D!ssonanti
D!ssonanti
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Since 2005, Dissonanti (formerly known as the Accademia dei Dissonanti) has been bringing together old warhorses of early music, each an authority in his or her own field, some of them stalwarts of the most prestigious orchestras (Les Arts Florissants, Pygmalion, Freiburger Barockorchester, Amsterdam Baroque Orchestra, Concerto Copenhagen, etc.). Despite the decades spent touring all over Europe and teaching at some of the greatest conservatoires (Paris, Brussels, The Hague, etc.) their delight at playing together is undiminished, be it original music written for their instruments or the transcriptions they have made their speciality. From Charpentier to Vivaldi and Telemann - with Bach as the common thread - their concerts have taken them to France, the Netherlands and Denmark, to major city halls and small country churches, spreading the infectious joy of making music.
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More, please.
Beautiful Sébastien! Greetings from Brasil! 🇧🇷
Wonderful 😍😍😍😍😍😍😍😮😮😮😮
Wow, che meraviglia... bravissimi
Magnifique
Thank you so much. This is an awesome performance. So full of joy and beauty. Thank you.
The recorder reminds me of corelli concerto no5 minor. Very well played
Superb. It reminds me the best of alessandro scarlatti recorder pieces or Corelli for the strings. This arrangement is astounding. Also it created a bass line different from bach's work. Well done
Bravo......!
Impressive, emotional.....JS Bach
Quedé impresionado, especialmente por la fuga!!!!
I have listened to your Passacaglia so many times! It's wonderful and beautiful 🌟 I'm exited to hear about a recording - looking forward! Greetings from Denmark😊
Thank you all for your support and comments ! We are now launching a crowfunding campaign to record this piece and some other wonderful transcriptions ! Please help us : www.helloasso.com/associations/clavecin-pour-tous/collectes/bach-autrement-par-l-accademia-dei-dissonanti. Thank you !
Vous pouvez "épingler" ce message, pour le rendre plus visible dans les commentaires !
Lien vers la cagnotte : www.helloasso.com/associations/clavecin-pour-tous/collectes/bach-autrement-par-l-accademia-dei-dissonanti. MERCI ! Link to the crowfunding : www.helloasso.com/associations/clavecin-pour-tous/collectes/bach-autrement-par-l-accademia-dei-dissonanti. THANK YOU !
The best music never dies...
Breathtaking. I'm crying... how beautiful. Soli Deo Gloria!
Гениально!!!!!!!!!!
Magnifique construction, et interprétation qui lui rend parfaitement hommage, bravo
Bro played bwv 582 on recorder 💀💀💀
Quelle merveille.
Magnifique. Tout bonnement magnifique. Je vous ai vu hier soir en concert au temple du bouclier à Strasbourg. J'ai été véritablement transporté par votre transcription. Je me dois de vous féliciter et de vous remercier pour ce moment musical que vous nous avez fait vivre
High level performance only lacking a bit of 10 feet bass organ.
No século XXX e XXI fomos/somos acostumados a ouvir músicas do período barroco e clássico com grandes orquestras, algumas delas com até 100 músicos. Ficaram famosas as interpretações "arrasa-quarteirão" da Filarmônica de Berlim (com Herbert von Karajan na regência), os mega-corais da Sinfônica de Londres, para interpretar obras de Händel, como o Côro do Oratório "O Messias". As orquestras estadunidenses seguiam o mesmo padrão. Esse tipo de arranjo, orquestração e regência serviu para diversificar o público ouvinte/apreciador de música clássica, que de outra foram ficaria restrito aos shows de rock e música popular/ligeira. Como não poderia deixar de ser, foi a Inglaterra o país que juntou a música clássica ao rock; várias bandas do chamado "rock progressivo" tinham entre seus integrantes músicos com formação clássica em Conservatório. Daí para arranjos orquestrais/sinfônicos aplicados a suítes progressivas foi um passo. Mas há cerca de duas décadas temos visto músicos, regente e compositores interessados em arranjos mais camerísticos ou para pequenas orquestras, sobretudo para o repertório do período barroco. Em alguns países houve grande proliferação de conjuntos e orquestras com objetivo de fazer uma interpretação històricamente situada, ou seja, com instrumentos de época (ou réplicas perfeitas deles), em ambientes pequenos. Com isso os músicos e regente esperam transmitir aos ouvintes uma sonoridade mais próxima daquela pensada pelos compositores da época. A música de Johann Sebastian Bach (por muitos considerado maior compositor de todos os tempos) soa muito bem com esses pequenos conjuntos e pequenas orquestras. Nesta apresentação todos os músicos e todos os instrumentos (com exceção do cravo, dedicado ao acompanhamento) têm seu momento de protagonismo; e Sébastien Marq sabe quando deve deixar os outros músicos serem os protagonistas. E a captação do som ficou muito boa. Obrigado e parabéns aos músicos e técnicos.
Beautiful 👏🏻👏🏻👏🏻
BELLO BELLO BELLO ❤❤❤
I sometimes think that the only way in which a superior intelligence can communicate with us is through music. It is not omnipotent. It certainly cannot help us. Not only it watches us suffering. It suffers with us. But of course, all what I said is just poetry, what the great loved late Joshua Liebman thought and expressed in his wonderful book Peace of mind (reading recommendation included to you incidental reader of these humble comments).-
A beautiful composition, beautifully played!
Magnifique !!! Bravo à tous !
What a beautiful performance of this wonderful masterpiece. Thank you and congrats!!!!!
Very good transcription, very good performance
Suena realmente poderoso!!
Quelle belle, quelle étonnante adaptation ! Superbe. Grands mercis.
!!!!!!!!!
VIVAT
💯
Пассаккалия и фуга до минор Баха. Слышал только на органе. На таких инструментах не слышал, но исполнение великолепно.
Mi è piaciuta tantissimo. Purtroppo c'è chi non condivide questi arrangiamenti. Collocano un opera in un binario morto, senza concedere di svilupparla adattandola, con rispetto s'intende, ad altri strumenti d'espressione musicale. Secondo me, sono schiavi delle caccole sul pentagramma! Ma tutta la musica creata è arte donata a libero sentore per ogni anima.
Esta passacaglia es original para organo, pero , este genio, con su versatilidad a contruccion armónica, de sus obras? asta con piedras de tonos distintos sonaría bien,
The problem with Bach to orchestra transcriptions, is that the transcriber often gets carried away with insane voicing changes in the middle of melodic lines (cough....Webern...Schoenberg...cough); the kind of nonsense that would see you flunk an organ performance exam if you were to do the same thing. The key to Bach orchestral transcriptions is "less is more" and don't interrupt the symmetry. Let the music itself do the talking. As they do here. It's wonderful.
It's a great performance by great musicians. The chosen ensemble of instruments adds brilliance to the organ version. It works the first 5 minutes, say, but then one is left missing the solemnity of the organ version or of the modern symphonic transcriptions (Stokowki or Respighi).
It lacks the power of bass of the organ on the end. Giving the tragic sense of the passacaille. Matter of choice maybe.
Musik des JUNGEN Bach. => 1706 - 1713 ?? ..... Ein Genie!!
Che incredibile palla. Non c'è la vertigine della fuga ma una ripetitiva e fiacca ripetizione impostata e vuota. Andate a lavorare e fatela suonare all'organo.
Dommage que Jean Sébastien puisse plus entendre. Je l'imagine scotché par l'arrangement et l'interprétation.
Une immense expressivité de bout en bout, absolument superbe !
Magnificent performance. My father - who was an excellent amateur organ player - has played this piece on organ for many times. I myself am a reasonable good recorder player. If my father had lived now (he has died suddenly in 2003), we had taken all effort to get the score of this master piece and formed a group to perform and study this. Long ago we had such a group consisting of oboe, traverso, recorder, cello and organ. So we could do this.
Instablaster
absolutely unique ref refreshing and wonderful without loosing a but of Bach!!!!!!!
Extremely beautiful! Eva
I wonder why nobody noticed that they transposed the piece to G minor. But it sounds perfect anyways 😎
The best piece of music ever written by human! And what a beautiful interpretation :)
now imagine playing all 5 voices on accordion. :)
What a fantastic arrangement and performance.... Has more of a baroque feel and air that any other rendition I've heard...Thanks!
Great focus pulling on camera