cine-fils magazine

cine-fils magazine

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„I had to be a cinephile, ciné-fils, a child of the cinema, mythologically born in such and such a film."
(SERGE DANEY)

When the french film critic Serge Daney (1944 - 1992) refers to himself as a cine-fils, he`s talking about his passionate adoration for cinema and the almost familial relation cinephile enters with films.

How do we live with cinema and its pictures? Where does cinema step out of the dark movie hall and adds something to the world? These are the questions CINE-FILS.com ist devoted to in its collection of interviews and essays.

The online magazine CINE-FILS.com offers free video interviews with filmmakers, artist, critics and scientists to start a dialouge about cinema. The interviews are accompanied by essays on the according topic.

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MORE INTERVIEWS COMING SOON

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EDITED BY: Felix von Boehm, Constantin Lieb

CONTRIBUTORS: Alexia Berkowicz, Felix von Boehm, Daniel Costelloe, Brian Fawcett, Constantin Lieb, Clemens von Lucius, Sebastian Seidler, Lina Maria Stahl, Alexander Waszynski, Felix Zwinzscher

MATHILDE BONNEFOY on TRUTH

MATHILDE BONNEFOY on TRUTH

KARIM AïNOUZ on MELANCHOLIA

KARIM AïNOUZ on MELANCHOLIA

PETER GREENAWAY on PAINTING

PETER GREENAWAY on PAINTING

Пікірлер

  • @AnneTracey-gb2mv
    @AnneTracey-gb2mv18 күн бұрын

    👏👏👏

  • @flaviomasson
    @flaviomasson19 күн бұрын

    Genius and my favorite filmmaker

  • @zoetaron3517
    @zoetaron3517Ай бұрын

    I love her!!!!!

  • @ryanand154
    @ryanand154Ай бұрын

    Representation.

  • @enemdisk6628
    @enemdisk66282 ай бұрын

    Finally the algorithm brought us all here…wait….

  • @daisymoses6812
    @daisymoses68123 ай бұрын

    incredible interviewer, Felix von Boehm. Standing up and applauding right now !!

  • @philipstevenson5166
    @philipstevenson51664 ай бұрын

    a river of detritus with odd diamonds - love his films

  • @sweetjane5033
    @sweetjane50334 ай бұрын

    I love to listen to Isabella and look at her beautiful & expressive!!

  • @sweetjane5033
    @sweetjane50334 ай бұрын

    face!

  • @of1300
    @of13004 ай бұрын

    Immer wieder ein Genuss, diesem Typen zuzuhören.

  • @stilesphoto
    @stilesphoto5 ай бұрын

    what a great man. we still miss you Harris.

  • @scottlawton1601
    @scottlawton16015 ай бұрын

    Interesting insight into an interesting human being

  • @saarah5816
    @saarah58167 ай бұрын

    wonderful. still appreciated 13 years later :)

  • @sweetjane5033
    @sweetjane50337 ай бұрын

    such an open minded, curious beautiful magnificent artist!!

  • @EphemeralProductions
    @EphemeralProductions10 ай бұрын

    Such an insightful woman ❤

  • @greenman6141
    @greenman614110 ай бұрын

    Partially for personal reasons...the particular point I was at in my life...seeing The Draughtman's Contract remains my favourite film and has affected my aethetics, preferences in narrative and sense of humour permanently. The Screen on the Hill at Belsize Park is fixed point in my firmament.

  • @appidydafoo
    @appidydafoo Жыл бұрын

    Thank you

  • @subhasis.camera
    @subhasis.camera Жыл бұрын

    great 👍👍👍

  • @bkooo5363
    @bkooo5363 Жыл бұрын

    Charlotte's insights on looking and being seen are something I'd not thought about, but gave me pause. She's given so much to the cinema and I'm glad I found this interview. Thanks for posting it.

  • @adolphsanchez1429
    @adolphsanchez1429 Жыл бұрын

    I'm in awe of Greenaway's talents as a director. His cinema is so original in comparison to anything else out there. I do not care for all of his films, but the ones I do appreciate, I really, really admire.

  • @utkarshjoshi8307
    @utkarshjoshi83072 жыл бұрын

    Anyone think seventh continent was boring af? It makes you uncomfortable…that’s fine…but at Least make it interesting…I like Polanski films better.. Haneke films makes for an unpleasant viewing… That’s his style and I don’t mind it….but dude you Can still make em interesting…I only like the piano teacher Of his.. and bennys video..his films might be impactful… But mostly they are all boring..

  • @c.augustedupin8860
    @c.augustedupin8860 Жыл бұрын

    stick to Bollywood. haneks is too complex for you.

  • @blued3496
    @blued3496 Жыл бұрын

    ⁠@@c.augustedupin8860damn

  • @Tyrianp3
    @Tyrianp32 жыл бұрын

    She is absolutely amazing.

  • @user-nt8dt9wp8w
    @user-nt8dt9wp8w2 жыл бұрын

    thank you so much :)

  • @charlesmauldin3909
    @charlesmauldin39092 жыл бұрын

    I am an Ottinger I'm trying to find my history. Please contact me

  • @louduva9849
    @louduva98492 жыл бұрын

    Such a babe.

  • @ekvt
    @ekvt3 жыл бұрын

    toller Komponist

  • @etluxaeterna
    @etluxaeterna3 жыл бұрын

    holy shit. This video was posted October 8, 2012, and he died on October 9, 2012. How??

  • @ladiespeppers1261
    @ladiespeppers12613 жыл бұрын

    Keren, From Indonesian fans

  • @TheAppus090
    @TheAppus0903 жыл бұрын

    You left too soon

  • @animanoir
    @animanoir3 жыл бұрын

    he says "xenophia", did he meant "xenophobia"? I can´t find that word

  • @luismarioguerrerosanchez4747
    @luismarioguerrerosanchez47473 жыл бұрын

    It was definitely xenophobia, probably a mistake from the person who made the subtitles.

  • @sung4ji3
    @sung4ji33 жыл бұрын

    Its unfortunate that I think I already spoiled myself on the... meta aspect of Funny Games? Is that okay wording? I've heard as a viewer, I'm "incriminated". If "incriminate" means condemn, am I condemning myself even further for wanting to watch this motion picture out of pure curiosity for speculation? I don't think I'm mature at all. I'm only 17, so I don't know jack. I shouldn't watch a film so I can like the thought of myself "thinking deeply" about it while being entertained by what I presume to be "dark comedy" (I presume too, to say that Funny Games looks like an anti-comedy). I feel like I should look inward towards my taste in movies, and how "manipulation" is used bad or well in the stories I like.

  • @aravindmaharaja8353
    @aravindmaharaja83533 жыл бұрын

    I read over 6000 books 😲

  • @max880
    @max880 Жыл бұрын

    Cool

  • @BlunderB
    @BlunderB3 жыл бұрын

    It's interesting because modern film sadly isn't about seeing something new, rather it's about seeing something visualized that you have already seen, heard, read. Even the greats as Kubrick, Tarkovsky etc etc use books as their source material, I think what people crave is narrative, not visual stimuli there are plenty of "experimental" films that are pure visuals, and those aren't going to entertain someone for 3 hours. I do believe what he says has merit though I think people get stuck way to hard on traditional narrative structure and it ends up really limiting the types of storys and visuals you can use

  • @girafingo9280
    @girafingo9280 Жыл бұрын

    You raise a good point - I think of modern day commercials - which do have some textual basis but are overall much more imagistic than narrative films. But nobody really remembers commercials - so it seems a greater context is needed for images to shine and that context seems to be narrative.

  • @jakob5747
    @jakob57473 жыл бұрын

    I like that.

  • @uiuiuize
    @uiuiuize3 жыл бұрын

    Thank you so much for uploading, so deep and so much to learn.

  • @billpaxton7525
    @billpaxton75253 жыл бұрын

    Excuse the mound of text: Greenaway - and I'm only speaking to his films here - has always seemed to have this sort of tug and pull dichotomy between high society/high art and paradoxically the most banal, base aspects of culture, society, etc. He teeters somehow on a complex mirage of artifice and utterly stripped down, [poetically] simplistic, brutal frankness (often in a hellish inversion of British gentility, par for the satire) skewing on vulgar. And now having watched him more, I don't think it's all about the seamy underbelly of the jet set. I don't think he's entirely skewering or indicting these garish monstrosities at the subject of his films; is it fair to say that I think he actually identifies on some level with a bit of the, what many of us might assess to be, vapid glitz? He feels just as at home with the high-flown as much as the unpretentious. He vacillates from resistance to and embrace of these two clashing extremes. Like any good artist he's a bit of a walking contradiction, a self-negating mentality dominates his films, and this discrepancy produces some truly interesting, preposterously good works meditating on refined ugliness that are just as stilted, just as magniloquent..sometimes bloated, as they are incisive; cutting no doubt to the quick in all its starkness. Brash you could call him, and not one to tiptoe around class warfare. It's of course no coincidence that he often picks the incongruity of the genteel Victorian era [and the opposing flotsam of society] to canvas tasteful 'filth'. The result is a very different film each time. No film - or few - is etched in the same rhythms. They're mental exercises divested of complete linearity a fair portion of the time. He rigorously follows conventions of aesthetic beauty in one sense and then bends them. You can tell he takes painstaking measures to assert that no film is alike - I can tell, and I praise that. Often the movies will have some otherworldly Nicolas Roeg-worthy pacing with an ambiguous stew of tonalities that I'm not sure you can altogether call surreal anymore, because that term has worn out its welcome. He usually hits all the right notes, to me. He's an uneven director. But a great one, as I see it. One that can't be overlooked. Each of his films are so suffused with his DNA that you can't not be at least intrigued by the imprint on the sums of its parts. Somewhere, he is situated on some elevated plane of madness that shouldn't be addressed too exigently, as we'd lose someone touched in the head for the greater service of art, you see. Peter Greenaway is at his best when he is at his worst if that makes any sense. When he does not glad-hand the viewer with subtext too viciously spelt out he is on fire.

  • @elgringoperdido.
    @elgringoperdido.3 жыл бұрын

    Great insights and philosophy, I could listen for hours

  • @labbianlibey5881
    @labbianlibey58814 жыл бұрын

    This son of a bitch, Michael Haneke, says that he cannot stand to see violence, that he is extremely scared of violence, and yet he abuses and slays animals for the purpose of his stories. He says that he has never been beaten. He should be beaten to death. I had respect for this author. Now, not any more. Because he is a despicable liar.

  • @sevrin1965
    @sevrin19654 жыл бұрын

    Wonderful

  • @anushreerao8807
    @anushreerao88074 жыл бұрын

    ❤️

  • @liaquathussain4437
    @liaquathussain44374 жыл бұрын

    Nice tips

  • @orangewarm1
    @orangewarm14 жыл бұрын

    You see somone beating somone else it is definitely your business.

  • @Lucilup
    @Lucilup4 жыл бұрын

    Merci!

  • @dabudamba
    @dabudamba4 жыл бұрын

    very interesting!

  • @crystalawen
    @crystalawen4 жыл бұрын

    Aagghh ! I’m having a Mandela moment ... his name has always been Wim Wender ??

  • @nikolassodiant2595
    @nikolassodiant25955 жыл бұрын

    Great person who works a lot with Claire Denis !! :-D

  • @BirdArvid
    @BirdArvid5 жыл бұрын

    I feel so grateful to film-makers like Greenaway, or Tarkovsky, or Bergman for pushing the medium in directions not normally explored by mainstream Hollywood, for instance. Film is a relatively young medium and as such still very malleable (or should be). Why always linear narratives? Why always explanatory dialogue or voice-over's? Trust (or educate) your audience, film-makers!! Do we always (immediately or at all) "understand" every work of art we experience? Of course not, so why should film be any different!?!

  • @BlunderB
    @BlunderB3 жыл бұрын

    People are taught that if they are not told meaning then there must be none. It's quite sad actually.

  • @ralfrecknagel4760
    @ralfrecknagel47603 жыл бұрын

    Greenaway tought us one amazing way to understand films, but he is not obsessed by the idea to understand a movie completly. Therefore I'm grateful that artists like Tarkowski, Greenaway, Almodóvar, Hosokawa, Hitchcock and the unforgotten Pina Bausch from Wuppertal Dance Théâtre influenced my way of thinking, self-awareness and reflection a lot. The "Greenaway" episode in my life was just the moment, when I decided to study chemistry, not art history. I'm quite worried about the uncertain future of small cinemas in the SarsCov Crisis, about the influence of mainstream Hollywood and Bollywood, and moreover about the way Netflix is concepting new films based only on economic success, to fulfill the "obvious" expectations of the audience. The level of physical violence, horror and bizarre stunts in so-called "Block Busters" is disgusting and far from real, far from Vilsmaier. My recommendation is 16 y.o. Grace Vanderwaal, not the Disney movie, but her music and poetry, she went on headline tour with her band and her dog at the age of 13, she's at least as funny and inspiring as literature nobel price winner Elfriede Jelinek.

  • @dominiquesoulierdsbreizh
    @dominiquesoulierdsbreizh5 жыл бұрын

    Le Hasard vous a envoyé à nous à travers vos films, vos réflexions, comme il a bien fait les choses ! Comme j'aurais aimé pouvoir passer un peu de temps avec vous, vous voir réaliser votre (vos) métier(s) et entretenir une discussion avec vous. Hélas cela ne se fera pas puisque vous nous avez quitté il y a quelques jours ! Quelques jours seulement, mais vous nous manquez déjà, Madame. Je n'oublierai pas ce vendredi 29 mars 2019 où j'ai appris votre décès. Vous avez suivi de quelques semaines Michel Legrand et j'espère que vous vous êtes retrouvé tous les 3 avec votre Grand Amour Jacques Demy. Il nous reste vos œuvres à tous trois, mais votre absence est définitivement un gouffre. Vous étiez 3 génies, mais 3 génies Humains, ce qui manque à beaucoup de gens que l'on dit également être des génies (et qui le pensent...). Au revoir Madame,. Merci d'avoir été. J'espère que les générations suivantes vous découvriront et continueront à transmettre notre admiration pour vous.

  • @goatlps
    @goatlps5 жыл бұрын

    #AvantGarde #pretentious #talentless #shite 💩

  • @WaaDoku
    @WaaDoku5 жыл бұрын

    Warum bleiben Leute auf der Autobahn stehen wenns einen Unfall gab? WEIL ES FAHRERFLUCHT WÄRE WENN MAN DAS NICHT TUN WÜRDE! Duh. Wtf. Oder gibts so ne Straftat wie Fahrerflucht nich in Österreich? Is doch selbstverständlich dass man bei nem Unfall stehenbleibt und versucht zu helfen.

  • @das-apfel
    @das-apfel3 жыл бұрын

    da hats jemand offensichtlich nicht verstanden;)

  • @markpx
    @markpx5 жыл бұрын

    pleasure + duration = time