Gill & Jazz Transcriptions
Gill & Jazz Transcriptions
Gill & Jazz Transcriptions :
Music, Jazz, Jazz Guitar, Transcriptions
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What?! Jaco Pastorius Portrait of Tracy riff at 30:22 ?!
how do you play that chord in the first bar or so that has fret 6 on both a and e strings?
the 5th and 6th string with the middle finger!
@@GillJazzTranscriptions like under the tip of tip or barring it? I think my finger is too small for the first one hahahaha
Bravo! And that guitar is fantastic!
It is like God telling the angels a story. It is too beautiful to describe.
These chords and Lenny's approach to this Jobim classic are beyond the pale of so many famous guitarists.. I suspect that even Luis Bonfa and Laurindo Almeida could not have come up with these terrific voicings...In jazz, we've always admired and talked about the different chord vocabularies available to the various guitarists. Wes Montgomery, Barney Kessell, Jim Hall, Ted Greene and especially Ed Bickert devised their own vocabularies. We welcomed it as their signature sound. Lenny's sound and chord voicings reign supreme, and that's not even mentioning his fantastic technique, also off the charts. Wonderful transcription work my friend. Many Blessings to you.
MAGNIFICO
Un énorme merci
Wow!
Again. Mr. Peabody brought me here ......
Thank you so much for this! What app did you use for the animated fretboard diagrams? Thanks!
with Soundslice for tab & notation & Guitar Pro for guitar neck
Thank you! Appreciate it. Subscribed today to get every notification. You have a great taste in music and such high quality musicianship you share with the world. Thank you 🎉
Three kinds of chords: Major, minor, and dominant. Joe Pass. Great player, great teacher - just ask Mimi Fox!!
Truly amazing.
Wow this is so incredible!!!!! You're a better guitarist after transcribing this and we'll be better after learning it..... Bravo my friend.
Treasure!
I don't have the ear to know what's going on, so it's great to see the chords written out and see what he's doing. At least I can understand it intellectually and then appreciate it when I hear it.
Belle folie Gilles !😉
This sounds a lot like penthouse serenade
IL N'EST JAMAIS ASSEZ, D'ENREGISTRER, LA 'QUALITÉ SUMMUMM', DE JOE PASS ET NIELS PEDERSEN...!!! LES 2 FONT UN SEUL ENSEMBLE 'BODY AND SOUL' !!! ILS NOUS MANQUENT ÈNORMÉMENT!!! CERTAINEMENT SONT EN TRAIN DE JOUER DANS L'UNIVERS COSMIQUE. Directement de Salvador-Bahia-Brasil. Un Fan, que Jamais les Oubliera!!!
Gorgeous! Great tone, beautiful, rich harmonization, clear, clean melody and fillls--thanks!
Most iconic... those ladies had some pipes... no auto-tune! ☕🎸
Yup
Superbe travail! Une question : à votre avis, quel doigté Django pouvait-il utiliser pour le Cmin/Eb (deuxième accord)?
Comme pour le Cmi juste avant, je ne pense pas que Django pouvait les jouer, il les fait en deux temps, d'abord la basse puis l'accord de Cmi à 3 sons sur les cordes 432 qu'il fait avec le majeur qui pince 2 cordes et l'index. On entend bien sur l'enregistrement que la basse est détaché du reste de l'accord.
@@GillJazzTranscriptions Ah oui, je vois ! Pas facile à réproduire ! :)
@@GillJazzTranscriptions Une autre question un peu similaire : comment pensez-vous que Django jouait les deux positions pour l'accord de Fa à la mesure 30 (les deux premières croches)? Ce n'est pas tellement les positions indépendantes qui posent question, mais surtout l'enchaînement qui ne semble pas très pratique.
@@leonardguetta3251 Premier en petit barré
@@GillJazzTranscriptions Donc l'enchaînement saute, n'est-ce pas? Car pour le deuxième accord, plus de barré et le doigt jouant le fa n'est plus le même.
Wow, that’s very interesting😮 Thank you for making this
Ja ja yeh!
Thanks!!
E' senza ombra di dubbio uno dei piu' grandi chitarristi della sua generazione dove i suoi incontri con i passati alla storia ( Atkins, Farlow ecc.) non fanno che confermarlo, non risparmiando per lui grande ammirazione
Ce logiciel a l'air assez dingue !
Dans cette improvisation on entend la musique brésilienne. Il est a l'origine de la Bossa Nova ..
Its way better in minor.
That's not really the point
Auto plagiat 😀
interesting !
J' attend maintenant Nuages en mineur....😀
C'est ... spécial !! Mais c'est bien fait !!
3:46
Marvellous. Pity the camera producer kept concentrating on Joe so much as we missed so much NHOP fingering.
this piece is so awesome but i only have a cheap ass squier strat and a rusty ass stringed classical guitar so it sounds so wrong when i try playing it
What happened to the transcription of valsa by João Gilberto?
You hear legends sing Lenny's praises but I still haven't seen or heard him do anything that isn't annoying AF, it is what it is. I've searched for anything that would show me his apparent greatness but all I can find is annoying shit.
Thank you so much, great great great 🙏🏼
It's a pleasure to listen to these wonderful musicians. Great sound Gilles!
Swept up and then captivated by the jazz imagination ! Such an expansive guitar talent ! He understood the place of the audience, with its need to grow into a session. A wise performer !
🚬😎 cool stuff
Still prefer Paul Desmond and Ed Bickert's version with Ron Carter and Connie Kay...
Me too !!! 🤣
12:19 13:15 13:42
just beautiful. you comp fantastic as well
Спасибо Жиль! Круто! Прийдется с техникой потрудится! Привет с Украины!
Enjoyed this muchly. A throwback to an era when jazz quartets actually played music. Kudos!
Learn that block chord solo well, .... because you can actually do a lot with those very same shapes/ voicings. All kinds of very bluesy chord solos can be made. Keep an eye on the melody and bass lines, make those chord changes "Wes smooth". Pretty soon, you're makin' music.
reminded me of that glorious version by coltrane
tasty
Can you please make a guitar transcription of this ❤ everyone has such a beautiful performance