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• 
  @user-wm7yo7fq1mКүн бұрын

  8:00

• 
  @mobilephil2443 күн бұрын

  Fascinating. All the classic Bartok Idioms and harmonic devices are there. Only a genius could make something so discordant and complex so fascinating, engaging and simply listenable.

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  @LeandroMatraxia5 күн бұрын

  Lele Adani brought me here

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  @gabrieldionisi63718 күн бұрын

  Dolce

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  @4yerears12 күн бұрын

  This piece is so powerful, and so brilliantly crafted, and full of arresting melodic ideas. The fact that this serious music was written when Copland was only 22 is amazing. One of the all-time great short works for piano.

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  @brodieainsworth490114 күн бұрын

  Can somebody give the audience some cough drops?

• 
  @stvp68Ай бұрын

  I can’t even imagine how you read all those arpeggios in mvmt 2 with all those accidentals

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  @TizohipАй бұрын

  1:02 best part

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  @Ifckedyourmom002Ай бұрын

  If Meshuggah was from the 1800s

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  @pime2359Ай бұрын

  全く知らなかったのであるコンサートの予習に参りました。最初一度目は真ん中辺りのみシャコンヌ？と思ったがじっくり聴いたら最初からシャコンヌだった。この様な複雑怪奇な感じの曲はは最近少し聴くようになったので慣れてきました。こちらは美しい所が随所にあり良く出来ているなぁと感心しました。

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  @hmm-27-qqqАй бұрын

  3:08 is my fav-it’s just such a cool little part

• 
  @TimondeNoodАй бұрын

  Wow amazing piece!!

• 
  @TheCyanKillerАй бұрын

  The beginning of the first Etude sounds like constipation 😅

• 
  @ZewenShifu2 ай бұрын

  based Lutosławski

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  @emaadamkova42172 ай бұрын

  For those of you, who can't get rid of the feeling you know the main theme in the 3rd movement: after few hours of having it in my head, I recognized a mix of Bloch's Fugue from the Concerto Grosso and Shostakovich's own 4th movement of the Cello sonata. No idea if he had it in his mind, but I am satisfied. :)

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  @mistou262 ай бұрын

  My favorite version among the many ones here ... Not too slow, very moving. And most of all, the minimum required of rubato. This is insane how much rubato some great pianists feel obliged to put in this so beautiful piece of music. The music is absolutely wonderful and moving by itself: no need to add any "romantic" exaggeration !!!

• 
  @ContraereaSerba2 ай бұрын

  Sborro

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  @user-mq4ic1on7r2 ай бұрын

  辻井伸行さんも大方、勘で弾いていらっしゃいます。

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  @user-mq4ic1on7r2 ай бұрын

  ピアノは勘で弾かなければならない時があります。私はこの頃、鍵盤を見なくても飛ばすところは飛ばせるようになりました。

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  @Qazwdx1113 ай бұрын

  hi messiaen

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  @null82953 ай бұрын

  I've studied this prelude in the past and it sounds like a good rendition to me

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  @Qazwdx1113 ай бұрын

  not her best

• 
  @viviqin53083 ай бұрын

  who has been watching this today in 2024

• 
  @user-tg7po1hp4k2 ай бұрын

  Me

• 
  @MargaretWKing2 ай бұрын

  me

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  @problemsproxis73342 ай бұрын

  Me, and currently working on this piece for a piano recital coming up‼️🎹🔥✨

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  @sebidinu-md5tm2 ай бұрын

  @@problemsproxis7334me too

• 
  @wb441Ай бұрын

  Me me

• 
  @rembo963 ай бұрын

  Шедевр!

• 
  @bellingafan65384 ай бұрын

  1:52 my favorite part of this piece

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  @palmtreepanic4 ай бұрын

  1:13 love it

• 
  @ircensko73244 ай бұрын

  1:18 ninths

• 
  @firudinaslanli20134 ай бұрын

  0:38

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  @chopin6754 ай бұрын

  pure beauty

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  @dion19494 ай бұрын

  Thank you for posting this. I never would have known about it otherwise.

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  @helenrushful4 ай бұрын

  The recording has been sped up, obviously to anyone who works with live performance recording.

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  @tieukhavu88324 ай бұрын

  METAL!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !

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  @aronsimon43295 ай бұрын

  Spank me daddy

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  @anoldretiredelephant5 ай бұрын

  Herr Bach would've been very proud to this arrangement by Maestro Fiorentino. The extension of the counterpoint is adventurous but masterfully done. I'm going to look up more things about this Sergio and see if his original compositions stack up to his arrangements. Lovely!

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  @aomameditation34975 ай бұрын

  I love prokofief, because he is very energetic.

• 
  @Melissa_plaz5 ай бұрын

  Wow

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  @ShaunakDesaiPiano5 ай бұрын

  Ok the way I see it, the E♭ minor prelude is about 20 seconds long and begs for some exploration of material. Balakirev gives us that, so I’ll take it.

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  @burakunsal74995 ай бұрын

  At exactly 2:04, the bar just before the modulation to the Ab major is one of the greatest things ever composed in my opinion. If you start listening from around 1:45, you expect the phrase to conclude at 2:04 in D sharp minor (as it has happened before in the piece). However, quite suddenly we are in B major, and then we descend into D sharp minor, G sharp minor, back to B major and then to D sharp minor where the D sharp is treated as E flat in the next bar and acts as the fifth of A flat major. The unexpected shift to B major at 2:04 specifically is marvelous. The shift to B major and the descent to D sharp minor is at the same time hopeful yet melancholic. I lack the words to describe it, if the phrase concluded at D sharp minor, it would have been more tragic but this way, switching to B major in small fleeting instances, makes the piece more melancholic and more mysterious.

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  @myalt30196 ай бұрын

  This one isn't as good as his other works imo

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  @fazergazer6 ай бұрын

  There is a single wrong note. Challenge: find it to win the treasure!❤

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  @fredericpelassy5276 ай бұрын

  Quel génie...

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  @SeekerSmith6 ай бұрын

  Gorgeous

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  @agaphonus6 ай бұрын

  Very poor execution. Formalistic. Ashkenazi don't understand this music.

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  @Xyriak6 ай бұрын

  Well played, i do however think his version is best

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  @martinfacundoromero6 ай бұрын

  Rondó para Beverly

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  @hyunjinleeknowaremysafeplace7 ай бұрын

  1:04

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  @milligranu7 ай бұрын

  What are the gregorian melodies used in this piece (and in the others two preludes)?

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  @hyunjinleeknowaremysafeplace7 ай бұрын

  0:38

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  @christopherczajasager90307 ай бұрын

  I heard Gilels play this Opus in the Concertgebouw Amsterdam..is this performance taken ftom yhat recital? 😮

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  @rudolfserfontein83647 ай бұрын

  Attractive piece : thanks for sharing .