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  @anthonycostine5067Күн бұрын

  Sensational! I love the French-style tap dancing at 10.33.....

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  @shenhou10782 күн бұрын

  So ein unglaubliches Vokalwerk! Sehr stark! 👍

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  @thierryfrazia2 күн бұрын

  Ce magnifique chef-d'œuvre à comme un air de ressemblance avec la série TV S.W.A.T qui est actuellement diffusée sur la chaîne TF1

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  @DeusCarmo2 күн бұрын

  O que é isto, Mancambira? Ele diz que é música Didi? Pois é, eu que faça isto no Noite em Paris e vão me chamar de louco. noite-em-paris.blogspot.com/?m=0

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  @vekomavich40136 күн бұрын

  I couldn’t find this anywhere! Thank you!

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  @tsuyu0kami6 күн бұрын

  幼児の頃にこういう曲を弾いてたな

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  @user-ns6hd3bm7r6 күн бұрын

  Il était noir. Il était gay. Il était humble. Il est mort dans la pauvreté absolue. Immense musicien. James (France)

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  @ericdevaughn59418 күн бұрын

  Wonderfully Exquisite !

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  @ericdevaughn59418 күн бұрын

  Most pleasing and attractive music. A fine performance and great recording with excellent balance . This appeals to my ears and sensibility. Beautiful writing for Viola. A true understanding of the instrument. 👌👍⭐

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  @johannesortmann27898 күн бұрын

  In many ways the Staatskapelle Dresden was the stylistic counterpart of Karajans own Berlin Philharmonics in the seventies and it is very nice to have this document. Thank you !

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  @adriengomez28258 күн бұрын

  One of my favorite composers at this moment with also Liza Lim, so thankful to be enjoying the listening .

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  @samb75889 күн бұрын

  Rest in peace, Robert Boudreau❤

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  @MichaelConwayBaker9 күн бұрын

  I have longed admired Harold Shapero'e music. I always find it intriguing and listenable!. Thanks for positing.

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  @FourPawsInTheGrave9 күн бұрын

  Basically elevator music as you enter a black hole.

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  @alexj116110 күн бұрын

  Trotzig is at 2:31.

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  @dbadagna12 күн бұрын

  Instrumentation: 4(picc).3.4(Eb clar, bass clar).4(db bn) - 4.4.4.1 - banda (2 cornets, 3 alto flugelhorns, Euphonium). timp. perc (tgl, ratchet, side dr, bass dr, cym, 3 gongs, tubular bells, tam-t, glsp, xyl, vibr, marimba). guit. 2 el.guit. bass guit. 2 harps.cel. hpd. piano. org. strings - male choir. solo violin

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  @michelangelomodica644512 күн бұрын

  qui est le peintre ?

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  @pnocella13 күн бұрын

  Hmm- Armenian Apostolic Church chorale music? Text-based melodic phrases but w/o text? Interesting instrumental colors/textures. Interesting harmonic palette w/surprising modulations. Is it less difficult to compose dozens of symphonies using only a few instruments at a time? Very few (none?) "tutti" passages? Do all Hovhaness' symphonies have this sound?

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  @andrewmelchior3rdspace13 күн бұрын

  He was a fucking genius. END OF.

• 
  @Shapulak14 күн бұрын

  ❤❤❤

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  @RanBlakePiano15 күн бұрын

  Fine !

• 
  @QuentinUK15 күн бұрын

  an inexhaustible network of relationships

• 
  @SamTex6916 күн бұрын

  Seeing one of the rare live performances of this masterpiece (Ruhrtriennale, Bochum Gebläsehalle) was the ABSOLUTE highlight of my 'musical career'. The audience was in the middle of the hall, while the four orchestras and four choirs sat in a, well, "Carreé around us. We were told that there would be two performances of this piece, which at first we found very strange. At the first one, I listened, but out of curiosity, I also looked at what was going on around me. I mean, four orchestras and four choirs, that's rare. When the concert was over, I said to myself: "That was good", but not extraordinary. And then they told us: "After the break, please change seats, find another seat anywhere", which at first we thought was strange again. But what a difference! During the second performance, I sat closer to the centre and closed my eyes. Then something special happened: the music and singing swirled around me from all four corners. I'd never 'experienced' music like that before, and I never have since. What a genius Stockhausen was!

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  @truthwitness857916 күн бұрын

  Elmer Berenstein based the theme of the seven magnificent in this composition. Just saying.

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  @user-wp3xl4jd8d17 күн бұрын

  Performance com andamentos arrastados, e sem a força que essa obra pede. Ou a OSB não estava nos seus melhores dias, ou esse maestro não soube conduzir a obra com a energia adequada. Alias a OSB sempre teve altos e baixos na qualidade musical ao longo de sua história e de acordo com quem esteve como diretor artistico em cada época, além de crises financeiras e administrativas que a orquestra passou em vários períodos. Sugiro que ouçam a gravação feita pelo próprio Villa-Lobos nos anos 50 com a Symphony of the Air para verem a forma adequada de se interpretar essa obra.

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  @RobertoCarelli17 күн бұрын

  Realmente a gravação feita pelo próprio Villa-Lobos é perfeita. Outra perfomance excelente dessa música é a da Orquestra Filarmônica de Minas Gerais com regência de Fabio Mechetti, uma gravação feita em 2014.

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  @Cleekschrey17 күн бұрын

  OMG

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  @georggeiersdorf107717 күн бұрын

  Wonderful music. Pleasant and good performance . I advise to pay attention to his symphonies.

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  @samdorsalis87818 күн бұрын

  Awesome!!!😊

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  @Titi-v8g14 күн бұрын

  Namasté

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  @cymo_fr18 күн бұрын

  Vous entendez aussi les "citations" de la "Messe pour le temps présent" de Pierre Henry à partir de 2'56 ?

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  @dbadagna20 күн бұрын

  When was this recorded?

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  @dbadagna20 күн бұрын

  I think Foss composed this work in 1968, then revised it in 1969.

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  @nadirliciaferraricei810320 күн бұрын

  Saudades de quando se cantava com o maestro Roberto Manzo ...... maravilhoso!!!

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  @MegaCirse21 күн бұрын

  The mark of a musician who truly understands the soul of the organ is one who understands how to work with the resonance of his space... too many organists continue to play at a rhythm without respect for the resonance of a room. The following echo and silence are part of the performance as a brilliant fanfare. Without silence, the fanfare just becomes noise 🥸

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  @miss_sugarplum21 күн бұрын

  00:00 I. (Chor: 4:37) 05:25 II. 07:09 III. (Chor: 7:34) 09:02 IV. (Chor: 10:10, Solo: 11:20, Chor: 11:56) 13:27 V. (Chor: 14:06) 15:05 VI. 17:37 VII. (Solo: 20:48, Chor: 22:09) 23:33 VIII. 32:55 IX. 34:58 X. 37:36 XI. (Chor T/B: 40:23, Mädchenchor: 41:50, Chor: 42:44)

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  @veraloft839321 күн бұрын

  This is such beuatiful and intelligent music ! .. TYou have to open your ears to a new type of harmony and new type of melody ... and of course, Hauer is far superios to Schoenberg ... and Hauer ORIGINATED the 12 tone idea, before the other guy ... ut Hauer is a Mystic ... his mysic has transcendantal qualities no other music has, beucase the other composers were NOT transcendtal .. Hauer bridges into the Fourth DImension ... Schoenberg knows nothing of it at all ... and it dismays me that humanity and academics have been, of course, blind to the greatness of this music and to Hauer. Being "Un-famous" has nothing to do with the quality of art or usic ... the greatest musicians and the greatest artists are still unnown ....

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  @TaichiStraightlife21 күн бұрын

  Quite beautiful; thank you for uploading.

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  @user-ij6hg2pz5j22 күн бұрын

  良きです

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  @matias871HF23 күн бұрын

  8:54 im gonna sample the sh*t out of it

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  @matias871HF23 күн бұрын

  19:22 also lmaooo

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  @user-ij6hg2pz5j23 күн бұрын

  良きです

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  @clydeblair962223 күн бұрын

  McCartney must somehow have heard this.

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  @fantasmavagamundos24 күн бұрын

  Musica tan aburrida de este cretino no me transmite nada

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  @dbadagna25 күн бұрын

  Has anyone put Berio's "Divertimento" (1957), the one for electric guitar and orchestra, on KZread?

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  @johnstag139125 күн бұрын

  ❤

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  @braevinmaund121026 күн бұрын

  this shit just sounds out of tune bruh. this clown of a composer thought he did something here huh. fucking cringe

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  @PeterMeierAhorn26 күн бұрын

  Welche Abgründe, welch tiefe Zartheit in dieser jungen, vom Tod gezeichneten Frauenseele...

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  @stephenhall351526 күн бұрын

  Although much of Tippett's large scale later work was uneven -- and the last three operas had silly, home made, plots and libretti causing cringes galore -- he composed some masterpieces which are unjustly dismissed. This is one of them and it helps to know the Wallace Stevens poem upon which it is sort of commentary. There are subtle quotes from two Britten works and a curious reference to a motif from Bartók's 5th string quartet which appears four times. The piece needs listening to a few times then it somehow sticks and thrives in a fertile mind. That happens a lot with Tippett and, after some years of neglect, younger musicians are finding this important composer anew.

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  @user-yo9pv1ni6t27 күн бұрын

  Schnittke's music will live FOREEVER, It speaks to the depths of humanity

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  @klauslay209127 күн бұрын

  Es geht hier um sagenhafte unbeschreibliche Erlebnisse im Dasein, als der Ort überhaupt den wir glauben zu erfahren, mit unendlichen Räumen und Wohnungen voller Wunder.

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  @whyyyyou27 күн бұрын

  This music can also be heard in the 1997 Joel McNeely/Royal Scottish National Symphony recording of PSYCHO track 39 ''Discovery'' 16:36 Obviously Herrmann intended to use more music from his sinfonietta for PSYCHO.

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  @eleanorsopwith980628 күн бұрын

  Passion, pathos, expressive