Founded by John and Helen Meyer in 1979, Meyer Sound is a global leader in providing integrated solutions for sound reinforcement, spatial sound, acoustic systems, studio monitoring and high-end residential systems. Recognized as an audio technology pioneer, Meyer Sound was the first to introduce dedicated loudspeaker processors, source independent measurement, large-scale self-powered loudspeakers, and cardioid subwoofers, among other innovations. The premium professional brand maintains rigorous quality control in its design and manufacturing of sustainable solutions for concert touring and festivals, houses of worship, cinema, education, corporate offices and residential. Headquartered in Berkeley, California with operations globally, Meyer Sound is a company where employees are innovators and diversity, equity and inclusion are embraced in the workplace and the community.
Пікірлер
At 2:01 Moscow Crocus City Hall installation... RIP(
Before Auro-3D in January 2012 Before Dolby Atmos in June 2012 Before DTS-X in 2015 Before Dolby Cinema in May 2015 and before IMAX Laser in April 2015 there was multiple premium large-format movie theater formats across big metropolitan areas across the United States like New York Los Angeles and many more big metropolitan areas across the United States that all rival & compete against IMAX with ultra-high quality/resolution/performance/end digital picture & ultra-high/resolution/fidelity/end/performance/quality digital surround sound with better picture quality than standard and much better surround sound quality than standard for seeing those very epic big blockbuster hit films like Marvel Cinematic Universe films and much more however the sound quality in these premium large format movie theaters was not 3D Object-Based Multidimensional Immersive Spatial Moving Surround Sound (Dolby Atmos DTS:X Auro-3D IMAX 12-Channel Sound) but rather 2D Traditional Original-Standard Channel-Based 5.1/7.1 Channel Audio Formats with tons of great immersive powerful bass treble midrange clarity dynamics impact surround audio-separation but in 2012-present when Auro-3D Dolby Atmos DTS-X Dolby Cinema and IMAX Laser arrive in many many premium large format theaters or standard format (Dolby Atmos DTS-X and Auro-3D Only Except IMAX Laser) movie theaters the movie theater industry officially changed shifting from 2D Traditional Channel-Based Surround Sound to 3D Object-Based Multidimensional Immersive Spatial Moving Surround Sound and many big metropolitan areas across the United States like New York Los Angeles and much more big metropolitan areas across the United States added Dolby Cinemas Dolby Atmos/DTS-X in both Standard and Premium Large-Format Movie Theaters and IMAX Laser with a 4K UHD Laser HDR Picture and many loudspeakers on the front back side and the top-ceiling for the most immersive dynamic impactful awesome moviegoing experience which makes going to the movies so so memorable and fun with sound coming from above around through and beyond the audience even at home people can buy a Dolby Atmos/DTS-X Premium Home Theater Surround Sound Loudspeaker Systems with 4K/8K HDR Dolby Vision Passthrough paired with a 55/65/77-Inch 4K UHD HDR Dolby Vision Smart OLED TV with eARC/Dolby Atmos/DTS-X a 4K UHD BluRay Player with HDR Dolby Vision Dolby Atmos & DTS-X so people can watch and enjoy new or old films that have Dolby Atmos (originally not mixed in Dolby Atmos/DTS-X or originally mixed in Dolby Atmos/DTS-X) and enjoy the extremely similar memorable experience of a Dolby Atmos/DTSX/IMAX Movie Theater into consumers homes
Before Auro-3D in January 2012 Before Dolby Atmos in June 2012 Before DTS-X in 2015 Before Dolby Cinema in May 2015 and before IMAX Laser in April 2015 there was multiple premium large-format movie theater formats across big metropolitan areas across the United States like New York Los Angeles and many more big metropolitan areas across the United States that all rival & compete against IMAX with ultra-high quality/resolution/performance/end digital picture & ultra-high/resolution/fidelity/end/performance/quality digital surround sound with better picture quality than standard and much better surround sound quality than standard for seeing those very epic big blockbuster hit films like Marvel Cinematic Universe films and much more however the sound quality in these premium large format movie theaters was not 3D Object-Based Multidimensional Immersive Spatial Moving Surround Sound (Dolby Atmos DTS:X Auro-3D IMAX 12-Channel Sound) but rather 2D Traditional Original-Standard Channel-Based 5.1/7.1 Channel Audio Formats with tons of great immersive powerful bass treble midrange clarity dynamics impact surround audio-separation but in 2012-present when Auro-3D Dolby Atmos DTS-X Dolby Cinema and IMAX Laser arrive in many many premium large format theaters or standard format (Dolby Atmos DTS-X and Auro-3D Only Except IMAX Laser) movie theaters the movie theater industry officially changed shifting from 2D Traditional Channel-Based Surround Sound to 3D Object-Based Multidimensional Immersive Spatial Moving Surround Sound and many big metropolitan areas across the United States like New York Los Angeles and much more big metropolitan areas across the United States added Dolby Cinemas Dolby Atmos/DTS-X in both Standard and Premium Large-Format Movie Theaters and IMAX Laser with a 4K UHD Laser HDR Picture and many loudspeakers on the front back side and the top-ceiling for the most immersive dynamic impactful awesome moviegoing experience which makes going to the movies so so memorable and fun with sound coming from above around through and beyond the audience even at home people can buy a Dolby Atmos/DTS-X Premium Home Theater Surround Sound Loudspeaker Systems with 4K/8K HDR Dolby Vision Passthrough paired with a 55/65/77-Inch 4K UHD HDR Dolby Vision Smart OLED TV with eARC/Dolby Atmos/DTS-X a 4K UHD BluRay Player with HDR Dolby Vision Dolby Atmos & DTS-X so people can watch and enjoy new or old films that have Dolby Atmos (originally not mixed in Dolby Atmos/DTS-X or originally mixed in Dolby Atmos/DTS-X) and enjoy the extremely similar memorable experience of a Dolby Atmos/DTSX/IMAX Movie Theater into consumers homes
How do I change from selection view to plan view?
In this example with this setup at this specific theatre would it be acceptable to just use one Lina line array in the centre and and just two front fills to the very right and very left to cover the front audience gap in those areas for the mid - highs frequencies ?
RIP Wildfire post.
I’ve seen this three times already! I love all the milestones! One day I’m going to get the BLUEHORN system!
Absolutely agree! Meyer Sound is doing the Lord’s work! ❤
This system once tuned in, is sort of like detonating the atomic bomb 20-30 feet above zero for maximum wave energy dispersion . I never heard it but it must be spectacular
Well that was excellent! As a massive Grateful Dead fan, musician and sound tech, with a huge passion for high quality sound/audio, I've finally been able to start investing in Meyer Sound speakers. This was SO interesting hearing about the development of the company, especially with all the pictures of the old rigs!
Fantastic
24:45 polar plot on mapp xt
Typical stupid American war glorification movie. It did nothing to correctly portray the Vietnam war, the professional conduct of US and Australian soldiers, the impact on civilians or reflect the loss of the war to North Vietnam. Just bloody rubbish but is viewed as a cult film.
Great video thanks!
Im looking at programming some sound effects for space map go and i think i have my head around getting qlab/SMG to do what i want however what I dont understand is how I connect other inputs that dont need any special spatial mixing such as host micophones, sounds from tape (broadcast) that just need to go to the full PA. do i have to send my main PA l/r feed through space map go or can that feed bypass and go straight to the galaxies?
Seems like it creates wacky interference in the listening zone
Noob question here, Why are the two drivers of each module angled inward?
Cual es el.spl o wats rms
Will there be any D-Mitri tutorial videos or courses in the near future?
Jeeze, I didn't know the mixes changed throughout the wedges and are person dependent!! It's seems kind of ridiculous but when you're at the level of Metallica.... Props to the monitor guys. That seems like quite a demanding job.
Love to Meyer sound ❤❤
Thank you Meyer Sound! I finally got them installed and had goosebumps all over when I played Separate Ways (STRANGER THINGS VERSION). The sonic quality and precision of these monitors brought tears to my eyes and that rarely happens since I’m pretty much a stoic. ❤
🌈⛄ felix Navida Saludos desde Ecuador Vilcabamba
...tremendas estas explicaciones que dais ¡¡¡ ...es lo que estaba esperando desde hace mucho tiempo para acabar de comprender, además con esos gráficos generados por Juan Sierra todo se comprende a la perfección, muchas gracias compañeros por tanta ayuda como prestais, saludos desde Murcia (España).
I can't thank Meyer sound enough for all of the free valuable education I have received. You have helped my career immensely!
I wish I found this sooner!
I'm from philippines
How much
genial, alguien sabe si lleva procesamiento? delay?
In all my years of reading and researching sound systems and what clubs and venues had what, especially during the 60s and 70s, I've NEVER heard any mention of Pepperland, or this Glyph quad system. Wow!
Watts? RMS?
my FAVORITE loudspeaker
You guys are the best iwantfreestuff 😮
Meyer needs something like the L Acoustics L2
Nice!
Wow. What a great product
I have a question. Is there a way to amplify and direct sound like a beam
非常棒
Meyer is increible... Wonderfull
👏👏👏👏👏👏👏
That was awesome listening to someone talk that knows what they are talking about. ROCK ON Mick . 🤘.
Meyersound❤❤❤❤
and Myers absolutely shit PA
call Owen is the biggest jack off I ever met in my life
Awesome explanation, thank you
Awesome guys!!! you're sooooo goooooooood!!! cheers....
Just found this. Has answered a number of questions I had about reference level, calibration, and theatrical vs HE content. Slightly mindblowing… seems a certain sector of the industry has been “doing it wrong” for years. Which explains a lot!
No entendí nada, gracias
I do not know how to thank you !!!! You are amazing !!!
Imagine what NIN backstage team did during woodstock 94