Is lady at 4:00 Clare Wilkinson? Right now she is an alto, but maybe she was soprano in the past?
@KaigeMccormicktonerКүн бұрын
What about the kid that inhaled helium he was very good
@danawinsor13804 күн бұрын
Just to be clear: that high C was not in the original. I would love to hear a group sing "Miserere" in Allegri's original version.
@dave73159 күн бұрын
0:39 gets me every time
@This-isGirl9 күн бұрын
Voica8 was not featured. Anyway all sounded marvellous 👏🏻👏🏻👏🏻
@miyapozo10 күн бұрын
Nigel Short for sure
@stewartleung85812 күн бұрын
It is like a rocket launch, starting with the countdown and building up of intensity. You are then suddenly thrown into outer space and you long for a soft landing. The high C has to carry the element of surprise, soft as cotton but hard as steel. The boy sopranos did it with ease and to them, it is like a game. The 1994 Tallis Scholar did the best job. Many singers screwed up the landing.
@JeannetteReed14 күн бұрын
Ok, I have to go back through, Byrd? Silky, mmm. This is a nice comparison format, thnx for a fine field. 🎉
@guymiklos924515 күн бұрын
Byrd Ensemble soprano is best in my opinion. So pure.
@Eris170115 күн бұрын
I’m not well versed in this type of music, it’s so beautiful. But I had no idea young boys could sing like that - no wonder there were castrati back then (and thank God that practice has stopped!)
@maximiliantrunk219015 күн бұрын
Das ist Gänsehaut pur!...die Qualität des Chores ist Weltklasse,einfach phantastisch!!!😍👍
@kristinavislapuufabayodotc177615 күн бұрын
It is one of the most Beautiful compositions i have ever heard in 43 years of my life! Tears..
@Hope-kx9lz16 күн бұрын
Tenebrae and Byrd Ensemble
@4Teen822 күн бұрын
Von ganzem Herzen vielen Dank!!!
@minero362823 күн бұрын
Todo maravilloso.sencillo emocionante. Refleja lo bueno del ser humano, belleza,paz frente al odio . Abel frente a Caín
@arniekevinvalera816626 күн бұрын
Everyone did great but the Byrd Ensemble was great here. And that Coro Iride group which took it a note higher, hitting High D instead if the usual C.
@toadabc28 күн бұрын
As someone who knows nothing about music other than how beautiful that is, I kept trying to guess which person would be the high C and never guessed right. Also the variety of the mouth position and body movement was different each time.
@padreaddoloratomaria2972Ай бұрын
MAESTRO PALESTRINA SHOULD BE CANONIZED FOR THE MIRACLES OF HIS COMPOSITIONS!!!
@pablohechtle4989Ай бұрын
Although singing like this has its sacrifices...you don't know how much I envy you. But even more, I admire them.
@chrisodonnell7022Ай бұрын
I generally prefer treble performances of this but my all time favourite is Voces8
@bernadetteshinton6236Ай бұрын
Tennabrae are the only ones who sing the c without a break un the note and the new version from the 16 is stunning.
@bernadetteshinton6236Ай бұрын
The sixteen were the first choir i heard sing this it called out to me and I've returned x Thankyou . Since then everyone ive heard are just as good x
@bernadetteshinton6236Ай бұрын
Hats off to everyone who attempts this id love to be able to do it .
@josefhollenbauer1043Ай бұрын
Very nicely sung, but I do think the tempo is way too fast. Yes, it's alla breve, but you have to take into considering, that this was to be sung in St. Florian's monastery church with 11 seconds reverb! So if you take it alla breve, then it's to be Largo if not Adagio. Bruckner's motets always transport the mystery of faith, especially in the piano and pianissimo parts, and that can only be transported at a low speed.
@SteveL2012Ай бұрын
Ummm, they’re not all high C’s. Some groups take it down a half step to align with how music was keyed at the time this music was written. The soprano in the second excerpt, for example sang a high B.
@samuelmwangi5860Ай бұрын
Incredibly awesome!
@InaBosscherАй бұрын
The last one
@louisrharmonyАй бұрын
Seems to be using traditional English Latin pronunciation, very cool!
@twphua70192 ай бұрын
Revisiting this piece again, the altos at 4:00 have to jump more than an octave wow
@kriss66492 ай бұрын
Tenebrae 1st, The Sixteen 2nd But then I stumbled upon the 2006 version by Tenebrae (can't find a video where you can see them perform). It is simply devine: kzread.info/dash/bejne/gqhqk7eho7yngMY.html Quartet: Soprano 1 (top) - Grace Davidson Soprano 2 - Julia Doyle Alto - Ben Turner Bass - Matthew Brook Grace Davidson is also featured on a different performance by The Sixteen (2020): kzread.info/dash/bejne/qHd9tLNugc7Torw.html
@scottw67042 ай бұрын
I've found that in "casting" choirs for broadly-split pieces like Lauridsen's (or Whitacre's), it's advantageous to have many more men women (if possible). Generally, the lower the pitch, the more singers needed to project it. As few top sopranos as possible, on down. The most successful grouping I've had with this particular piece (without having to take it up a half-step): 8 B3, 8 B2, 7 B1, 6 T2, 5 T1, 4 A2, 4A1, 3S2, 2S1. Sometimes I would have the A2 sing with the T1s and vice versa...but this division allowed for each pitch to resonate at generally the same volume. Another helpful hint: when auditioning voices, if people insist on always singing a certain part (because they always sang that before), I'd advise not working with them at all. You need people who are flexible.
@PrincepsMusicae2 ай бұрын
absolutely divine. The recapitulation with the addition of the Hallelujah (04:30) is fantastic
@uclcentreforperioperativem64622 ай бұрын
What a great sound ! Thank you so much for posting
@owlley2 ай бұрын
I would say the best one ive ever heard in 45 years is Voces 8 which isn't on here! Andrea the soprano is the best of the best imho. Of these though I would say the 1994 version from the Tallis scholars.
@markloh54932 ай бұрын
Absolutely divine!
@PapaD-hz2qi2 ай бұрын
I loved hearing all the different groups and versions but the best top C wasn’t included in this video clip. Do a search for - Roy Goodman & Kings College Allegri Miserere, 1963
@anthonysheffield57172 ай бұрын
The one choir which should be here is Voces8.
@ciprianlaszlo84162 ай бұрын
This gorgeous! I hope you'll post the whole missa!
@listenreadandlearn2 ай бұрын
I'm sorry but there isn't the whole missa! It doesn't exist! Sigh
@pallidbustofpallas46792 ай бұрын
What a beautiful culture
@coconuts11452 ай бұрын
The best performance of this piece I've ever listened. Beautiful!
@yclept92 ай бұрын
The 1994 Tallis Scholars had the cleanest rendition. Everybody's good on the high C itself but the notes around it matter too.
@seanvbaker3 ай бұрын
#1 is #1 here... Josephine Stephenson's melody just blossoms and transforms into something etherial. Although, all were wonderful, and this was the best video ever made on KZread.
@olgam44523 ай бұрын
I was amazed by the ease, power and accuracy brought by the singer of the bird ensemble, that's my favourite, but also Tenebrae is one of my favourites. I missed Voces8 and loved the less known recordings. Thanks!
@jvellequarles38783 ай бұрын
I am not talk about this Gregorio I’m talking about do you know Southwest Elementary not like Southwest Elementary, Southwest Elementary, like Savannah and Savannah I go there and this is not the one I listen to I listen to Gregório from Columbia
@tubapress3 ай бұрын
Another vote for Andrea Haines and VOCES8 (not included in the video, but linked here!) kzread.info/dash/bejne/lYCoz5J9obG2eLA.htmlsi=iT4vghfS6PL3iTmc
@AK-nw7tr3 ай бұрын
Most reaching for the note which works but Cleobury 1987 didnt even strain. Indicates to me the piece mb was written for a boy soprano.
@patmcdermott48323 ай бұрын
1) Tenebrae-Josephine Stephenson 2) Sixteen-2010 Elin Manahan-Thomas 3) Sixteen 2021 Victoria Metyard 4) Sixteen evolution Victoria Metyard & Alexandra Kidgell. (at Liverpool Metropolitan Cathedral) Historically the version that probably 1st brought this piece to public attention was King's College solo treble Roy Goodman (in English). All fine voices! 😂
@jamesburnett70853 ай бұрын
Thank you for listing the names of these angelic singers.
@rhythmicdisciple70453 ай бұрын
kzread.info/dash/bejne/e6d4tLePdNbAgso.html Soprano sings the whole phrase without an obvious pause for breath, amazing control. Then they did this version too..kzread.info/dash/bejne/lYCoz5J9obG2eLA.html 😊
@stefanofranco28973 ай бұрын
<3
@hirushanbandara58173 ай бұрын
I still can't believe that humans can make sounds like that.....😮
Пікірлер
Is lady at 4:00 Clare Wilkinson? Right now she is an alto, but maybe she was soprano in the past?
What about the kid that inhaled helium he was very good
Just to be clear: that high C was not in the original. I would love to hear a group sing "Miserere" in Allegri's original version.
0:39 gets me every time
Voica8 was not featured. Anyway all sounded marvellous 👏🏻👏🏻👏🏻
Nigel Short for sure
It is like a rocket launch, starting with the countdown and building up of intensity. You are then suddenly thrown into outer space and you long for a soft landing. The high C has to carry the element of surprise, soft as cotton but hard as steel. The boy sopranos did it with ease and to them, it is like a game. The 1994 Tallis Scholar did the best job. Many singers screwed up the landing.
Ok, I have to go back through, Byrd? Silky, mmm. This is a nice comparison format, thnx for a fine field. 🎉
Byrd Ensemble soprano is best in my opinion. So pure.
I’m not well versed in this type of music, it’s so beautiful. But I had no idea young boys could sing like that - no wonder there were castrati back then (and thank God that practice has stopped!)
Das ist Gänsehaut pur!...die Qualität des Chores ist Weltklasse,einfach phantastisch!!!😍👍
It is one of the most Beautiful compositions i have ever heard in 43 years of my life! Tears..
Tenebrae and Byrd Ensemble
Von ganzem Herzen vielen Dank!!!
Todo maravilloso.sencillo emocionante. Refleja lo bueno del ser humano, belleza,paz frente al odio . Abel frente a Caín
Everyone did great but the Byrd Ensemble was great here. And that Coro Iride group which took it a note higher, hitting High D instead if the usual C.
As someone who knows nothing about music other than how beautiful that is, I kept trying to guess which person would be the high C and never guessed right. Also the variety of the mouth position and body movement was different each time.
MAESTRO PALESTRINA SHOULD BE CANONIZED FOR THE MIRACLES OF HIS COMPOSITIONS!!!
Although singing like this has its sacrifices...you don't know how much I envy you. But even more, I admire them.
I generally prefer treble performances of this but my all time favourite is Voces8
Tennabrae are the only ones who sing the c without a break un the note and the new version from the 16 is stunning.
The sixteen were the first choir i heard sing this it called out to me and I've returned x Thankyou . Since then everyone ive heard are just as good x
Hats off to everyone who attempts this id love to be able to do it .
Very nicely sung, but I do think the tempo is way too fast. Yes, it's alla breve, but you have to take into considering, that this was to be sung in St. Florian's monastery church with 11 seconds reverb! So if you take it alla breve, then it's to be Largo if not Adagio. Bruckner's motets always transport the mystery of faith, especially in the piano and pianissimo parts, and that can only be transported at a low speed.
Ummm, they’re not all high C’s. Some groups take it down a half step to align with how music was keyed at the time this music was written. The soprano in the second excerpt, for example sang a high B.
Incredibly awesome!
The last one
Seems to be using traditional English Latin pronunciation, very cool!
Revisiting this piece again, the altos at 4:00 have to jump more than an octave wow
Tenebrae 1st, The Sixteen 2nd But then I stumbled upon the 2006 version by Tenebrae (can't find a video where you can see them perform). It is simply devine: kzread.info/dash/bejne/gqhqk7eho7yngMY.html Quartet: Soprano 1 (top) - Grace Davidson Soprano 2 - Julia Doyle Alto - Ben Turner Bass - Matthew Brook Grace Davidson is also featured on a different performance by The Sixteen (2020): kzread.info/dash/bejne/qHd9tLNugc7Torw.html
I've found that in "casting" choirs for broadly-split pieces like Lauridsen's (or Whitacre's), it's advantageous to have many more men women (if possible). Generally, the lower the pitch, the more singers needed to project it. As few top sopranos as possible, on down. The most successful grouping I've had with this particular piece (without having to take it up a half-step): 8 B3, 8 B2, 7 B1, 6 T2, 5 T1, 4 A2, 4A1, 3S2, 2S1. Sometimes I would have the A2 sing with the T1s and vice versa...but this division allowed for each pitch to resonate at generally the same volume. Another helpful hint: when auditioning voices, if people insist on always singing a certain part (because they always sang that before), I'd advise not working with them at all. You need people who are flexible.
absolutely divine. The recapitulation with the addition of the Hallelujah (04:30) is fantastic
What a great sound ! Thank you so much for posting
I would say the best one ive ever heard in 45 years is Voces 8 which isn't on here! Andrea the soprano is the best of the best imho. Of these though I would say the 1994 version from the Tallis scholars.
Absolutely divine!
I loved hearing all the different groups and versions but the best top C wasn’t included in this video clip. Do a search for - Roy Goodman & Kings College Allegri Miserere, 1963
The one choir which should be here is Voces8.
This gorgeous! I hope you'll post the whole missa!
I'm sorry but there isn't the whole missa! It doesn't exist! Sigh
What a beautiful culture
The best performance of this piece I've ever listened. Beautiful!
The 1994 Tallis Scholars had the cleanest rendition. Everybody's good on the high C itself but the notes around it matter too.
#1 is #1 here... Josephine Stephenson's melody just blossoms and transforms into something etherial. Although, all were wonderful, and this was the best video ever made on KZread.
I was amazed by the ease, power and accuracy brought by the singer of the bird ensemble, that's my favourite, but also Tenebrae is one of my favourites. I missed Voces8 and loved the less known recordings. Thanks!
I am not talk about this Gregorio I’m talking about do you know Southwest Elementary not like Southwest Elementary, Southwest Elementary, like Savannah and Savannah I go there and this is not the one I listen to I listen to Gregório from Columbia
Another vote for Andrea Haines and VOCES8 (not included in the video, but linked here!) kzread.info/dash/bejne/lYCoz5J9obG2eLA.htmlsi=iT4vghfS6PL3iTmc
Most reaching for the note which works but Cleobury 1987 didnt even strain. Indicates to me the piece mb was written for a boy soprano.
1) Tenebrae-Josephine Stephenson 2) Sixteen-2010 Elin Manahan-Thomas 3) Sixteen 2021 Victoria Metyard 4) Sixteen evolution Victoria Metyard & Alexandra Kidgell. (at Liverpool Metropolitan Cathedral) Historically the version that probably 1st brought this piece to public attention was King's College solo treble Roy Goodman (in English). All fine voices! 😂
Thank you for listing the names of these angelic singers.
kzread.info/dash/bejne/e6d4tLePdNbAgso.html Soprano sings the whole phrase without an obvious pause for breath, amazing control. Then they did this version too..kzread.info/dash/bejne/lYCoz5J9obG2eLA.html 😊
<3
I still can't believe that humans can make sounds like that.....😮