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• 
  @Gordon-m3l10 күн бұрын

  The vinyl record, it looks amazing Grace vinyl record style

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  @NadavHbrАй бұрын

  kzread.info/dash/bejne/dmWlsMyPobOqo7w.htmlsi=Gxue__82HFilYR6W The new Fuzzy Wuzzy

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  @naserbabazadeh1760Ай бұрын

  Good music

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  @naserbabazadeh1760Ай бұрын

  Cartoon dog

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  @jlewis31510Ай бұрын

  That became one of my favorites when seeing Glorifying the American Girl on the now-gone Nostalgia satellite TV channel. That was years ago and I still like both the movie and the song.

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  @savio807Ай бұрын

  Wow--I had no idea it had been used in an early movie musical! Thanks for the info.

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  @leechjim80232 ай бұрын

  Cross between a cat and a cow!!😂🤣

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  @GoldwaterB2 ай бұрын

  <<on the premise that the word somehow existed in the oral tradition. Not sure on which planet this was supposed to be the case.>> On planet Earth. The Oxford English Dictionary first records the word (with a spelling of "supercaliflawjalisticeexpialadoshus") in the column titled "A-muse-ings" by Helen Herman in the Syracuse University Daily Orange, dated March 10, 1931. In the column, Herman states that the word "implies all that is grand, great, glorious, splendid, superb, wonderful."

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  @savio8072 ай бұрын

  Wow! I stand corrected. I just couldn't picture a 14-syllable word coming from the oral tradition.

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  @johnbowers60282 ай бұрын

  One of the singers is pretty clearly Henry Burr I believe.

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  @savio8072 ай бұрын

  Thank you!

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  @johnbowers60282 ай бұрын

  @@savio807 I saw a comment on another channel that said the ledgers identified Harry MacDonough and S.H. Dudley as the singers. So I may very well be wrong.

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  @savio8072 ай бұрын

  @@johnbowers6028 It does sound like Harry McDonough in that mix. I checked DAHR and it gives no info on the singers. Needless to say, it can hard to i.d. vocalists on early acoustics!

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  @artrioangelus2 ай бұрын

  Ferdinand Himmelreich. The King of Schmaltz

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  @Wolfganger3 ай бұрын

  Excellent sound for an acoustic, an early acoustic at that too.

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  @savio8073 ай бұрын

  I agree--the audio is amazing. This pressing is (just a guess) from 1915 or so, and that helps a lot in terms of lower surface noise.

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  @richramik20923 ай бұрын

  Love it!!!! Fond childhood memories. 🐈🐈🐈🐈🐈🐈🐈🐈🐈

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  @savio8073 ай бұрын

  Glad you enjoyed. I remember the piece from my childhood, too, though I don't recall the source! Probably from TV.

• 
  @johns.47083 ай бұрын

  This one got me on the intro- are you kidding me? so great.

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  @savio8073 ай бұрын

  Grofe's lifelong love for the whole-tone scale. And the 1920s abounds in V7+5 chords, which of course suggest that scale.

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  @johns.47083 ай бұрын

  @@savio807 Grofe, French impressionists, and Stravinsky... good company. Sticking it in the intro- audacious. Certainly gets your attention.

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  @patrickmargulis19273 ай бұрын

  Great ! I love this one, i'm looking for thé same period Southern Rose

• 
  @savio8073 ай бұрын

  Not positive, but I think I have that...

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  @patrickmargulis19273 ай бұрын

  @@savio807 not positive ? What do you mean ?

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  @savio8073 ай бұрын

  @@patrickmargulis1927 I think I have a copy of Southern Rose, but I'm not sure.

• 
  @fromthesidelines3 ай бұрын

  Grofe was writing the preliminary drafts of his "Mississippi Suite" at the time. It wasn't published until April 1926....and Whiteman initally recorded it with his "Concert Orchestra" in September 1927.

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  @savio8073 ай бұрын

  Cool! I didn't realize Ferde had started it that early. Thanks.

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  @fromthesidelines3 ай бұрын

  You're welcome!

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  @fromthesidelines3 ай бұрын

  Supposedly, takes 3 and 5 exist somewhere; the first two were destroyed. It wasn't until early 1926 that the words "Orthophonic Recording" were featured on Victor labels (they officially introduced it to the general public on November 2, 1925).

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  @savio8073 ай бұрын

  Thanks!

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  @fromthesidelines3 ай бұрын

  You're welcome!

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  @johns.47083 ай бұрын

  Great musicians.

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  @savio8073 ай бұрын

  Indeed!

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  @spencersmith27983 ай бұрын

  Great recording by one of my fave all-time bands. Sweet sentiment by George Olsen…

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  @savio8073 ай бұрын

  Yes, George's spoken introduction is classic!

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  @newambassador3763 ай бұрын

  A very nice 78 keep up the good work

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  @savio8073 ай бұрын

  Thank you! Glad you enjoyed.

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  @newambassador3763 ай бұрын

  Love Bennie Krueger’s work he had quite few good ones

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  @newambassador3763 ай бұрын

  Nice upload I have just about every single Abe Lyman ambassador hotel 78 there is

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  @savio8073 ай бұрын

  Thank you! I'm sure there are many gems in your Lyman collection.

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  @newambassador3763 ай бұрын

  @@savio807 I have a lot of his rare stuff still wish I can get a hold of his first record which surprisingly was on a Swedish label called nordskog.song are:are you playing fair/those longing for you,blues

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  @thomase134 ай бұрын

  Wow - absolutely incredible! I don't know how anyone could listen to the vocal part of this without smiling! 😋

• 
  @savio8074 ай бұрын

  Yes, it's one of the best Coon-Sanders sides!

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  @fromthesidelines4 ай бұрын

  Recorded on September 15, 1919.

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  @savio8074 ай бұрын

  Thanks! I forgot to include that detail--I think I'll go back and insert it.

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  @fromthesidelines4 ай бұрын

  You're VERY welcome!

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  @patrickmargulis19274 ай бұрын

  Irving Kaufman is the singer. Nice Selvin side !

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  @savio8074 ай бұрын

  Thanks. And I see that the DAHR credits Kaufman, but Rust's discography leaves the vocalist unidentified. Anyway, I'll update my writeup.

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  @fromthesidelines4 ай бұрын

  It's *Kaufman.* You can't mistake his "belt it out" singing style! Why Selvin? Whiteman owed Columbia several sides that summer, and couldn't record them at the time.

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  @savio8074 ай бұрын

  @@fromthesidelines Thanks! I didn't know that. It explains a lot!

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  @fromthesidelines4 ай бұрын

  You're welcome! A "ghost" orchestra was the only way Columbia could achieve their quota of Whiteman releases that summer.

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  @bensfractals434 ай бұрын

  Pretty cool. I've got a paul white man Columbia like this and i recently rehoused it to a Columbia New Electric process sleeve

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  @savio8074 ай бұрын

  I think (not sure) I have one of those--very nice design!

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  @bensfractals434 ай бұрын

  @@savio807 I was told that the sleeve in particular was only limited to Australian-only records and is really valuable if it's in exceptionally good condition.

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  @savio8074 ай бұрын

  @@bensfractals43 Cool! I'll have to see if that's what I have...

• 
  @devgirl72084 ай бұрын

  I really like this! What does your "notes" mean (re: "a copyright claim on a 1919 recording")?

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  @savio8074 ай бұрын

  That KZread gave me a "copyright claim" notice for a pre-1923 recording. Pre-1923 78s are public domain, so there can be no actual copyright claim. (I think YT's software is simply presuming that any 78s released on CD are owned by the labels which issued them, regardless of year.) Supposedly, come 2024, PD has been expanded to include anything recorded prior to 1929, but I'll believe when I see it. Glad you enjoyed!

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  @patrickmargulis19274 ай бұрын

  Great !!!

• 
  @savio8074 ай бұрын

  I agree! Wonderful version.

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  @patrickmargulis19274 ай бұрын

  Have two. Other versions one on Edison (Lenzberg Riverside) and an other one on Emerson

• 
  @savio8074 ай бұрын

  @@patrickmargulis1927 Thanks! I'll have to see if those are up at the IA or on KZread.

• 
  @johns.47084 ай бұрын

  Ha- jazzy, yes, but I side with the purists on this one.

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  @savio8074 ай бұрын

  Too arranged, or too "Mickey"? (I.e., Mickey Mouse. Term used by jazz musicians of my father's era.) My unorthodox take is that the earliest jazz often featured a low improv rate (or none at all), since I regard formal improv as a feature which evolved with jazz, but not as the feature which initially defined it. (In case that makes sense..🙂

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  @johns.47084 ай бұрын

  @@savio807 We've discussed this before and are in agreement. But I think it is a matter of degree. If the term Mickey Mouse came to your mind, I feel you know where I think the line is. The term I've also heard by older musicians is "rinky tink." I enjoy your comments with your postings as much as the tunes, and I appreciate the tunes for what they are without regard to categorization. Your unorthodox take makes sense to me, as we shouldn't judge anything without context and perspective.

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  @johns.47084 ай бұрын

  Yes, jazz... pre-Bix, albeit stylized, all elements are here, improv licks in between Grofe's fantastic arrangement- they didn't sound written out- or were they?

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  @savio8074 ай бұрын

  That's the big question, and it would help (needless to say) if we could hear the various takes. (This was number 5, I think.) But I tend to think the soloists mentally worked out a general scheme in advance of the recording date. For ex., there were at least two takes released for the PW "Side by Side," and Red Nichols provides excellent 8-bar solos which differ between the takes, but at the same time, seem like variations on the same plan. Having the original scores would help! As in, did Grofe simply leave eight bars blank with the indication, "Solo spot"?

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  @jamisondonald3844 ай бұрын

  Inspector Gadget! This appears to be in the public domain, too, and is ripe for sampling

• 
  @SeeburgMusic4 ай бұрын

  It also hints at "Any Little Girl that's a Nice Little Girl is the Right Little Girl for Me"

• 
  @savio8074 ай бұрын

  Interesting! Thanks.

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  @patrickmargulis19274 ай бұрын

  Nice one, recorded in a lobby of a hôtel in Los Angeles.

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  @savio8074 ай бұрын

  Cool! Great acoustics for a hotel lobby.

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  @patrickmargulis19274 ай бұрын

  @@savio807 wonderful acoustic ! Paul Whiteman did also nice recordings in Chicago Hall in 1927

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  @patrickmargulis19274 ай бұрын

  @@savio807 thé great spécialists to make such recordings in great Halls were the British, debroy Somers, Jack Hylton, Kit Cat band....

• 
  @williamfay34524 ай бұрын

  Its one of the first songs I played on my 1910 Victor Victrola. I wish I could get the sort of quality sound from my tired old player. Thanks for sharing.

• 
  @savio8074 ай бұрын

  You're very welcome!

• 
  @larryaldrich43514 ай бұрын

  Wonder why Ken Burns failed to mention Paul Whiteman in his series about the old time jazzmen.

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  @savio8074 ай бұрын

  Because of the ongoing bias against Whiteman. The myth that Whiteman never presented "real" jazz. It's astonishing to me that any historian or documentary filmmaker would fail to recognize the many "popular" dance band sides from the late 1910s and 1920s, not only as examples of jazz, but an important step toward the orchestration thereof. Burns never strays past conventional opinion.

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  @larryaldrich43514 ай бұрын

  Never use alcohol on shellac. Soapy water's better.

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  @savio8074 ай бұрын

  Oh, I never use alcohol! I made that mistake many years back. It dissolves the grooves, of course! For especially dirty discs, I use a light dab of Dawn dish detergent.

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  @johns.47084 ай бұрын

  8 takes no doubt- tricky number.

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  @savio8074 ай бұрын

  Very!

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  @patrickmargulis19274 ай бұрын

  Wonderful acoustic ! Not recorded in Chicago?

• 
  @savio8074 ай бұрын

  In New York, in Liederkranz Hall. I agree--I love the L. Hall sound!

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  @patrickmargulis19274 ай бұрын

  Great !

• 
  @savio8074 ай бұрын

  One of my favorite Whiteman sides!

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  @patrickmargulis19274 ай бұрын

  I love the 1927 sides pré Bix. They are often very well recorded. I made transfers from Whiteman early electric in 1925, they sound Amazing !

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  @savio8074 ай бұрын

  @@patrickmargulis1927 Yes, many 1925 Victor sides sound fantastic--they host a very natural fidelity. I think the same is true for early Columbia electrics. And I couldn't agree more re the 1927 pre-Bix sides: They are too often overlooked. They challenge the standard narrative that PW's pre-Bix and pre-Bill Challis sides had little or nothing to do with jazz.

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  @axeleast86325 ай бұрын

  The accordionist was Frank Papile.

• 
  @savio8075 ай бұрын

  Thanks!

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  @user-dq6pc5ej6w5 ай бұрын

  Saludos desde saltillo coahuila mexico siempre hago resonar esta música maravillosa en esta ciudad de saltillo por que todavia perduran las casas altas de adobe y su gente Cortez muchas gracias por estos temas musicales

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  @savio8075 ай бұрын

  Thank you! And return greetings from the United States!

• 
  @larryaldrich43515 ай бұрын

  Popular recording. I've got it on an "Old Masters" compact disc of the Pennsylvanians.

• 
  @savio8075 ай бұрын

  Cool! Is it a shortened version?

• 
  @krashsite21255 ай бұрын

  Wonderful recording! I just recently found a copy of this disc. The B-side is great too (if not even better!)

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  @savio8075 ай бұрын

  I agree! I'll be putting that one ("Mighty Blue") soon! Great Tom Waring vocal.

• 
  @GoodTimeMusic5 ай бұрын

  Interesting it preceded the Whiteman record. Tom Brown as in Six Brown Brothers Tom Brown? Very cool, especially on the last go round. Thanks for posting.

• 
  @savio8075 ай бұрын

  Sure! And, yes, Brian Rust identifies it as the same Tom Brown. (He lists two musicians by that name...)

• 
  @620film5 ай бұрын

  Thank you for posting this! I got my copy of this, when a family friend gave all of his grandparents 78s. Still love listening to this record!

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  @savio8075 ай бұрын

  Hope you like my restoration! Thanks for that backstory--My first 78s were given to me by my grandmother. I fell in love with shellac records right away!

• 
  @MoMul-wy2lx6 ай бұрын

  In my mind this plays when the ghost ship of a once prominent Californian lake boat sails from the fog

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  @krashsite21256 ай бұрын

  Similar to "Reuben Haskins' Departure For Europe" on Victor. Not quite the same dialogue-wise, but both released around 1904 and feature Jack Tar March. Cool!

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  @savio8076 ай бұрын

  Very interesting! Thank you.

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  @johns.47086 ай бұрын

  1903 Sousa march, _Jack Tar_ as the capper.

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  @savio8076 ай бұрын

  Thanks for the ID! And how did you do the italics?

• 
  @johns.47086 ай бұрын

  No problem. Italics are generated by placing an underline before and after the word or words with no space.

• 
  @savio8076 ай бұрын

  Thanks!

• 
  @savio8076 ай бұрын

  @@johns.4708 Or, I should say, _Thanks!_

• 
  @johns.47086 ай бұрын

  Ha!

• 
  @johns.47086 ай бұрын

  Lots of traps in this chart. Your comments are just as entertaining as this hot-cha-cha side. Wonder who does the vocalizations?

• 
  @savio8076 ай бұрын

  That's the big question. Neither Rust nor DAHR provides a credit. I suspect a regular member, but...

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  @michaelrecycle19865 ай бұрын

  I always thought it was Whiteman himself?@@savio807

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  @savio8075 ай бұрын

  @@michaelrecycle1986 Interesting. To me, it doesn't sound like Paul, but it's possible...

• 
  @johns.47086 ай бұрын

  Your comments are just as entertaining as this hot-cha-cha side.

• 
  @savio8076 ай бұрын

  Thank you! And I just now noticed a typo in the Rust discography: This is listed as "Char." And I guess we'll never know who's scatting in the background.

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  @stevehoffman97357 ай бұрын

  That was amazing. 1901-06 era had a real lifelike sound. I think acoustic recording actually got worse after this early era, probably on purpose to get a mellower sound or something? I don't know.. Thanks for this.

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  @savio8077 ай бұрын

  You're welcome! I also wonder about the muddier fidelity which happened as the acoustic era progressed. Especially those c. 1914 Columbia recordings in which the audio detail is so hard to pull out when restoring.

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  @johns.47087 ай бұрын

  Superbly snappy. Not pure corn, but a musical snapshot capturing a brief moment in musical evolution.

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  @savio8077 ай бұрын

  Agreed! And it's one of the 1920s "dance" side which demands to be considered as jazz.