All was great, unknown date is amazing ❤❤❤👏👏👏👏👏👏👏👏👏👏
@alanhadley12864 ай бұрын
Incomparable. No one before or since can match her in this role. Breathtaking.
@jeanmarcblanc29037 ай бұрын
Est-ce qu'on peut faire mieux? La performance est certes là mais ce n'est pas au détriment de la recherche du plaisir de notre écoute.
@jimbuxton21878 ай бұрын
She was always a great faller!
@raffaeleviggiano49018 ай бұрын
Strepitosa la più grande vocalista del 900
@user-mr2xd1nd7k10 ай бұрын
❤🎉😅
@machovoce682611 ай бұрын
Great fun. I suppose the primary point is that she had the role in her repertoire for almost 30 years - with unbeatable results.
@golden-6311 ай бұрын
Best Eb: Rome 1980 Best Db: Paris 1989 The truly astonishing thing about this one is that the her Db faltered for just a second, she recovered it beautifully and it became magnificent!
@user-gt7xs1fc6g Жыл бұрын
As others havenoted the live performance shows the size and resonanceof the voice far better than the studio recordings.
@eberhardthauer3818 Жыл бұрын
Nie wieder erreicht !
@eugeniodecicco2118 Жыл бұрын
Dov'è la dizione?. Non si capisce niente!.
@gadenkrotis540 Жыл бұрын
Wow! - Thank you.
@gadenkrotis540 Жыл бұрын
Wonderful - Thank you.
@eberhardthauer3818 Жыл бұрын
Brava! Unerreicht!
@ivanbendana551 Жыл бұрын
Sutherland had an imposing voice, but without the sound like a bell that the true coloratura sopranos had, such as Amelita Galli-Curci, Selma Kurz and Roberta Peters had. Also her final E-flat in this mad scene is very short in comparison with the more ample fiato that many coloratura sopranos that we may hear. For example, Amerita Galli-Curci, Selma Kurz and Roberta Peters had a very long and spectacular fiato that Sutherland could not reach in his highers notes. However, this vocal limitations in Sutherland´s coloratura voice are less important that his greatness as one of the best singers of the XX century. Greetings,
@jimbuxton21878 ай бұрын
She held them longer when she was younger. On one as long as lily pons however. Also I find that her high notes from high D and higher have the bell like tone of which you speak.
@joshuamcpherson0078 ай бұрын
@@jimbuxton2187 Sutherland's bell-like tone on the high notes was frequently mentioned in her career...particularly her early career. I would invite anyone doubting it to listen to her staccato Eb in this piece, @5:32 kzread.info/dash/bejne/ioyMsrGmXay8o9I.htmlsi=etlxUZYLfyeEiJ9k
@eric644 Жыл бұрын
All versions are outstanding but the live 72 from the Met wins for showing the sheer size and thrust of her voice. The E flat goes to the ceiling and the family circle. It’s just extraordinary.
@charleshahne1150 Жыл бұрын
Nicht von dieser Welt!
@cimbassovr2 жыл бұрын
DIVINA!!! 👍❤👏
@user-pg3sm4uw9c2 жыл бұрын
Внешность русской дивы из народа Голоса Мансерат Кобаллье и Георга Отса Нельзя ли заменить внешность на обладательница красивого голаса
@ajh34222 жыл бұрын
What a treat to come upon this on youtube. I remember her Lucrezia Borgia from 1975, truly a brilliant performance.
@eberlinpascal28372 жыл бұрын
Ici la Stupenda frôle de peu la catastrophe sur l'attaque du contre mi bémol .
@fabriziogarzi98924 ай бұрын
Non mi pare.
@toddgraber36752 жыл бұрын
Yes the Rome Eb was very secure - good for her! Of course the two 1989 versions were down a whole step in Db...But she still had some solid stuff up there!
@eric6442 жыл бұрын
Vancouver debut the clear winner for ease and fullness. The tone on the E flat became less free and more laser beam after about 73. The Rome E flat is pretty commanding, however. To me, D was always her best money note. It was unsurpassed.
@alwaysnew1892 жыл бұрын
😁😁😁❤️❤️❤️🌟🌟🌟
@BaroneVitellioScarpia12 жыл бұрын
The first three versions are superior to the fourth.
@johnpickford4222 Жыл бұрын
BaroneVitellioScarpia: Really, you don’t say. Tell us something of value. The first three performances ranged over a period of 11 years when she was 35 to 46. After a period of 14 years, she sang the last one. It isn’t just the time frame but the consistency of application considering her age. I doubt in your life, or career, whatever it is or was, that you will apply yourself with the same diligence, application and execution. Your comments reveal far less about you than her.
@fr.jamesjohnson15672 жыл бұрын
Ok, I love them all. Of course, in the earlier recordings Sutherland captures more of Gilda's girly innocence than in the later, especially the 1986; nevertheless, it's 1986 that does it for me. The way Joan negotiates Verdi's coloratura at Bonynge's dizzying speed--it's accurate, dead on pitch, full of power and drama and after all that capping it off with that explosive E-flat! THAT is opera! THAT is a diva! Brava La Stupenda!
@fr.jamesjohnson15672 жыл бұрын
NOBODY did it like Joanie! Up until the very end. Brava La Stupenda!
@eloyguevara94472 жыл бұрын
de fabula.........................
@claesrobertnyman2 жыл бұрын
Simply the best. We miss you Joan!
@nelifitkova85683 жыл бұрын
Toll! Besser ist nicht möglich! Ein Engel singt!
@danielintheantipodes67413 жыл бұрын
My vote: All of them!
@shahabispahani32733 жыл бұрын
Actually hearing them again it has to be Paris 1989... just a few months before retiring!
@shahabispahani32733 жыл бұрын
Barcelona ‘89
@barrynicolle18213 жыл бұрын
Does anyone know did Joan sing Rule Britannia etc on that night or on any other night?
@dougbarker30193 жыл бұрын
The one thumbs down (16.5.21) is probably a Callas addict.
@davidsimmons6545 ай бұрын
Always, very strange group
@antben8992Ай бұрын
Non vedo nessun "pollice in giù". La Sutherland è meravigliosa!
@shannonlewis89063 жыл бұрын
Ha.. one thumbs down 5/13/21
@debbiewoodburn67863 жыл бұрын
The simply extraordinary singing of the legendary JOAN SUTHERLAND.
@wotan109503 жыл бұрын
Aural Porn! I saw Dame Joan onstage in many operas, but never Lucrezia Borgia, so this is fun.
@Auxxsr13 жыл бұрын
I love it 95 to nothing. You can't get 95 people to agree the earth is round
@ioSonoCallas3 жыл бұрын
The unknown date is before 1980, probably 1972/73. Despite the transposition after 1986, the performances are phenomenal!
@williammaddox3339 Жыл бұрын
I agree I believe the unknown date is probably in the 1970's. I have read she sang the role in Dallas in 1974 and that would be my guess.
@tjw24693 жыл бұрын
here is the moment that you wish there were more people breaking the rule of "no recording during the performance"
@jimbuxton21873 жыл бұрын
God i love her! What a vocal miracle!
@josephhapp93 жыл бұрын
1st track tape is running fast.
@vanmusician3 жыл бұрын
I was at her first performance here in Vancouver. What an experience!
@luisalbertosantoscruz41263 жыл бұрын
STUPENDA, BRAVISSIMA
@SR-jx8yu3 жыл бұрын
Why did the mezzo ruin the ending of the 1969 performance?!
@highbaritone3 жыл бұрын
She was famous our trying to upstage the soprano in this scene.
@fan2jnrc3 жыл бұрын
There's nothing here that Mariella Devia did not surpass by far.
@dougbarker30193 жыл бұрын
Ha. This must be a prank comment. Devia - small voice, no trill, limited agility, shrill top notes - was quite competent but never in Joan's league.
I love Rome 1980. Long pause for a solid breath and then treating the Italians with a superb tone. And they (righteously) respond!
@wotan10950 Жыл бұрын
You can actually hear some of the astonished public before she leaves the note! Italians love a great high note!
@francoisvalois50583 жыл бұрын
Paris 89. Aussi parce que j’étais dans la salle.
@marktyler20683 жыл бұрын
Thanks for this. One can hear and see the work put into her voice and interpreting the piece over the years. Thinking is clearly a very important part of singing.
Пікірлер
All was great, unknown date is amazing ❤❤❤👏👏👏👏👏👏👏👏👏👏
Incomparable. No one before or since can match her in this role. Breathtaking.
Est-ce qu'on peut faire mieux? La performance est certes là mais ce n'est pas au détriment de la recherche du plaisir de notre écoute.
She was always a great faller!
Strepitosa la più grande vocalista del 900
❤🎉😅
Great fun. I suppose the primary point is that she had the role in her repertoire for almost 30 years - with unbeatable results.
Best Eb: Rome 1980 Best Db: Paris 1989 The truly astonishing thing about this one is that the her Db faltered for just a second, she recovered it beautifully and it became magnificent!
As others havenoted the live performance shows the size and resonanceof the voice far better than the studio recordings.
Nie wieder erreicht !
Dov'è la dizione?. Non si capisce niente!.
Wow! - Thank you.
Wonderful - Thank you.
Brava! Unerreicht!
Sutherland had an imposing voice, but without the sound like a bell that the true coloratura sopranos had, such as Amelita Galli-Curci, Selma Kurz and Roberta Peters had. Also her final E-flat in this mad scene is very short in comparison with the more ample fiato that many coloratura sopranos that we may hear. For example, Amerita Galli-Curci, Selma Kurz and Roberta Peters had a very long and spectacular fiato that Sutherland could not reach in his highers notes. However, this vocal limitations in Sutherland´s coloratura voice are less important that his greatness as one of the best singers of the XX century. Greetings,
She held them longer when she was younger. On one as long as lily pons however. Also I find that her high notes from high D and higher have the bell like tone of which you speak.
@@jimbuxton2187 Sutherland's bell-like tone on the high notes was frequently mentioned in her career...particularly her early career. I would invite anyone doubting it to listen to her staccato Eb in this piece, @5:32 kzread.info/dash/bejne/ioyMsrGmXay8o9I.htmlsi=etlxUZYLfyeEiJ9k
All versions are outstanding but the live 72 from the Met wins for showing the sheer size and thrust of her voice. The E flat goes to the ceiling and the family circle. It’s just extraordinary.
Nicht von dieser Welt!
DIVINA!!! 👍❤👏
Внешность русской дивы из народа Голоса Мансерат Кобаллье и Георга Отса Нельзя ли заменить внешность на обладательница красивого голаса
What a treat to come upon this on youtube. I remember her Lucrezia Borgia from 1975, truly a brilliant performance.
Ici la Stupenda frôle de peu la catastrophe sur l'attaque du contre mi bémol .
Non mi pare.
Yes the Rome Eb was very secure - good for her! Of course the two 1989 versions were down a whole step in Db...But she still had some solid stuff up there!
Vancouver debut the clear winner for ease and fullness. The tone on the E flat became less free and more laser beam after about 73. The Rome E flat is pretty commanding, however. To me, D was always her best money note. It was unsurpassed.
😁😁😁❤️❤️❤️🌟🌟🌟
The first three versions are superior to the fourth.
BaroneVitellioScarpia: Really, you don’t say. Tell us something of value. The first three performances ranged over a period of 11 years when she was 35 to 46. After a period of 14 years, she sang the last one. It isn’t just the time frame but the consistency of application considering her age. I doubt in your life, or career, whatever it is or was, that you will apply yourself with the same diligence, application and execution. Your comments reveal far less about you than her.
Ok, I love them all. Of course, in the earlier recordings Sutherland captures more of Gilda's girly innocence than in the later, especially the 1986; nevertheless, it's 1986 that does it for me. The way Joan negotiates Verdi's coloratura at Bonynge's dizzying speed--it's accurate, dead on pitch, full of power and drama and after all that capping it off with that explosive E-flat! THAT is opera! THAT is a diva! Brava La Stupenda!
NOBODY did it like Joanie! Up until the very end. Brava La Stupenda!
de fabula.........................
Simply the best. We miss you Joan!
Toll! Besser ist nicht möglich! Ein Engel singt!
My vote: All of them!
Actually hearing them again it has to be Paris 1989... just a few months before retiring!
Barcelona ‘89
Does anyone know did Joan sing Rule Britannia etc on that night or on any other night?
The one thumbs down (16.5.21) is probably a Callas addict.
Always, very strange group
Non vedo nessun "pollice in giù". La Sutherland è meravigliosa!
Ha.. one thumbs down 5/13/21
The simply extraordinary singing of the legendary JOAN SUTHERLAND.
Aural Porn! I saw Dame Joan onstage in many operas, but never Lucrezia Borgia, so this is fun.
I love it 95 to nothing. You can't get 95 people to agree the earth is round
The unknown date is before 1980, probably 1972/73. Despite the transposition after 1986, the performances are phenomenal!
I agree I believe the unknown date is probably in the 1970's. I have read she sang the role in Dallas in 1974 and that would be my guess.
here is the moment that you wish there were more people breaking the rule of "no recording during the performance"
God i love her! What a vocal miracle!
1st track tape is running fast.
I was at her first performance here in Vancouver. What an experience!
STUPENDA, BRAVISSIMA
Why did the mezzo ruin the ending of the 1969 performance?!
She was famous our trying to upstage the soprano in this scene.
There's nothing here that Mariella Devia did not surpass by far.
Ha. This must be a prank comment. Devia - small voice, no trill, limited agility, shrill top notes - was quite competent but never in Joan's league.
Devia is a small singer.
Absolutely agree!
Ahahhahahahaahahahahahahahahahhahahahahahahahajjajahajajajajabahahahhahahahahahah
Who?
I love Rome 1980. Long pause for a solid breath and then treating the Italians with a superb tone. And they (righteously) respond!
You can actually hear some of the astonished public before she leaves the note! Italians love a great high note!
Paris 89. Aussi parce que j’étais dans la salle.
Thanks for this. One can hear and see the work put into her voice and interpreting the piece over the years. Thinking is clearly a very important part of singing.
Totally!