Old Holland Classic Colours
Old Holland Classic Colours
Old Holland Classic Colours. Since 1664.
Old Holland Classic Colours has more than three centuries of traditional experience in the manufacture of artist paint. We make our colours since 1664.
During that period we have proved that nothing beats the quality of traditional recipes. Our professional staff work every day with love and devotion to create a superior product.
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Thank you so much for your wonderful teaching on these colors. I appreciate it very much 😊😊
Paynes grey and prusian blue are my must have
I am confused as many say proffesional.artists does not use black in they palete
Aaaa!!! Quero vivir allí!!!!❤❤❤
Payne's is a little oily - at least the W & N artist's grade is and I used Payne's to darken clouds in a golden sunset and my friend saw it and said "Why are your clouds green?"
What is the second color he mixed with.blues?
u are my favorite channel
Thank you ZahranJamil!
I've just received Raw umber, green cadmium deep and english red.
For sunlight hitting objects, do I use cad medium or lemon?
Pls upload more
Thank you @louiswolfe5012, we will do just that. But our pace is somewhat slow.
@@LennaertKoorman Question Can I be sent some stuff for a project pls
@@louiswolfe5012 Thats not up to me, please request it at Old Holland directly. When I post their email here, my post is being removed, but you can easily find it on the Old Holland website. Good Luck!
Beautiful Colours ❤
Today I learned that glazing is not just for pottery! The example at 0:28 is interesting. To me it still looks pretty opaque. Wouldn't applying this to a painting cover the layer underneath it?
Not if you use some medium to thin it
@jeanbigboute, good to hear you learned something from the video! Thanks for your feedback. Glazing can be used in many different opacities, depending on your wishes. When applying a more opaque layer, so that the painting underneath is only just visible, the glazing layer is usually still worked wet on wet. With subtler glazing layers you can indeed work much more transparently and softly. Then it usually just involves adding a different color temperature or depth.
@@LennaertKoorman Thanks! I'll have to look out for all this next time I'm in a museum. So much going on "under the surface"...
Great video as usual from y’all
@Rockheadsling Thanx!
Absolutely love this video series. Thank you.
Thank you so much David, that is really good to hear!
I really enjoyed this, thankyou
Thank you for your feedback Ashley
Thank you, it helps a lot!🌿
Thanx @rikkenielsen8678
awesome 👏
Thank you @nordicvolkan8589
Which blue did u use please
Thankyou
도움이 많이 돼서 감사합니다😊
These are really nice videos, especially with the practical demonstration with master works. Thank you for your excellent work.
Dioxazine Mauve is absolutely my favorite color! It’s so hard to control, though… one tiny drop of it can ruin a mix if you’re not careful. It has very strong tinting and dominates almost all other colors.
qué mal gusto sus bromitas sobre el Ivory Black
mars black is my choice!!
Hello what's the code for old Holland primary blue
I'm pleased about these videos thanks
Great to see you back! Is there a guide somewhere to what warm/cool, strong/muted, etc. mean in painting? I have watched all of the videos in the series but am not getting it. Even more difficult is understanding the undertones, like yellow/brownish/etc. in some of the mixes here. Maybe it needs to be seen "in real life"?
Thank you for following us. We do not have such a guide. But we will discuss it within the company. Good idea to make it.
Dear @jeanbigboute, thank you for your question. Don't worry, it's completely normal that this can be difficult at first. Concepts such as 'muted/saturated' or 'tinting strength' can be quite confusing. But with some practice, you can get the hang of it quite quickly. In any case, these are fixed concepts that do not depend on interpretation. Concepts such as 'warm/cool' and 'reading undertones' are much more difficult because they do not refer to absolute values. They are always relative and dependent on other colors. It has never been scientifically determined that 'this is the warmest color', 'this is the coolest' and the others are somewhere in between. But the use of these words does come from a very practical natural phenomenon: Warm light on an object produces cool shadows, and cool light on an object produces warm shadows. That's a good starting point that you can work with. If you want to delve deeper into it, I can recommend the following book: Alla Prima 2, by Richard Schmid. He really knows how to explain and show it. But because I get this question very, very often, we will certainly consider whether we will dedicate a video to it. Hope this helps, Best Lennaert
@@LennaertKoormanThank you for the tips and the reference! I will look into lighting and also for the book.
@@oldhollandclassiccolours2759I appreciate it, thank you!
Do Dioxanine pigments tend to dry quite matte?
Love these Wish i could get some paints Can you do alizarin crimson vs magenta next?
And Parisian blue vs blue deep
Thank you for your input!
Thank you! We will see if we can make it.@@louiswolfe5012
Hi @louiswolfe5012, Thank you for the input! First, we have several other colors planned. We will be comparing Scheveningen Blue vs King's Blue Deep, also. For now, we'll consider your proposal. Best Lennaert
@@LennaertKoorman you're welcome
Beautiful colours... love these videos.
Something I would love to see in these videos is a shot of the dried paint film (i.e. whether it is a matte or gloss finish) and mention of the drying time. Thanks for the videos.
Thank you for your feedback @davidc1878. That is good input! We will consider it. Not necessarily the easiest features to show. Especially the drying time is very relative and variable since it depends on all kinds of different factors, like room temperature, humidity, ventilation/oxygen, amount of applied paint/thickness of paint film, and medium or oil used to the specific colour. But up till now we didn't consider it at all, so thank you for bringing it to our attention! Best Lennaert
Red earth for those nice pinks. Can you do yellow ochre vs raw sienna soon?
Thank you for your input! All ideas are welcome!
Hi @AlexYorim, Thank you for the input! First, we have several other colors planned. We will be comparing two different Sienna's soon, also. For now, we'll consider your proposal. Best Lennaert
You guys made it :D <3 And the Venetian cameo🤣! awesome!
Thank you!!! Thank you for using our colours!!!!
Hi @lrvz7187, You're so welcome! Thank you for the good suggestion, it was a lot of fun to make the video! Keep on painting! Best Len
Thank you, it was very interesting and useful!
you are wecome!
Thanks @ muhlenstedt! Good to hear!
Thank you for your job!
You are welcome!
I love these videos... thanks for making another one.
Thank you. Keep following our channel!
Thank you @davidc1878, that is good to hear! Best Len
it is not "let white" it is "lead white" (referring to chapter names for this video).
A minute into the video the narrator refers to Cadmium Red Light, but it says Cadmium Red on the screen. Which is which?
@charlesreidy2765, Hi there, good question. The whole video is made with, and shows the use of Cadmium Red Light! In the beginning of the video 0:53, we did put 'light' under the name Cadmium Red. Later in the video that title was accidentally no longer shown, and you are the first to point it out to us. Thank you!
Thank you 🙏
Thats why i recommend using Vermilion instead of Cadmium which is too intense and unnatural. It takes unnecessary time to mute it down when the Vermilion is already slightly muted but still deep and natural.
your pronunciation is absolutely off Munch is pronounced with a "k" sound at the end - not ch 🤣
My favourite black is Blue Black by Winsor & Newton. Old Holland paynes grey is great too. I avoid ivory black for my style of painting.
Super satisfying. I love how slow the process is!
I seriously appreciate these videos! thank you ! more please!
Ultramarine leans towards red, how can it be warm when it leans towards a cool red? Both blues are cool.
Blues that lean twords purple and that is considered a warm blue Manganese blue leans twords green and is considered to be a cool blue Both colors are cool, but one is warmer and one is cooler
Thank you for sharing! Yes, I agree payne’s grey is beautiful. Probably 90% of the time used for anything that has warm / daylight. Maybe mixes with ivory for moonlight settings etc.?! Have a great holiday and a happy new year!!
What color
Thank you ❤
Thank you❤
Thank you 🥰