandt must have prepared different portions of paint of varying thicknesses". Everyone who has ever painted in oil collectively says: "Duh?".
I tried to make a copy of his portrait at the beginning. I did not draw it out and got his head too big, then I got frustrated because I could not do it and gave up. I am much better as a painter today but now the canvas is damaged.
Temperature also affects oil paint viscosity. I watched a plein air painter paint a cityscape, as a snow storm started. The paint got thicker as the snow came down faster and faster, and as the temperature dropped. Near the end of the painting, the painter had to string out the paint onto the canvas, or glop it on. The painting really did look like a city in a blizzard. I dont know how he did it. I've bundled up, and tried painting during just a light fluffy snow, and could only manage maybe 45 minutes, or an hour tops.
Does anyone know what his friends called him? Like did he have a nickname or short version of Rembrandt? Remi?
Probably called him.by his first name? ;)
Camel/Cow fed on mango leaves Mg,Ca[C19H15O10]2nH2O urine yellow dye colour …Indian Yellow
I read “Rembrandt and his pants” 😧
shame the visual quality of this video is exceptionally poor
Appears to have been digitally copied from a VHS tape. For example see around 13:35
Amazing work.
It would be interesting to make an exact copy using some modern techniques. For instance, the surface could be laser scanned to create a topographical duplicate file that could be fed into a CnC machine. The machine would need to be extremely accurate and work in 5 dimensions to capture the textures. Application of color would be very tricky. A high resolution printer would apply it and many trial examples would need to be created until the three dimensional coverage could be achieved. Then I suspect that a final clear coating would need to be applied but it must duplicate different sheens across the surface. What a fun project this would be.
Next, we analyze the works of Ernest Hemingway by studying his typewriter.
Rembrandt and his Pants
Have you considered that if he were alive today he would not want his methods revealed. If it was something he was happy to share with the world he would have written it. So, out of respect for this great man why not let the mystery continue and let us enjoy his illusion without revealing his secret. I don’t know many magicians who like their magic revealed to the world.
Good to see Rembrandt is still baffling the experts, astounding the pundits and dazzling the cognoscenti. As a mere fan I consider myself wowed.
This video was posted almost a decade ago and is older than that, take this info as probably updated since.
@@jakesmerth1919Thanks for the head's up.
trouble is Rembrandt did not paint most of his so called paintings, he had apprentices do it, I am a Dutchman
The "magic" you refer to is in the artist's consciousness. Analysing materials is interesting but will not inform,however minutely one looks, as to how he did it. This is a matter of the mind and experience. The use of silica was not for "economy" as she suggests. That suggestion is ludicrous.' It was used for its refractive index and body. It refracts light. It is like analyzing in the quantum levels.You know the electrons are there and even behave like objects but you can find them exactly. Same with Rembrandt. Even he was approximately exact and knew the quantum aspects of painting. Same with Leonardo and Turner.
It’s not magic it’s hard work. Who gives authority to an art historian about the craft of painting. They are not painters themselves so much bs in the art world! Don’t believe what these guys say , show me your paintings and I will trust you. They don’t know how to do it, that’s impasto Velazquez did the same thing. They are ocre sands in the world and of course will have quartz, this woman it’s an ignorant , in south Spain you find ochre yellow and red ochre in nature that’s how they use the power mix with oils, walnut oil. Not a clue how to paint. They need to read how to create oil paint there’s a treate. It depends if what to need to do if you need to dry fast you use sandarac oil. Waisting public money in stupid things. All the painters used the same colors. They didn’t measure or have the same temperatures.I know what Rembrandt used and you are not going to find out with a microscope. These people are dumb and not artists they say dumb things.
I agre on that so much, at a certain point you even see that cuntd rubbing the 140 million painting with her poopy finger. I mean WTF are you doing touching that with your nasty boomer finger. the arrogance in it and the selfloathing makes me want to puke. I am a dutch artist.
My own experience is that how long a mixed paint is left produces various viscosity and is controlled by time alone. Semi dry oil paint is almost sculptural like soft clay and will be thicker to use as a sculptural effect. Also a hit and miss effect creates its own roughness or happy surface,so examination of content makes no difference. It is all the same paint but of differing age.waiting untill the correct stiffness is achieved before applying as a texture finish as fit jewellery highlights ,thay are actually 3 dimensional mini sculptures to which paler colours can be added to lighten or darken.
Temperature also affects the viscosity of oil paint. I once watched a plien air painter, painting a cityscape during a snow storm. The more intense the storm, and drop in the temperature, the thicker the paint became. He literally had to string the paint, or glop it on, in order to add more paint. It was pretty intense, and the painting looked like a blizzard in the end. You could feel the storms energy just looking at the painting.
Amazing work. Thank you
Rembrandt allowed paint to thicken on the palette before applying the paint. He rarely cleaned off the paint on the palette and he used this nearly dried paint to create beautiful surface textures. Cold wax was also used. I completely disagree with the assertion that he used different mixtures of mediums for different areas of the painting. It was all about dry vs. wet.
totally agree, its cool that they analyzed his work to depth but it really feels like they were overthinking it 😅
Agree with you.
I’m imaging Rembrandt watching this manificent documentary. 😅
and rolling around in his grave
Nice to hear a narrator who can actually pronounce Dutch names.
UHMMM thats probably why he is DUTVH you can clearly hear his dinglish accent
I agree, people don't even try to pronounce names at all. Irritating.
This presentation and research methods, and final conclusions are astounding, and as a novice portrait painter, trying to capture some of the feelings and gestures of a few of his self-portraits, I have so much greater respect for his work, but as you said, even this opens us up to even more questions, this was so incredibly wonderful and helpful, especially when you specified that he worked with a limited pallet, thank you, MSG Leum
Megilp Megilp /məˈɡɪlp/ also known as Macgilp and McGuilpis is an oil painting medium consisting of a mixture of mastic varnish and an oil medium: such as walnut, linseed, safflower, poppy, or black oil (linseed oil) cooked with litharge or white lead. Earlier recipes may omit the mastic and substitute wax.[1]
What an absurd project, Art Garfunkel makes for a damn good Art Historian though.
Very Very Beautiful Drawing ;:, i will like To learn ;: , Thank you ;:,
👍👍👍
The paint is laid thet deep in small bumps that they cast shadows
i think to improve your videos you need to edit them but other than that this is good
Who the hell is the Artist!!
Here's the info for the website website and instagram - @tbutlerart thomasbutlerart.com
While it is instructional in some ways, it would be better as a “how to” if you dramatically slowed down the presentation and presented some commentary about the process you have chosen to use to make the portrait….at any rate, I do thank you for these…
Here's a link to another demo from my channel that I recorded in class. It includes the audio of me talking through the process. The video uploaded today was review of the process introduced in this link kzread.info/dash/bejne/pnmN0pSceMnQeso.html
@@Classdemos That is fantastic! Thank you!
If you were here, and reading this, you might well be very interested in a jolly terrific film called My Rembrandt: the story of how Jan Six saw a picture in an auction catalogue and strongly felt it was a Rembrandt. One of the persons in this here film, young here, is in the My Rembrandt film--years older. I streamed the film My Rembrandt on a platform called Kanopy, available through public libraries using one's library card #. An aside, I've been gazing at a Chagall picture of a loving couple--it is a sweet homage to the painting discussed in this video: the Jewish Bride of 1664. Thank you for reading and caring. Sweet wishes to you.
Didn't know !!! I know why they burn so much when I have spray water base paint !!!
Rembrandt looks like Rumpole!
Top! Sur ses premières peintures on comprend qu il était a la limite du caricaturiste!
I'm laughing. Lol. "It was hard work?" You're kidding.
Oooo these pixel peepers of analog epoch...
I have a painting signed by him how can I tell if it’s real or a reproduction
Sotheby's or Christies valuation for a fee?