Пікірлер

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  @rickytrux18 күн бұрын

  On the threshold of a dream….it will change your life!

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  @jarodvmusic6 күн бұрын

  agreed!!

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  @jarodvmusic6 күн бұрын

  I wish I owned it! it is on the bucket list.

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  @badjaeaux29 күн бұрын

  why not use a phone

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  @jarodvmusic24 күн бұрын

  Good idea!

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  @EduardoSilva-og3jx29 күн бұрын

  40” x 40” on a straight pull? I understand the horizontal measurement. But the vertical measurement has no conduits on either side. so can’t you get away with it being an 18” x 40” if it’s just a straight pull?

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  @MAdDyMattАй бұрын

  One doesn’t just simply choose a track like it’s a compact disc gotta play from start of side to end 🤬

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  @jarodvmusicАй бұрын

  I agree, but I have a few albums that have a terrible first song on the B side. So when I flip it I just skip that song. Makes the album listening experience much better.

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  @lawrencetaylor4101Ай бұрын

  I'll come back to this one, but my single species counterpoint was interrupted. I have to take baby steps.

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  @jarodvmusicАй бұрын

  That is great! Once you learn the basics and start to understand this more this will be a lot less intimidating. Check out this video by LivingPianosVideos I am sure you will enjoy it. kzread.info/dash/bejne/ZqR_zqSkmKzgeM4.html Robert explains a very important method of practice. I was also interrupted in life and that is why I have not posted much lately. Thanks for the comment!

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  @drquack4342Ай бұрын

  U a whole G my boi

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  @musicplaylists64Ай бұрын

  I appreciate the good vibes bro!

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  @georgebushy2 ай бұрын

  Are there actually any hard rules about beaming notes? Like what if I wrote a part in 3/4 and it really empathizes on triplet feel? My intuition tells me to group the notes in three. Also there are many examples where time signature is let's say 4/4 but the feel of the music doesn't empathize the beats 1 and 3. Can I sometimes just break the rules and beam notes so they make more sense musically so it would be easier to understand for other musicians what the composer meant?

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  @jarodvmusic2 ай бұрын

  Yes what you are saying makes perfect sense and I would say it is a yes and no. Sometimes it is important to beam the notes "correctly" so the players know when to play their part. The players are often counting the time when following the score when they are not playing so for them to be able to easily see the emphasized beats of the time is very important. Especially when players are randomly coming in and have complex melodies/ syncopation. Knowing when it is the appropriate time to do this will come with experience of writing for players and getting their feedback if it makes sense for them.

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  @jarodvmusic2 ай бұрын

  I would study scores of some of the big names. Mozart, Beethoven, Schuman, Brahms...ect You can listen to their pieces with the score (videos are on KZread) and you can follow along as it plays and see how they score it. These traditions have been passed down for centuries so studying this will be like taking a composers Master Class. Furthermore, if you have a local symphony orchestra close to you I highly recommend going to see a symphony in person. As you are there you can follow the time signatures and also watch the instruments. With this you can see the different bowing styles of string instruments and other similar things in person.

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  @bobbyh62933 ай бұрын

  well explained!

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  @jarodvmusic3 ай бұрын

  Thank you! It looks like you found my other channel. If you are curious I post a lot of videos on here to teach people how to compose and read music.

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  @jarodvmusic3 ай бұрын

  The needle tip uses diamond which will scratch the vinyl. So this is not recommended to do all of the time. What this is very useful for is if one side of an album starts with a song you do not like you can just position the needle manually to the end of that song. Then when you turn on the player any scratches that will happen will occur at the end of the song you do not like.

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  @petarivanko75943 ай бұрын

  But what if you have 13 songs

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  @jarodvmusic3 ай бұрын

  You should still be able to see the lines dividing each song in good bright lighting, just like shown in this video.

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  @Fardin_Ashik_3 ай бұрын

  Hey! Love your vids & ideas! Want a tip to grow your channel?

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  @jarodvmusic3 ай бұрын

  Yeah sure

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  @Colecooper07053 ай бұрын

  Spin the record before putting needle down

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  @jacksonelmore62273 ай бұрын

  The clash covered it too!

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  @Dylonely424 ай бұрын

  Thank you for this useful video.

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  @jarodvmusic3 ай бұрын

  I'm glad you enjoyed it! I would recommend looking at the channel "Sonata, She Wrote" www.youtube.com/@sonatahewrote This guy does a really good job at showing the finer details of the Sonata and even developed a sort of formulaic way of analyzing it.

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  @zlaya7714 ай бұрын

  Frank Hutchison, Amy Winehaus...

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  @FamilyAccount-nm8rt4 ай бұрын

  Dude is so funny 🤣

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  @jarodvmusic3 ай бұрын

  Thanks!

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  @avishalom2000lm4 ай бұрын

  I found about how much the Stagger Lee story was covered through a podcast called "Our Fake History", which delved into the actual historical characters behind the story, as well as how the music that followed developed over time. (Episode 149: Who was the real Stagger Lee?)

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  @jarodvmusic3 ай бұрын

  Very interesting. I feel like just like the telephone game in early grade school, the true story of the song went through a similar cycle. Getting further from the original every time.

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  @cephinisemodestin33484 ай бұрын

  Great video, I’ve never used a record player before, and I always wondered how that worked.

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  @jarodvmusic4 ай бұрын

  I'm glad you liked it. Having a record player is great, it makes me want to listen to the entire album when I put one on. And with this it makes me want to reserve the album for a special time and really appreciate it.

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  @manuellastrollo21684 ай бұрын

  how did you get 8 from straight pull & 6 from angle

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  @jarodvmusic4 ай бұрын

  NEC Art. 314.28

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  @manuellastrollo21684 ай бұрын

  thanks sir@@jarodvmusic

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  @jarodvmusic4 ай бұрын

  @@manuellastrollo2168 Yeah, glad to help! email me if you have Qs or are confused about things. [email protected]

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  @jarodvmusic4 ай бұрын

  Jarod V Electric is my channel name. It wont let me reply to the other comment

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  @Wermuot-ix2lz5 ай бұрын

  Some of these spread out chords you should consider re-distributing the notes between the right and left hand. For example in measure 3, someone with large hands could play the minor 10 from a up to c, but not the full chord. There really is no reason not to give the c and e to the right hand. Players will naturally do that if you hand them a score like this, but it's better off to notate it like that from the jump to make it more accessible to read.

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  @jarodvmusic5 ай бұрын

  Thanks for the feedback! This was a quick score that served as something for me to analyze to improve upon. The problem is that I need to play more piano scores to learn how to write for it better. I do not quite remember why I scored it this way, I will reconsider better scoring for the instrument next time.

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  @jarodvmusic5 ай бұрын

  Actually I just remembered, I knew the player would play those with the right hand but wanted to emphasize that it was connected rhythmically to the bass melody. I guess I thought it would make it confusing for the player to put it in the right hand because when I score the chords that way it is because it has the same rhythm as the bass notes. If you don't mind me asking, in this scenario would it still be better to put those notes in the right hand?

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  @vitoscaletta38866 ай бұрын

  Thank you man!

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  @jarodvmusic5 ай бұрын

  Glad to help!

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  @tudormiller8876 ай бұрын

  Wowsers! There's a technique to this ? 😮

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  @Taylasto6 ай бұрын

  Jesus some of the people in the comments have been so consumed by records they sound like they are about to have a stroke over this video. 😂 it’s a piece of plastic go outside and touch grass. Oh I’m sorry guy’s I meant to say it’s a piece of PVC. Nice video man

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  @jarodvmusic6 ай бұрын

  Haha yeah I find it pretty amusing. I post a ton of useful music theory vids but people freak out about this one video and disregard the rest. I agree, the point of the video was the title and nothing more. Thanks for the comment!

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  @SenorGooch5 ай бұрын

  Like any sort of collectible; people can be passionate about it. Going towards an age of everything being digital, then having the chance to have physical copies of your favorite music outside of CDs and everything. It just feels more personal like you are collecting art. I’m not speaking for everyone, but it can give you some insight as to why people love vinyl lmao. I’m almost 30 and started a pretty good collection over the last 7 years. I’m interested to know what some of your hobbies are (besides the obvious when you click your profile)

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  @Taylasto5 ай бұрын

  @@SenorGooch Oh I understand 100% I have been collecting vinyl for the past 4 years. However some of these people are just going above and beyond insulting the guy because there’s dust on it. I’m also interested in cars I keep them spotless but when I see someone have a little dust on their dashboard I don’t attack them haha

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  @tur74d566 ай бұрын

  I would be worried about putting that stylus on any song

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  @bautimeyer83016 ай бұрын

  Players arent cheap man

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  @mikemcguinness13046 ай бұрын

  ​@bautimeyer8301 neither are rolls Royce either and that's why you buy them

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  @assless_chaps54307 ай бұрын

  Goooooooood stuffffff🔥🔥🔥🔥

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  @jarodvmusic7 ай бұрын

  Thanks!!!

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  @SFLET-up9ll8 ай бұрын

  Another song ruined by the dead.

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  @malcolmdale96078 ай бұрын

  This is not a song. There's nobody singing. It's a tune.

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  @jarodvmusic8 ай бұрын

  That is more of an opinion than fact. I do not hold those standards for my music. A song is a musical expression and does not need lyricism...

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  @user-cr2bt3zp1f8 ай бұрын

  I think it’s worth emphasizing the difference between the Grateful Dead and Nick Cave versions and the classic renditions. Because of the tie-dye and Haight-Ashbury and such, the Dead are largely associated with the 60s, but they were really just starting out then, and they didn’t start playing it until 1978. Nick Cave’s version, meanwhile didn’t release in 1998, but rather in his 1996 album Murder Ballads. The versions played by the Dead and Cave are also more of an adaptation than a straightforward rendition; the Dead’s version is a sequel to the original wherein Billy’s woman, Delia, shoot Stagger Lee in the balls, and Cave’s version is a story about Stagger Lee shooting a barkeep, getting with a woman named Nelly Brown, and threatening to kill Nelly’s man Billy Dilly unless he sucks him off. Live versions even have Stagger Lee shooting the Devil. So definitely quite different versions from the original and a good example of musical adaptation.

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  @jarodvmusic8 ай бұрын

  Great comment! Musical adaption is such a vital role of music. Glad you brought that up, I'll be sure to include that concept in some of my future videos.

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  @lawrencetaylor41018 ай бұрын

  Merci beaucoup from Switzerland. When I saw that Gareth Green wrote the Cantus Firmus, I had to watch. He and Alex have the best music channel on You Tube, with the most respectful comment section. Great video.

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  @jarodvmusic8 ай бұрын

  I agree, the Music Matters Channel is a literal goldmine of information. The lessons are taught in such a comprehendible way that sometimes I don't realize how complex the topic is because of how clear Gareth Green makes it all. That is true, there are not a lot of topics on KZread with such a helpful and supportive comment section. Thanks for the feedback!!

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  @AdrianoVilela8 ай бұрын

  Thanks! Very useful explanation! How does swing work when we have eighth notes and other rhythmic figures? For example: 4/4 ||: ♫ ♩ ♩ ♬♬ :|| Or other rhythmic patterns like (sixteenth note+eighth note+sixteenth note)

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  @jarodvmusic8 ай бұрын

  Thanks for the feedback. Swing is a style of playing and is something that is more "felt" than understood to an exact degree. This video helps one understand the nature of swing but in real life the player would just "swing" the notes in the correct manner. The music is notated regularly (with directions to swing) but the player knows how to play it. The "feel" of the particular song being played would be translated to those note durations so the same swing "feel" would stay throughout the piece and be emphasized throughout whatever note duration. When bands are in sync with each-other it is often known as being "in the pocket." In this circumstance every player would "feel" the swing and know what to do at the proper moments.

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  @drquack43429 ай бұрын

  My boiii!! 🎉

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  @jarodvmusic9 ай бұрын

  Thanks bro! Your support means a lot to me 🙏

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  @lawrencetaylor41019 ай бұрын

  Merci.

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  @jarodvmusic9 ай бұрын

  😄

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  @lawrencetaylor41019 ай бұрын

  Merci. A year an a half ago I was joking that I was born with two left ears. I was the kid in choir class that was told to move my lips and not make a sound. Then I started playing the piano at my retirement, and I'm making up for lost time. I appreciate your videos and effort.

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  @jarodvmusic9 ай бұрын

  I am glad you are making up the time! It is a great hobby. In middle school I stopped band because I thought it "wasn't cool." I was too young to realize the potential of it all. Thanks for the feedback!

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  @dhanvitatandon9 ай бұрын

  L

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  @justinwu1639 ай бұрын

  Yo this is so helpful, especially for someone who is new to sheet music and rhythm, thanks.

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  @jarodvmusic9 ай бұрын

  I'm glad it helps! The triplet it very useful.

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  @Dubb10009 ай бұрын

  Thank you so much for uploading this video, it's helped me out a lot, and based off your description, I believe Tonal Counterpoint is more suitable for me in regard to start learning about counterpoint theory and application. I'll eventually learn Modal Counterpoint after I'm done with Tonal Counterpoint. Thanks again man! 🙏🏾

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  @jarodvmusic9 ай бұрын

  Glad to help. Good idea. Bach started more Tonal and developed more into Modal Counterpoint later on. So there is nothing wrong with learning either one first. I will say both are very helpful and Tonal Counterpoint really helps a lot with the small details and figuring out how to solve "musical problems." If you develop into Partimento and writing styles based around the "Common Practice Period" then all of the Tonal stuff basically gets thrown out the window and disregarded. However I personally still think knowledge of Tonal Harmony is very useful my only advice is don't focus on it too much. A lot of the Tonal ideas of Subdominant, Submediant and such often do not work outside of a classroom, real music is much more free and speaks to the creator. It is art.

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  @Dubb10009 ай бұрын

  @@jarodvmusic Thank you for the insightful reply. Partimento was something that confused me as well, as videos I came across didn't really explain or differentiate between counterpoint and partimento. So I just give up on making that my next subject to study in music theory and chose to go with counterpoint instead. I ended up buying two books since watching your video; "Tonal Counterpoint for the 21st Century Musician" by Teresa Davidian and "The Study of Counterpoint" by the legend Alfred Mann which translates material from Fux's original book on counterpoint. I'm currently studying the former aforementioned book. I'm enjoying it so far. I know it'll take a year or so (or even longer), but I'm fully committed. Thank you once again for making this video.

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  @jarodvmusic9 ай бұрын

  @@Dubb1000 Nice! I can see that you are serious about this. Yes Partimento is different than counterpoint, it is a playing style that allows you to improvise. But doing so the method teaches how to improvise with counterpoint with no mistakes. If you are curious about that just know that it is pretty advanced and it would be better to start by learning solmisation, the rule of the octave, then practice loads of figured bass exercises (easy to difficult) then after that you will be ready for Partimento. This is something that will take years. Those books sounds great! If you need any additional pointers my videos start from a modal basis but I am sure to throw in plenty of Tonal thinking in my videos and especially in my Counterpoint Response videos. I have a whole counterpoint playlist with videos explaining the topic and everything is in chronological order. kzread.info/head/PL2ghy7M10WRWFOMCERCIeo66Zdr054nlU

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  @Dubb10009 ай бұрын

  @@jarodvmusic Partimento sounds like an amazing tool to have in one's arsenal, I'm going to attempt to study it along side counterpoint (if my mental bandwidth can handle it that is, LoL!) Thanks for explaining what partimento is by the way. I find it quite ironic that I watched several long videos on partimento and was still clueless on what it actually was, or how to implement it, but yet your two sentence explanation was so easy to understand. I'm going to do a bit of research on solmisation. I absolutely love the rule of the octave. I stumbled across a video made by Music Matters (KZread channel) and am in love with the minor version of this device. I can play the minor version in every key in root position, but, I've been meaning to learn the other two positions. I'm very familiar with figured bass, although I've not tried playing an exercise with just a melody and the figured bass written below the staff, so I'll be sure to implement that in conjunction with my counterpoint studies. Thank you so much for these great tips. Honestly, I was going to study counterpoint in isolation, like I did with four part harmony, but after your advice, I see it makes sense to implement other devices/techniques that will further strengthen my application of counterpoint in the long run. Although I'm mentally prepared to study these subjects for years to become a better composer, efficiency in learning is also something that's super important to me, and you've given me a plan of action in studying efficiently and I truly appreciate it. I'll be binge watching your playlist shortly, just so I don't get too ahead of myself.

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  @jarodvmusic9 ай бұрын

  ​@@Dubb1000 I believe you will be able to study both with no problems as long as you are motivated and interested in the topic, and it seems like this is already true for you. Basso Continuo exercises are great, these have the bass figures. It is a good idea to start with simple then go to more complex. Then Partimento is un-figured bass. There are different variations of The Rule of the Octave and Rules of Partimento depending on what teacher you learn from. Here are some resources to help: partimenti.org/ (People recommend this as a good start)partimenti.org/partimenti/collections/fenaroli/index.html partimenti.org/partimenti/collections/furno/index.html partimenti.org/partimenti/collections/durante/index.html www.researchgate.net/publication/338085776_Thoroughbass_Pedagogy_Near_Johann_Sebastian_Bach_Editions_and_Translations_of_Four_Manuscript_Sources www.derekremes.com/wp-content/uploads/Remes_CPEBachChorales.pdf www.youtube.com/@RichardusCochlearius www.youtube.com/@NikhilHoganShow

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  @notmanatee244510 ай бұрын

  I use an audio Technica atlp60 turntable that is automatic and spins when I move the tonearm when it's up so it's a bit hard for me,and this video is for manual turntable users only. I'm sure after some practice I will get It.

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  @jarodvmusic9 ай бұрын

  Mine does that too that's why in the video I push the power button on my turntable to turn it off. Then I move the tonearm, once it is placed where I want it I turn it back on. Some people do not recommend this since the tonearm needle is diamond and if its not placed in a groove it will just scratch its way until it catches in the grooves. I have personally had no noticeable damage from doing this and I do this to most of my albums of my here and there.

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  @shaharasher68417 ай бұрын

  You can press the raise needle button and move it manually on the atlp60

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  @lawrencetaylor410110 ай бұрын

  Merci.

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  @jarodvmusic10 ай бұрын

  You're welcome

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  @balbino410 ай бұрын

  Thank you very much, Jarod!

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  @balbino410 ай бұрын

  Good night Jarod! I would really like the texts on the slides and the examples you use in each video so I can have a summary. Would it be possible to send it to me in pdf? Thank you very much.

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  @jarodvmusic10 ай бұрын

  Thanks for all of the feedback! Yes I could do that. I am pretty busy this weekend. I will try to get that done in the next few days. I will let you know when they are uploaded to my Google Drive and I will provide links.

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  @jarodvmusic10 ай бұрын

  I have been very busy this week and have not found time to get everything to PDF yet I will try to do that next week instead.

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  @jarodvmusic10 ай бұрын

  drive.google.com/file/d/14gkAUYq_6AKX0Tn-ioXOsEJaUTFNT0FK/view drive.google.com/file/d/10WgSvzPDFZzKRlAs8FhfWgvOxeh4SsBQ/view?usp=sharing drive.google.com/file/d/1R9Q-eo2EUdipRatDTArip47S1CYhEW-x/view?usp=sharing drive.google.com/file/d/1Ef0t14ru7hh3Bqz0FS9FR4vQ4_ssDYQf/view?usp=sharing drive.google.com/file/d/19JbbpPzS4rojISoTSX_jplj3XUBD6ZRI/view?usp=sharing drive.google.com/file/d/10_I1Ov1XUOF-tz7dm4VJdIr0_jc6XqCh/view?usp=sharing drive.google.com/file/d/12M-OPidpt0Kd7gh8krlBXq6qnmH4BDX2/view?usp=sharing drive.google.com/file/d/1cLBf0bE6F0I_tAnUeg1GM5jd-sVCeJf8/view?usp=sharing drive.google.com/file/d/1I1WwcbTbfCeQoeQBavp4lAlHBXfR0yyt/view?usp=sharing drive.google.com/file/d/1Q6Y5Xh2yeNRclCHVWw_euozl-fQfhp4e/view?usp=sharing drive.google.com/file/d/1IkjOlL9qEbWqSiqr3YI4NerZYO3Pxm-t/view?usp=sharing drive.google.com/file/d/1pnQb260Jc528NM56N5M171Y245q-dCEl/view?usp=sharing drive.google.com/file/d/1Y3eSgvrNwSWXbuEBLSXjzTpCjV6LMpGK/view?usp=sharing drive.google.com/file/d/1K5Fs3TEijt4gaZR9cmJFInZflWGAeCfR/view?usp=sharing

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  @jarodvmusic10 ай бұрын

  This ^ should include all of the texts and slides in my Counterpoint Playlist up to my 3 to 1 Counterpoint video where I then began adding more information in the descriptions. I also included some additional information that I have probably mentioned in my videos. Let me know if there is anything else.

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  @balbino410 ай бұрын

  Good night Jarod! I would really like the texts on the slides and the examples you use in each video so I can have a summary. Would it be possible to send it to me in pdf? Thank you very much.

• 
  @jarodvmusic10 ай бұрын

  Will do

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  @balbino410 ай бұрын

  Thank you very much, Jarod!

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  @jarodvmusic10 ай бұрын

  I am glad you are liking the videos! A lot more to come and soon we will be learning more about the orchestra too.

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  @balbino410 ай бұрын

  Thank you very much, Jarod!

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  @balbino410 ай бұрын

  Good morning Jarod! Could you tell me which book you use for these counterpoint lessons? Your classes are great! I'll take it from the beginning. Thank you very much.

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  @jarodvmusic10 ай бұрын

  Good morning! The Counterpoint Lessons use a mixture of of information that is agreed upon throughout many Treatise written on the subject of Counterpoint. Mainly based from Johann Fux's Gradus ad Parnassum as well as some information from people like Knud Jeppesen. The 3 Voice Counterpoint Video Pt1 was mostly based on information from Fux's Gradus ad Parnassum as it showcases a Modal approach to creating chords without thinking in a Tonal context. This means the composer is not thinking about the chords they are making with what scale degrees nor are they thinking about chord relationships. But instead the composer is thinking about Melodic Fluency from measure to measure which is tradition stemming back from at least the Renaissance Period where they were thinking about composing Counterpoint for vocal lines. Tonal Counterpoint showed itself to be more useful and idiomatic for writing for instruments versus Modal Counterpoint. But the video also shows a more Harmonic approach where the composer is thinking about making complete chords and therefore sacrificing some Melodic Fluency(Stepwise Motion), but this is not quite Tonal. This is all found in Fux's Gradus ad Parnassum but it takes it a step further and shows some further development throughout the years. This is going to soon develop into Thoroughbass lessons from C.P.E. Bach, Basso Continuo and Patimenti Exercises by Fenaroli, Durante, and Furno and possibly some of Handel's exercises as well. As well as more stuff centering around information gathered about the pedagogical approach of J.S. Bach. Plus going back to the roots, learning about Solmization with the Guidonian Hand and Hexachordal Solfeggio. The end goal will not only be an understanding of Counterpoint from the basics with the Species (which many people, including professors on the topic, wish they started with) but also an ability to compose/improvise counterpoint on the spot with your instrument of choice as well as being able to sing contrapuntal lines on top of a bassline or within a contrapuntal texture. Along with having the information to think more along the lines of someone during the Common Practice Period with things like Schema Theory and more.

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  @jarodvmusic10 ай бұрын

  Besides books most of the information from my Species Counterpoint videos take the material found in Jacob Gran's videos www.youtube.com/@JacobGran. I try my best to show the material he teaches and further explain things as well as add some more information. Along with provided exercises for free PDF download found in the description of each video. (he is teaching from Fux's Gradus ad Parnassum)

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  @ethangarrett417511 ай бұрын

  Very informative video. Helped me understand this distinction which has otherwise puzzled me. Great video Jarod!

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  @jarodvmusic11 ай бұрын

  Thanks for the feedback! I'm glad it was helpful.

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  @balbino411 ай бұрын

  Very good! Thank you very much!

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  @jarodvmusic11 ай бұрын

  I'm happy to help!

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  @nathanvujovich2267 Жыл бұрын

  Sounds great, I'm excited for what you'll release next

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  @jarodvmusic Жыл бұрын

  Thanks! It is using stock sounds from Musescore 4 and could sound much better once I start using better sounding instrument files.

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  @jarodvmusic Жыл бұрын

  ERRATUM The example where Counterpoint Inverts at the 8ve: (21:53 - 23:56) The penultimate note shows a Db but it should have been a C#. Yes they are enharmonic notes, but technically it should have been a C#.

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  @ricardoflores-nf8gh Жыл бұрын

  How number 10 awg can fit on a 12×12×6, is there a percentage on how much you can fill that 12×12, for example its 864 cubic inch nut you can only fill it up to 80 percent