Pénible ce gloubiboulga de notes qui dénature le thème d'origine.
@jeanmarcnaoufal76083 ай бұрын
Ça swingue grave
@EnricoMarasea4 ай бұрын
❤
@user-os9pu4vm5v4 ай бұрын
Merveilleux Musicien que Sylvain Luc. Brillant guitariste. Exceptionnelle Présence. Des idées musicales qui semblent infinies, traduites par une technique qui est au delà de la pure technique mais qui n'est que le prolongement de son Être. On réalise bien tout cela dans cette Superbe interprétation. La plus belle version instrumentale (pour moi) de cette composition, et quel solo !!! Je pense à ses proches et à cet autre Musicien Exceptionnel qu'est André Ceccarelli et qui a perdu un de ses amis. Merci de nous avoir fait vibrer de cette Musique qui était en toi. Reposes en Paix Sylvain 🙏🏼 Cette Présence Musicale sera toujours à nos côtés ❤
@bireli914 ай бұрын
I think and feel the same! ❤️
@zzzdi57704 ай бұрын
Cette version est incroyable. Je ne sais pas si c'est l'âge de la vidéo, mais la Godin a une sorte de léger drive qui donne vraiment une autre dimension à son jeu, très, très aventureux. Vignolo et Ceccarelli absoluments incroyables, et Sylvain qui emmène le morceau où il veut... Et ces voicings de l'enfer quand il s'accompagne/accompagne le chorus de contre, au secours.
@pastoriuspasto4 ай бұрын
Rip pour sylvain 🙏
@pastoriuspasto4 ай бұрын
Et cecarelli il fait le job !
@TheRealWolfmaniac4 ай бұрын
R.I.P.
@MAS4JI4 ай бұрын
RIP, maestro. 😞😞😞
@CityVibesMD4 ай бұрын
RIP master. Your contribution is forever.
@naka33395 ай бұрын
damn man Terri Lyne Carrington is 23 on this, she is absolutely demolishing those damn drums
@bireli915 ай бұрын
Exactly !!!! This is just one of the many obvious ways you can tell she was born to play !!!!! ❤️❤️❤️❤️💎
@hienbossa106511 ай бұрын
❤❤❤
@hienbossa106511 ай бұрын
❤❤❤
@guitargresurrect2117 Жыл бұрын
Sylvain Luc is the Steve Vai of Jazz Guitar
@roromoho4 ай бұрын
Yes, and Mike Tyson is the Tiger Woods of boxing
@francisvalentin9967 Жыл бұрын
que dire....un sommet.
@matchetmusic9080 Жыл бұрын
Sylvain Luc ne pense pas notes ni musique , il joue tout simplement . Il fait corps avec son instrument. C'est ça le génie.
@Pladderkasse Жыл бұрын
Impressive playing skills. But they suck the lyricism straight out of this piece. I prefer Emily Remlers version.
@clearbrain Жыл бұрын
Why don't this guitarist play on time? Unnecessary articulation.... Showing off is not a good thing in the long run
@dandospace2 жыл бұрын
The Picasso of modern guitar. Spellbinding.
@bireli912 жыл бұрын
Yes !
@sbaiar2 жыл бұрын
Holy Shite!!! That was burning! Their solos were stylistically completely different from one another. How completely cool was that?!
@sondogs982 жыл бұрын
1:39
@rodrigobobadillaoliva3 жыл бұрын
The best
@pascalsolal3 жыл бұрын
La première fois que je l'ai vu sur scène, il y a plus de vingt ans, j'ai mis une semaine à m'en remettre. Depuis, il est mon dieu absolu, LE musicien qui correspond exactement à ce que j'ai envie d'entendre.
@tixomayarn67302 жыл бұрын
Same here.🙂
@cgds19744 жыл бұрын
Amazin version!!! Genius
@bisoubisou38224 жыл бұрын
❤
@johnmcminn94554 жыл бұрын
Fast tempo
@dannytuhuteru5924 жыл бұрын
MASTER!
@TheMetalslayer1005 жыл бұрын
am i the only one who thinks that his sound on that record was kind of similar to Mike Stern‘s? Because if i would‘t know that is Scofield playing, in the beginning i would think it‘s Mike 😛 But awesome sound anyway ✌🏽
@cgds19744 жыл бұрын
Da Kure Mike uses the chorus effect. John doesn't
@scottnewellguitar3 жыл бұрын
nope. Quite easy to tell them apart.
@TheMetalslayer1003 жыл бұрын
@@cgds1974 but i think he has chorus on this record...with a bit of crunch...
@TheMetalslayer1003 жыл бұрын
@@scottnewellguitar but i think he has used the chorus effect here
@pat5572 жыл бұрын
I couldn't ever mistake John for Mike or vice a versa. "Chorus " has nothing to do with it. Note choices and phrasing separates them like night and day, as with all the greats.
@karanjikere5 жыл бұрын
Those first 30 seconds...
@yghorr6 жыл бұрын
Mozart would like it.
@vittoriomelon43316 жыл бұрын
Thanks! It's a beautiful recording, I am going to listen, study and dig the shit out of it!!!!
@dwighttapieroguzman68856 жыл бұрын
Can someone tell me where I can find the transcript of this solo?
@djfly-sx6rk6 жыл бұрын
"Contemporary Jazz Guitar Solos" by Michael Kaplan (2016, Berklee Press) currently $11.55 on Amazon
@leneanderthalien6 жыл бұрын
Mouais, seuls les amateurs de jazz apprécierons ce genre de jeu dissonant et sans queue ni tête, perso c'est pas mon cas...
@pascalsolal6 жыл бұрын
Il faut ouvrir son coeur et son esprit. Vous connaîtrez alors une joie ineffable.
@DomDom-km1uz5 жыл бұрын
Pour le jeu "dissonant" et "sans queue ni tête", là j'ai un peu de mal à vous suivre ... De toutes façons rien ne vous oblige à l'écouter ...
@zzzdi57705 жыл бұрын
Vous ignorez ce que veut dire "dissonant", sans animosité aucune. Quant à "sans queue ni tête", c'est le cas de 99% des hommes et femmes ici bas, pas d’inquiétude de ce côté là donc.
@PabluchoViision7 жыл бұрын
Very nice. For my money,, Ray Bryant is the one who makes this piece other worldly, and his own.
@PaulMcCaffreyfmac7 жыл бұрын
Wonderful. So musical and alluring.... draw you in with the laid back cool then blow your mind with a long fast run. Great tone, great notes, great player
@funkeety7 жыл бұрын
listening to this, i feel satisfyingly confused...
@kp8hv6wz2t7 жыл бұрын
This play's original piece is Django Reinhardt's "Impromptu".
@MatthewRyu7 жыл бұрын
what kind of ibanez is that?
@bireli917 жыл бұрын
Matthew Ryu early modofied ibanez george benson signature
@freesolo815 жыл бұрын
As200 ?
@nliebert417 жыл бұрын
how do you get a chorus tone like this
@zepapires Жыл бұрын
During this period John used a Boss CS-2 (Stereo Chorus) made in Japan. Very important: he was always really playing in stereo with two amps. Important mention the RAT Distortion pedal. Sco used (occasionally he still does) the RAT with a moderated amount of drive (set around 9 o’clock, where the pedal works more as an overdrive). In the middle of the 90’s John jokes that he got into the “Alchorus Anonymous”. He stopped using the CS-2 and playing in stereo. He adopted a VOX AC30, which gives him the sound slightly crunchy, so he stopped using the RAT too. He still has a chorus in his pedal board, an analog chorus Ibanez CS9 with the controls set to the max to get a Leslie sound, but this pedal is used occasionally as an effect, not as part of his tone. I hope this helps.
@zepapires Жыл бұрын
Ops, I meant to say a Boss CE-2 (stereo chorus) made in Japan.
@chrismichaels6928 Жыл бұрын
@@zepapires very interesting ! I always wondered ..
@SpartanLaserCanon7 жыл бұрын
This is the song I have heard so many Jazz players cover. I call this the most covered Jazz song hahaha.
@RyoHyunsuk7 жыл бұрын
in flat out album, he express his own jazz guitar style, Basically, based on swing rhythm , play guitar cord solo play. Most people feel confused and complex, but simple.
@AshRavens7 жыл бұрын
damn.
@jacisoza42817 жыл бұрын
Savage.
@SpartanLaserCanon7 жыл бұрын
So many Jazz musicians have Covered this song. BTW this is not the original song. What... Is this the most covered Jazz song?
@JulianJayme7 жыл бұрын
Thanks for sharing. I forgot how great he is for a solid second
@cranstonpenelope25787 жыл бұрын
No you didn't
@JulianJayme6 жыл бұрын
Yes I did
@ronmurray33387 жыл бұрын
Most amazing. Mastery of the classical style, and the jazz plectrum style, and the steel-string acoustic style, and he's a maniacal bassist as well.
@shredsixsixsix92188 жыл бұрын
It's amazing how John has all the chops in the world ,and has e albums like "A GO GO" which are so cool,and more like Drum grooves with great rhythm/lead guitar
@nazimonurataman8 жыл бұрын
When I was student in The Netherlands I heard this recording first time in our jazz history lesson. How to loose your self and the form in a standart song was the subject. Years after I asked John during a workshop in Hilvirsum he said about this recording that ' we just get to gather and play the songs we know " :) great mastery bless him !
@WouterTurkenburg2 жыл бұрын
Hi Onur: I remember playing this in your lesson. I still do and one of my students used this YT in his essay. That's how I got here.
Пікірлер
Subscribed ❤.
Carcassonne ?
Pénible ce gloubiboulga de notes qui dénature le thème d'origine.
Ça swingue grave
❤
Merveilleux Musicien que Sylvain Luc. Brillant guitariste. Exceptionnelle Présence. Des idées musicales qui semblent infinies, traduites par une technique qui est au delà de la pure technique mais qui n'est que le prolongement de son Être. On réalise bien tout cela dans cette Superbe interprétation. La plus belle version instrumentale (pour moi) de cette composition, et quel solo !!! Je pense à ses proches et à cet autre Musicien Exceptionnel qu'est André Ceccarelli et qui a perdu un de ses amis. Merci de nous avoir fait vibrer de cette Musique qui était en toi. Reposes en Paix Sylvain 🙏🏼 Cette Présence Musicale sera toujours à nos côtés ❤
I think and feel the same! ❤️
Cette version est incroyable. Je ne sais pas si c'est l'âge de la vidéo, mais la Godin a une sorte de léger drive qui donne vraiment une autre dimension à son jeu, très, très aventureux. Vignolo et Ceccarelli absoluments incroyables, et Sylvain qui emmène le morceau où il veut... Et ces voicings de l'enfer quand il s'accompagne/accompagne le chorus de contre, au secours.
Rip pour sylvain 🙏
Et cecarelli il fait le job !
R.I.P.
RIP, maestro. 😞😞😞
RIP master. Your contribution is forever.
damn man Terri Lyne Carrington is 23 on this, she is absolutely demolishing those damn drums
Exactly !!!! This is just one of the many obvious ways you can tell she was born to play !!!!! ❤️❤️❤️❤️💎
❤❤❤
❤❤❤
Sylvain Luc is the Steve Vai of Jazz Guitar
Yes, and Mike Tyson is the Tiger Woods of boxing
que dire....un sommet.
Sylvain Luc ne pense pas notes ni musique , il joue tout simplement . Il fait corps avec son instrument. C'est ça le génie.
Impressive playing skills. But they suck the lyricism straight out of this piece. I prefer Emily Remlers version.
Why don't this guitarist play on time? Unnecessary articulation.... Showing off is not a good thing in the long run
The Picasso of modern guitar. Spellbinding.
Yes !
Holy Shite!!! That was burning! Their solos were stylistically completely different from one another. How completely cool was that?!
1:39
The best
La première fois que je l'ai vu sur scène, il y a plus de vingt ans, j'ai mis une semaine à m'en remettre. Depuis, il est mon dieu absolu, LE musicien qui correspond exactement à ce que j'ai envie d'entendre.
Same here.🙂
Amazin version!!! Genius
❤
Fast tempo
MASTER!
am i the only one who thinks that his sound on that record was kind of similar to Mike Stern‘s? Because if i would‘t know that is Scofield playing, in the beginning i would think it‘s Mike 😛 But awesome sound anyway ✌🏽
Da Kure Mike uses the chorus effect. John doesn't
nope. Quite easy to tell them apart.
@@cgds1974 but i think he has chorus on this record...with a bit of crunch...
@@scottnewellguitar but i think he has used the chorus effect here
I couldn't ever mistake John for Mike or vice a versa. "Chorus " has nothing to do with it. Note choices and phrasing separates them like night and day, as with all the greats.
Those first 30 seconds...
Mozart would like it.
Thanks! It's a beautiful recording, I am going to listen, study and dig the shit out of it!!!!
Can someone tell me where I can find the transcript of this solo?
"Contemporary Jazz Guitar Solos" by Michael Kaplan (2016, Berklee Press) currently $11.55 on Amazon
Mouais, seuls les amateurs de jazz apprécierons ce genre de jeu dissonant et sans queue ni tête, perso c'est pas mon cas...
Il faut ouvrir son coeur et son esprit. Vous connaîtrez alors une joie ineffable.
Pour le jeu "dissonant" et "sans queue ni tête", là j'ai un peu de mal à vous suivre ... De toutes façons rien ne vous oblige à l'écouter ...
Vous ignorez ce que veut dire "dissonant", sans animosité aucune. Quant à "sans queue ni tête", c'est le cas de 99% des hommes et femmes ici bas, pas d’inquiétude de ce côté là donc.
Very nice. For my money,, Ray Bryant is the one who makes this piece other worldly, and his own.
Wonderful. So musical and alluring.... draw you in with the laid back cool then blow your mind with a long fast run. Great tone, great notes, great player
listening to this, i feel satisfyingly confused...
This play's original piece is Django Reinhardt's "Impromptu".
what kind of ibanez is that?
Matthew Ryu early modofied ibanez george benson signature
As200 ?
how do you get a chorus tone like this
During this period John used a Boss CS-2 (Stereo Chorus) made in Japan. Very important: he was always really playing in stereo with two amps. Important mention the RAT Distortion pedal. Sco used (occasionally he still does) the RAT with a moderated amount of drive (set around 9 o’clock, where the pedal works more as an overdrive). In the middle of the 90’s John jokes that he got into the “Alchorus Anonymous”. He stopped using the CS-2 and playing in stereo. He adopted a VOX AC30, which gives him the sound slightly crunchy, so he stopped using the RAT too. He still has a chorus in his pedal board, an analog chorus Ibanez CS9 with the controls set to the max to get a Leslie sound, but this pedal is used occasionally as an effect, not as part of his tone. I hope this helps.
Ops, I meant to say a Boss CE-2 (stereo chorus) made in Japan.
@@zepapires very interesting ! I always wondered ..
This is the song I have heard so many Jazz players cover. I call this the most covered Jazz song hahaha.
in flat out album, he express his own jazz guitar style, Basically, based on swing rhythm , play guitar cord solo play. Most people feel confused and complex, but simple.
damn.
Savage.
So many Jazz musicians have Covered this song. BTW this is not the original song. What... Is this the most covered Jazz song?
Thanks for sharing. I forgot how great he is for a solid second
No you didn't
Yes I did
Most amazing. Mastery of the classical style, and the jazz plectrum style, and the steel-string acoustic style, and he's a maniacal bassist as well.
It's amazing how John has all the chops in the world ,and has e albums like "A GO GO" which are so cool,and more like Drum grooves with great rhythm/lead guitar
When I was student in The Netherlands I heard this recording first time in our jazz history lesson. How to loose your self and the form in a standart song was the subject. Years after I asked John during a workshop in Hilvirsum he said about this recording that ' we just get to gather and play the songs we know " :) great mastery bless him !
Hi Onur: I remember playing this in your lesson. I still do and one of my students used this YT in his essay. That's how I got here.
Awesome Performance!