Oxford Philharmonic Orchestra
Oxford Philharmonic Orchestra
The Oxford Philharmonic Orchestra is one of the leading orchestras in the UK. Praised as ‘excellent’ by Gramophone Magazine and ‘thoroughly impressive’ by BBC Music Magazine, the Orchestra’s reputation is based on the uncompromising artistic standards of its founder and music director, Marios Papadopoulos, and maintained by some of the finest musicians in the UK.
Established in 1998, the Orchestra occupies a unique position within the UK orchestral landscape, attracting some of the world’s greatest artists to appear in its series including Valery Gergiev, Anne-Sophie Mutter, Martha Argerich, András Schiff, Renée Fleming, Lang Lang, & Vladimir Ashkenazy.
The OPO has been firmly committed to outreach work from its earliest days. Its various projects focus on taking music to areas of social and economic disadvantage, including work in special schools and hospitals. In 2002, the OPO was appointed as the first ever Orchestra in Residence at the University of Oxford.
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Perhaps he should check out the Bruno Walter rehearsal of this piece. He would learn a lot!
Talented Composer and Violinist together. The Violin itself is very impressive too. Like a old granny telling stories of 300 years ago.
Vengerov never fails to deliver the best performance! I think the Tempo was at the beginning a little bit slow, but he brought it back to where it should be! ❤
good
good
Prodigiosa y genial Anne Sophie.
Pues
Además que sonmarimacgas
Cpues mira Rodrigo mentiroso,como yo soy hombre me vale verga perder a la Eva y me encargaré de tocar el dea[h con todas las leyea musicales para que sepan que siempre he sido el mejor de los músicos,para estropearte que las viejas piensen que eres hombre pero sobre todo que ellas sepan que eramos enemigos profesionales y que acepte conseguir mas mujeres que no tengan nada que ver con esto y aceptarlas como rivales de música y que me da r8sa los miles de esfuerzos que han hecho para desir que son del requinto de me[alixa y que solo han comprobado que son buenos para sentarse 😀😃🤣
Maxim is the best.
He visto varias Masteclass y muchas de ellas no tienen la profundidad del aprendizaje que nuestra esta ocasión con el Maestro Lugansky... Eso lo hace todavía más allá de lo excepcional! Para los que nos gusta la música al piano es una gran oportunidad de conocer lo que hay más allá a lo escrito e interpretado. Todo en la vida se ama si se conocen los detalles del interior de como está construido. ✨
Боже мой. Лучший. Лучший этого века друзья. ЛУЧШИЙ
🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸
Does Anna give piano lessons? I've always been interested to learn how to play piano
Maybe not to completely beginners
Konstantin definitely has impressive technique and sound quality. Great accompaniment from maestro Luganksky - the two pianos blended wonderfully.
Le Musée du Chevalier de Saint-Georges a été très intéressé par ce dialogue. Amitiés à tous les deux
She was struggling a little bit, but very, very good though. Would like to hear Himari Yoshimura in this (I expect that she would be struggling less).
Wow the beginning of the Rach was so impactful and caused me to tear up. I wasn’t expecting that! Bravi!
Remarquable travail, très belle sensibilité ! bravo ! merci pour le partage ici !
Is it just me or does he slightly resemble Robin Williams 😹
Жалей, не жалей парня, плохо учили мальчишку, череда двигательных ограничений.
0:39
2:05:41
The best violinist in our generation
good
She was spot on... I'm confused how the teachers weren't more on top of some obvious issues--and I know NOTHING, but I've heard all of those pieces enough times to know when something sounds seriously off of kilter. Chopin in particular is pure romance and passion--and that's difficult for young pianists to FEEL so instead of "feeling" the music some will resort to focusing on the technicalities--and not the soul. I'm age 68 and I am hearing layers of his Ballade #4 that I've never noticed before and fantasizing about how I'd play it--it's the beauty of Chopin.
Звуккакизрогаизобилия. 2ячастьэтоболееинтимнодолжнобыть,нетакнасыщенно.
Fabulous
Starts at 16:20
Incredible performance by one of the all time greats
Incredible performance! Greatest living violinist👏👏
0:58 *cough
Sonja Kowollik seems to lack the most basic understanding of how to phrase dynamics in Chopin. I'd say she needs a different teacher than her current one and she should be listening more to the greats.
The information in the description is wrong - the first pianist is Huan Zhang not Sonja Kowollik. She was taught by Sergei Babayan who many consider one of the greatest teachers alive. I think one problem is that she was still in the process of learning/memorizing the Preludes and because they weren't perfectly secure she was a bit too nervous/focused on note recall. Perhaps would have been better to wait until they were a little more polished to present at a masterclass, but on the other hand she got lots of helpful advice from Jeremy Denk.
An intelligent student will learn a lot from this intelligent teacher.
Brilliant!.... How he coaxes the Mephisto out of the pianist is amazing. One of the best masterclases ive seen.
Гениальный художник
Magnificent ...
I am just amazed at the sheer number of details in the music that Nikolai Lugansky can hear and possesses a deep intuition about. Couple this with his God-given virtuoso talent for the piano, and you have one of the greatest ever.
I really liked this masterclass. Denk has a wonderful personality or conversational mood to his teaching, makes him feel less like a teacher talking to a student and more just like a peer- a friend who knows what it's like. That doesn't necessarily mean that he is a good teacher of course. It's different to know and convey a sense of how something difficult should be like and another to be able to say or demonstrate the right things so that the student both gets it and learns the why and the how. And I mean this not as an insult to Denk, I think he is doing rather well - it's just that teaching is such a hard thing to do. Most teachers are decent, some are good and only very few are great. And this is compounded by the fact that music and playing an instrument are insanely hard things to learn to a high degree. It's information overload. You'll time and time again run into the same sequence of "I should be good enough, I've practiced. Nope, fine I'll work harder. Hey I unlocked some new skill or tidbit of information. Oh I see, this is just a tip of the iceberg"
What will Anna's well-sweated Anus taste like after a concert?
Brilliant teaching, but also brilliant response from the student. Bravi!
All three pianists are very good but that last one is spectacular!
WONDERFUL!!!!!🌟💫
Je crois que pour suivre une telle leçon avec Ligansky, il faut déjà être un sacré bon pianiste ; ce n'est pas à la portée de tout le monde, mais sans doute Lugansky se réserve le choix de ses élèves !
I’m sorry. Above comment refers to student G Sutkute.
Figured that out... it was confusing.
It’s clear the pianist under Anna Fedorova’s guide is skillful. However, it appears she has a ways to go to reach the depth, profoundness, and touch that come so naturally in the hands of Anna Fedorova.
Looking forward to giving the Australian Premiere of this piece on 18 Nov 2023. Glorious music.
nothing like nikolai lugansky
I attended a recital last year and it seems a different personality to my impression from that concer. Performing he was your perfect russian, serious, almost too much, just as if not hiding that high profile pianists need their ego. In these classes he shows himself like a different person, and a very good professor at the same time. An splendid document on piano teaching