As part of the complete Bridge recordings of his works, this recording was supervised by Crumb...
@nicole-uy8pw26 күн бұрын
I just watched an Elden Ring video, and then I accidentally heard this song. It fits the game so well. George has a great sense of atmosphere. His works leave a lot of room for the imagination.
@RanBlakePianoАй бұрын
Stunning !
@whitneysolier1102Ай бұрын
Beautiful
@EduardoFrigattiComposerАй бұрын
Thank you!
@felizup282 ай бұрын
Briljant
@lylecohen16382 ай бұрын
Shouldn't 4:53 be twice as fast (remaining in the same tempo)?
@bertberenschot782 ай бұрын
This one by Robert Craft is the fastest version I know. And I know a lot, since this is my very very favorite Stravinsky composition. I possess 22 recordings of it, including even 5 versions by Pierre Boulez, who also loved this piece very much. This one by Craft is 18:45, the slowest I know is the one by Kitaenko / Kitajenko with the Danish National Symphony Orchestra, 23:24 The one here by Robert Craft is also a little bit the "weirdest" version, maybe due to the fast playing.
@simonkawasaki42292 ай бұрын
0:43 WOW!!
@ZewenShifu3 ай бұрын
based Crumb
@nmgt10484 ай бұрын
Another Russian selection I play sometimes that I enjoy since I taped it off a record back in 1982.
@ahshucks4 ай бұрын
We could have had this if they didn’t protest the rite of spring
@robkeeleycomposer4 ай бұрын
A wonderful piece, shamefully under-performed in the concert hall (it's very difficult!) always puts a smile on my face, along with Jeu de Cartes and Apollo.
@ustadspencertracy71954 ай бұрын
6:56
@Labratas1234 ай бұрын
Bravoooooooooooooooooo
@user-oj5xv1bb6c5 ай бұрын
Это то, что переживает наш мир сейчас. И большой вопрос, а будет ли у него хоть какое-то будущее. Или - а дальше тишина.ь
@DHM915 ай бұрын
Hi there! I've been searching for a copy of the Return to Oz score for ages, and stumbling upon this video is a dream come true! Any chance you could share where you found it? I'd love to delve deeper into the markings and details. Also, I'm curious if there are other scores from David Shire's Return to Oz soundtrack available for study. Thank you so much in advance! By the way, I attempted to inquire about this previously, but my attempt to share contact info got flagged. Just wanted to assure you that I'm a real person genuinely interested in studying the score.
@mikeklimczak96005 ай бұрын
Hello. I got it from David Shire himself.
@ufocontacy73065 ай бұрын
columia orchestra = stravinsky
@georgecrowe7835 ай бұрын
17:30
@georgecrowe7835 ай бұрын
5:13
@muslit5 ай бұрын
I have the recording with the New York Philharmonic with Arthur Weisberg conducting. I think it's preferable to this rendition. The terror in the work is captured better. Maestro Crumb came down to Guanajuato, Mexico, in 1995 to hear the University of Guanajuato Symphony Orchestra perform this. He wasn't very happy with the performance, and strangely enough, wasn't satisfied with the work itself. I don't know why, because I think it's one of his strongest pieces. The organization is masterly, and the events are perfectly paced.
@williambland55154 күн бұрын
After Crumb heard this recording (on Bridge, which he supervised) he changed his mind about this work.
@muslitКүн бұрын
@@williambland5515 Good to know.
@scottmichaelawaken6 ай бұрын
All of his stuff is good... But ill second that. His earliest style was best. The Rite of Spring/ Firebird/ Petroushka era. His best.
@WildDancer1016 ай бұрын
They say Wendy Carlos took some musical cues from this piece when creating the Wormhole music for the Tron film.
@astronomix15686 ай бұрын
Hi, do you know where I could find the full score ?
@coln73347 ай бұрын
8:56
@Gwailo548 ай бұрын
A perfect example of how an initial idea contains some elements that are better amended, rewritten, or forgotten, or saved for an extremely rainy day.
@Seb_An_Art8 ай бұрын
Soy yo o el 4to movimiento tiene la melodía que aparece en el solo de cellos de La mer?
@Quim1419 ай бұрын
Charming
@LearnCompositionOnline9 ай бұрын
Great work, i wish he composed more like this
@scottmichaelawaken6 ай бұрын
His early period is my favorite. Neoclassic style is good, but the best is his early style.
@scottmichaelawaken6 ай бұрын
The Rite of Spring/ Firebird/ Petroushka era. His best.
@rodneyloosley779 ай бұрын
A unique and newly discovered score thank you for bringing this to KZread!
@mikeklimczak96009 ай бұрын
you're welcome
@HeathcliffBlair10 ай бұрын
Thanks for the video. Valuable. This performance is too fast, though. imo. The finest recording of the piece was conducted by Fritz Reiner and the Chicago Symphony Orchestra in 1956. Perfection, and superb sound engineering too even by today's standards. Again, in my opinion of course. 🙂
@mikeklimczak960010 ай бұрын
I agree, the performance is too fast. Craft conducted this under the "supervision of Stravinsky". Details are lost in its speed.
@christophedevos376011 ай бұрын
Remarkable instrumentation/orchestration. Even in this pretty straight forward rendering you still hear a bit of Stravinsky, by choice of instruments alone. I don't know much of the background of this work, but was he maybe thinking of a new stylistic approach? Thank you for sharing.
@mikeklimczak960010 ай бұрын
According to Craft, Stravinsky arranged this work because he felt he couldn't compose something else about death, although he obviously wrote Requiem Canticles. Lovely orchestration. Quite powerful.
@christophedevos376010 ай бұрын
@@mikeklimczak9600 indeed.
@LearnCompositionOnline11 ай бұрын
first concert music composer that I see relating these techniques to a horror title. Many other compose "unaware horror music" . Do you know any other?
@codascheuer84265 ай бұрын
Probably Penderecki
@OdinComposer2 ай бұрын
Haha I thought something similar. Hmm other explicit horror titles, I'll have to think...
@rossanopinelli515011 ай бұрын
A true masterpiece of one of the greatest composers of the last seventy years.
@valerieheinderyckx450611 ай бұрын
Magnifique... envoûtant. ❤
@valerieheinderyckx450611 ай бұрын
Musique extraordinaire... Stravinsky est l'équivalent de Picasso dans le monde de la musique. ❤
@tomandsally11 ай бұрын
Celesta is too sweet.
@Hana._.11 ай бұрын
15:23
@alexkije11 ай бұрын
I like the dissonance.
@tomyamartino11 ай бұрын
First Dance reminds me of Prokofiev's Classical Symphony.
@alexkije11 ай бұрын
They both loved dissonance. And so do I!
@robkeeleycomposer4 ай бұрын
They both loved Haydn! 🙂 @@alexkije
@boracevik497511 ай бұрын
I just love this piece.
@mikeklimczak960011 ай бұрын
It's a heavily edited version of his opera of the same name. Check it out.
@boracevik497511 ай бұрын
@@mikeklimczak9600 Oh really? I didn't know it . I will definitely check it out. Thanks :)
@boracevik497511 ай бұрын
First time hearing a song from Stravinsky. I quite like it actually.
@Mike-nd6ox11 ай бұрын
Master ! Igor Stravinsky Genius !
@SOBIESKI_freedom Жыл бұрын
Such an interesting piece...
@mikeklimczak9600 Жыл бұрын
It's a vastly condensed version of his opera of the same name.
@gabrielnavaridas3530 Жыл бұрын
Hi ! I was wondering where was the autograph manuscript. Did you numerise it by yourself ? Where can we found it ? Thank you a lot for your video !
@mikeklimczak9600 Жыл бұрын
This is a copy of the original score. I got it from the University of Arkansas.
@FranzLiszt0904 Жыл бұрын
Stravinsky being Stravnsky again
@mofarag2529 Жыл бұрын
So much like Firebird
@dskinner626311 ай бұрын
Only the sections that are derived from the first act of the Rossingol opera. The other parts sound closer to Petroushka, and some sections are written in a way that recalls the Rite of Spring.
@richardtomasek Жыл бұрын
Appreciate the score. The greatest version is the Reiner/Chicago. Craft takes it a bit too fast for my tastes.
@brooksiefan Жыл бұрын
A very fine work. A bit sacrificed by recording.
@sunnyjim1355 Жыл бұрын
For me, there has only ever been two musical composers who truely warrant the term 'Great'; that's J.S.Bach and Stravinsky. Why I say that is because none except them have been so adept at mangling harmony up until the point of complete chaos, and then bringing it back from the abyss to some kind of cohesion. And they both could do so within just a few bars of minimal writing. Masterful.
@alexkije11 ай бұрын
hahaha! They loved to do dissonant variations. I do that too in my music. Just playing around with it. Shifting keys. Even playing the music backwards.
@barney688810 ай бұрын
oh our beloved LvB and Mahler, and Mozart could wind up a few lines here and there, then that filthy Wagner guy who somehow made music,... gets confusing for me at that point as morality and art should be so distant but I do love Stravinsky, and Bach is the foundation of all western music
Пікірлер
As part of the complete Bridge recordings of his works, this recording was supervised by Crumb...
I just watched an Elden Ring video, and then I accidentally heard this song. It fits the game so well. George has a great sense of atmosphere. His works leave a lot of room for the imagination.
Stunning !
Beautiful
Thank you!
Briljant
Shouldn't 4:53 be twice as fast (remaining in the same tempo)?
This one by Robert Craft is the fastest version I know. And I know a lot, since this is my very very favorite Stravinsky composition. I possess 22 recordings of it, including even 5 versions by Pierre Boulez, who also loved this piece very much. This one by Craft is 18:45, the slowest I know is the one by Kitaenko / Kitajenko with the Danish National Symphony Orchestra, 23:24 The one here by Robert Craft is also a little bit the "weirdest" version, maybe due to the fast playing.
0:43 WOW!!
based Crumb
Another Russian selection I play sometimes that I enjoy since I taped it off a record back in 1982.
We could have had this if they didn’t protest the rite of spring
A wonderful piece, shamefully under-performed in the concert hall (it's very difficult!) always puts a smile on my face, along with Jeu de Cartes and Apollo.
6:56
Bravoooooooooooooooooo
Это то, что переживает наш мир сейчас. И большой вопрос, а будет ли у него хоть какое-то будущее. Или - а дальше тишина.ь
Hi there! I've been searching for a copy of the Return to Oz score for ages, and stumbling upon this video is a dream come true! Any chance you could share where you found it? I'd love to delve deeper into the markings and details. Also, I'm curious if there are other scores from David Shire's Return to Oz soundtrack available for study. Thank you so much in advance! By the way, I attempted to inquire about this previously, but my attempt to share contact info got flagged. Just wanted to assure you that I'm a real person genuinely interested in studying the score.
Hello. I got it from David Shire himself.
columia orchestra = stravinsky
17:30
5:13
I have the recording with the New York Philharmonic with Arthur Weisberg conducting. I think it's preferable to this rendition. The terror in the work is captured better. Maestro Crumb came down to Guanajuato, Mexico, in 1995 to hear the University of Guanajuato Symphony Orchestra perform this. He wasn't very happy with the performance, and strangely enough, wasn't satisfied with the work itself. I don't know why, because I think it's one of his strongest pieces. The organization is masterly, and the events are perfectly paced.
After Crumb heard this recording (on Bridge, which he supervised) he changed his mind about this work.
@@williambland5515 Good to know.
All of his stuff is good... But ill second that. His earliest style was best. The Rite of Spring/ Firebird/ Petroushka era. His best.
They say Wendy Carlos took some musical cues from this piece when creating the Wormhole music for the Tron film.
Hi, do you know where I could find the full score ?
8:56
A perfect example of how an initial idea contains some elements that are better amended, rewritten, or forgotten, or saved for an extremely rainy day.
Soy yo o el 4to movimiento tiene la melodía que aparece en el solo de cellos de La mer?
Charming
Great work, i wish he composed more like this
His early period is my favorite. Neoclassic style is good, but the best is his early style.
The Rite of Spring/ Firebird/ Petroushka era. His best.
A unique and newly discovered score thank you for bringing this to KZread!
you're welcome
Thanks for the video. Valuable. This performance is too fast, though. imo. The finest recording of the piece was conducted by Fritz Reiner and the Chicago Symphony Orchestra in 1956. Perfection, and superb sound engineering too even by today's standards. Again, in my opinion of course. 🙂
I agree, the performance is too fast. Craft conducted this under the "supervision of Stravinsky". Details are lost in its speed.
Remarkable instrumentation/orchestration. Even in this pretty straight forward rendering you still hear a bit of Stravinsky, by choice of instruments alone. I don't know much of the background of this work, but was he maybe thinking of a new stylistic approach? Thank you for sharing.
According to Craft, Stravinsky arranged this work because he felt he couldn't compose something else about death, although he obviously wrote Requiem Canticles. Lovely orchestration. Quite powerful.
@@mikeklimczak9600 indeed.
first concert music composer that I see relating these techniques to a horror title. Many other compose "unaware horror music" . Do you know any other?
Probably Penderecki
Haha I thought something similar. Hmm other explicit horror titles, I'll have to think...
A true masterpiece of one of the greatest composers of the last seventy years.
Magnifique... envoûtant. ❤
Musique extraordinaire... Stravinsky est l'équivalent de Picasso dans le monde de la musique. ❤
Celesta is too sweet.
15:23
I like the dissonance.
First Dance reminds me of Prokofiev's Classical Symphony.
They both loved dissonance. And so do I!
They both loved Haydn! 🙂 @@alexkije
I just love this piece.
It's a heavily edited version of his opera of the same name. Check it out.
@@mikeklimczak9600 Oh really? I didn't know it . I will definitely check it out. Thanks :)
First time hearing a song from Stravinsky. I quite like it actually.
Master ! Igor Stravinsky Genius !
Such an interesting piece...
It's a vastly condensed version of his opera of the same name.
Hi ! I was wondering where was the autograph manuscript. Did you numerise it by yourself ? Where can we found it ? Thank you a lot for your video !
This is a copy of the original score. I got it from the University of Arkansas.
Stravinsky being Stravnsky again
So much like Firebird
Only the sections that are derived from the first act of the Rossingol opera. The other parts sound closer to Petroushka, and some sections are written in a way that recalls the Rite of Spring.
Appreciate the score. The greatest version is the Reiner/Chicago. Craft takes it a bit too fast for my tastes.
A very fine work. A bit sacrificed by recording.
For me, there has only ever been two musical composers who truely warrant the term 'Great'; that's J.S.Bach and Stravinsky. Why I say that is because none except them have been so adept at mangling harmony up until the point of complete chaos, and then bringing it back from the abyss to some kind of cohesion. And they both could do so within just a few bars of minimal writing. Masterful.
hahaha! They loved to do dissonant variations. I do that too in my music. Just playing around with it. Shifting keys. Even playing the music backwards.
oh our beloved LvB and Mahler, and Mozart could wind up a few lines here and there, then that filthy Wagner guy who somehow made music,... gets confusing for me at that point as morality and art should be so distant but I do love Stravinsky, and Bach is the foundation of all western music