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  • @annagli5710
    @annagli571025 күн бұрын

    🎉🎉🎉🎉🎉🎉🎉

  • @luceroutts
    @luceroutts3 ай бұрын

    mi fav hablando de su fav 100/10

  • @BestBlackandWhiteMovies
    @BestBlackandWhiteMovies5 ай бұрын

    Such amazing unique movies he made

  • @user-tx3cx4cp7s
    @user-tx3cx4cp7s7 ай бұрын

    When he starts dueting, deadly...😍😍😍

  • @zyrrhos
    @zyrrhos8 ай бұрын

    No one captures longing better than Ozu.

  • @JenniferFlores1
    @JenniferFlores1 Жыл бұрын

    I came here to find the “happiness” phrase, but I leave with a bitter taste in the mouth. How awful must be to be forced to marry. And this goes for any culture that treats women as property.

  • @zyrrhos
    @zyrrhos8 ай бұрын

    Sounds like you've been conditioned by modern woke ideology and are applying it to another place and time. Have you watched the entire film? This is a beautiful scene. A father telling his daughter about the effort it takes to make a successful marriage. Instead of what we get today: fathers being reduced to moronic jokes. This might be the best marriage advice anyone can give. "Happiness comes only through effort." My mom essentially told me the same thing about her marriage to my dad, and it lasted 51 years until her death.

  • @mirtikaschultz3282
    @mirtikaschultz3282 Жыл бұрын

    I love this film. This scene is so simple visually, yet so powerful....and so Japanese (at least of that time). Wonderfully done.

  • @tomc8115
    @tomc811510 ай бұрын

    The last twenty minutes of this film is just one great scene after another. Masterpiece!

  • @user-ry3du7we4k
    @user-ry3du7we4k Жыл бұрын

    こんなキレイな娘に「お父さんといたいの。お嫁に行きたくないの」なんて言われたら、今のたいがいのオトーサンは鼻の下伸ばして、ヨシヨシしてしまうだろ。 笠智衆みたいな立派な説教できる人格者のお父さんはそうはいないと思う

  • @sodiumlights
    @sodiumlights Жыл бұрын

    for all the lover's of this sublime film please check out Katherine Lam's beautiful art prints on Black Dragon Press. They really are stunningly beautiful.

  • @edwinkirkland8856
    @edwinkirkland8856 Жыл бұрын

    Hara san and father rip

  • @mimifreak3437
    @mimifreak34372 жыл бұрын

  • @kyosouvlaki
    @kyosouvlaki2 жыл бұрын

    her smile

  • @matthewdarellwihodo2304
    @matthewdarellwihodo23043 жыл бұрын

    3:16

  • @LeoSkyro
    @LeoSkyro3 жыл бұрын

    "Couldn't be helped, it was the most important lie of my life" This movie made me fall in love with Chishuu Ryuu. Such a gentle and kind presence

  • @jeremiahliang8273
    @jeremiahliang82733 жыл бұрын

    He said the 2 most truthful things: marriage isn't the means to happiness, (on my view) its something destiny has arranged to mould and test our characters. Secondly, he said to give her filial love now to her husband. Very biblical to cut soul ties.

  • @jeremiahliang8273
    @jeremiahliang82733 жыл бұрын

    * (in my view)

  • @yon4579
    @yon45793 жыл бұрын

    ⚘💫⚘💫⚘💫⚘

  • @hisodesu1
    @hisodesu13 жыл бұрын

    Such beauty, such poetry. Truly a great work of art. ありがとうございました。

  • @aburakadabura2
    @aburakadabura23 жыл бұрын

    笠 智衆この時まだ45歳、4年後に公開された東京物語で49歳。 70前後に見えたが演技なのか地なのか、老け役が見事にはまってた味のある役者でした。

  • @xandelamp
    @xandelamp3 жыл бұрын

    Amooo!!

  • @user-ox6oo2zg7e
    @user-ox6oo2zg7e3 жыл бұрын

    この映画の冒頭に近い部分で、紀子は、大学の講義の準備を進める父からの麻雀の誘いを、「ダメよ!」の一言で窘めた。このような聡明な娘が、何故、この期に及んで、このように子供っぽい言葉をぶつけてきたのか?そこには、深い子細がありそうである。 紀子の行為は、父親から、あの黄金の言葉を引き出す為のものだったと、僕は考える。そして、その言葉を言い聞かせることが、彼女よりも、父親自身が必要としていると、彼女は判断したのだろう。紀子への父親の愛情は、明らかに、亡き妻への愛情が投影されている。再婚は、危険な賭けであった。 全てを成し遂げた後の、彼女の、晴れやかな笑顔を見よ!

  • @TheRyugiya
    @TheRyugiya3 жыл бұрын

    The online Japanese Film Festival has begun in Australia. So I wrote a little report about the first film I watched, which was directed by Yasujiro Ozu. :) wanderingwindblog.com/post/the-flavour-of-green-tea-over-rice-1952

  • @user-wf3ml4fo3h
    @user-wf3ml4fo3h3 жыл бұрын

    原節子美しい顔💖😌素敵ですね❗

  • @user-wf3ml4fo3h
    @user-wf3ml4fo3h3 жыл бұрын

    笠さんいいおとうさん❗😌

  • @bobcostas6272
    @bobcostas62723 жыл бұрын

    *hits pipe*

  • @nachtegaelemiel7924
    @nachtegaelemiel79244 жыл бұрын

    "So you do understand." Savage by Japanese standards.

  • @andro7862
    @andro78624 жыл бұрын

    I can't shake off the feeling that this girl has a bit of an electra complex.

  • @DWHarper62
    @DWHarper622 жыл бұрын

    The daughter, Noriko, had a traumatic slave labor war experience that left her sick and emaciated, so the years back with her father after the war left her clinging to the warmth of her father, who treated her beautifully, regaining her strength and health back in her father's home... Watch the whole movie...

  • @Flackack
    @Flackack Жыл бұрын

    @@DWHarper62 Her experience during the war is crucial to her character, indeed.

  • @jeff__w
    @jeff__w4 жыл бұрын

    I wish Shukichi, the father, had at least honored Noriko’s feelings, perhaps saying wistfully “I wish we could stay together, too,” before telling her that she and Satake must forge happiness together. For me, it would have made a much more poignant moment. But, perhaps, the fact that he won’t-or can’t-say that underlines the pain of the scene.

  • @Lllswe
    @Lllswe Жыл бұрын

    Can’t say… I agree that might be the best tragic point of the film

  • @nkosanakhumalo5976
    @nkosanakhumalo59764 жыл бұрын

    When ones love for another transcends love for ones self. 😢

  • @Lllswe
    @Lllswe4 жыл бұрын

    It is quite misguiding to judge that gender norm in Japan is exceptionally conservative. At least Ozu himself is arguing us to precisely conceive of the restrictive property of the patriarchic structure, and at the same time, hinting us how the system ramifies a myriad of fragile aspects from individual grievance to the attrition of family values. Moreover, he try to gauge how to existentially struggle under the culture, which is by no means confined to the Japanese society but to the whole humanity. His films always seems Faucauldian, which was earlier than the brilliant theorist himself.

  • @clementchiu6620
    @clementchiu66204 жыл бұрын

    Anyone notice "Thus Spoke zarathustra" at 1:02

  • @RussMcClay
    @RussMcClay4 жыл бұрын

    Excellent! Thank you for posting this.

  • @malayneum
    @malayneum4 жыл бұрын

    i was told to watch this movie. but i am shocked at how average it is. im sorry but this movie is really typical in asian cinema. i grown up in southeast asia, this kind of films are like normal daily drama. in malay telenovela, malay evening drama, P.Ramlee films, indonesian sinetron, heck even Bollywood also are flooded with this kind of theme. its just an average film for asian cultures, but it may be alien to westerners.

  • @emptylikebox
    @emptylikebox4 жыл бұрын

    It's not the theme of his films that make them special. Ozu has a very distinctive style. You think it's just ordinary because most of those directors that you are pertaining to were influenced by Ozu that's why they have similar style.

  • @NepaliFolk
    @NepaliFolk4 жыл бұрын

    There is a difference between your Islamic Sharia inspired movies and a movie based on Polytheist religion like Shintoism. This is not something you can understand.

  • @malayneum
    @malayneum4 жыл бұрын

    @@NepaliFolk we are south east asians, we have the most diverse culture and religion than you can imagine. your statement can only come from an ignoramus. go outside and see the real world.

  • @NepaliFolk
    @NepaliFolk4 жыл бұрын

    malayneum You are a Muslim. Like I said subtlety of polytheistic religion is beyond your grasp. And what has Islam got to do with South East Asia? Absolutely nothing.

  • @malayneum
    @malayneum4 жыл бұрын

    @@NepaliFolk You are a bigoted racist. Talk to yourself. Bye.

  • @sandrasupportsyou
    @sandrasupportsyou4 жыл бұрын

    Thank you Warong, for gently reminding us that "Happiness comes only through effort" and the people who have loved really know

  • @abbeken1
    @abbeken15 жыл бұрын

    Is Ozu movie so stupid?

  • @HP_____
    @HP_____4 ай бұрын

    No. Your question is.

  • @arthuryang3004
    @arthuryang30045 жыл бұрын

    How interesting to see Hou took inspiration from Ozu, and in turn inspired another great Japanese director Hirokazu Kore-eda.

  • @adamostadal690
    @adamostadal6903 жыл бұрын

    Tokyo story reminded me a lot of Hirokazu. Good to know he was inspired by Hou. He also inspired another great director Gan Bi.

  • @user-bf5po7rd7d
    @user-bf5po7rd7d5 жыл бұрын

    なんだか泣けるなぁ😢 そして愛しい😚

  • @kimberlykweder2840
    @kimberlykweder28405 жыл бұрын

    It sure does not look lik’e she was happy marrying him. Feels like she’s hiding her true feelings from her father.

  • @hadeed-_-5678
    @hadeed-_-56784 жыл бұрын

    That's what it felt like to me too. Really hasn't aged well

  • @NepaliFolk
    @NepaliFolk4 жыл бұрын

    Of course the depth of this dialogue is beyond comprehension for westerner.

  • @kimberlykweder2840
    @kimberlykweder28404 жыл бұрын

    @@NepaliFolk I'm reviewing it again and learning something new from the dialogue. She is trying to honor her father so much. She loves her father dearly. I like what the father said about happiness.

  • @mv8858
    @mv88583 жыл бұрын

    ​@@hadeed-_-5678 it reflects on the culture but it's more of a voluntary sacrifice she makes out of love although in actuality he is sacrificing his desires to keep her around because he knows it is ultimately not fair to her in the long-run. The ability for both to do so is considered a value and also touches on the inevitable/painful acceptance of how all fathers have to depart from their daughter's life at some point. It's easy to perceive in a negative light based on American standards and social norms

  • @royalmason1539
    @royalmason15395 жыл бұрын

    This might be the best marriage advice anyone can give. Nothing is guaranteed but it's possible if you give yourself fully to it.

  • @a-gyimotfalvi-betyarok
    @a-gyimotfalvi-betyarok5 жыл бұрын

    I want a wife like her

  • @khemaratkhunphan2805
    @khemaratkhunphan28055 жыл бұрын

    เพลงแรกเลยชื่อเพลงอะไรนะครับ

  • @jareddgaming9644
    @jareddgaming96444 жыл бұрын

    หาเจอยังครับ ผมก็หาอยู่

  • @mckavitt
    @mckavitt6 жыл бұрын

    Extremely interesting! Many thanks for the share.

  • @sourcherry23
    @sourcherry236 жыл бұрын

    One of the best film scenes I've seen. Something sublime about this conversation that stay with me for a long time.

  • @tomc8115
    @tomc81152 жыл бұрын

    I don't know if it's the best single scene, but when you combine it with the wedding scene to follow, it makes for the best back-to-back scenes in a movie I can think of.

  • @jeanvuvu7703
    @jeanvuvu77036 жыл бұрын

  • @planthi80
    @planthi806 жыл бұрын

    A masterpiece......

  • @Macleodking
    @Macleodking6 жыл бұрын

    You never see a beautiful scene like this in modern films: A father telling his daughter about the effort it takes to make a successful marriage. Fathers have too often been reduced to moronic jokes in modern films.

  • @omarlerouge5420
    @omarlerouge54204 жыл бұрын

    it won't be a 'good' movie today. critics would nip it in the bud : too naive, too simple, boring.. people today in the west don't value virtue, order, loyalty, commitement and honor. that's why divorces are exploding, women don't want to work for anything, they want to full package, the 6 foot white dude with a jawline a 6 figures income .. it's impulsive, fast, cliché. 90% of men are just invisible for western women.

  • @danielyoung6778
    @danielyoung67784 жыл бұрын

    Watch better modern film's man. Great film's come out every year and you're only hurting yourself by missing them, it doesn't discredit the great art of the past and you'll only be better for having both.

  • @ooooo000ooooo
    @ooooo000ooooo3 жыл бұрын

    Omar H. Don’t ruin this with ethnicel nonsense

  • @anuragate9282
    @anuragate92822 жыл бұрын

    @@danielyoung6778 I don't see any modern Hollywood movies that appreciates Family values, Commitment, respect to the elders and soft spokeness. All today's movies are promoting are perverted Dad jokes, Multiple sexual relationships , divorce, drugs and what not woke stuff combined with some conservative cringe. Not to mention the glorious culture showcaed in Ozu movies along with coming of age drama - all this fits in right proportion rather than dispersed propaganda in Hollywood films. Only Modern films sticking to a particular genre and filmmaking concepts are good today .

  • @danielyoung6778
    @danielyoung67782 жыл бұрын

    @@anuragate9282 ozu wasn't Hollywood and the great films of today aren't either. Hollywood is the drek of filmmaking and should not be considered when talking about it as an artform. To place yourself in the Hollywood binary is to be disappointed. Just by your comment I'm 100% I disagree with you on social values but again if you hate Hollywood watch the great true films that come out every year, I'm sure you'll find plenty of worth if you keep an open mind.

  • @sayakchoudhury9711
    @sayakchoudhury97117 жыл бұрын

    I don't know why but this scene soothes me! Also are they flirting?

  • @vishnu2407
    @vishnu24074 жыл бұрын

    It really feels like they are

  • @branpred79
    @branpred794 ай бұрын

    "Normally i sing about teeth and gums. But this one is all love songs" Is so loaded

  • @WanaleeHunter
    @WanaleeHunter7 жыл бұрын

    beautiful

  • @akurosawa
    @akurosawa7 жыл бұрын

    エキストラ出演を含む『乱』関係者各位にお願いがございます。 以下ご賛同いただきたく [email protected]に連絡頂けましたら、後日送信致します書面にご署名の上、ご返信住所をお知らせいたします。ご一読下さい。 黒澤明監督遺産 『乱』撮影現場記録VTRを後世に残したい!     この目的に賛同いただくための同意書 1984年7月1日~1985年6月1日までを記録した150時間に及ぶVTRが現存します。 しかし、その内容は3/4インチU-maticビデオテープの再生機が製造中止になったことで 見る事が出来なくなりました。 黒澤監督が死去される前に、ヘラルド映画の手で既に廃棄されたと噂されたVTRです。 奇跡的に発見されたのは、1998年9月6日以降の事でした。『乱』エグゼクティブプロデューサーの井関惺氏から当時の製作スタッフだった中山市朗、谷口裕幸、河村光彦の手に戻ったのは凡そ50時間分のVTR。残りの100時間分の所在が分かるには更なる時間を要しました。1999年当時映像のデジタル化は高額な費用が必要で資金調達は不可能でした。 DVD化が安価になって河村の私費で40時間分がDVD視聴出来るようになったのは2006年の事でした。KZread配信を始めたのは、DVDもまた永遠ではなく、KZreadのサーバーに映像を残しながら世界のファンに広く視聴される事を目的にしたからでした。 2017年現在、時代は2K画質から4K、4Kから8K画質へと移り始めています。 河村と中山の手でブルーレイ化出来たのは30時間分に過ぎません。残りの10時間はDVDで視聴できますが、110時間分は3/4インチカセットテープに眠っているのが現実です。 今これをデジタル化しないと貴重なVTRはゴミと化してしまいます。 「映像デジタル化資金調達の渉外活動をする上で必要なのは、黒澤監督と共に写っているキャストとスタッフの許可である」。これが著作権に詳しい弁護士からの助言です。 そこでお願いがございます。 映画『乱』にご出演されたキャストの皆様、製作に参加されたスタッフの皆様が撮影現場記録ビデオにも登場しています。そこで、『乱』VTR記録での肖像権を放棄願いたいのです。 過去に『ある映画監督の生涯 溝口健二』というドキュメンタリー映画がございました。 この先何本もの黒澤明監督のドキュメンタリーが映画・TVで制作されると考えられます。 その時に、自由に『乱』VTR記録が使用出来る様、上記ご理解いただきたいのです。 この申し出にご賛同いただける方は、同意のご署名を頂きたくお願い申し上げます。 2017年4月13日 『乱』VTR記録班 中山市朗 谷口裕幸 河村光彦 私、                                 (本人)   (代理人)           は、 上記申し出に同意し、黒澤明監督作品『乱』VTR記録での肖像権を放棄いたします。                  西暦      年    月    日

  • @wagakamakoyo7309
    @wagakamakoyo73097 жыл бұрын

    very nice!

  • @hiranpinel9898
    @hiranpinel98988 жыл бұрын

    amo essa cena desse belíssimo filme, Cult Tropical Malady (2004)... a música substitui o diálogo entre eles... subterfúgios da amizade.