Welcome to GBS where you'll find quality bass lessons, gear reviews and bass line demos presented by professional session bassist, Greg Hagger.
If you want 'waffle-free' content that gets right down to teaching you the important stuff then you're in the right place.
Free PDF downloads in standard notation and Tab available under every video lesson.
Some of the topics covered are listed below:
Bass line covers
Music theory
Left and right hand technique
Scales and arpeggios
Reading music
Gear reviews
Blues
Jazz
Rock
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On my acoustic Kala I've used all of the different non metallic strings and the Thunderbrowns feel and sound better than the others. On my solid body U-bass Subs I like the metallic strings.
What is insane about this? Very simple, standard stuff.
@@nathankirklambo1986 context is importantly here. Have a think about when this track was made and the age of Andy Fraser at the time! Not much is ‘standard’ when you consider this.
8:10 Look at JJ's pinkie, he plays a D (10th fret) instead of a C# as the last note of the riff. Also weird he takes credit for the main riff, Tommy Cogbill plays it on the record...
*next to last note
This isn't as easy as it looks. Those ghost notes and the D-A section is hard to play cleanly. At least for me. It's a great song to practice ghost notes and muting. That's for sure.
@@everready19373 I agree with that! Definitely harder than it appears initially.
Outstanding lesson and tabs.🎉 thanks for teaching this to us!😎🎵
@@ZPX945 thanks, glad you liked it.
Love Dusty's tone and bass . . . But your Lakland sounds pretty good too!
@@StevenDoyleLuke cheers!
Boss ODB3 pedal is a good way to get that sound as well!
I think that the high gain gives more of a subtle drive tone but an OD pedal that isn't too full-on can get a similar tone.
@@GregsBassShed oh yes, definitely not an exact match but it works!
Super cool🎉
Thanks!
Thanks for the video! My pinky wasn't terrible and doing this even a few times has helped. How important is it to keep the first finger down? I don't think my hands are that small but it's very difficult for me.
To be honest, if you can keep all fingers as near as possible to the fretboard, you'll be able to play more accurately and faster but just do what you can do!
Good comparison. From how it sounds in the video, I like the flatwound better, it has a thicker and more defined classic bass sound. As for the Tapewound, it loses sub-bass frequencies and adds a click that sounds very plastic to me. I don't like this last aspect at all, but it's a matter of individual taste. Buena comparación. Por cómo suena en el video, me gusta más el flatwound, tiene un sonido de bajo clásico más grueso y definido. En cuanto al tapewound, pierde frecuencias de subgraves y agrega un clic que suena muy plástico para mí. No me gusta este último aspecto en absoluto, pero es una cuestión de gusto personal.
Stil no pdf Greg Anything change?
@@Trupial sorry about that. It should be working but occasionally the automation fails. Can you email me via the website and I’ll send you the PDF - gbshed.com
This is awesome! Great examples for intervals.
@@RuthMcDougal thanks, glad you enjoyed it!
I just found you.. and I’m super happy that I did..! Thanks so much..!✌🏼❤️
You are so welcome!
Nice quick tip for newer players. Also knowing what each interval sounds like before you play it….so play and sing the root, then sing a Maj 3rd and than play it to see if you matched.
@@Firewalz very good tip. I also tell my students to do that!
Nice one Greg, I am trying not to annoy my neighbours at 0100hrs as I practice this, I will one day invest in some headphones, but not until they complain! What would a root, flat 3rd, 5th, and natural 7th be called?
Hope that went ok!! These notes are called the 'Hitchcock chord', named because it was used in the score of the 'Psycho' film by Alfred Hitchcock!
@@GregsBassShed Thanks Greg, it fell quite comfortably under my hand, and sounded quite malignant but right??? Thankfully the neighbours heard nothing😉I am hoping to get up to Upton for the weekend if things go well, so I will try to catch your set on the Sunday if possible.
@@mickymondo7463 that’s great to hear about the gig! I would say to come and say hi but I’ve got no idea where we’ll actually be apart from onstage!
Will flats on a PJ still allow the bridge pup to growl a little? I love the versatility of the bass-but haven’t yet found strings that do both.
Good question. I don't actully have a PJ set-up although I have been thinking about it recently. Maybe someone else who reads this can help. I wouldn't say that the flatwounds growl as much. Have you tried halfwounds?
@@GregsBassShed that’s what I have on now-I get the growl on the bridge, but not an ideal P sound. I think it’s unobtainium.
@@mattgreven7615 that’s interesting. In a way I suppose that’s why I haven’t yet brought a PJ. I must try before I buy!
I think rests are one of the bass players most potent tools. Example of that to the extreme (not ska I know) - Papa was a rolling stone. It's nearly all rest!
Very true! Funny, but I'm planing a lesson on rhythm and articulation as I deem these two aspects of bass playing so important. The rests really help to emphasis rhythm.
Nailed it! 🤘
Cheers!
As always, this is an outstanding bass lesson with brilliant insights into an iconic bass line, thanks for sharing
My pleasure Niall!
Greg you crushed that bass line WOW !! I want to learn that one fo so !!
Thanks! Go for it. It's a good one.
Here's my KZread lesson on this bass line: kzread.info/dash/bejne/pYiXo8iKl6jFZdI.html
Here's the free transcription: www.gbshed.com/alright-now
Hey brother, just wanted to say hi and thank you again. Havent disappeared yet and still practicing but havent been online to much lately. Was thinking about you and wanted to thank you again for all you do. Have an amazing day brother.
Great to hear from you Tom and I'm glad that you are still playing the bass. Hope things are good with you and thanks for your kind words.
Classic!!!!
Another classic! 😎
Thanz bruv you give me confidence, Regards Harley ..
You're welcome, glad the video helped you Harley. Learning all these little devices will hopefully help when playing your own Blues bass lines.
Four of my six Basses, have Flatwound strings.❤
I can understand why!
Personally, I like the single version better. The mix seems to be a lot cleaner, especially in the solo section. Listen to the album version in the verses. The 2 guitar tracks don't line up and it's a bit distracting to me. Thanks for another great breakdown!
Yeah I agree. I prefer the single version too.
Thanks for PDF. Great job!
You are welcome!
This and third stone were about the only good thing he ever did lol
Nicely explained. Remember several years ago the band I was in decided to cover this song and we turned up at practice having all learnt different versions.
Sounds familiar! 😂
Fantastic lesson!
Thanks! 😃
Outstanding! I always like this song. Great lesson. 🙂
Glad you enjoyed it!
Thanks!
Welcome!
First bass line I ever learned. Fond memories. Thank you.
Similar to me then! Glad you liked it.
Always prefer to play a fretted A as it sounds better unless I’m pedalling in A
Me too but I sometimes play an open A in certain runs.
@@GregsBassShed it’s all about the ergonomics
Definitely, that's why I always tell my students to experiment with different fingering patterns to see what suits them best.
Thanks for sharing this much appreciated 🎵🎶🎸
Hiya Greg this has been very helpful for me...many thanks fella 👍
No problem. Glad it helped 👍
Cool! Greg
Thanks Rog
Well that was easy - then came the solo! Thanks, Greg!
That’s what I thought when making the lesson!
Thanks Greg! I love your how you explain every song.
Thanks Gary. Glad you like them!
I love how you explain the bass line and not just post it. Well done……again
Thanks so much, enjoy the lesson!
Greg, Happy to have found your lessons! I really enjoy your Blues Jam Survival Guide and Walk The Blues online programs including the countless free downloads. It's becoming a breakthrough with my journey to learn blues bass and I'm very excited! Thank you!
That's so great to hear! You're in the right place for Blues and it sounds like you are really motivated which is brilliant! 🏆
Great! Thanks from Madrid. Thanks for PDF
Great to hear that I cam reaching you in Madrid!
❤ Greg, Thanks. 💫
Glad you like it 😃
Minor update on how the tape wounds sound. Rather than a "buzz" they may be producing some sort of subtle harmonics.
I've always thought that this particular pickup produces a wider range of frequencies than the usual P-bass double pickups. That might be what you are hearing.
Listening with AKG K240 (55 ohm) headphones to be sure to hear the low end vs the laptop speakers. To me, the tape wounds have a little bit of a buzz to them. Like fret buzz, but no where near that bad. It's very subtle. Thanks for doing the side by side playback and making each sample short. It makes hearing the transitions easier to hear (for me anyhow). Thanks for doing this for us!
I'm glad the video is useful Steve. It's interesting hearing your analysis too.
Thanks Greg, I'll give it a go!!!
Good luck Trevor! 😀
Here's a longer video I made on the Circle Of Fifths: kzread.info/dash/bejne/hI59zcuwdM22nsY.html
LOVE IT! Nothing better than the blues!
Couldn't agree more!
Here is the secret - use software to slow down the song and at the same time raise an octave. It will sound more like a guitar line. Then get your guitar out (instead of a bass) and figure out the line. Slow down as much as needed. If you play along this way, you will hear any wrong notes easily, like if you hit a bad note on a guitar lead playthrough.