Kanda Bongo Man is a Congolese soukous musician born in Inongo, Democratic Republic of the Congo. He became the singer for Orchestra Belle Mambo in 1973, developing a sound influenced by Tabu Ley. His solo career only started to take off after he moved in 1979 to Paris, where his music started to incorporate elements of then-vibrant zouk music popularized by Kassav. His first solo albums, Iyole in 1981 and Djessy in 1982, were hits.
He is known for the structural changes he implemented to soukous music. The previous approach was to sing several verses and have one guitar solo at the end of the song. Kanda Bongo Man revolutionized soukous by encouraging guitar solos after every verse and even sometimes at the beginning of the song. His form of soukous gave birth to the kwassa kwassa dance rhythm where the hips move back and forth while the hands move to follow the hips.
Like many African rumba and soukous musicians before him, Kanda Bongo Man also had an entourage of musicians. Many of Kanda's musicians later moved on to start their own solo careers. Most notable of these was Diblo Dibala.