The channel of guitarist Matthias Scolarius. Latin, Tangos, Samba, Choros and other classical guitar music pieces will be published here. Mainly for concert promotion, to organize some concerts. The Guitar is recorded with a piezo-mic and processed in a Fx-chain (Eq, Reverb, Limiter, no compression) , so the sound is the same as on gigs.
Пікірлер
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Tu forma de tocar es tan hermosa, sigue así ❤️❤️❤️🥰
muchas gracias. ¡Me alegráste el día!
Sweet!
Danke. Aber auf tempowechselndes Metronom zu spielen ouuuf. Naja dadurch kann ich halt tempo-sync live effekte draufhauen. Mal schauen ob ich das auch irgendwann live spiele nicht dass ich mich bei jedem beat repeater erschrecke.
Bravo👏💜
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¡Muy bonito, tocas muy bien! ¡Saludos desde Brasil! 😃🇧🇷
Obrigado. A música brasileira é um ótimo complemento para o mundo do violão. Sou fascinado por esta música desde os 14 anos e ainda encontro novos compositores e artistas. Eu sou realmente um grande fã. ¡Saludos desde França! 🥖🙃
Cool piece... I learned it when i was 12
i actually don`t know when i learned it, somewhere between 11and 14. I don`t know if it`s only me but thats the first time i felt challenged, in lessons. maybe the second had a bach menuett which was the first time i had to jumps do barrees and pulloffs. Great work on your channel btw.
Nice
schankedön!
Respeto, más por favor.
¡Gracias! Ya he grabado algunas improvisaciones en este estilo. Lo publicaré esta semana en Instagram o en los cortos de KZread.
Respeto, más por favor.
Respecto!
¡Gracias! Actualmente estoy de vacaciones y tengo algunos conciertos aquí. Con un poco de suerte puedo grabar algunas improvisaciones en este estilo.
Good one! There`s one thumbnail coming too early in the end.
Glad you like it. Thumbnail got put to the end of video...thx for the info
Von Paco Peña;)
schnell mal das thumbnail korrigieren... Danke man... (hast mich ja erst auf das Lied gebracht) ich melde mich die Tage.
*Promo sm*
never thought of this that way, but i also put out some videos where played with a burned hand. maybe classical guitarists should play in sm clubs for some bourgy vibes.
I am a fan of the Romantic Period for Guitar, which was between 1825 to 1910. I play a different tune by Lauro called the Venezuelan dance, which was originally composed for piano. My purpose to reaching out to the man that played this piece of music is to encourage you. I would also like very much to throw you some pearls. I would like you to get the Segovia diatonic major minor scales. I would also like for you to get the slur studies And I would like you to alternate different combinations of PIMA and work your free stroke arpeggios from the fourth string down arpeggios PIMA, PMIA, PIAM, PAMI etc. Get a metronome for this next part And I want you on your right hand to work free stroke and rest stroke between I and M and I and A and M and A. I I want you to put a metronome set to 16th notes and I want you to start of with I and M back-and-forth between IM on the beat but only do that twice then I want you to make a burst of five notes so it’ll be 1-2(on the beat) then 5 notes in 16th notes so it should sound like 1…2…1,2,3,4,5 1…2… 1,2,3,4,5 this way every other time you start the pattern with the opposite finger - one time you will begin with I and because there are five notes which is done intentionally you will begin the next series on M and I want you to do that for I and M and I and a and M and a. I also , with regard to your left hand, want you to work the slur studies and this will be so very important for developing proper left hand position. I want you to think of the palm of your left hand as a straight line that should run parallel to the edge of the fret board. This means that you should turn your wrist and have the portion of the palm that is closest to your pinky very close to the neck Think of the palm is a straight line and the neck is a straight line and they should function parallel. This will force you to curl over the pinky and curl the fingers and it will make your left hand much more efficient and sonorous. Like the previous exercises, I told you to work work these the same way, in the sense that they should be even . Lastly, I want you to get 2400 grade sandpaper 8000 grade sandpaper 12,000 grade sandpaper and I want you to file the edge of the nails on your right hand starting with the coarsest and you can simply cut a piece let’s say 3 x 5 or 6 inches and wrap that around an emery board so that you have something to press against and file your edges of your nails and when you get up to the 12,000 after use for a while it will begin to feel like leather. This will polish the edge of your nail so that when you come through the string you will get the best tone I learned these things from studying with John Sutherland at the University of Georgia back in the 80sand I thought I would pass them on to you as I see a really great guitar player in the making you just have some rough edges. These right hand and left hand techniques will then allow you to play the Segovia diatomic major and minor scales much more effectively, and both hands will work together much more efficiently guitar was broken down by Segovia into left-hand technique, right hand, technique, exercises, and then putting those together and playing scales.
thx.... whooo thats alot... soo i tried out that 5 stroke practice..... that is actually really good and since i have the impression that i use still a little bit too much energy this i guess will help me. left hand position, i've got the bad habit to not switch back between chords there you have to change angle, i also realized this happens mainly in the 0-5 fret region (so this means ellbow out more often). beeing parallell + on songs where hammering / pullof sounds actually matter (if they have to "stick out")i purposly train to have my ellbow at the body which works if the composition allows it (so there i will still try to pull it off with weird angles(or i find out another way to get a really strong hammering pull of sound)) . also i found out that i should definetly go parrallel before melodic runs (that was the one where i saw the biggest difference). nails... i know it.. i switched to pong 2 weeks ago(this video was before that) and that actually helped a lot, i have to reinforce nails somehow (because i broke them alot) and i prefer pong nails to making acryl or gel nails (for now), playing with a piezo means you hear everything, whicch means i have to do sth about it...and for now its pong nails at least im quite happy because of the consitent sound and i can prepare them when i've got the time and fix nails in under 5 minutes which is fine and because i only have 20-25 hours a week for guitar this is my solution for now. Segovia scale i'll try out in the next couple of days. i remember that i had those exercises with i think 12 years or sth... maybeeeee a i should refresh them (had a guitar break for almost 10 years), giving my best to play somewhere beyond the 80 % of whats possible and its true that i could do more technique ( i 'll have to figure out how i will time manage that) but im usually not that bad in adapting new techniques to old pieces so the choice to work on reportoire seems also valid for me (gonna be tough that decision) from 20 hours i spend really only 4 per week which i guess is not enough (i heard pros spend up to 50%) but again for me that decision is mainly a time management issue. i really hope that my playing is enjoyable even for trained guitarists (last 10 % on every instruments are always the hardest i guess). ill have to stay realistic tho, 20 hours and a hole of 10 years not playing guitar, i'm not enterily sure that it's possible for me to have the same amount of technique skill than a guitarist with a academic degree (who nonstop played guitar). for now its playing the best i can with the less errors possible and a certain amount of sophistication, and getting the first 60 concerts done ( im currently at 10, also private but strangers and paid ) and having the first public in 2 weeks (working on homepage and adding insta with improvisations and maybe pictures from concerts). so far i'm on my way to whatever it will take me. but it's nice to get such a direct and honest criticism (even tho it was a bit much to read though , but thats fine). and also thanks for the compliment, i really appreciate it. Good luck with your piece. would love to hear it if possible.
its so musical holyy
thx a lot, glad your enjoyed it.
nice sir.
Thx a lot. Nice channel aswell. If you find a way to add some robo-fingers to an arm let me know :D
Wonderful
Thx. Means the world to me, that peole enjoy my playing!
Caramba tiene repertorio bastante.
Tengo un repertorio enorme (más de 150 piezas) porque toco desde que tenía 5 años, pero no he tenido la oportunidad de actuar fuera del trabajo. Ahora la oportunidad está ahí y se han realizado los primeros 10 conciertos. En el futuro quiero tocar más arreglos propios y tal vez improvisar. Todavía trabajo, pero tengo entre 20 y 30 horas semanales para jugar.
Versión de Arias brava. Y bravo
Conocí a Arias a través del canal de KZread de Mirta Álvarez. Ambos son grandes artistas, sin los cuales no hubiera decidido tocar un set argentino. 7 semanas después de escucharlos a ambos, me invitaron a tocar y luego hice las grabaciones. La guitarra de Aria tiene un estilo suave y juguetón, ¡increíble! Para la versión que toco, me basé más en Mirta Álvarez porque no había escuchado lo suficiente a Arias. Gracias!
@@LatGuitar tengo unos arreglos de Mirtha voy a ver si empiezo a trabajarlas, y de Aníbal arias y la cumparsita de Juanjo. Un saludo y muchas gracias por compartir
Latín, con todo respeto ya tiene la obra, falta asegurarla bien, y de pronto revisar el largo de uñas. Cordial saludo.
Tuve problemas en las uñas, pero llevo una semana usando una nueva técnica con pelotas de ping pong preparadas que se clavan debajo de la uña. Antes tenía uñas acrílicas, pero me llevaba demasiado tiempo. No puedo tener uñas ásperas gracias al micrófono de contacto, realmente se escucha todo. Aquí os dejo el enlace de la técnica de uñas. kzread.info/dash/bejne/iZ9hlrWtermzqs4.html&ab_channel=WillMcNicol
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Hey! Dieses Lied werde ich wahrscheinlich spielen, wenn ich im Frühling nach Deutschland komme. Danke für den Applaus, seit der ersten Stunde!
Your video reached India. And good job you did something. ❤❤
thx!
This song takes a lot of practice and a lot of skill. Your hard work and dedication have paid off. Great job! 👍
Thx. Appreciated!
Bravo! Krásná hudba!
Děkuji!
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thx, appreciated
Hell yeah :)
thx. glad you liked it :)
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Thx again. keep up your work on the piano, you seem to have talent aswell :)
Super!!!!!!
Thanks!!!