Thank you for the great and simple tutorial.. please what fx is on snare and toms
@joshualeyva139616 сағат бұрын
Moreeeeee mastering, incredible videos
@MC33321 сағат бұрын
This becoming one of my favourite channels ✌🏾
@FokusGotBeats2 күн бұрын
First time ever in my life I thumb anyone down. Dude weird for that. Ijs.
@3mpathy7172 күн бұрын
George T always comes through with the knowledge! Is there any chance you will do one on DRO?
@mvxworthy54242 күн бұрын
Bro the drum template link doesn't work
@josebiggsmusic4 күн бұрын
Thanks @georgetmusic the link of the templates aren’t working. Do u still share the tamplates? :) thanks!
@Fullclip7774 күн бұрын
Thanks for your insight in this matter, it seems to make a lot of sense.💯
@kaiserwilhelmii18274 күн бұрын
Vintageverb really is such an amazing plugin. One of my most used plugins period
@naughtyducky63255 күн бұрын
You know you can just side chain the frequencies you want?
@noahwallace34585 күн бұрын
beat makers this are not producers
@dogsandyoga17435 күн бұрын
Low End was one of the few records that changed the way I heard hip hop, and music in general...
@KennyLauderdale6 күн бұрын
Wait, we're missing the rest
@dimitriward14496 күн бұрын
The sonics on that album are shocking though 😂
@Duna_TV6 күн бұрын
The DJ Quik visualism footage took me back 🤤
@takinthebox5 күн бұрын
im on the request line
@Stewartchampion6 күн бұрын
I'm not really synth guy..guitarist..tho I like trippy music...drum.n bass..dub. guitar music.folk.blues..reggae...all sorts... I like Mike tho... i like my weed....and well basically..I enjoy learning from him and well getting stoned while I do that...simple
@EVILJAMARR6 күн бұрын
I've been a working engineer for almost a decade now, I have learned so much from Dre that can apply to almost any genre of music mixing. He's really something special that I think most serious engineers can and should study. There are lots of engineers that you should study, and Dre should be in the top ten.
@Durkhead6 күн бұрын
I think this is the reason 90s music sounded so good in general cause it was the perfect mix of analog and digital
@nilezcole40126 күн бұрын
Nigga literally got the mic at his bedside , thats more than dedication
@JewelzFinazzo7 күн бұрын
God BlessYou!
@tradito7 күн бұрын
your videos are terribly edited, sound bad, and you use video so low quality no one can't even read the text in them. why should anyone pay you anything to get tips and presets from you when you're basically recycling other people's material? sorry but this feels like grifting.
@crucifixgym7 күн бұрын
Bob explained to me exactly how to use the Pultec while we were sitting in a studio at the end of a mix. Priceless info, and now with Pultec digital emulations, it works ITB!
@jamieallan64507 күн бұрын
Its because the older fl studios have a risen limiter default!!! put the same default on the new fl studio!! and its the exact same!!!.
@markafterdarkmusic7 күн бұрын
Help me understand.. why gate a kick tail instead of adjusting decay/ release? Seems like 6 of 1 but I’m interested to know the theory
@TheJohnsofDoes7 күн бұрын
The beatmaker secret is literally just to clip the DAW. they don't even do anything i would consider "mixing". everyone from Young Chop, DJ-L, Metro Boomin, Yamaica, all the way through to the UK Drill tripe. they all basically just clip their DAW. a big part of the sound is how the kicks overload the master and the sheer difference volume between it, the 808's/sub and everything else. they do use a lot of highpassing too to really thin things out, but it's the literal clipping of their crappy audio interfaces that gives that signature sound to Metro Boomin etc. if you want the kick to not sound all garbage and like a fart like it does in UK Drill, then just shelve the kick before you push it into the red in the summing buss There really is no secrets for this stuff at all. the drum kits they all use, Omnisphere, Nexus, Electra, and others are 99.9% of the sound. mixing doesn't even come into it They don't sidechain either. i've seen enough UK Drill sessions and some Trap to know that there isn't any real mixing going on. the biggest challenge for actual mix engineers like myself and other though is mimicking that sound without none of the crazy intermodulation from just overloading the crappy DAC etc. your mix will get rejected by them pretty quick if it doesn't resemble that overcooked sound IME
@the_free_west7 күн бұрын
buy an auratone 5c
@michaelparker98608 күн бұрын
How did he learn this stuff
@vincechavez62568 күн бұрын
Great insight
@TheJohnsofDoes8 күн бұрын
Dre's mixes haven't sounded good for years. he ditched this methodology just a bit before Compton. he's all Pro Tools now and has been for a long time. no SSL, no tape, no finished stereo mixes to DAT. not sure about the MPC, but given most of the people he has in his entourage crafting demos for em use things like EXS24, and Battery, i doubt it features much. his methods don't really translate all that well to an ITB environment. it's pretty clear from anything he mixed around the time of Compton and after which was bright and harsh and didn't have that bottom end thump he is known for. that usually comes from tape, and you really need to know your shit to get around the shortcomings of ITB to craft a sound like that. simply mimicking your original methodology wont get you there as there are pitfalls and road blocks in digital audio that don't allow to stumble upon some killer sound like you do when you are OTB with very elaborate patch bays of recording gear and fancy signal paths
@knotryn9 күн бұрын
Do you mind if I use this video as a source?
@floydthomas36509 күн бұрын
The second was better though - 🤔 and J is the goat but he lost on this one.
@obrekmedia9 күн бұрын
Dre is overrated as a producer but he is a great engineer.
@knookieknook60579 күн бұрын
He don’t even produce the beats fr he just puts his name on other producers beats. He also rarely mixes and takes credit
@paavoilves54166 күн бұрын
@@knookieknook6057 Producer doesn't necessarily make beats. They lead the creative process to make the end product as good as possible. Rick Rubin is a good example.
@novacanevein8099 күн бұрын
Thank you for this!
@ryanboyce33659 күн бұрын
I guess it’s nothing but a G series thing baby.
@tecno833510 күн бұрын
Everyone who uses a C800G follows it up with d-Esser IMMEDIATELY and if that still doesn't work they dip the top end. Its super bright.
@veryzon829210 күн бұрын
The link no longer works :((((. Could you please repost it 🙏
@MikeSpexTV10 күн бұрын
“Bob Power you there?” “Yeah !”
@Bittamin10 күн бұрын
Understanding the color and how converters played a huge role in how it went into digital, will help understand why the 1000s of dollars people spend on digital emulations of these hardware tools always fall short 😂
@Bittamin10 күн бұрын
The oldskool baby 🎉❤
@vektacular10 күн бұрын
Another “secret” is that these albums weren’t made in a digital environment….digital music can’t even come close to the hardware inspired music of the past because it doesn’t have a limited space in a digital environment…..these albums were mixed and mastered at real studios with real hardware pumping sound through real equipment.
@poindextertunes10 күн бұрын
as an old beat maker in the middle of my mixing journey, I always enjoy videos man 🔥
@poindextertunes10 күн бұрын
sounds like Young Guru was talking about a form of gain staging 🤔
@Holysci2210 күн бұрын
this pretty much sums up the entire video y’all… they used an asr-10 through a neve console then through tape. lol oh and they stacked their kick and snares.. 😅
@pac0re10 күн бұрын
He just followed what other engineers did in well equipped studios… they all used ssl compression, eq, preamps .. outboard and tape.. Dre’s records were loud and open sounding because the tempo was slow, the instruments were very sparse and there was a lot of space for the vocals to shine.. one thing the video left out which was crucial to the loudness was the lavry converter softclip which gives a loud saturated sound without the squashing a limiter does
@commiekiller300010 күн бұрын
Music production and the engineering side was so different back then from how it is now. Nowadays, entire albums can be tracked, mixed and mastered with such little gear, it almost looks like you nothing at all. It’s also sad to think we’ll never get more music that sounds the same as it did from this era. I have a soft spot for that sweet, warm, fuzzy sound that music once had.
@moxictasculinityКүн бұрын
Numerous hits have been created with just a UAD Apollo and a decent mic
@andivax10 күн бұрын
Live music recorded on colourful Neve and mixed on transparent SSL. Rap music created on colourful 3000/1000 and mixed on transparent SSL. The same approach.
@KennyLauderdale11 күн бұрын
Why use “stole”? Do you even know what stolen means?
@Octwavian11 күн бұрын
documentary vibes
@lequidbit938511 күн бұрын
Another banger George!!!! Would love to see a video of how to emulate Dre's clipping the ssl technique in the digital realm
@asdf072xxp11 күн бұрын
The most well known studio monitors in the world are a secret?
Пікірлер
Thank you for the great and simple tutorial.. please what fx is on snare and toms
Moreeeeee mastering, incredible videos
This becoming one of my favourite channels ✌🏾
First time ever in my life I thumb anyone down. Dude weird for that. Ijs.
George T always comes through with the knowledge! Is there any chance you will do one on DRO?
Bro the drum template link doesn't work
Thanks @georgetmusic the link of the templates aren’t working. Do u still share the tamplates? :) thanks!
Thanks for your insight in this matter, it seems to make a lot of sense.💯
Vintageverb really is such an amazing plugin. One of my most used plugins period
You know you can just side chain the frequencies you want?
beat makers this are not producers
Low End was one of the few records that changed the way I heard hip hop, and music in general...
Wait, we're missing the rest
The sonics on that album are shocking though 😂
The DJ Quik visualism footage took me back 🤤
im on the request line
I'm not really synth guy..guitarist..tho I like trippy music...drum.n bass..dub. guitar music.folk.blues..reggae...all sorts... I like Mike tho... i like my weed....and well basically..I enjoy learning from him and well getting stoned while I do that...simple
I've been a working engineer for almost a decade now, I have learned so much from Dre that can apply to almost any genre of music mixing. He's really something special that I think most serious engineers can and should study. There are lots of engineers that you should study, and Dre should be in the top ten.
I think this is the reason 90s music sounded so good in general cause it was the perfect mix of analog and digital
Nigga literally got the mic at his bedside , thats more than dedication
God BlessYou!
your videos are terribly edited, sound bad, and you use video so low quality no one can't even read the text in them. why should anyone pay you anything to get tips and presets from you when you're basically recycling other people's material? sorry but this feels like grifting.
Bob explained to me exactly how to use the Pultec while we were sitting in a studio at the end of a mix. Priceless info, and now with Pultec digital emulations, it works ITB!
Its because the older fl studios have a risen limiter default!!! put the same default on the new fl studio!! and its the exact same!!!.
Help me understand.. why gate a kick tail instead of adjusting decay/ release? Seems like 6 of 1 but I’m interested to know the theory
The beatmaker secret is literally just to clip the DAW. they don't even do anything i would consider "mixing". everyone from Young Chop, DJ-L, Metro Boomin, Yamaica, all the way through to the UK Drill tripe. they all basically just clip their DAW. a big part of the sound is how the kicks overload the master and the sheer difference volume between it, the 808's/sub and everything else. they do use a lot of highpassing too to really thin things out, but it's the literal clipping of their crappy audio interfaces that gives that signature sound to Metro Boomin etc. if you want the kick to not sound all garbage and like a fart like it does in UK Drill, then just shelve the kick before you push it into the red in the summing buss There really is no secrets for this stuff at all. the drum kits they all use, Omnisphere, Nexus, Electra, and others are 99.9% of the sound. mixing doesn't even come into it They don't sidechain either. i've seen enough UK Drill sessions and some Trap to know that there isn't any real mixing going on. the biggest challenge for actual mix engineers like myself and other though is mimicking that sound without none of the crazy intermodulation from just overloading the crappy DAC etc. your mix will get rejected by them pretty quick if it doesn't resemble that overcooked sound IME
buy an auratone 5c
How did he learn this stuff
Great insight
Dre's mixes haven't sounded good for years. he ditched this methodology just a bit before Compton. he's all Pro Tools now and has been for a long time. no SSL, no tape, no finished stereo mixes to DAT. not sure about the MPC, but given most of the people he has in his entourage crafting demos for em use things like EXS24, and Battery, i doubt it features much. his methods don't really translate all that well to an ITB environment. it's pretty clear from anything he mixed around the time of Compton and after which was bright and harsh and didn't have that bottom end thump he is known for. that usually comes from tape, and you really need to know your shit to get around the shortcomings of ITB to craft a sound like that. simply mimicking your original methodology wont get you there as there are pitfalls and road blocks in digital audio that don't allow to stumble upon some killer sound like you do when you are OTB with very elaborate patch bays of recording gear and fancy signal paths
Do you mind if I use this video as a source?
The second was better though - 🤔 and J is the goat but he lost on this one.
Dre is overrated as a producer but he is a great engineer.
He don’t even produce the beats fr he just puts his name on other producers beats. He also rarely mixes and takes credit
@@knookieknook6057 Producer doesn't necessarily make beats. They lead the creative process to make the end product as good as possible. Rick Rubin is a good example.
Thank you for this!
I guess it’s nothing but a G series thing baby.
Everyone who uses a C800G follows it up with d-Esser IMMEDIATELY and if that still doesn't work they dip the top end. Its super bright.
The link no longer works :((((. Could you please repost it 🙏
“Bob Power you there?” “Yeah !”
Understanding the color and how converters played a huge role in how it went into digital, will help understand why the 1000s of dollars people spend on digital emulations of these hardware tools always fall short 😂
The oldskool baby 🎉❤
Another “secret” is that these albums weren’t made in a digital environment….digital music can’t even come close to the hardware inspired music of the past because it doesn’t have a limited space in a digital environment…..these albums were mixed and mastered at real studios with real hardware pumping sound through real equipment.
as an old beat maker in the middle of my mixing journey, I always enjoy videos man 🔥
sounds like Young Guru was talking about a form of gain staging 🤔
this pretty much sums up the entire video y’all… they used an asr-10 through a neve console then through tape. lol oh and they stacked their kick and snares.. 😅
He just followed what other engineers did in well equipped studios… they all used ssl compression, eq, preamps .. outboard and tape.. Dre’s records were loud and open sounding because the tempo was slow, the instruments were very sparse and there was a lot of space for the vocals to shine.. one thing the video left out which was crucial to the loudness was the lavry converter softclip which gives a loud saturated sound without the squashing a limiter does
Music production and the engineering side was so different back then from how it is now. Nowadays, entire albums can be tracked, mixed and mastered with such little gear, it almost looks like you nothing at all. It’s also sad to think we’ll never get more music that sounds the same as it did from this era. I have a soft spot for that sweet, warm, fuzzy sound that music once had.
Numerous hits have been created with just a UAD Apollo and a decent mic
Live music recorded on colourful Neve and mixed on transparent SSL. Rap music created on colourful 3000/1000 and mixed on transparent SSL. The same approach.
Why use “stole”? Do you even know what stolen means?
documentary vibes
Another banger George!!!! Would love to see a video of how to emulate Dre's clipping the ssl technique in the digital realm
The most well known studio monitors in the world are a secret?