This channel primarily features videos related to instrument construction. I have been building fretted instruments--mostly guitars--since the late 1970s. My goal with this channel is to share information, both with would-be instrument builders and with my customers, as well as others who are curious about how guitars, mandolins and ukuleles are put together. The subject matter and the specific instrument often vary from one video to the next, depending on what is on my bench on the day I choose to record.
This channel also features recordings of instruments I have built over the decades. While not exhaustive, there is a sufficient sampling of different instruments to allow people to hear the results of my work.
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I don't own an archtop but it's good to see how things are done, thank you. Look forward to seeing that Gibson being worked on.
@billywhizz7928 thanks for watching!
I am just about to carry out this carve on my first acoustic guitar build, so this video has been an enormous help. Thank you very much for posting it.
@grayd135 thanks, I'm glad it helped.
It looks like a Gibson by the fret markers? I used to own a 1939 Gretsch Synchromatic 100 with a DeArmond type Dynasonic pickup. Nice instrument.
@user-nu7kk4uw6k yes, it is a 1947 L7.
The "0" of the model size is a zero. Some say aught or naught, as in double-aught or double-naught. Martin uses O, as the letter, so, for example, double O. I heard it myself on the tour. However, the type face is a zero. Just because perfectly clear is not the purpose, OM is the letters O and M because they indicate the Orchestra Model.
@scottreeves1226 thanks!
Sometimes the simplest ideas are the best. Thanks for sharing.
Thanks for watching!
Nice Guitar.......
Indeed it is, or at least it will be after the restoration. There will be many videos.
Bar frets sound like a big pain in the fret. Nice video.
@mvecellio1 thank you, Mike!
I enjoyed that video, thanks for posting it. I've watched Ted Woodford installing bar frets and appreciate the challenges they bring.
@billywhizz7928 yes, they are very challenging. Bar frets have given me a new appreciation for modern frets.
I remember several decades ago when TJ Thompson was the Manager of the Elderly repair shop and Joe Konkoly was then working for him as a repairman and trainee..TJ has tons of knowledge and experience especially vintage Martin's. Joe succeeded him as the Manager and just recently retired from that position at Elderly's. Joe learned well from TJ and is also another expert on repairing and an expert on vintage Martin's.
@@billdedrick1914 I was able to speak with TJ a couple of times before I started the work. He was very helpful and quick to share his knowledge.
Great Video,what size and brand fret wire do you use?thanks
@user-mb4db2fd6e thank you, I'm glad you liked it. On this guitar, I used the StewMac medium fretwire.
Awesome video. I love how calm you are; I'd be a wreck doing something that requires that level of skill!
Thanks a lot. It's actually a little less nerve-wracking working on something like that that is not functional: you can't really make it worse.
Cool!! At last a left handed luthier :)) ile be watching more of these, Thanks :)) great workmanship aswell BTW
Glad you liked it! Thanks for watching.
Pro level here. Soon I will be attempting a black transparent finish on a solid ash body. Very helpful thanks!
Good, I'm glad it was useful. Thanks for watching.
Love the bridge clamp. Perfect tool for the job. Thanks for sharing.
@mvecellio1 yes, it is!
thanks for the tip on the Maguires, Jeff is the man 😎
I'm glad it was useful. I will let Jeff know that he is the man. Thanks for watching.
Great work! 👍 It'll be satisfying for you to hear this old instrument ring again after all the work.
Thank you very much!
nice finishو
@@sinaTonewood thank you!
I just watched all 4 parts, excellent work as usual! 👍
Thank you very much! There will be several more parts in the coming weeks.
My fretting process is about the same as you. I do nip the tangs back and once the fret work is done I fill the slots on the side of fretboard with a mix of hide glue and ebony dust. A super clean look plus it reduces fret sprout if the guitar isn’t well kept. Nice work and I admire your nerve using spruce. A very difficult wood to keep flawless through the build cycle.
Thank you for watching. I don't often fill the ends with hide glue. Maybe I should try it again.
@@zimnickiguitars311 I highly recommend it. It’s a very refined look in my opinion.
Thanks for filming and posting this Gary. That's one special guitar! Been thinking about it all week lol...
You are welcome to come back and play it any time, Ted.
do you know shellac polish?
The gap in that crack seems pretty large. Stuffing a bunch of glue in the crack won't do very much if you can't close up that crack. It doesn't seem like those clamps will close the gap.
The clamps did close the crack completely, and the area that was pushed inward was stabilized by the large patch on the inside. If the crack hadn't completely closed up, I would have put in a splice of wood because you are correct, we don't use glue to fill a void.
@@zimnickiguitars311 ok. At the end of the video it didn't look like it was going to close up. I guess i had to wait until the next part.
Excellent video. Very informative.
Thank you!
sound like a very nice work environment
It is!
Definitely going to try this. I usually use brushing lacquer with a squeegee to fill woods such as Koa, Walnut or Rosewood, sand out then spray the final lacquer finish.
Brushing lacquer to fill the pores sounds like a good idea, too. I wonder which is easier to sand?
@@zimnickiguitars311 Like you, if the lacquer builds too thick, I just scrape back first as a preliminary level measure. Sanding lacquer IS MUCH easier than epoxy, IMO. Give it a try and let me know your thoughts. I've been doing this way for 40+ years. Have you ever just left it with the epoxy and no lacquer as the final finish, curious as to how that would work? The only drawback that I might see, is a thicker finish with epoxy that could inevitably change the instrument's tone.
After the "pictures" they used parallelograms
Yes
Where did you get the bridge?
I built it in Part 16 of this series.
Excellent work! Very detailed explanation throughout!!
Thank you very much, I'm glad you liked it.
Beautiful and a masterpiece in craftsmanship…….lovely sound too…..congratulations and thanks for sharing!
Thank you very much!
Hi Gary I’m in the process of searching for a reliable abalone strip supplier,i have seen a a few in china,can you recommend a reliable source…..thanks
I get mine from Rescue Pearl. I think Duke of Pearl is quite good, too, but I haven't ever bought anything from them.
@@zimnickiguitars311 thanks for your prompt reply,I’ll check them out now,I don’t know of they will ship to Europe but I’ll look them up first…..thanks again!
I hope this helps. @@richardg7758
One other question if you don’t mind…..why don’t you use the flexible abalone strips on the top?
@@zimnickiguitars311 it does thanks,checked their website earlier…..just posted a question but don’t where it’s gone….wondering why you don’t use the flexible abalone strip on the tops?
hi, very interesting video thank you, is cellulose ok to use over z epoxy? many thanks in advance,
Yes, I have never had any problems spraying nitrocellulose lacquer over epoxy.
Hi I think the drilling jig is great! I'm just about to make a tailpiece myself though, and my intention was to drill the string holes through the square block - and then shape the curve afterwards? Is there a reason that I shouldn't do this?! 🙂
There's no reason at all. I have done it both ways, and it comes out fine. Thanks for watching.
Great video! I know it has been a couple of years, but if you see this I am wondering how you would adjust the distance of the bridge from the 12th if the saddle slot is angled? I have plans for a Ramirez style guitar and it uses a slanted saddle. Looking at the plans, the bridge is aligned so that the center of the slot is right on 325mm.
In 1927 in the 000 series, Martin made only a 000-18 000-28 and a 000-45. They made 201 000-18, 44 000-28 and 20 000-45 in 1927..The 000-18 of course was the only one with Mahogany back and sides. It appears that a neck reset will be required here even though some of it is resulting from the body deformation from string tension for decades and decades.
Yes, it did end up getting a neck reset. That will be in a future episode.
this guitar going to be a good job to watch
Thanks, I hope so.
What is the main reason for the russ rod broken?
I do not know why it broke. Either someone tried to tighten it too much, or it was a poorly made truss rod .I do remember that the threaded part of the replacement rod was much wider, therefore stronger than the original.
I didn't think a sunburst finish would work on that guitar, however it looks really good. The grain has really popped under finish, beautiful!
Glad you like it!
Looks good! Sunbursts are tricky to spray evenly.
Thanks very much.
killer man
Thank you!!!
No mean feat getting the scale length and all that entails right on a multi-scale instrument, and getting it to look good too. You did a great job on all that!
Thank you!
Never put your hand in front of a chisel, especially when you are coming up against resistance. One slip, and you are out of action.
I finished a guitar with food coloring, I used blue and a little green and was surprised how good it works, maybe you could use red and do an SG with it,wow that filler is dark, hopefully the grain shows thru, you did a great job on that SG, didn't expect it to lighten up.
Thanks for watching, I'm glad you liked it.
Looks great to me 👌
Thanks
Great video! What type of saw blade do you use? I'm wondering what the kerf width is.
Thanks, I'm glad you like it. I don't remember the saw blade I was using in the video, but I currently use a Freud thin-kerf ripping blade and in make a 0.100" slot.
I really should watch more of your videos. It's a very interesting process! Also you ever wish you had a shorter last name when doing that heel cap inlay?
Thanks, I'm glad you find it interesting. Yes, a shorter name would have been simpler.
I am glad you never have peg-headed your throat. That inlay on the heal cap was amazing. Steady hands.
Thanks a lot 😊
Great work! Love the heel cap inlay. 👏
Thank you!
Great progress, looking forward to seeing this in finish and of course hopefully hearing it!
Thanks for watching!
The most consideration is how many coats applied and the thickness of each coat. 320 Is a bit course for final sanding. Too easy to break through or leave enough for continued sanding and polishing. Nice to leave some for later in case you need to remove a scratch
🌹