This was a great interview. Wonderful questions and love love love Min Jin Lee.
@sylviaharing8329Ай бұрын
❤
@Haiee9leeАй бұрын
This interview was fantastic. Well researched questions and the man was absolutely fascinating.
@pattymarquez77282 ай бұрын
I randomly stumbled here and I'm glad I did. I had no idea who Tavi was, but I'm so blown away by her style, writing and insight. Such an amazing writer and actress.
@denisships28612 ай бұрын
There is nothing more liberating than monogamy. Brings fulfillment to the mind and soul to the highest level.
@rasta4872 ай бұрын
I literally seek out videos featuring Suleika. My entire life, this is how I've hoped people would communicate. Calmly, peacefully and letting one another complete a thought.
@cjwoodyard716 күн бұрын
As do I, rasta487!
@stephaniemartinez97843 ай бұрын
Im a sex trafficking survivor and i have thought about what it means to be fully alive many times. I survived the torture of that 10 years, but it took me another 20 years to become fully alive and come back to my life.
@loveheals61845 ай бұрын
Ashley C. Ford's words are a spiritual treasure; my life force, heart, mind, spirit & body are better for hearing & reading them. As a Black/Africana woman who also struggles with depression, I'm so deeply thankful to her. Her loving relationship with Kelly inspires me that I, too, can meet & build a good life with my belovèd. I wish her optimal health & superlative joy.
@leyid.90336 ай бұрын
❤❤👏
@cathyl19546 ай бұрын
Great great interview. I have been a fan of Esther for quite a while now and it re-inspired me to want to revisit her book State of affairs which I have read a couple times and it's time to read again thank you so much for this all important topic🎉
@carolinecarolus86597 ай бұрын
I really admire you the way you word Inspired people's Relationships
@charlenefleming98668 ай бұрын
🎶 'PromoSM'
@hectoraguilar9659 ай бұрын
Love you Rickie, your music, your style, your singing and your book. I "get" you, always have. I hope you write more. It's your newest talent. So good. Try some fiction. I know you have it in you. We'll be waiting!
@garykristjanson46899 ай бұрын
Excellent interview, thanks very much.
@HeyLiem9 ай бұрын
I thought "Talking 'bout the Passion" meant "The Passion" of Jesus Christ, a common religious term. Not everyone can carry the weight of the world. In this interview, he's been losing his religion since age 15 pranks. The Batschkapp is/was a popular venue for alternative artists to play in Frankfurt, Germany. I first saw R.E.M. there, when I was in the US Air Force, stationed in Germany. It was mentioned onstage that Stipe was from a place nearby, they seemed extra energized by that connection. It was very much like their Rockpalast show, available on KZread, recorded that month, with many cover songs in the finale, like "Toys in the Attic" and "Raindrops Keep Falling on My Head." They were having too much fun to stop the show, so they were remembering cover tunes to play. I thought a Harbor Coat was like a wool Navy Pea Coat. Someone gave me a used one that I wore out after a few years, a favorite of mine, partly because of the song name connection and also very warm yet breathable.
@FrancisGo.9 ай бұрын
I love Miranda July. This video finding me was a powerful synchronicity. ❤
@HopDavid9 ай бұрын
Neil hasn't done research in decades. And his college years research were not spectacular. University of Texas flunked him and showed him the door. Please don't call him an astrophysicist.
@sujanshrestha19449 ай бұрын
Hlw🤞 What This podcast is About 😊
@fazbell9 ай бұрын
Ira Glass makes great radio.
@noahlynaugh2 жыл бұрын
Oddly serious interview
@BharatKatha2 жыл бұрын
Hi Debbie, the video you’ve just uploaded, how do you watch it? By the way, I would like to thank you for posting this video; not only did I learn about Massimo Vignelli, but about book design, and I’ve just released my first self-published photography, film and music book. So thank you!!
@ThisDesignLife2 жыл бұрын
Debbie is an absolute master of interviewing.
@bharat51943 жыл бұрын
Massimo's advice at 11:00
@KonathalaRohit3 жыл бұрын
Thank you!
@paisano03 жыл бұрын
this fucking sucks
@marcmaxwell34045 жыл бұрын
wow
@gillesfabbri975 жыл бұрын
This is strangely compelling
@TenderloinsToughest6 жыл бұрын
how does this only have 30K views?! Brilliant man. Not the best camerawork.
@JanneWolterbeek2 жыл бұрын
They need funding for a tripod, clearly….
@doros.69276 жыл бұрын
Recently I also bought her second book, I'm thrilled.
@zeitheist50177 жыл бұрын
Good stuff!
@MrTommySullivan8 жыл бұрын
3:44 I live this every day.
@Underhills8 жыл бұрын
Don't know if I share Massimos view on good design being timeless, cause timeless is a risky thing. It could easily be boring with no edge or character. Each period of time has its identity, it's "style" if you want. It's fun to look back on the 70's and the 80's. We laugh and smile when we point back and look at things in the rear mirror. We remember the things like it was back THEN. This has a clear value to us. So making everything timeless seems too bland and lifeless to me. I know it's academically correct to say "good design is timeless" but after years of practicing as a designer I don't really see it like that anymore. Great design could have personality and contemporary style. It could very well be stuck in time or rooted in a certain style. Great design could be a homage to a short period of time and reveal an aesthetic value that's far gone and not applicable anymore. That doesn't matter. It could still be good design in my book. - RIP Massimo -
@TenderloinsToughest6 жыл бұрын
I think he thinks about good design on a much deeper level and sees good design as being so refined both visually and conceptually, that it doesn't need to lean on current (or past) trends. I think it's much more difficult to create something to succeeds in this way, so a lot of work ends up being, as you said, bland or lifeless. Those, I don't think are the success stories. I think of designs like his American Airlines logo, the Chermayeff/Geismar NBC Logo and others like those and to me, those are elegant, classy and timeless. It's sort of the highest level of design, that it's just untouchable. Design perfection imo. But I see your points as well and think period specific design has it's place and is fun too, but doesn't always work for branding purposes.
@h_alves5 жыл бұрын
It's easy to confuse process with outcome. And it's easy to look at the form of the outcome and judge design on that. To me design is a process that is good or bad depending on the awareness of the designer on the consequences the product of design will have on the world. Style and trends can be interesting as anthropology and cultural documents but if it's an exercise on form - what is the point in that? If it looks silly 10 years from now and no one will want it later it's not really design. You are wasting valuable resources of the planet on creating more garbage that will end up poisoning the grounds or on the belly of a fish.
@effehz3 жыл бұрын
timeless has no style
@Underhills3 жыл бұрын
@@h_alves But if you look at design that is defined as "timeless" it's really not. Le Corbusier, Saul Bass, Paul Rand, Verner Panton etc. I can spot that aesthetics and clearly place them where they belong in history. That's why we have design languages closely connected to time and style types. They are not timeless but representatives for a defined time period. Cubism, modernism, Dada, De Stijl, functionalism etc. Each of these style periods are attached to time and they had a lifespan. The 80's, the 70's, the 90's also had design languages. So in essence although something is stripped and reduced to a bare minimum, like a watch from Max Bill, its still connected to a time period (no pun intended) as it is a design language. It's not de-attached from that. That's why I often hear stuff like "oh they used to build such wonderful buildings in the 30's." Time is reference. Nothing is timeless. We only have aesthetics and personal preference. Today we make stuff for mass consumption. Used today and in the garbage bin tomorrow. Time moves on. Personally I prefer design with a great deal of longevity, such as the corporate identity program that Massimo made for American Airlines in the 50's, it could still work but it's in the human expression to wanna change it. AA changed it just because they wanted change, they probably thought it was obsolete just because it was unchanged for so long. They never identified that as a strength but a problem. That's sad but true. I also agree with Massimo when he criticizes the expression "modern". What is modern? everyone uses that word and most of them say it to define that something is NEW. Many times they point at a replica product that was originally drawn in 1932 and say "oh that is so modern" , meaning contemporary, when it's all but that. On the contrary most peoples perception of modern is old without them knowing it funny enough:)
@livinginoneness99 жыл бұрын
this was so lovely, what a great way to remember the journey you went through when you first watched it. I got really chocked up the first time, projecting onto it my own experiences, even though like mike mills says film can only show a condensed view of life, I'm enamoured with the foresight and skill he had in planning this film to look effortless and authentic. If you'd like to read my reflections they are up on my blog here toleratedindividuality.wordpress.com/2014/10/23/the-personal-is-political-reflections-on-mike-mills-film-beginners/
@MarkBerginThinking9 жыл бұрын
Brilliant, so often heartfelt thanks can slip into hubris, the measured thanks and celebration in this video has been a creative highlight for the year. I review thousands of creative works a year, this goes into my top 10 without a doubt. Brilliant Brilliant Brilliant
@opane10 жыл бұрын
R.I.P.
@mkopy11 жыл бұрын
What a wonderful video. Thanks Debbie! Also, great job on the Design Matters series, I enjoy them immensely.
@bashful22811 жыл бұрын
Facts painting Gladwell as Tobacco industry shill… and more… Google Gladwell and Cigarettes in particular shameproject
@ddutko11 жыл бұрын
Yep! That looks like happiness to me!
@manchildperson11 жыл бұрын
Pop collar.
@FlameForgedSoul11 жыл бұрын
Respect.
@grandcopy12 жыл бұрын
Where can I buy the box set?
@elomonka113 жыл бұрын
Marian you are an inspiration! Truly an typographic artist! Thank you for sharing your story. Debbie Millman Rocks!
@jjjjustin14 жыл бұрын
This is me being hypocritical, because I enjoy these types of films as much as the next designer. I'm very interested in Lawrence has to say, he is a man with a lot of experience and valuable information for young designers. But it seems to me that what he is saying, is that everyone designs, all day whether we know it or not. Designers already understand this (that's why we do what we do) but the information is most valuable to an audience that isn't receiving it.
@MESROai14 жыл бұрын
whats the instrumental called in the video?
@VictoriaEatingCake15 жыл бұрын
This is SO beautiful. Who directed this?
@ChrisLupetti16 жыл бұрын
Yes! This is a heavy video! It gives me chills as well!
@nigelsie16 жыл бұрын
Amazing, amazing typographer! Marian is the best !
@BrianASoto16 жыл бұрын
This video actually gave me chills. Profound, but not pretentious. Lawrence expounds his philosophy so purely an unapologetically, but without dogma. And your neutral, unimposing inquisitiveness let's him be that - totally unique. Just Awesome with a capital 'A'.
@BrianASoto16 жыл бұрын
Holy Moses! I can't believe I missed this! Kate Spade sounds like the ideal client. Alan Dye's progressive eye, and sound fundamental background lends well to their Audrey Hepburn-esque Americana image.
Пікірлер
❤
This was a great interview. Wonderful questions and love love love Min Jin Lee.
❤
This interview was fantastic. Well researched questions and the man was absolutely fascinating.
I randomly stumbled here and I'm glad I did. I had no idea who Tavi was, but I'm so blown away by her style, writing and insight. Such an amazing writer and actress.
There is nothing more liberating than monogamy. Brings fulfillment to the mind and soul to the highest level.
I literally seek out videos featuring Suleika. My entire life, this is how I've hoped people would communicate. Calmly, peacefully and letting one another complete a thought.
As do I, rasta487!
Im a sex trafficking survivor and i have thought about what it means to be fully alive many times. I survived the torture of that 10 years, but it took me another 20 years to become fully alive and come back to my life.
Ashley C. Ford's words are a spiritual treasure; my life force, heart, mind, spirit & body are better for hearing & reading them. As a Black/Africana woman who also struggles with depression, I'm so deeply thankful to her. Her loving relationship with Kelly inspires me that I, too, can meet & build a good life with my belovèd. I wish her optimal health & superlative joy.
❤❤👏
Great great interview. I have been a fan of Esther for quite a while now and it re-inspired me to want to revisit her book State of affairs which I have read a couple times and it's time to read again thank you so much for this all important topic🎉
I really admire you the way you word Inspired people's Relationships
🎶 'PromoSM'
Love you Rickie, your music, your style, your singing and your book. I "get" you, always have. I hope you write more. It's your newest talent. So good. Try some fiction. I know you have it in you. We'll be waiting!
Excellent interview, thanks very much.
I thought "Talking 'bout the Passion" meant "The Passion" of Jesus Christ, a common religious term. Not everyone can carry the weight of the world. In this interview, he's been losing his religion since age 15 pranks. The Batschkapp is/was a popular venue for alternative artists to play in Frankfurt, Germany. I first saw R.E.M. there, when I was in the US Air Force, stationed in Germany. It was mentioned onstage that Stipe was from a place nearby, they seemed extra energized by that connection. It was very much like their Rockpalast show, available on KZread, recorded that month, with many cover songs in the finale, like "Toys in the Attic" and "Raindrops Keep Falling on My Head." They were having too much fun to stop the show, so they were remembering cover tunes to play. I thought a Harbor Coat was like a wool Navy Pea Coat. Someone gave me a used one that I wore out after a few years, a favorite of mine, partly because of the song name connection and also very warm yet breathable.
I love Miranda July. This video finding me was a powerful synchronicity. ❤
Neil hasn't done research in decades. And his college years research were not spectacular. University of Texas flunked him and showed him the door. Please don't call him an astrophysicist.
Hlw🤞 What This podcast is About 😊
Ira Glass makes great radio.
Oddly serious interview
Hi Debbie, the video you’ve just uploaded, how do you watch it? By the way, I would like to thank you for posting this video; not only did I learn about Massimo Vignelli, but about book design, and I’ve just released my first self-published photography, film and music book. So thank you!!
Debbie is an absolute master of interviewing.
Massimo's advice at 11:00
Thank you!
this fucking sucks
wow
This is strangely compelling
how does this only have 30K views?! Brilliant man. Not the best camerawork.
They need funding for a tripod, clearly….
Recently I also bought her second book, I'm thrilled.
Good stuff!
3:44 I live this every day.
Don't know if I share Massimos view on good design being timeless, cause timeless is a risky thing. It could easily be boring with no edge or character. Each period of time has its identity, it's "style" if you want. It's fun to look back on the 70's and the 80's. We laugh and smile when we point back and look at things in the rear mirror. We remember the things like it was back THEN. This has a clear value to us. So making everything timeless seems too bland and lifeless to me. I know it's academically correct to say "good design is timeless" but after years of practicing as a designer I don't really see it like that anymore. Great design could have personality and contemporary style. It could very well be stuck in time or rooted in a certain style. Great design could be a homage to a short period of time and reveal an aesthetic value that's far gone and not applicable anymore. That doesn't matter. It could still be good design in my book. - RIP Massimo -
I think he thinks about good design on a much deeper level and sees good design as being so refined both visually and conceptually, that it doesn't need to lean on current (or past) trends. I think it's much more difficult to create something to succeeds in this way, so a lot of work ends up being, as you said, bland or lifeless. Those, I don't think are the success stories. I think of designs like his American Airlines logo, the Chermayeff/Geismar NBC Logo and others like those and to me, those are elegant, classy and timeless. It's sort of the highest level of design, that it's just untouchable. Design perfection imo. But I see your points as well and think period specific design has it's place and is fun too, but doesn't always work for branding purposes.
It's easy to confuse process with outcome. And it's easy to look at the form of the outcome and judge design on that. To me design is a process that is good or bad depending on the awareness of the designer on the consequences the product of design will have on the world. Style and trends can be interesting as anthropology and cultural documents but if it's an exercise on form - what is the point in that? If it looks silly 10 years from now and no one will want it later it's not really design. You are wasting valuable resources of the planet on creating more garbage that will end up poisoning the grounds or on the belly of a fish.
timeless has no style
@@h_alves But if you look at design that is defined as "timeless" it's really not. Le Corbusier, Saul Bass, Paul Rand, Verner Panton etc. I can spot that aesthetics and clearly place them where they belong in history. That's why we have design languages closely connected to time and style types. They are not timeless but representatives for a defined time period. Cubism, modernism, Dada, De Stijl, functionalism etc. Each of these style periods are attached to time and they had a lifespan. The 80's, the 70's, the 90's also had design languages. So in essence although something is stripped and reduced to a bare minimum, like a watch from Max Bill, its still connected to a time period (no pun intended) as it is a design language. It's not de-attached from that. That's why I often hear stuff like "oh they used to build such wonderful buildings in the 30's." Time is reference. Nothing is timeless. We only have aesthetics and personal preference. Today we make stuff for mass consumption. Used today and in the garbage bin tomorrow. Time moves on. Personally I prefer design with a great deal of longevity, such as the corporate identity program that Massimo made for American Airlines in the 50's, it could still work but it's in the human expression to wanna change it. AA changed it just because they wanted change, they probably thought it was obsolete just because it was unchanged for so long. They never identified that as a strength but a problem. That's sad but true. I also agree with Massimo when he criticizes the expression "modern". What is modern? everyone uses that word and most of them say it to define that something is NEW. Many times they point at a replica product that was originally drawn in 1932 and say "oh that is so modern" , meaning contemporary, when it's all but that. On the contrary most peoples perception of modern is old without them knowing it funny enough:)
this was so lovely, what a great way to remember the journey you went through when you first watched it. I got really chocked up the first time, projecting onto it my own experiences, even though like mike mills says film can only show a condensed view of life, I'm enamoured with the foresight and skill he had in planning this film to look effortless and authentic. If you'd like to read my reflections they are up on my blog here toleratedindividuality.wordpress.com/2014/10/23/the-personal-is-political-reflections-on-mike-mills-film-beginners/
Brilliant, so often heartfelt thanks can slip into hubris, the measured thanks and celebration in this video has been a creative highlight for the year. I review thousands of creative works a year, this goes into my top 10 without a doubt. Brilliant Brilliant Brilliant
R.I.P.
What a wonderful video. Thanks Debbie! Also, great job on the Design Matters series, I enjoy them immensely.
Facts painting Gladwell as Tobacco industry shill… and more… Google Gladwell and Cigarettes in particular shameproject
Yep! That looks like happiness to me!
Pop collar.
Respect.
Where can I buy the box set?
Marian you are an inspiration! Truly an typographic artist! Thank you for sharing your story. Debbie Millman Rocks!
This is me being hypocritical, because I enjoy these types of films as much as the next designer. I'm very interested in Lawrence has to say, he is a man with a lot of experience and valuable information for young designers. But it seems to me that what he is saying, is that everyone designs, all day whether we know it or not. Designers already understand this (that's why we do what we do) but the information is most valuable to an audience that isn't receiving it.
whats the instrumental called in the video?
This is SO beautiful. Who directed this?
Yes! This is a heavy video! It gives me chills as well!
Amazing, amazing typographer! Marian is the best !
This video actually gave me chills. Profound, but not pretentious. Lawrence expounds his philosophy so purely an unapologetically, but without dogma. And your neutral, unimposing inquisitiveness let's him be that - totally unique. Just Awesome with a capital 'A'.
Holy Moses! I can't believe I missed this! Kate Spade sounds like the ideal client. Alan Dye's progressive eye, and sound fundamental background lends well to their Audrey Hepburn-esque Americana image.