An extension of www.ThePianoFiles.com and my Facebook page The Piano Files with Mark Ainley, this channel serves to feature uploads of rare and historical piano recordings.
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Пікірлер
Х0
More than thirty years before editing became possible-this is fabulous playing.
@@mylesjordan9970 closer to 45 years - was around 1948! Such great playing, isn’t it!
@@ThePianoFiles Thanks for the correction-yes; the art of performance generally was so different then, before the Logical Positvists got their hands on all printed texts, music included. This playing actually SAID something!
Priceless.
The theme at around 13:04 is lovely, feels like something I've always known but am hearing for the first time.
C'est tellement grand, grandioses, magistrale, c'est au dessus ....
16:14 I'm so used to hearing this chord rolled and it's such a realisation that Rach had huge hands
Gorgeous Mark, thanks for sharing!
Very nice! I like the third movement!!
I couldn't help but shed tears on seeing Lipatti smiling at his fiance😢😢😢 He looks so happy and relaxed. Wish he were happy and relaxed in heaven. I'd love to say millions of thanks to you for your sharing this video and Lipatti for his immortal essence of music.
Is that an angel playing?
At this point in his career Bolet was playing a Baldwin SD-10 and what a magnificent instrument it is. Bravo!!!!!
無数の星が輝いていたのでしょう キラキラしてるショパンの夜想曲ですね
Great (but I really don't like how this piece ends - almost as if Brahms is saying, "Sorry for being so jolly; I'm really a 'Serious Composer', you know"!)! Thanks for posting.
To my ears, this starts presto not allegro; surely too fast to make complete musical sense? To make matters worse, the "diddly-dums" in the middle section are so rushed as to sound ridiculous. The reprise is slightly less hectic, but it still doesn't "work" for me. Thanks for posting anyway!
ありがとうございました💖
It's funny: so many people talk about "profound", "inspired", "intense", "emotional", "musical" playing, but what does that actually mean? Why is Performance A profound, inspired, intense, emotional and musical and Performance B not? What makes it so? There's mention of tone quality and phrasing, which of course are important, though there is surely no single, unequivocally "beautiful" tone quality that suits every piece (would one use the same tone quality for Mozart and Rachmaninoff? Surely not) and phrasing will also differ greatly depending on the piece; there is, less helpfully, talk of spontaneity and "artistry", but, again, what do such epithets mean in practice? Taking liberties with the score / tempo / pulse? When you start thinking about it, it's all pretty impossible to pin down and, ultimately, comes down to a matter of taste. Some people will prefer Performance A and some Performance B. As for this performance, it certainly creates an appropriately sombre mood or atmosphere, which is what we experience more than merely hearing a succession of notes and chords. Does that make it profound, inspired, emotional and musical? I guess so ... Thanks for posting anyway!
Wow i love the slower tempo in the first movt
A performance that is separate from the world's being, truly possesses your consciousness into a trance-like state. Up there with Géza Anda's DG 1966 which is slightly more rigid and conservative than this one, but I consider them both my favorite.
My beloved teacher for 8 years. I'm so glad these were uploaded! He was an extraordinary artist, teacher, mentor and person. I would be NOWHERE without his guidance ❤
WOW, fabulous!! I'll feature this upload again soon on my Facebook page!
Another great performance.
Exquisite performance of a piano version that J.S. Bach would have loved. (Seriously, J.S. Bach would have gone bananas over the modern piano, and he would have immediately understood and loved jazz music.)
I remember his concert in Almaty in 1965. It was stunning, excellent!
fielen Dank
Chopin’s Etude in E has always been my favorite. I have read that he said it reminded him of Poland, his home. The piece has been labelled “Tristesse”, but I never thought it was sad. I saw a French TV movie entitled “Baisers cachés,” and realized that the Etude’s emotional journey exactly matched the movie’s. My hobby is making videos, and I knew I had to put them together. So if you would like to hear Youri Egorov turn Sadness into Love, try this: Nathan, Louis and Youri kzread.info/dash/bejne/nIOokrGGnpPAlag.html
Magnifique ! J’aimais ce pianiste dans les Polonaises de Chopin, je le découvre dans Bach.
So many liberties taken with the score, and yet it feels like she takes none due to the confidence with which she plays. I’m starting to suspect that ‘confidence’ is the only thing modern pianists actually lack compared to older ones… people should be encouraged to play like this, not shamed for it.
💖💖💖🎼
♥️😍😍
Magnifique interprétation
Que saudades
Minha amiga Rosana maravilhosa pianista e artista
Minha amiga Rosana maravilhosa pianista e artista
Fabelhaft
Bravissimo
This is better tempo. I've heard many with higher tempo which fail to impress me emotionally
when is the prelude no.26 pls?
@@chenwei3084 Chopin didn’t write one
A collection of beauty to my ears. Thank you once again.
❤
Oh....so touch....thank you....❤
Fabelhaft
I love the fact that there’s no affectation in the whole playing. Rachmaninoff, since the first chords, let purely the notes tells to us what they mean, creating an interesting and irresistible harmony. It’s deep and super clear
LIPATTI Is the pianist' of GOD
Fabuloso! 💜
wonderful❤❤❤
15:18
Thank you so much for this. It is wonderful to hear his voice and thought, and this performance is even better than his other one on KZread. No other performer even comes close.
I. 0:00 II. 18:45 (after huge applause lol) III. 27:34 IV. 38:10 (brutal sound but absolutely spectacular playing!)
There's an excellent but little known recording on KZread with Foldes playing Bartok's 1st Piano Concerto with Wilhelm Schuchter conducting the NDR Symphony Orchestra (nd).
감사합니다!
NESSUNO È STATO. NESSUNO È. NESSUNO SARÀ COME IL MIRACOLO DI EISENACH. E COME IL MIRACOLO DI BUCAREST