i’m very curious - are those metal strings on the lute?
@shenyathewelder96957 күн бұрын
I've recently started playing lute myself, this is delightful
@Oaktreealley14 күн бұрын
Isn’t the tenor flute very close to the voice, perhaps more so than an alto recorder? Wouldn’t it make sense that if the cantus was sung, the counterpoint of the flute would be happening above it, further distinguishing itself from the human voice?
@brettgoodroad774715 күн бұрын
❤
@kidneykutter17 күн бұрын
Beautifully done, congratulations!
@earlymusicnerd-197322 күн бұрын
Wonderful ❤
@earlymusicnerd-197322 күн бұрын
Beautiful, amazing😊
@danielfajardo909223 күн бұрын
Muy bello!! Gracias por publicarlo
@danielfajardo909223 күн бұрын
PERO QUE SONIDO QUE TIENE ESTE DUO!!! Espectacular, saludos desde Chile🎉
@LuiiizzzSantos24 күн бұрын
❤❤❤❤❤❤❤❤
@kidneykutter24 күн бұрын
Fantastic performance, congratulations!
@annalyubushkina7296Ай бұрын
Thank you for wonderful performance! Could you remind me what political event it was composed after?
@ralphmarshall10002 ай бұрын
You must record 🥸
@Grubert2833 ай бұрын
prächtig
@SilvioNobre3 ай бұрын
Absolutely beautiful ❤️ Thank you so much! 😘🌷🙏
@kidneykutter3 ай бұрын
Really superb, Love the bray lute effect
@carollozadacalle1873 ай бұрын
Hermoso!!! Gracias ❤
@dickeyadavid3 ай бұрын
Amazing!!!!!!
@ensemblephaedrus3 ай бұрын
🥰
@feathersplumes3 ай бұрын
Beautiful! Tina Chancey
@ensemblephaedrus3 ай бұрын
Thanks Tina!
@nickcollins99733 ай бұрын
Fabulous!
@ensemblephaedrus3 ай бұрын
Thank you!
@davidfplace3 ай бұрын
Beautiful performance. I love the sound of the voice on the tenor line in the same octave as the flutes. Also, gorgeous video. Congratulations.
@ensemblephaedrus3 ай бұрын
Thanks David. We also love this combination of the tenor voice sung in the 4ft range with the flutes. It works so easily! By the way, the tenor voice is the only part texted in the Augsburg source for this chanson--even more inspiration to try it out in this version.
@eskosmos3 ай бұрын
So schön stimmungsvoll umgesetzt in ein Video, mag es sehr.
@ensemblephaedrus3 ай бұрын
ahhhh, danke fürs Zuhören 🤩
@mccypr10 ай бұрын
Thanks! 🙂😎
@03Venture Жыл бұрын
😮😮😮😮 👏🏻👏🏻👏🏻👏🏻
@03Venture Жыл бұрын
😊👌🏻👏🏻
@starckwest6358 Жыл бұрын
Very interesting
@allangarcia5886 Жыл бұрын
In my practical sense, maybe the repertoire of the time didn't like writing above outside the staff with ledger but still demanded the characteristic of the renaissance flute what is sounded at higher pitch. Even the recorder instrument is not notated to how it sounds. Not like I ever played early music though. If the line is expected to be doubled by the instrument then it would be 'economical' to share parts without writing each individual part out for each player. Why write out doubled parts when you can have musicians perceive and perform them with their judgment? You can take any excerpt and play above or below the line. This is called counterpoint however octaves are way easier to learn and double. In fact, it is required that a good musician has this feat as well as understanding clefs and intervals.
@rigobertoreyna3004 Жыл бұрын
Loved the music and historical background that you provided! Is there any way to access your sheet music and could it be transposed for the modern C concert flute? Thanks for all of your hard work and dedication!
@TonyBittner-Collins9 ай бұрын
It wouldn't work on the modern flute, though, as the renaissance traverso has certain nuances (temperament, pitch) that can't be replicated on a modern instrument. In a renaissance consort (three tenor flutes in d' and a bass in g) they have different roles. The first one plays the highest register while the third one plays the normal tenor line. The modern flute is basically modelled after the tenor flute, but nowadays functions as a soprano. The modern alto would be the bass in reality, and the modern bass, a contrabass.
@lianesadler Жыл бұрын
Beautiful project, music, and people!
@wilsonMelo62 жыл бұрын
Bloody brillant.
@Andrewtafelklavier2 жыл бұрын
very nice, what pitch do you play in?
@ensemblephaedrus2 жыл бұрын
Thank you, Andrew! We play in 415hz.
@svisvisvisvisvi2 жыл бұрын
Yes please, would absolutely love to see more on diminutions! These kind of videos are enormously helpful.
@ensemblephaedrus2 жыл бұрын
Ah, you're all tempting me to make more videos...let's see if I can find some time for that in the near future. Thanks for the encouragement.
@luckybarrel78292 жыл бұрын
This was really interesting! The volume was low tho, so it was hard to hear you speak without earphones.
@vancewilcox39512 жыл бұрын
Beautiful! 😊😊😊😊!!! Don't get left behind - P r o m o s m!!!
@TootlinGeoff2 жыл бұрын
So in other words, the flute is being played an octave higher than the written music? This is something we often do with treble (alto) recorder when playing renaissance music.
@ArtemisioStiltzkin2 жыл бұрын
So good. You guys are great
@ensemblephaedrus2 жыл бұрын
Thank you very much for your support!
@neilsanders10972 жыл бұрын
Wonderful.... It will be a pleasure to support the dream team.
@ensemblephaedrus2 жыл бұрын
Thanks Neil!
@RosssRoyce2 жыл бұрын
Lovely!!
@RosssRoyce2 жыл бұрын
So in 2:33 he calls the Renaissance flute “German flute” (fleuste dallemant) and the recorder flute with 9 holes - “fleuste a neuf trous”?
@RosssRoyce2 жыл бұрын
What you say reminds me of the cornetto: for me it is so hard to start a low note but could start any high note as I please. I could approach a low note within a phrase but not start it, after playing higher notes. This made me remark that the low notes of the cornetto’s first octave are not used often…
@ensemblephaedrus2 жыл бұрын
I'm glad you find this interesting, and can also make some comparisons with another very important Renaissance wind instrument!
@ArtemisioStiltzkin2 жыл бұрын
This is really great
@francello752 жыл бұрын
Thank you for this useful video, it would be lovely to have some more please! 😉 Thanks again and congratulations!
@rajandavidtrevisan26672 жыл бұрын
Fantastic
@wilsonMelo63 жыл бұрын
Lovely performance. Thank you.
@andreaswerner8363 жыл бұрын
Are you intending to do a broken consort with viols and virginal? KZread completely lacks of this combinations whereas it sounds so well.
@ensemblephaedrus3 жыл бұрын
Hi Andreas, we would love to offer some recordings of that in the future! For now, we are working on the edits of our upcoming CD with flute consort and voice. This will be an idea to look into for future content. Thanks for the suggestion.
@davidfplace3 жыл бұрын
Very nice, video. The audio seems very quiet, though.
@cesarvidelac3 жыл бұрын
You play beautiful! I was searching for a consort like yours in youtube, I hope you can upload more music soon!
@ensemblephaedrus3 жыл бұрын
Thanks a lot! We're uploading more music soon...
@allaindu3 жыл бұрын
Congratulations! This is a very well informed description of the Renaissance flute consort. You may be be interested by : kzread.info/dash/bejne/a4mB2LyloMW_gMo.html and kzread.info/dash/bejne/a4mB2LyloMW_gMo.html and kzread.info/dash/bejne/domZxbqPZJbdcpc.html Mind that there is a difference between Swiss Schweitzerpfeiffer and German Landsknechten, this is explained by Albert Jan Becking on www.renaissanceflute.ch/index.htm about the engraving by Urs Graf (1523) in Basel
@ensemblephaedrus3 жыл бұрын
Thank you Philippe! That is exactly why I avoided discussing the term "Landsknechten" in this video. I felt it would have added too much extra to fit into this brief introduction to traverso consort history. Maybe I would consider going deeper into this topic in a future video!
@HenryBertolucci3 жыл бұрын
nice performance, can you tell me more about the instruments used, the model they are based on, and their maker?
Пікірлер
i’m very curious - are those metal strings on the lute?
I've recently started playing lute myself, this is delightful
Isn’t the tenor flute very close to the voice, perhaps more so than an alto recorder? Wouldn’t it make sense that if the cantus was sung, the counterpoint of the flute would be happening above it, further distinguishing itself from the human voice?
❤
Beautifully done, congratulations!
Wonderful ❤
Beautiful, amazing😊
Muy bello!! Gracias por publicarlo
PERO QUE SONIDO QUE TIENE ESTE DUO!!! Espectacular, saludos desde Chile🎉
❤❤❤❤❤❤❤❤
Fantastic performance, congratulations!
Thank you for wonderful performance! Could you remind me what political event it was composed after?
You must record 🥸
prächtig
Absolutely beautiful ❤️ Thank you so much! 😘🌷🙏
Really superb, Love the bray lute effect
Hermoso!!! Gracias ❤
Amazing!!!!!!
🥰
Beautiful! Tina Chancey
Thanks Tina!
Fabulous!
Thank you!
Beautiful performance. I love the sound of the voice on the tenor line in the same octave as the flutes. Also, gorgeous video. Congratulations.
Thanks David. We also love this combination of the tenor voice sung in the 4ft range with the flutes. It works so easily! By the way, the tenor voice is the only part texted in the Augsburg source for this chanson--even more inspiration to try it out in this version.
So schön stimmungsvoll umgesetzt in ein Video, mag es sehr.
ahhhh, danke fürs Zuhören 🤩
Thanks! 🙂😎
😮😮😮😮 👏🏻👏🏻👏🏻👏🏻
😊👌🏻👏🏻
Very interesting
In my practical sense, maybe the repertoire of the time didn't like writing above outside the staff with ledger but still demanded the characteristic of the renaissance flute what is sounded at higher pitch. Even the recorder instrument is not notated to how it sounds. Not like I ever played early music though. If the line is expected to be doubled by the instrument then it would be 'economical' to share parts without writing each individual part out for each player. Why write out doubled parts when you can have musicians perceive and perform them with their judgment? You can take any excerpt and play above or below the line. This is called counterpoint however octaves are way easier to learn and double. In fact, it is required that a good musician has this feat as well as understanding clefs and intervals.
Loved the music and historical background that you provided! Is there any way to access your sheet music and could it be transposed for the modern C concert flute? Thanks for all of your hard work and dedication!
It wouldn't work on the modern flute, though, as the renaissance traverso has certain nuances (temperament, pitch) that can't be replicated on a modern instrument. In a renaissance consort (three tenor flutes in d' and a bass in g) they have different roles. The first one plays the highest register while the third one plays the normal tenor line. The modern flute is basically modelled after the tenor flute, but nowadays functions as a soprano. The modern alto would be the bass in reality, and the modern bass, a contrabass.
Beautiful project, music, and people!
Bloody brillant.
very nice, what pitch do you play in?
Thank you, Andrew! We play in 415hz.
Yes please, would absolutely love to see more on diminutions! These kind of videos are enormously helpful.
Ah, you're all tempting me to make more videos...let's see if I can find some time for that in the near future. Thanks for the encouragement.
This was really interesting! The volume was low tho, so it was hard to hear you speak without earphones.
Beautiful! 😊😊😊😊!!! Don't get left behind - P r o m o s m!!!
So in other words, the flute is being played an octave higher than the written music? This is something we often do with treble (alto) recorder when playing renaissance music.
So good. You guys are great
Thank you very much for your support!
Wonderful.... It will be a pleasure to support the dream team.
Thanks Neil!
Lovely!!
So in 2:33 he calls the Renaissance flute “German flute” (fleuste dallemant) and the recorder flute with 9 holes - “fleuste a neuf trous”?
What you say reminds me of the cornetto: for me it is so hard to start a low note but could start any high note as I please. I could approach a low note within a phrase but not start it, after playing higher notes. This made me remark that the low notes of the cornetto’s first octave are not used often…
I'm glad you find this interesting, and can also make some comparisons with another very important Renaissance wind instrument!
This is really great
Thank you for this useful video, it would be lovely to have some more please! 😉 Thanks again and congratulations!
Fantastic
Lovely performance. Thank you.
Are you intending to do a broken consort with viols and virginal? KZread completely lacks of this combinations whereas it sounds so well.
Hi Andreas, we would love to offer some recordings of that in the future! For now, we are working on the edits of our upcoming CD with flute consort and voice. This will be an idea to look into for future content. Thanks for the suggestion.
Very nice, video. The audio seems very quiet, though.
You play beautiful! I was searching for a consort like yours in youtube, I hope you can upload more music soon!
Thanks a lot! We're uploading more music soon...
Congratulations! This is a very well informed description of the Renaissance flute consort. You may be be interested by : kzread.info/dash/bejne/a4mB2LyloMW_gMo.html and kzread.info/dash/bejne/a4mB2LyloMW_gMo.html and kzread.info/dash/bejne/domZxbqPZJbdcpc.html Mind that there is a difference between Swiss Schweitzerpfeiffer and German Landsknechten, this is explained by Albert Jan Becking on www.renaissanceflute.ch/index.htm about the engraving by Urs Graf (1523) in Basel
Thank you Philippe! That is exactly why I avoided discussing the term "Landsknechten" in this video. I felt it would have added too much extra to fit into this brief introduction to traverso consort history. Maybe I would consider going deeper into this topic in a future video!
nice performance, can you tell me more about the instruments used, the model they are based on, and their maker?