When I first saw this scene as a child, I wondered if he had prepared this dish by himself.
@lP3GL4jZkA8 ай бұрын
Conheci essa música há muitos anos. É um resumo da minha vida desde o começo, e receio que até o final. Ela diz tudo.
@robertgraziano Жыл бұрын
Did anyone here see this on a Cinerama screen? 127 weeks in Toronto at the Glendale Cinerama Theatre. Best movie ever made!
@jorgevaccari23749 ай бұрын
Yes . At last one apart me Saw 2001 in Cinerama sistem. !!!!! In Buenos Aires in 1969 did It . But nobody believed me !!! Thanks
@robertgraziano9 ай бұрын
@@jorgevaccari2374 Nothing beats CINERAMA!
@andrewacornwell86782 жыл бұрын
Message to the International Space Station the way to understand the movie 2001 Space Odyssey is it always in an astronaut gets away from the ship and we find that astronaut facing how Hal l a r s that astronaut ship will always stay inside of 2001 Space Odyssey until the Uplink is complete then the tether pulls the astronaut out of 2001 Space Odyssey lah sral "2001: A Space Odyssey (1968) - 'The Blue Danube' (waltz) scene [1080p]" on KZread kzread.info/dash/bejne/Yo6jtbusfqSqpLw.html
@carloemiliomichelassi63892 жыл бұрын
Nelle immagini camerali di "2001" si ha la conferma del genio kubrickiano. Dire che lo spazio si trova fuori di noi, e fuori della camera, può sembrare tautologico. Ma non è poi così scontato, se il tutto viene ricondotto all'intreccio tra immaginario, simbolico e reale. La lettura di un articolo di Enrico Ghezzi risalente al 1981 è stata utile a questo mio ragionamento. È pacifico che si pensi a una fantascienza degli interni, quando ci troviamo di fronte al capolavoro di Kubrick. Gran parte della "odissea" si svolge all'interno. Nell'astronave, nella camera del '700. Come il viaggio allucinatorio di Jack Torrance in Shining (sempre di Kubrick). Il presente che vive poi Dave attraverso i vari doppi è un tempo fatto di "tempi": l'epoca a cui allude l'arredamento della camera, il progressivo invecchiamento dello stesso Dave (gli attimi che scorrono sullo schermo non seguono la durata "effettiva" della sua esperienza) e il senza tempo del monòlito. All'interno della camera si alternano diversi "tempi" possibili del presente di Dave, percepito come l'ipotetico momento di un tempo futuribile sciolto dalla dimensione narrativa del film, in una visione che ha il tempo e la durata di quegli attimi, vissuti inizialmente dalla soggettiva di Dave, resi in ultimo a una soggettiva che è tutte le soggettive, ove il punto di vista si perde al di là di ogni prospettiva. Noi siamo (?) il fanciullo astrale. È il paradosso logico corteggiato da Kubrick. Era questo che intendeva, quando ha detto: "Quello che vorrei davvero è far esplodere la struttura narrativa del film. Qualcosa che faccia tremare la terra".
@scorpionjimmy87342 жыл бұрын
This is how nowadays movie will be like, with music like this to make the scene more dramatic. Personally I like the original one better because it feels empty, unusual, abnormal and fearful. But it’s also kind of amazing how well it sync together
@murrayr77032 жыл бұрын
Yup, gilding the Lilly
@greglapointe13113 жыл бұрын
This doesn't work for me but I can appreciate the effort putting this together.
@Psalm11013 жыл бұрын
No wifi or sports boy thx aliens
@FF-rm1qo4 жыл бұрын
At 6:19 he looks like Julian Assange
@samreich70424 жыл бұрын
AND I GAVE MY LIFE TO GOD TO RECEIVE A LIFE. I AM ** 56 ** YEARS OLD NOW. NO WIFE. NO KIDS. NO JOB. REJECTION FROM THE FAMILY. MY SORROW IS INCURABLE. BUT, I AM NOT LOST BUT FOUND. I AM NOT TOTALLY INSANE BUT SEVERELY MENTALLY ILL THUS """ WHAT IS TO DIFFICULT FOR ME TO DO FOR WHAT IS IMPOSSIBLE FOR MAN IS POSSIBLE TO GOD AS HE SPEAKS """
@jorgevaccari23749 ай бұрын
Dont worry. You'll feel good !!!!
@samreich70424 жыл бұрын
AND THE ELDERLY TO WHOM THIS MAY CONCERN *** CHANGED WITHIN A TWINKLE OF AN EYE ***
@samreich70424 жыл бұрын
NO ONE CAN ESCAPE DEATH. IT"S LIKE A FREAKIN RITUAL IN A CREATION THAT WAS GOOD, NOT PERFECT.
@samreich70424 жыл бұрын
THIS DEATH THAT IS TO OCCUR IS LIKE COMING HOME......HEAVEN"S GATE PORT HOLE IS IN THIS FILM. THE SPIRIT IS LIKE UNTO PARADISE. IN HEAVEN YOU ARE NOT ALONE, BUT GOD IS IN YOUR SOUL.
@saidtheactress4 жыл бұрын
Works remarkable well with this music; of course, the Adagio creates a very different mood from the original.
@luthermcgee4324 жыл бұрын
The footage, yes. The music, no thanks. It's not the original.
@BrucknerMotet5 жыл бұрын
I keep expecting Willem DaFoe to run into the shot, arms splayed, bullets rending his sacred flesh.
@glenndespres53175 жыл бұрын
A stunning final scene from a stunning movie. Brilliant.
@jeffwhite36255 жыл бұрын
Outstanding , I have love this film since the first time I saw it as a child in 1968. I have recently been rediscovering it and realizing the true genius and visionary that Kubrick was. I have always loved the Ligeti, Strauss and Khachaturian, used in the film, but your use of the Barber was inspired. Nicely done. Much thanks.
@carlosacabrera2943 жыл бұрын
Forgot to mention Arthur Clarke.
@Alexander-tj2dn5 жыл бұрын
The original music by Ligeti is much more apropiate for this scene than Barber´s adagio. Kubrick made the right choice.
@musiconlyplease985 жыл бұрын
Who are we and why? Kubrick and Barber give us a glimpse Masterpiece
@tomlennon89675 жыл бұрын
Powerful picec. But not anywhere near the same affect. Kubrick's breathing ( which was his own ). And leading up to
@donkeybrainwhoknew9335 жыл бұрын
This music was not in the movie 2001; a Space Odyssey, and those of us that have seen the movie many times, like me, are satisfied with the music that was included as the sound track. Not conditioned exactly, but we feel, I believe, that the soundtrack is well suited in conveying the emotional values that are visually portrayed on the screen. Kubrick was very good in choosing appropriate music in his movies. Nevertheless, Adagio for strings by Barber is a very beautiful composition.
@andersorthagen96985 жыл бұрын
Very nice but I miss the heavy breathes from Dave...
@ITILII6 жыл бұрын
Best sci-fi movie of all time, special effects, not the cgi junk of today's "movies"......"Nobody, in the history of motion pictures, could craft a film, better than Stanley Kubrick" - Steven Spielberg
@dantyler69076 жыл бұрын
Somebody invested time to CHANGE the perfect movie's soundtrack... A terrible waste of resources, music and time. Unless there are a lot of views.. 168k!! Then the person who did this made a few $ off orher people's skill with both movie making and music recording. The magic of YT!!!
@IoannisKokkinis6 жыл бұрын
My youtube account is not monetized. i have nor made a single penny from this or anything else in youtube. Some people like it some dont, I care less. I liked it and I did it :)
@markchacon70026 жыл бұрын
Haunting; capturing, mesmerizing Great Masterpiece I see my life in his will keep this scene close 2heart💖🌍🌐🎪🗿🚀💺🌌💫🌌
@LordZontar6 жыл бұрын
Barber's Adagio would be far more suitable as a replacement track for Khakachurian's Gayenne Ballet Suite that accompanies the flight of the Discovery toward Jupiter, just before HAL goes nuts.
@RAFAELMALDONADOcano6 жыл бұрын
Some Editted Movie Star change my help find the clue on the identity problem, a true of the repeted unknown history.
@michaelobrien92856 жыл бұрын
No, best at it time..
@Refrescospepito6 жыл бұрын
NO.
@mjt22317 жыл бұрын
What a GREAT mix!!!
@p.55577 жыл бұрын
I think Arvo is another option here.
@p.55577 жыл бұрын
Great choice, that's me screwed now forever imagining alternate scores for scene after scene... there are worse ways to pass the time I suppose..
@BugRib7 жыл бұрын
This makes me really sad for Dave. I never really felt sad for him before. Poor little star baby. :(
@Banditronnie7 жыл бұрын
Thankyou Samuel Barber, thankyou Stanley Kubrick, thankyou d3scr1pt0r for pulling it together. Brilliant.
@Dimension1507 жыл бұрын
There is something wrong...I just saw the film in 70mm at the Cinerama in Seattle and this music was not there.
@rotorhd27 жыл бұрын
you are right I don't know where this came from
@jacknewman92567 жыл бұрын
Time for you to open the pod bay doors
@peterb.h.94987 жыл бұрын
jack newman LOL. I doubt he'll get it.
@RobertMcNulty0077 жыл бұрын
Mandela Effect
@richardscally6946 жыл бұрын
That's because Kubrick never used it in 2001: What you heard was Atmospheres, Beyond The Infinite
@nintendofan70727 жыл бұрын
I always thought that this looked nothing like a film from the 60's. The visuals, sound and special effects make this look like it was made in at least the 90's.
@jpmm73977 жыл бұрын
Nintendo Fan Yes Kubrick was ahead of his time way way ahead
@lenyfreeman38077 жыл бұрын
We used to go to the Cinerama in San Francisco to see it in 1969. WOW!
@zfoxfire6 жыл бұрын
I cant imagine having been alive back then and seeing this and watched the first human moon landing within the same year. It must have been an exciting time to be alive and think of all the possibilities the futrue may hold. Kubrick was a true visionary. Back then routine civilian space travel and moon bases seemed in the near future. I'm sad that this never materialized (atleast not in the time period the book and movie portrays). Maybe I will see Elon Musk establish a Mars colony sometime in my life. I can only hope.
@nocomment95322 жыл бұрын
Sooooo fucking ahead of it's time, my mind was blown in the early 2000's watching this for the first time in my life, i can't imagine what it would have been like seeing it in the 60's.
@musiconlyplease987 жыл бұрын
powerful.
@TheFacefinder8 жыл бұрын
Stanley Kubrick was a master!!!!!! Still miss him!
@lucygreen28116 жыл бұрын
beautiful music
@TheFacefinder8 жыл бұрын
Thank you sooo much. "Dave, I'm not sure if I can let you do that."
@Donleecartoons8 жыл бұрын
I think this might have gone better with the Discovery-in-flight sequence, the one that is scored in the film with Khachaturian's "Gayaneh"
@eugeneduschmoll7847 жыл бұрын
@Don Lee Je suis assez d'accord. Cependant je trouve que l'Adagio de Gayaneh, de Khatchaturian, semble avoir été composé tout exprès pour la séquence dont vous parlez, celle de la vie quotidienne dans le vaisseau en route vers Jupiter, jusqu'à l'incident de l'antenne radar. Le sentiment de désolation et d'infinie tristesse qui s'en dégage place déjà Dave et Franck dans un autre univers sans espoir de retour. Pour ma part, c'est d'ailleurs ma séquence culte dans ce film cultissime. De plus, pour revenir à cette video, l'Adagio de Barber introduit dans la longue et ésotérique séquence finale un pathos qui la dénature complètement. Je n'aurai pas la prétention d'en donner la signification précise, et on ne saura jamais ce qu'il y avait dans la tête de Kubrick... Mais toujours est-il que cette version "Barber", avec ce montage fantaisiste n'a plus aucun rapport avec le film de Kubrick.
@haxstir8 жыл бұрын
The emotion is completely mismatched between the films meaning and the music.
@carlosacabrera2947 жыл бұрын
Jonathon Sendall Wrong.
@eugeneduschmoll7847 жыл бұрын
I agree with Jonathon Sendall.
@light106year66 жыл бұрын
Very true
@Tony_Rojas8 жыл бұрын
I like your scene selection synchronized with the music. At the peak of the violins the old Dave dies looking at the Monolith. Very sad, and real. True romanticism. Good job.
@nielspemberton593 күн бұрын
I tried this sequence with John Williams track from Schindler's List titled " Immolation, with our lives we give life." or in this case "Transfiguration, with Bowman's life he gives life." I am not Jewish and it was effective but I must say that Adagio for Strings surpasses anything thing John Williams can offer.
@leftcoaster678 жыл бұрын
Only problem it's used too much in war movies like Galipoli and Platoon.
@harrybeau17128 жыл бұрын
I like it, but I miss the heavy breathing
@giovmari9 жыл бұрын
best movie ever made
@d3scr1pt0r10 жыл бұрын
100.000 views. Thank you all for your good words and positiveness :) I have some new mix in my mind that I've been working on but will take me about one more year to finish..
@kyletomlinson53659 жыл бұрын
You should make a HD version of this one!
@TheEliasMartin10 жыл бұрын
We meet ourselves time and again in a thousand disguises on the path of life. --C.G. Jung
@pauloliberato695310 жыл бұрын
"When you can live forever what do you live for?" - Stephenie Meyer
@user-pr8ld7sb9g3 жыл бұрын
Τo make deep and wide heart because the eternity is creation of God who is love
Пікірлер
Who Watch this video in 2024
When I first saw this scene as a child, I wondered if he had prepared this dish by himself.
Conheci essa música há muitos anos. É um resumo da minha vida desde o começo, e receio que até o final. Ela diz tudo.
Did anyone here see this on a Cinerama screen? 127 weeks in Toronto at the Glendale Cinerama Theatre. Best movie ever made!
Yes . At last one apart me Saw 2001 in Cinerama sistem. !!!!! In Buenos Aires in 1969 did It . But nobody believed me !!! Thanks
@@jorgevaccari2374 Nothing beats CINERAMA!
Message to the International Space Station the way to understand the movie 2001 Space Odyssey is it always in an astronaut gets away from the ship and we find that astronaut facing how Hal l a r s that astronaut ship will always stay inside of 2001 Space Odyssey until the Uplink is complete then the tether pulls the astronaut out of 2001 Space Odyssey lah sral "2001: A Space Odyssey (1968) - 'The Blue Danube' (waltz) scene [1080p]" on KZread kzread.info/dash/bejne/Yo6jtbusfqSqpLw.html
Nelle immagini camerali di "2001" si ha la conferma del genio kubrickiano. Dire che lo spazio si trova fuori di noi, e fuori della camera, può sembrare tautologico. Ma non è poi così scontato, se il tutto viene ricondotto all'intreccio tra immaginario, simbolico e reale. La lettura di un articolo di Enrico Ghezzi risalente al 1981 è stata utile a questo mio ragionamento. È pacifico che si pensi a una fantascienza degli interni, quando ci troviamo di fronte al capolavoro di Kubrick. Gran parte della "odissea" si svolge all'interno. Nell'astronave, nella camera del '700. Come il viaggio allucinatorio di Jack Torrance in Shining (sempre di Kubrick). Il presente che vive poi Dave attraverso i vari doppi è un tempo fatto di "tempi": l'epoca a cui allude l'arredamento della camera, il progressivo invecchiamento dello stesso Dave (gli attimi che scorrono sullo schermo non seguono la durata "effettiva" della sua esperienza) e il senza tempo del monòlito. All'interno della camera si alternano diversi "tempi" possibili del presente di Dave, percepito come l'ipotetico momento di un tempo futuribile sciolto dalla dimensione narrativa del film, in una visione che ha il tempo e la durata di quegli attimi, vissuti inizialmente dalla soggettiva di Dave, resi in ultimo a una soggettiva che è tutte le soggettive, ove il punto di vista si perde al di là di ogni prospettiva. Noi siamo (?) il fanciullo astrale. È il paradosso logico corteggiato da Kubrick. Era questo che intendeva, quando ha detto: "Quello che vorrei davvero è far esplodere la struttura narrativa del film. Qualcosa che faccia tremare la terra".
This is how nowadays movie will be like, with music like this to make the scene more dramatic. Personally I like the original one better because it feels empty, unusual, abnormal and fearful. But it’s also kind of amazing how well it sync together
Yup, gilding the Lilly
This doesn't work for me but I can appreciate the effort putting this together.
No wifi or sports boy thx aliens
At 6:19 he looks like Julian Assange
AND I GAVE MY LIFE TO GOD TO RECEIVE A LIFE. I AM ** 56 ** YEARS OLD NOW. NO WIFE. NO KIDS. NO JOB. REJECTION FROM THE FAMILY. MY SORROW IS INCURABLE. BUT, I AM NOT LOST BUT FOUND. I AM NOT TOTALLY INSANE BUT SEVERELY MENTALLY ILL THUS """ WHAT IS TO DIFFICULT FOR ME TO DO FOR WHAT IS IMPOSSIBLE FOR MAN IS POSSIBLE TO GOD AS HE SPEAKS """
Dont worry. You'll feel good !!!!
AND THE ELDERLY TO WHOM THIS MAY CONCERN *** CHANGED WITHIN A TWINKLE OF AN EYE ***
NO ONE CAN ESCAPE DEATH. IT"S LIKE A FREAKIN RITUAL IN A CREATION THAT WAS GOOD, NOT PERFECT.
THIS DEATH THAT IS TO OCCUR IS LIKE COMING HOME......HEAVEN"S GATE PORT HOLE IS IN THIS FILM. THE SPIRIT IS LIKE UNTO PARADISE. IN HEAVEN YOU ARE NOT ALONE, BUT GOD IS IN YOUR SOUL.
Works remarkable well with this music; of course, the Adagio creates a very different mood from the original.
The footage, yes. The music, no thanks. It's not the original.
I keep expecting Willem DaFoe to run into the shot, arms splayed, bullets rending his sacred flesh.
A stunning final scene from a stunning movie. Brilliant.
Outstanding , I have love this film since the first time I saw it as a child in 1968. I have recently been rediscovering it and realizing the true genius and visionary that Kubrick was. I have always loved the Ligeti, Strauss and Khachaturian, used in the film, but your use of the Barber was inspired. Nicely done. Much thanks.
Forgot to mention Arthur Clarke.
The original music by Ligeti is much more apropiate for this scene than Barber´s adagio. Kubrick made the right choice.
Who are we and why? Kubrick and Barber give us a glimpse Masterpiece
Powerful picec. But not anywhere near the same affect. Kubrick's breathing ( which was his own ). And leading up to
This music was not in the movie 2001; a Space Odyssey, and those of us that have seen the movie many times, like me, are satisfied with the music that was included as the sound track. Not conditioned exactly, but we feel, I believe, that the soundtrack is well suited in conveying the emotional values that are visually portrayed on the screen. Kubrick was very good in choosing appropriate music in his movies. Nevertheless, Adagio for strings by Barber is a very beautiful composition.
Very nice but I miss the heavy breathes from Dave...
Best sci-fi movie of all time, special effects, not the cgi junk of today's "movies"......"Nobody, in the history of motion pictures, could craft a film, better than Stanley Kubrick" - Steven Spielberg
Somebody invested time to CHANGE the perfect movie's soundtrack... A terrible waste of resources, music and time. Unless there are a lot of views.. 168k!! Then the person who did this made a few $ off orher people's skill with both movie making and music recording. The magic of YT!!!
My youtube account is not monetized. i have nor made a single penny from this or anything else in youtube. Some people like it some dont, I care less. I liked it and I did it :)
Haunting; capturing, mesmerizing Great Masterpiece I see my life in his will keep this scene close 2heart💖🌍🌐🎪🗿🚀💺🌌💫🌌
Barber's Adagio would be far more suitable as a replacement track for Khakachurian's Gayenne Ballet Suite that accompanies the flight of the Discovery toward Jupiter, just before HAL goes nuts.
Some Editted Movie Star change my help find the clue on the identity problem, a true of the repeted unknown history.
No, best at it time..
NO.
What a GREAT mix!!!
I think Arvo is another option here.
Great choice, that's me screwed now forever imagining alternate scores for scene after scene... there are worse ways to pass the time I suppose..
This makes me really sad for Dave. I never really felt sad for him before. Poor little star baby. :(
Thankyou Samuel Barber, thankyou Stanley Kubrick, thankyou d3scr1pt0r for pulling it together. Brilliant.
There is something wrong...I just saw the film in 70mm at the Cinerama in Seattle and this music was not there.
you are right I don't know where this came from
Time for you to open the pod bay doors
jack newman LOL. I doubt he'll get it.
Mandela Effect
That's because Kubrick never used it in 2001: What you heard was Atmospheres, Beyond The Infinite
I always thought that this looked nothing like a film from the 60's. The visuals, sound and special effects make this look like it was made in at least the 90's.
Nintendo Fan Yes Kubrick was ahead of his time way way ahead
We used to go to the Cinerama in San Francisco to see it in 1969. WOW!
I cant imagine having been alive back then and seeing this and watched the first human moon landing within the same year. It must have been an exciting time to be alive and think of all the possibilities the futrue may hold. Kubrick was a true visionary. Back then routine civilian space travel and moon bases seemed in the near future. I'm sad that this never materialized (atleast not in the time period the book and movie portrays). Maybe I will see Elon Musk establish a Mars colony sometime in my life. I can only hope.
Sooooo fucking ahead of it's time, my mind was blown in the early 2000's watching this for the first time in my life, i can't imagine what it would have been like seeing it in the 60's.
powerful.
Stanley Kubrick was a master!!!!!! Still miss him!
beautiful music
Thank you sooo much. "Dave, I'm not sure if I can let you do that."
I think this might have gone better with the Discovery-in-flight sequence, the one that is scored in the film with Khachaturian's "Gayaneh"
@Don Lee Je suis assez d'accord. Cependant je trouve que l'Adagio de Gayaneh, de Khatchaturian, semble avoir été composé tout exprès pour la séquence dont vous parlez, celle de la vie quotidienne dans le vaisseau en route vers Jupiter, jusqu'à l'incident de l'antenne radar. Le sentiment de désolation et d'infinie tristesse qui s'en dégage place déjà Dave et Franck dans un autre univers sans espoir de retour. Pour ma part, c'est d'ailleurs ma séquence culte dans ce film cultissime. De plus, pour revenir à cette video, l'Adagio de Barber introduit dans la longue et ésotérique séquence finale un pathos qui la dénature complètement. Je n'aurai pas la prétention d'en donner la signification précise, et on ne saura jamais ce qu'il y avait dans la tête de Kubrick... Mais toujours est-il que cette version "Barber", avec ce montage fantaisiste n'a plus aucun rapport avec le film de Kubrick.
The emotion is completely mismatched between the films meaning and the music.
Jonathon Sendall Wrong.
I agree with Jonathon Sendall.
Very true
I like your scene selection synchronized with the music. At the peak of the violins the old Dave dies looking at the Monolith. Very sad, and real. True romanticism. Good job.
I tried this sequence with John Williams track from Schindler's List titled " Immolation, with our lives we give life." or in this case "Transfiguration, with Bowman's life he gives life." I am not Jewish and it was effective but I must say that Adagio for Strings surpasses anything thing John Williams can offer.
Only problem it's used too much in war movies like Galipoli and Platoon.
I like it, but I miss the heavy breathing
best movie ever made
100.000 views. Thank you all for your good words and positiveness :) I have some new mix in my mind that I've been working on but will take me about one more year to finish..
You should make a HD version of this one!
We meet ourselves time and again in a thousand disguises on the path of life. --C.G. Jung
"When you can live forever what do you live for?" - Stephenie Meyer
Τo make deep and wide heart because the eternity is creation of God who is love
The moment.