Пікірлер

• 
  @BACALBASAROXANDA5 күн бұрын

  Splendid!

• 
  @galanis3812 күн бұрын

  Isn't Manon supposed to be dying of thirst in a desert?

• 
  @pedrooliveros830822 күн бұрын

  Un clásico de Rolando Villazón, bravo maestro

• 
  @mariaantoninarizzo3730Ай бұрын

  Grande personalità e bella voce: quando avremo il bene di vederla nei teatri italiani?

• 
  @bendunselmanАй бұрын

  Very nice!

• 
  @Arrigo1971Ай бұрын

  Well, is average isn't it? I have no problem with a lyric singing Manon Lescaut but the voice doesn't projects and sounds small scaled.

• 
  @user-il4gn9wg1uАй бұрын

  A new star is born!

• 
  @user-hw2gc5qt5e2 ай бұрын

  очень слабо !!!!

• 
  @draganvidic20392 ай бұрын

  1. She’s not a spinto. She’s a lyric. 2. Voice is nothing special. 3. People need to educate themselves how a good voice should be, especially if a singer is given roles out of their natural fach. 4. Eh… Alone in the desert? Not much.

• 
  @user-dk1nc5ln8lАй бұрын

  100% agree

• 
  @tonskimojsterАй бұрын

  You can argue all of that. But do you realize what an artist she is? Her musicality, her poise, her concentration... Please don't just sit at the jury and give points for every aspect. Listen to the music she makes. We don't have too many like these these days! I understand that choosing repertoire wisely is important, but young artists start and grow by using the opportunities they're given. The day will come when she will say no to the Met for a role that's not perfectly ideal for her... What she's doing in the meantime is showing what a real artist can do despite all of that.

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  @user-dk1nc5ln8lАй бұрын

  @@tonskimojster she is a huge artist , there is no doubts about that. would be great if she would be more carefull about repertoire , as you have mentioned ! my personal opinion - it's a joy to see artist / singer performing naturaly in role that vocaly suites her voice, not to see the tension ( but this happens so rear ) . I adore Asmik, have seen her on stage few times, she gives much more in live performance , compare to recording

• 
  @iTube221002 ай бұрын

  Bravo 👏👏👏👏

• 
  @bovnycccoperalover35792 ай бұрын

  Wonderful! Don Ottavio certainly loves Donna Anna but he should assert himself more. No wonder some call him weak, especially compared to Don Giovanni. I admit to being surprised when Don Giovanni attacked Donna Anna when sweet seduction is his method of choice. According to the catalogue, he seduced 1003 women in Spain and hundreds more around Europe.

• 
  @CarldeFigueiredo-lf2gc2 ай бұрын

  Fabulous! Shimmering sensuality! Her diction is beautiful and clear; but, nevertheless, thanks for the translation.

• 
  @CarldeFigueiredo-lf2gc2 ай бұрын

  Absolutely glorious!

• 
  @wotan109502 ай бұрын

  I’ve seen Goerke quite a few times over the years. It’s a voice you have to experience in a large theater; she makes it sound easy. I saw her decades ago in her Gluck/Mozart/Handel days, and now as Elektra, Barak’s Wife, and Brunnhilde. All extraordinary.

• 
  @consterbster16362 ай бұрын

  Wow - so incredibly powerful. Divine.

• 
  @user-ti8od2nv6l2 ай бұрын

  Звук пустой, в нем нет эмоций, глаза пустые, один холод

• 
  @aliciasarramida2 ай бұрын

  Sublime!!! ♥ Bravissima Asmik ♥

• 
  @Nagennif10113 ай бұрын

  Stunning. A hidden gem from an all-time favorite artist. Thank you!

• 
  @pippopoffo45983 ай бұрын

  bravissime, bellissimo duetto

• 
  @lomonacaarturo78253 ай бұрын

  Perle rare di somma bellezza

• 
  @PeteBMan3 ай бұрын

  Together, gentlemen. Together

• 
  @user-ur7mc2oh6w3 ай бұрын

  Love their performance -- I still think the stage direction is so weird and makes aboslutely no sense at all-- BUT, OMG singing from lying down like that and being able to project is amazing...

• 
  @user-wc2zy8dl8e3 ай бұрын

  Rather banal. Too slow and cautious, without the lightness of tone and sparkle this aria requires. The trills, though, are very good, but the variations at the end are nothing to write home about. Compare with Sutherland or Dessay...

• 
  @claudinevoirain59454 ай бұрын

  ❤

• 
  @user-me2pv3st5b4 ай бұрын

  Saw her in Paris as Cleopatra 2 weeks ago. Below average. Both singing and acting

• 
  @profdephilo83434 ай бұрын

  A beautiful voice, able to sing in French without nasality (unlike, say, Souzay). But in this song he rushes through "mais quand l'astre inclinait sur sa courbe éclatante", which is its climax and should be caressed.

• 
  @marialahert17374 ай бұрын

  Beautiful Nelly ! I enjoyed listening to your magnificent voice👏💝💯

• 
  @jcrapotta4 ай бұрын

  Hi Terry. Nice to see you on this. And greetings to you from Madrid.

• 
  @hywelddaii60694 ай бұрын

  Hi JC, I found a cache of videos from Opera Club etc. that I never made "public". I figured what the heck. How nice to hear from you. Regards to you & R. Enjoy Spain. T.

• 
  @ransomcoates5464 ай бұрын

  Wobble, wobble… Dreadful like all the rest.

• 
  @extrasalt45954 ай бұрын

  More evidence that Massenet's music deserves a wider audience. Hoomeyow!!

• 
  @Olgaalwina4 ай бұрын

  Eine der wunderbarsten Sängerinnen, die noch nie in Hamburg sang, noch nie, vielleicht in vielen Jahre mit Krückstock, o, Hamburg ....!

• 
  @raffaeleviggiano49014 ай бұрын

  Corretta non oltre, inoltre le note acute sono tutte "tirate" e difficoltose

• 
  @juliafekete2545 ай бұрын

  Bravo dem 🎶- Boten- Duo : W.Holzmair & Gerard Wyss !

• 
  @juliafekete2545 ай бұрын

  Sein schönes Timbre erinnert mich sehr an Wunderlich und ich freue mich ebenso über die perfekte Artikulation .Danke auch an Roger Vignoles !

• 
  @aidepaul5346 ай бұрын

  Her sound is hollow and without core. She's pitchy too.

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  @Thetenorsampson2 ай бұрын

  You have to be insane to say she had no CORE.

• 
  @kirkp74708 ай бұрын

  Who???

• 
  @Sam_Lee_9 ай бұрын

  Very nice! Thank you also for posting the beautiful and evocative set design. If current production designers could only realize that there is a magic in the original concepts of the operas' time and place settings.

• 
  @philbird66999 ай бұрын

  poor Toni T.,T

• 
  @user-gt7xs1fc6g9 ай бұрын

  She has an unusual voice. At first it seemed too small or perhaps not warmed up and ready for Strauss. However about two minutes in it seemed to suddenly open into what Strauss needs for this incredibly difficult role. I would love to hear her in person as large voices are not always well served by recording.

• 
  @wotan109502 ай бұрын

  To be honest, very few voices sound the same on KZread as they do in the theater. I’ve seen all the great names over the years, and they almost always sound better in a hall where the voice can unfurl.

• 
  @ohmy56509 ай бұрын

  Good Lord ❕Who's this tenor? Please...

• 
  @hywelddaii60699 ай бұрын

  Nico Darminin.

• 
  @ohmy56509 ай бұрын

  💎❕

• 
  @macjuk10 ай бұрын

  Angela Brower brings L'Orfeo to life with extraordinary energy, humour and craft here. The prologue is so often stiffly delivered and just passes by - whereas Brower leads us into the production like a delicious hors d'oeuvre! Bravo!

• 
  @mortenhjelt82310 ай бұрын

  Ghastly wobble

• 
  @operazine10 ай бұрын

  The orchestra sounds gorgeous but the tempo is simply too slow for Nylund's voice.

• 
  @mikaelb773511 ай бұрын

  Awful vibrato smeared all over.

• 
  @FranciscoFerrerGaliana193011 ай бұрын

  exquisita

• 
  @jdesmares Жыл бұрын

  SoMMeil, rayoNNe, (re)soMMeil… bah non…

• 
  @user-jd8up2mv9r Жыл бұрын

  Konečně se dočkáme v ND Praha.

• 
  @christophemartinezbenito728 Жыл бұрын

  Salut à Lisette ! Et encore bravo pour cette superbe Fille du régiment

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  @Eiswirth1 Жыл бұрын

  She's wonderful, but after listening to this twice I appreciate the unparalled talent of Joan Sutherland even more.