A constant exploration of what's beyond cinematic look made us form Colorist Foundry. KZread is our way to simplify our learnings for filmmakers and storytellers.
Follow us on Instagram: instagram.com/coloristfoundry/ Get in touch: [email protected]
Hi, i have a few youtube chanels, and would like to start trying out more coloring options, is this something that i can use for free?
@TheBathroomNightmare9 сағат бұрын
Very nice! When does this upgrade roll out to previous buyers? Thank ya!
@ColoristFoundry9 сағат бұрын
In about 24 hours!
@TheBathroomNightmare8 сағат бұрын
@@ColoristFoundry Can't wait!!
@vidabellaestudios6 сағат бұрын
@@ColoristFoundry how, by email?
@ColoristFoundry5 сағат бұрын
Yessir
@nicholasbrecken73572 сағат бұрын
@@ColoristFoundry pumped
@PaulinoAuyon11 сағат бұрын
I have been obsessed with Filmverse 2.0 beta. It greatly transforms my footage and the look it gives is amazing. Definitely an improvement to the previous version.
@TZOBIEntertainment11 сағат бұрын
I kept checking to see when you'd release a new video. Yall need to upload more content. You have the best color grading tutorials and videos. Do yall offer paid mentorship?
@ColoristFoundry12 сағат бұрын
" XJAHD103"
@RelaxingSounds-ek7ss12 сағат бұрын
HELLO, I HAVE A QUESTION. WOULD IT BE LIKE THIS IN THE SETTINGS? USING CST IN AND CST OUT COLOR SCIENSE & TRANFORMS - DAVINCI YRGB TIMELINE COLOR SPACE - DAVINCI WG/INTERMEDIATE OUTPUT COLOR SPACE - REC709 GAMMA 2.4
@ViziaFilms34 минут бұрын
WHY ARE YOU SCREAMING?
@jhonesreece494613 сағат бұрын
Good job bro in DaVinci resolve thanks bro 🎉🎉🎉🎉🎉🎉
@onlinetraderucom13 сағат бұрын
Excellent 👌
@fanfiamoonКүн бұрын
Thx!
@JacobLuevano2 күн бұрын
What a fantastic plug-in I was just wondering will this be available for final cut or premiere at any point?
@nicholasbrecken73572 күн бұрын
Is the v2 available yet?
@fabiomarchegiani2 күн бұрын
At the link there is no link or button or anything to download the beta of FilmVerse 2.0
@filmdoctor62512 күн бұрын
insane
@TZOBIEntertainment2 күн бұрын
I've tried out version 2 demo and I am seeing some great results. I can't believe that this is the beginning haha.
@TZOBIEntertainment2 күн бұрын
Looking forward to many more tutorials and videos
@TheRealJohnHooper3 күн бұрын
1:29 And that is the problem with many modern TV shows.. They lift the blacks and everything looks washed out and dull..
@badluckfilmss3 күн бұрын
i think we're about to hit the end of the film emulation trend.
@ColoristFoundry3 күн бұрын
lol, market is nowhere near ripe. And if you talking about those overdone halation and baldy textured Instagram videos, hell yeah those should rest in peace
@ekphotography3 күн бұрын
Looks cool but since you never added the DR "Lut" to the Rec 709, of course your plugin makes it look better... Tricky little boogers you all are...LOL When do you all expect it to be out of Beta?
@ColoristFoundry3 күн бұрын
I am a bit confused what the comment is trying to say lol.
@ekphotography2 күн бұрын
@@ColoristFoundry you added a Lut from Davinci on your color grade but not on the rec 709. Basically that is what I am saying. You did just a log to 709 on one and on your you added a Davinci Lut then graded 👌🏻
@marietafarfarova3 күн бұрын
This tool looks incredible! I just downloaded the demo and I can't wait to try it out. Thank you for your effort and hard work putting this together!
@ColoristFoundry3 күн бұрын
Thanks, encouragement like this means a lot to a small team like ours :)
@evaminag32054 күн бұрын
Does it work on windows pc as well?
@ColoristFoundry3 күн бұрын
Yesss it does. The only requirement is Resolve Studio version
@tomomi14 күн бұрын
finally a DaVinci tutorial that has normal size windows so i don't have to squeeze my eyes
@msixteeen294 күн бұрын
How did you profile your negative emulation? How did you verify the integrity of the emulation under various conditions?
@ColoristFoundry4 күн бұрын
What conditions are we talking about? Are we talking about indoor vs outdoor? Or are we talking about how the emulation handles near gamut boundary Color’s? It’s follows a pretty steve yedlin approach. Only a lot more rigorous. For example, one of the challenges was separating 1D aspect of it from rest of the color volume and there are 10 different ways to do that, one method involved cubic spline, another a 10 degree polynomial, third a simple linear interpolation. Ofcourse I can’t reveal everything in a single comment, but I think this gives you some insight into the level of complications I’ve run into while creating this. I’ve spoken a bit about it in my previous video as well. I’m thinking of converting my emulation journal in to a series of blogs. Incase you want to chat about it - I’m here @coloristfoundry on Instagram. Hit me up.
@fahsa-u6h4 күн бұрын
Why does the Filmverse website say that it's a one-time payment but the terms state that its only a one-year license. Any clarifications on this?
@ColoristFoundry4 күн бұрын
It's a lifetime deal. We thought we updated the license page long back. Apologies. Thanks for pointing out.
@AnLe-yg9ln4 күн бұрын
love it
@ZooDinghy5 күн бұрын
So what did you realize?
@ColoristFoundry5 күн бұрын
I've been struggling with my KZread channel's engagement recently. The content has become quite academic, leading to a noticeable drop in viewership. While there's still an audience for quality color grading content, much of KZread's popular content in this area focuses on sensationalized tips and tricks, which I'm not fond of. In my latest video, I tried a straightforward, no-nonsense approach-18 minutes of simple theory, without flashy thumbnails or music. Unfortunately, the response wasn't as good as I hoped. This made me realize that while there are talented creators out there, they often lack exposure. Meanwhile, others are repackaging existing tools as "secret sauces" and profiting from it. So, I've decided to adapt my marketing strategy. I'll use attention-grabbing thumbnails and titles to draw viewers in. Once they're engaged, I'll deliver valuable, educational content. On my website, I'll provide detailed, theoretical explanations for those interested in deeper learning. If viewers prefer quick fixes or trendy looks, they can always find that elsewhere. This is the realization I've come to: sometimes, to share valuable stuff (that has taken almost a miracle for you to come up with), you have to play the dirty marketing game.
@ZooDinghy4 күн бұрын
@@ColoristFoundry I suggest to adapt your storytelling and provide an answer in the video. You don't want to end your video in a way that leaves the viewer dissatisfied. I am not sure whether you have done it already, but you could make videos on how others use grading to tell a story. By that I mean why have certain movies made certain grading, lens, Filter, etc. choices. What sort of mood did they want to elicit to tell exactly that story? What are the similarities and differences to other movies?
@AbelOrtaJr5 күн бұрын
Everyone knows the other major film emulation plug in companies… but know one is talking about Colorist Foundry (formerly known as colorist factory). Probably my favorite manufacturer of film emulation products.
@ColoristFoundry4 күн бұрын
Folks are busy selling their “Secret sauce” film emulation 😂
@FilthyBadger4 күн бұрын
Saucy secrets
@SummerVibe-ve6vm6 күн бұрын
hey is this required lot of gpu power
@ColoristFoundry5 күн бұрын
Requires half that current market plugins and powergrades.
@mr_spuha6 күн бұрын
How to work with FilmVerse in RCM? And why must be choose luminance mapping than davinci mapping
@Ultrarmx7 күн бұрын
Any for Premium Pro?
@carloseduardomenjivaraguil35407 күн бұрын
Epic
@giuoco7 күн бұрын
What’s the difference between emulating film negative vs Full emulation
@ColoristFoundry7 күн бұрын
In filmmaking, negative film and print film are two types of film used in the production and distribution process: Negative Film: This is the film used in cameras to capture the original footage. When the film is exposed to light, it creates a negative image, where colors and brightness are inverted. For example, bright areas appear dark, and dark areas appear bright. This negative film is like a master copy; it holds all the details of the scene but in reverse colors. Print Film: Once the negative film is developed, it can be used to create a print film. The print film is a positive image, meaning the colors and brightness are corrected to appear as they do in real life. This film is typically used for distribution in movie theaters, where it is projected onto screens for audiences to view. In summary, negative film is used to capture the initial footage, while print film is used to create the final version that is shown to viewers. So when talking about full emulation, we are talking about emulating the negative + print emulation a.k.a. the final look.
@giuoco7 күн бұрын
@@ColoristFoundry thanks! I get it but didn’t you say in this video that this is negative film emulation currently 2:04 But what does that mean? I don’t see any negative footage.. so I was asking what it means to use negative film emulation on positively coloured footage.
@rubenedgardoportilloguevar31157 күн бұрын
Thank!!....
@NEVERAGAIN0077 күн бұрын
Wow. This is amazing!!! You guys knocked it outta the park!!! Gonna wait for the full before i download and use it on my project. I own this and not Dehancer but this looks phenomenal.
@ColoristFoundry7 күн бұрын
Thanks for the kind words man, really appreciate it :) 🙌
@sebastianboyes47097 күн бұрын
Super excited to work on more projects with this!
@The_Daliban7 күн бұрын
Do you guys maybe know how to invert film negatives to rec 709 natively in Davinci Resolve?
@ColoristFoundry7 күн бұрын
There are a couple of free Resolve plugins in here that supercharge the way one inverts negatives. Follow Thatcher on GitHub, he's brilliant: github.com/thatcherfreeman
@The_Daliban7 күн бұрын
@@ColoristFoundry will do. thanks for the tip🙏
@davidyao78607 күн бұрын
OMG plzz someone tell me the name of the ending music!
@guyjinpop8 күн бұрын
Interesting. curious why you used ARRI LogC3 space and not DWG / ACES. My best guess that your making it accessible to wider users using other colourist software as ARRI would be a common standard everyone uses as accessibility?
@shahrierkhan33708 күн бұрын
Bruh make your demo/free version usable without the screen full of dots.
@ColoristFoundry8 күн бұрын
One day for sure ✔️
@shahrierkhan33708 күн бұрын
@@ColoristFoundry i hope in you.
@TZOBIEntertainment9 күн бұрын
I really enjoy your content. I initially did Waqas Qazi's course to learn the basics of color grading but since I've found your page, My skills have increased drastically. I know there are other Colorists that offer pro training but I like your teaching style. I want to learn more. I would encourage you to release more content and tutorials, color grading videos and also going in depth with your own tools as well. Looking forward to the future of color grading.
@miggyvision859810 күн бұрын
Is this Powergrade still available? Link seems to be down.
@SkyCandyDigitalCinema11 күн бұрын
Is there a tutorial anywhere for someone totally new to FilmVerse and resolve? Would love the how to instal and get setup video if you have one?
@ColoristFoundry11 күн бұрын
Here’s something that might help you 🙌 kzread.info/dash/bejne/o3iTqdSNltW5pqg.html
@salvatoreferragamo111 күн бұрын
The link is not working :(
@AlexDerrick_DP12 күн бұрын
Can you output a LUT for monitoring while shooting?
@ColoristFoundry11 күн бұрын
Yes
@durrabkhalil324912 күн бұрын
Need it
@durrabkhalil324912 күн бұрын
How can i get this lut ??
@Frogzy12 күн бұрын
I really recommend adding Hue changes for individual colors in the filmverse DCTL in the future! Since resolves built in Hue vs Hue just renders it bad and brakes it on a lot of footage! I know you can make a Hue vs Hue color render much much better than what resolve has done using DCTL’s and if this is going to be integrated into FilmVerse it’s gonna be the complete package of everything! all the colorist would dream off in a single place. And adding Density sliders for more colors outside of RGB would be a blessing too! Thanks for all your work we appreciate it!
@Frogzy12 күн бұрын
Basically adding Hue,Sat,Density for each individual color would be so insane! Since it’s going to completely eliminate using built in resolves curves that don’t do a good job of rendering colors and a lot of times brakes the image! A much much better looking optimized results can be achieved using DCTL’s and this being built into FilmVerse would be an absolute game changer for everyone completing the entire tool kit for professional look film development and emulation.
@ColoristFoundry11 күн бұрын
This is an incredible feedback! I have been working on some non-destructive math for specifically for these sort of operations - although it’s for a separate plug-in all together. But I can surely throw in a lifetime free copy along with FilmVerse with these specific controls. Will have to rely on upcoming colorist foundry discord discussions for how future FilmVerse will look in terms of features.
@Frogzy11 күн бұрын
@@ColoristFoundry this is good! Thanks a lot for your work! I really hope it makes it to FilmVerse one day for the complete package.
@sebastianboyes470913 күн бұрын
I really appreciate the work done on this, and I love the attitude of never settling!
@bijanbah13 күн бұрын
Nice video but I’m missing your old style that you had in your videos Loved that
@monkas349213 күн бұрын
Any way to reliably use this on stil images/camera raws for photography?
@Sodacake13 күн бұрын
I know it requires more work but I think it would be better if you did the narration yourself like in the original announcement video, or used the previous narrator.
@ColoristFoundry13 күн бұрын
Surely then! It’s not much work, but I’ve been biting off more than I can chew. YT situation will be much better in few months when I’ll have someone to help me with it :)
Пікірлер
Hi, i have a few youtube chanels, and would like to start trying out more coloring options, is this something that i can use for free?
Very nice! When does this upgrade roll out to previous buyers? Thank ya!
In about 24 hours!
@@ColoristFoundry Can't wait!!
@@ColoristFoundry how, by email?
Yessir
@@ColoristFoundry pumped
I have been obsessed with Filmverse 2.0 beta. It greatly transforms my footage and the look it gives is amazing. Definitely an improvement to the previous version.
I kept checking to see when you'd release a new video. Yall need to upload more content. You have the best color grading tutorials and videos. Do yall offer paid mentorship?
" XJAHD103"
HELLO, I HAVE A QUESTION. WOULD IT BE LIKE THIS IN THE SETTINGS? USING CST IN AND CST OUT COLOR SCIENSE & TRANFORMS - DAVINCI YRGB TIMELINE COLOR SPACE - DAVINCI WG/INTERMEDIATE OUTPUT COLOR SPACE - REC709 GAMMA 2.4
WHY ARE YOU SCREAMING?
Good job bro in DaVinci resolve thanks bro 🎉🎉🎉🎉🎉🎉
Excellent 👌
Thx!
What a fantastic plug-in I was just wondering will this be available for final cut or premiere at any point?
Is the v2 available yet?
At the link there is no link or button or anything to download the beta of FilmVerse 2.0
insane
I've tried out version 2 demo and I am seeing some great results. I can't believe that this is the beginning haha.
Looking forward to many more tutorials and videos
1:29 And that is the problem with many modern TV shows.. They lift the blacks and everything looks washed out and dull..
i think we're about to hit the end of the film emulation trend.
lol, market is nowhere near ripe. And if you talking about those overdone halation and baldy textured Instagram videos, hell yeah those should rest in peace
Looks cool but since you never added the DR "Lut" to the Rec 709, of course your plugin makes it look better... Tricky little boogers you all are...LOL When do you all expect it to be out of Beta?
I am a bit confused what the comment is trying to say lol.
@@ColoristFoundry you added a Lut from Davinci on your color grade but not on the rec 709. Basically that is what I am saying. You did just a log to 709 on one and on your you added a Davinci Lut then graded 👌🏻
This tool looks incredible! I just downloaded the demo and I can't wait to try it out. Thank you for your effort and hard work putting this together!
Thanks, encouragement like this means a lot to a small team like ours :)
Does it work on windows pc as well?
Yesss it does. The only requirement is Resolve Studio version
finally a DaVinci tutorial that has normal size windows so i don't have to squeeze my eyes
How did you profile your negative emulation? How did you verify the integrity of the emulation under various conditions?
What conditions are we talking about? Are we talking about indoor vs outdoor? Or are we talking about how the emulation handles near gamut boundary Color’s? It’s follows a pretty steve yedlin approach. Only a lot more rigorous. For example, one of the challenges was separating 1D aspect of it from rest of the color volume and there are 10 different ways to do that, one method involved cubic spline, another a 10 degree polynomial, third a simple linear interpolation. Ofcourse I can’t reveal everything in a single comment, but I think this gives you some insight into the level of complications I’ve run into while creating this. I’ve spoken a bit about it in my previous video as well. I’m thinking of converting my emulation journal in to a series of blogs. Incase you want to chat about it - I’m here @coloristfoundry on Instagram. Hit me up.
Why does the Filmverse website say that it's a one-time payment but the terms state that its only a one-year license. Any clarifications on this?
It's a lifetime deal. We thought we updated the license page long back. Apologies. Thanks for pointing out.
love it
So what did you realize?
I've been struggling with my KZread channel's engagement recently. The content has become quite academic, leading to a noticeable drop in viewership. While there's still an audience for quality color grading content, much of KZread's popular content in this area focuses on sensationalized tips and tricks, which I'm not fond of. In my latest video, I tried a straightforward, no-nonsense approach-18 minutes of simple theory, without flashy thumbnails or music. Unfortunately, the response wasn't as good as I hoped. This made me realize that while there are talented creators out there, they often lack exposure. Meanwhile, others are repackaging existing tools as "secret sauces" and profiting from it. So, I've decided to adapt my marketing strategy. I'll use attention-grabbing thumbnails and titles to draw viewers in. Once they're engaged, I'll deliver valuable, educational content. On my website, I'll provide detailed, theoretical explanations for those interested in deeper learning. If viewers prefer quick fixes or trendy looks, they can always find that elsewhere. This is the realization I've come to: sometimes, to share valuable stuff (that has taken almost a miracle for you to come up with), you have to play the dirty marketing game.
@@ColoristFoundry I suggest to adapt your storytelling and provide an answer in the video. You don't want to end your video in a way that leaves the viewer dissatisfied. I am not sure whether you have done it already, but you could make videos on how others use grading to tell a story. By that I mean why have certain movies made certain grading, lens, Filter, etc. choices. What sort of mood did they want to elicit to tell exactly that story? What are the similarities and differences to other movies?
Everyone knows the other major film emulation plug in companies… but know one is talking about Colorist Foundry (formerly known as colorist factory). Probably my favorite manufacturer of film emulation products.
Folks are busy selling their “Secret sauce” film emulation 😂
Saucy secrets
hey is this required lot of gpu power
Requires half that current market plugins and powergrades.
How to work with FilmVerse in RCM? And why must be choose luminance mapping than davinci mapping
Any for Premium Pro?
Epic
What’s the difference between emulating film negative vs Full emulation
In filmmaking, negative film and print film are two types of film used in the production and distribution process: Negative Film: This is the film used in cameras to capture the original footage. When the film is exposed to light, it creates a negative image, where colors and brightness are inverted. For example, bright areas appear dark, and dark areas appear bright. This negative film is like a master copy; it holds all the details of the scene but in reverse colors. Print Film: Once the negative film is developed, it can be used to create a print film. The print film is a positive image, meaning the colors and brightness are corrected to appear as they do in real life. This film is typically used for distribution in movie theaters, where it is projected onto screens for audiences to view. In summary, negative film is used to capture the initial footage, while print film is used to create the final version that is shown to viewers. So when talking about full emulation, we are talking about emulating the negative + print emulation a.k.a. the final look.
@@ColoristFoundry thanks! I get it but didn’t you say in this video that this is negative film emulation currently 2:04 But what does that mean? I don’t see any negative footage.. so I was asking what it means to use negative film emulation on positively coloured footage.
Thank!!....
Wow. This is amazing!!! You guys knocked it outta the park!!! Gonna wait for the full before i download and use it on my project. I own this and not Dehancer but this looks phenomenal.
Thanks for the kind words man, really appreciate it :) 🙌
Super excited to work on more projects with this!
Do you guys maybe know how to invert film negatives to rec 709 natively in Davinci Resolve?
There are a couple of free Resolve plugins in here that supercharge the way one inverts negatives. Follow Thatcher on GitHub, he's brilliant: github.com/thatcherfreeman
@@ColoristFoundry will do. thanks for the tip🙏
OMG plzz someone tell me the name of the ending music!
Interesting. curious why you used ARRI LogC3 space and not DWG / ACES. My best guess that your making it accessible to wider users using other colourist software as ARRI would be a common standard everyone uses as accessibility?
Bruh make your demo/free version usable without the screen full of dots.
One day for sure ✔️
@@ColoristFoundry i hope in you.
I really enjoy your content. I initially did Waqas Qazi's course to learn the basics of color grading but since I've found your page, My skills have increased drastically. I know there are other Colorists that offer pro training but I like your teaching style. I want to learn more. I would encourage you to release more content and tutorials, color grading videos and also going in depth with your own tools as well. Looking forward to the future of color grading.
Is this Powergrade still available? Link seems to be down.
Is there a tutorial anywhere for someone totally new to FilmVerse and resolve? Would love the how to instal and get setup video if you have one?
Here’s something that might help you 🙌 kzread.info/dash/bejne/o3iTqdSNltW5pqg.html
The link is not working :(
Can you output a LUT for monitoring while shooting?
Yes
Need it
How can i get this lut ??
I really recommend adding Hue changes for individual colors in the filmverse DCTL in the future! Since resolves built in Hue vs Hue just renders it bad and brakes it on a lot of footage! I know you can make a Hue vs Hue color render much much better than what resolve has done using DCTL’s and if this is going to be integrated into FilmVerse it’s gonna be the complete package of everything! all the colorist would dream off in a single place. And adding Density sliders for more colors outside of RGB would be a blessing too! Thanks for all your work we appreciate it!
Basically adding Hue,Sat,Density for each individual color would be so insane! Since it’s going to completely eliminate using built in resolves curves that don’t do a good job of rendering colors and a lot of times brakes the image! A much much better looking optimized results can be achieved using DCTL’s and this being built into FilmVerse would be an absolute game changer for everyone completing the entire tool kit for professional look film development and emulation.
This is an incredible feedback! I have been working on some non-destructive math for specifically for these sort of operations - although it’s for a separate plug-in all together. But I can surely throw in a lifetime free copy along with FilmVerse with these specific controls. Will have to rely on upcoming colorist foundry discord discussions for how future FilmVerse will look in terms of features.
@@ColoristFoundry this is good! Thanks a lot for your work! I really hope it makes it to FilmVerse one day for the complete package.
I really appreciate the work done on this, and I love the attitude of never settling!
Nice video but I’m missing your old style that you had in your videos Loved that
Any way to reliably use this on stil images/camera raws for photography?
I know it requires more work but I think it would be better if you did the narration yourself like in the original announcement video, or used the previous narrator.
Surely then! It’s not much work, but I’ve been biting off more than I can chew. YT situation will be much better in few months when I’ll have someone to help me with it :)