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  @dallonspringchief999226 күн бұрын

  I though also former drummer Ian brown was the drummer for 5440,i see Dave genn on lead guitar, but no Ian brown...

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  @christull65723 ай бұрын

  Best Pink Floyd Album in my humble opinion Fantastic

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  @sheilacomito4 ай бұрын

  This concert was so awesome!!!!!! Phil at his best

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  @mattwuxx38885 ай бұрын

  Hard to see Syd in '67 so lucid and articulate. Within a few years he was a babbling, blown-out acid-head. I worry about the loose attitude so many people now have experimenting with DMT/psilocybin/psilocin, along with newer versions of LSD. These are drugs to only be used very sparingly under supervision and not for self-medication, if at all for most people.

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  @agr78796 ай бұрын

  Been listening to it a lot recently and love it

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  @StorieGrubb6 ай бұрын

  As a 14 year old I interpreted this album in such a way that it became therapy against my confusing childhood. It helped so much. PS I always thought of this record as a sequel to the wall.

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  @jumpingman81606 ай бұрын

  My favorite PF album (alongside Ummagumma).

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  @suzetteanne6 ай бұрын

  I absolutely love the Atom Heart Mother Suite! It is so sweeping and majestic! Happy Birthday, Ron Geesin.

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  @JoeRivermanSongwriter7 ай бұрын

  Who really cares what other people think about an album? It’s all about what you think.

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  @purplepimple26107 ай бұрын

  I was the only kid in Simms Montana with this album. Much more interesting than what was on the radio

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  @mikewolverton79043 ай бұрын

  I loved Ummagumma since I first saw the cover.

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  @perklle46248 ай бұрын

  Best albums ever.

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  @FloydGuy19808 ай бұрын

  I am producing a retrospective film on Roger Waters. Could I please ask permission to maybe use a clip of this video? Kind regards Barry

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  @paulflewitt55999 ай бұрын

  So sad that this doc totally overlooks Rick Wright's Summer 68. As a bridge between what Floyd was in the 60's and what they became through the 70's, that one song lyrically tells the story. Brilliant song.

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  @JoeRivermanSongwriter9 ай бұрын

  Great album ❤

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  @LowskBowski10 ай бұрын

  I really like the fact that we get to see the other side of the maniacal teacher. His loss, his trauma.

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  @Wstarlights10 ай бұрын

  My fav PF album - some of the most deliciously audible drumming I've ever heard.

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  @TychoVan11 ай бұрын

  jezus these comments are toxic

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  @Jack-D-Ripper11 ай бұрын

  "Ooomagoooma"? What the fuck is that? I've always heard it pronounced more gutturally and should be said like Nick Tauber said it, with an almost Northern style accent; Ummagumma! It was this album that got me turned on to Pink Floyd. I went on to buy A Saucerful of Secrets, which was an amazing album for a 14 year old to listen to. It was a real flowering experience (I still listen to it in my sixties). I do love the album Ummagumma, especially the Studio section (despite Whispering Bob's disparaging comments). I prefer it to "Dark Side of the Moon" onwards, as I started to drift away from them. They became Dad Rock. These navel-gazing "critics" just don't get what many of these albums meant to teenagers; how the music inspired creativity in people. I created loads of drawings and paintings at the time.

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  @niallbroderick84365 ай бұрын

  Although I respect your opinion, I believe you are completely wrong. Calling tdsoftm “dad rock” could possibly be the biggest insult to one of the greatest albums ever. What kind of person calls Breathe or the great gig in the sky “dad rock” it’s just simply untrue. Also animals is another album post dsoftm with masterpieces within it that convey political images very relevant to the time and today, without ever portraying the image of “dad rock”.

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  @Jack-D-RipperАй бұрын

  @@niallbroderick8436 It's all a matter of taste. I've come to like Dark Side of the Moon, Animals, and Wish You were Here. I've never heard one note of The Wall, and don't wan to. But I love their earlier work because it was a special time for me as a 14 to 16 year old when I got into them big time.

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  @THEScottCampbell11 ай бұрын

  Hearing the opinions of music critics about "Ummagumma" is like hearing cows give their opinion of the "Atom Heart Mother" artwork.

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  @THEScottCampbell11 ай бұрын

  Wright deserved a writing credit for his keyboard solos on "Set The Controls..." Legally and musically, it's a melody and should have been credited, not that Waters would ever do that.

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  @markm837811 ай бұрын

  What the hell is "Ooomagooma"? The album title has always been pronounced phonetically. Cymbaline (NOT "Cymbeline") was recorded in 1969, so the soundtrack to Barbet Schroeder's debut feature film 'More' could not have been released in 1968 as claimed. Nor was 'Careful With that Axe Eugene' released in 1969 - the original studio version was released in late 1968 as the B-side of 'Point Me at the Sky', their last single to be released in the UK for more than a decade. Details, details, I know, but there's a hell of a lot of source material to draw on and thereby avoid such glaring errors. And why were the solo contributions by Gilmour, Mason and Wright overlooked completely? Not to mention the excellent live record, and, as Nick Tauber points out, the fascinatingly clever album cover. No mention either of why a concert version of 'Interstellar Overdrive' recorded at the time was left off the live record.... This doco seems more concerned with 'More', which preceded Ummagumma, than the subject it purports to cover🤨.

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  @Casey-Jones11 ай бұрын

  As the world's biggest Pink Floyd fan, I must say that Ummagumma is a dreadful album

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  @sigmasix371911 ай бұрын

  What a stupid thing to say, did you want Rock and roll?

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  @chadpittman302511 ай бұрын

  If you don't like ummagumma your not the world's biggest floyd fan

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  @THEScottCampbell11 ай бұрын

  How big ARE you? Is it judged by weight or by volume?

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  @Casey-Jones11 ай бұрын

  @@THEScottCampbell by IQ

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  @juliegunn794411 ай бұрын

  the best version of 'Careful with that Axe, Eugene EVER

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  @johnkonrie9608 Жыл бұрын

  This is not Pink Floyd, this is Waters

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  @sigmasix371911 ай бұрын

  What the album or your bias

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  @tuveuxlademocratieoutuveux4692 Жыл бұрын

  *Excruciately boring...*

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  @justinjames2436 Жыл бұрын

  the documentary or the album?

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  @sigmasix371911 ай бұрын

  More comments by 🤡🤡🤡🤡🤡

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  @sigmasix371911 ай бұрын

  In your conceited snob opinion 😂😂😂😂😂😂

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  @chadpittman302511 ай бұрын

  You are boring,go back to listening to Justin beiber

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  @justinjames2436 Жыл бұрын

  Great album

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  @jankowalski8577 Жыл бұрын

  Ron Geesin is a genius

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  @chadpittman3025 Жыл бұрын

  I bought the album in 1987 summer. I paid for it w money from my first paycheck from my first job. I had more fun discovering and listening to this album more than any other floyd album or any other album for that matter. Several species and grandchester meadows and the narrow way part 3 were the best. The cassette only had the studio album and one live song astronomy domine

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  @johnsrous161610 ай бұрын

  Yep. I bought the cassette in '83 and was an instant fan. I'm still unsure as to wtf an ummagumma is or why it's used as an album title. So glad I did get it. Too great of an album

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  @Craigevansagain Жыл бұрын

  Typical anti-Waters critics! 😫 Roger Waters's control got excessive, but it was far from completely without excuse and reason. That whole party line about "'The Final Cut' is a Roger Waters solo album in all but name" is one of the biggest misnomers in the history of Pink Floyd. That whole party line about "Pink Floyd broke up because Roger bad" is one of the biggest oversimplifications in the history of rock music, at least. Waters had to save Pink Floyd from falling into the black hole left by Syd Barrett's late 1967 breakdown. By their own admission, Richard Wright and David Gilmour had run out of great musical ideas and were even lazy, at least as early as the aftermath of "Wish You Were Here" in 1976. That alone was of little of Roger's fault. Almost 10 years of constantly doing gigs and writing and recording music and essentially filling the Barrett shaped hole was simply burning Wright and Gilmour out by 1975. Even Roger was struggling. All of the Floyds including Nick Mason were victims of the success of "Dark Side Of The Moon". All of their relationships with their childhood sweethearts ultimately broke down as a result. Even their mental health took a tumble in the mid-late '70s. Whilst it only partially, let alone fully, excuses Roger's behaviour, Roger Waters was also under terrible financial and record company pressure to complete "The Wall" in 1978-1979 as a result of Pink Floyd falling into crippling financial debt. This was because holdings company Norton Warburg had lost all of the Pink Floyd members' pension funds after investing them in an ill-fated series of ventures. Pink Floyd were also liable to pay back the back taxes as a result. Gilmour's creative burnout was also partially due to the constant performing to rowdy audiences from June 1973 through July 1977 whom didn't really give a shit about Pink Floyd's music in that period and really only went to gigs to hear "Money" and would shout for "Money" until they got it. That at least alienated Waters and Gilmour from their audiences, whom prior to June 1973 were at least mostly loyal and respectful fans. Waters rightfully felt that he had to express all of his troubles about war, mental illness, alienation, greedy corporations, losing Syd, losing his dad and the loss of compassion within society as a whole and injustice. Waters is the best ever lyricist in my honest opinion, along with Barrett, whose own lyrics were wonderfully charming and whimsical. Waters was understandably afraid that if he didn't write about his troubles, Waters would become as burned out and ill as Barrett. Basically through little fault of Waters, the creative golden era of Pink Floyd was on borrowed time ever since things started to fall apart in late '73, during the troubled aftermath of "Dark Side Of The Moon" and its increasingly rowdy tour. Pink Floyd could easily have ended altogether back then, which would have especially spared Wright and Mason and their loved ones a lot of heartache and misery. They are certainly awesome albums; "Dark Side Of The Moon", "Wish You Were Here", "Animals", "The Wall" and "The Final Cut"; and they are my favorite Pink Floyd albums. However, all these classics owe a lot to the wonderful and experimental pre-Dark Side records including Syd Barrett's wonderful baby, "The Piper At The Gates Of Dawn" especially in terms of the development, evolvement and refinement of the classic dark psychedelic and pastoral Pink Floyd soundscape beginning in songs such as "Astronomy Domine", "Pow R Toc H" and "Interstellar Overdrive". This evolution and refinement can easily be heard if one listens to all of the Pink Floyd albums in chronological order. Interestingly, that whole early Pink Floyd creative golden era from late 1965 through May 1973 was also when the camaraderie both within The Floyd and between The Floyd and their audience at gigs was at its strongest. The former camaraderie within Pink Floyd was shown to great effect in the 1972 "Live At Pompeii" film. The classic dark psychedelic and pastoral soundscape along with great musical ideas and Roger Waters's riveting lyrics and concepts are the vital things of Pink Floyd's magic, which is painfully absent from all of the post-Waters Pink Floyd albums. I find it very fascinating that the long 1966-1983 creative golden era of Pink Floyd was able to last so long despite so much upheaval along the journey. Roger no doubt played a huge role in the great run. Before "Animals", Roger Waters originally excelled mostly as the lyricist, bassist, concept artist and occasional singer of Pink Floyd, however his musical composition and orchestration wisdom had increased dramatically through the 70s because of Roger's formerly fruitful musical partnerships with Syd, Nick Mason, Richard Wright, and David Gilmour. As these great musicians and writers had, in that same order, gradually all became burned out and ran out of a regular run of great musical ideas by the end of "Wish You Were Here's" creation, it was Roger whom through the lion share of the remaining creativity was able to keep Pink Floyd's creative golden era going for those precious if troubled final years of great albums and concerts, once again with that classic and magical blend of the dark psychedelic and pastoral soundscape and Roger's great musical ideas, riveting lyrics and concepts. Working with Ron Geesin in 1969-1970 on the "Atom Heart Mother" title track and "The Body" soundtrack, and later working with Michael Kamen and Bob Ezrin on "The Trial" and "The Wall" in general in 1979 further enriched Roger's musical composition and orchestration wisdom. For the most part, even Roger's solo albums and gigs are at least faithful and respectful to the 1966-1983 creative golden era of The Pink Floyd, musically and lyrically. Everyone, including David Gilmour infamously, disses "The Final Cut" for using leftovers from previous Pink Floyd records like "The Wall". Another overblown statement! Pink Floyd were always adapting leftovers throughout their great career without any detrimental effect on their music! Everyone always has to whine about Richard Wright's absence on "The Final Cut" and even simply diss the album for that reason alone. Yet, what would Wright have done better on "The Final Cut"? Glorified 80s garbage like he did with Zee on their "Identity" album or a sterile new age/ambient/corporate rock cipher like Rick did with David Gilmour, Waters Hater Polly Samson and many other guest writers on "The Division Bell" and "Endless River"? That was all he could do in Pink Floyd's final years of 1980-1994. It's all well and good missing a great musician, yet what is the point of whining about someone missing from a given record if they couldn't have done anything themselves to make it better? Syd Barrett's absence certainly didn't stop albums like "Dark Side Of The Moon" and "Wish You Were Here" from being great, so why should Rick's absence have stopped "The Final Cut" from being great? If Wright and Gilmour really had such great musical ideas post-'75, allegedly left off "Animals" and "The Wall" and "The Final Cut" because of Waters, then why didn't they use them on any of "A Momentary Lapse Of Reason", "The Division Bell" or "Endless River", when Waters was no longer domineering? Instead, all we got post-Waters was mostly sterile ambient and/or sterile corporate rock dreck with only fading glimmers of past glories. In addition to Pink Floyd becoming "a spent force, creatively" post-The Final Cut, Waters wanted to legally liquidate Pink Floyd following his '83 departure to stop them from becoming yet another corporate rock band like U2, Duran Duran, Status Quo and The Rolling Stones. Corporate rock was the very antitheses of Syd Barrett and Roger Waters's musical vision of Pink Floyd. Both Syd and Roger wanted to create music for art's sake and to express what matters to them. Gilmour had that mindset originally but post-The Final Cut, he fell into the greedy trap of filling stadiums and cashing in the brand. Yes, in the good old days with Syd Barrett and all the way from the UFO Club in 1966/1967 to "Wish You Were Here" in 1975 Rick was an insanely awesome and epic composer, keyboard player and singer to the extent of being Barrett's and Gilmour's musical soulmate and combined with each of them in turn, the musical heart of classic Pink Floyd but Rick became burned out and ran out of great musical ideas by time "Animals" started in 1976. As a result of this creative burnout combined with him succumbing to the same aforementioned alienation of performing at the rowdy '75 and '77 gigs, Rick even wanted out of the band in both 1975 and 1977 but every time, however, the greedy record company executives coerced poor Rick to stay which only set the poor guy up for a fall which cost him his mental health and his marriage to his childhood sweetheart. Continued below.

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  @Craigevansagain11 ай бұрын

  Continued from above. And so during his final years in the Pink Floyd creative golden era on "Animals" and "The Wall" in 1979, Rick was only barely playing whatever Gilmour or Waters wrote for him. Same for "A Momentary Lapse Of Reason" in 1987, which itself was more glorified 80s garbage, not from the fault of Rick but from the fault of Gilmour and many other guest writers and guest musicians. This along with the rubbish half load of songs from his 1984 "About Face" album also shows how little Gilmour could have contributed to "The Final Cut" other than playing whatever Waters wrote for him. As with Wright, Gilmour's best era musically and creatively was the early golden era of Pink Floyd of 1968-1975. "The Final Cut" came out in 1983, right in the middle of the 80s music wasteland. Yet, thanks especially to Roger Waters with his maturing wisdom for bittersweet melodies and moving lyrics and emotional vocals and with help from Gilmour on his trusty guitars and especially the beautiful keyboard and orchestral arrangements from Michael Kamen and Andy Bown, "The Final Cut" has such a timeless and special sound that it's not just the best album of its era but in my honest opinion one of the best Pink Floyd albums ever and fittingly the last album of the Pink Floyd creative golden era of 1966-1983. ** Edit ** I'm sorry, I had to post this last bit of my fleshed out and edited post separate because stupid youtube wouldn't let me post the whole thing in one post.

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  @Craigevansagain10 ай бұрын

  In my honest opinion I consider The Final Cut one of the best Pink Floyd albums and the last album from the long 1966-1983 golden era of Pink Floyd. Also, my honest opinion the following are the Magnificent Seven Pink Floyd albums:- 1) Wish You Were Here 2) Dark Side Of The Moon 3) Meddle 4) The Final Cut 5) Animals 6) The Wall 7) Obscured By Clouds All of these albums through both emotional music and lyrics are ultimately teachings about the best aspects of humanity; peace, friendship, well-being, love and compassion but they also warn about the various terrible things that can destroy them; tyranny, cruelty, capitalism, fascism, The Man, The System, The Machine, hatred, prejudice, indifference, social ostracism, bad teachers, hostile societies, social division and inequalities, modernity, bigotry, power, war and greed. Fundamentally all of the best Pink Floyd albums have this escapism vibe and as the great genius Roger Waters himself once put it in a discussion about Wish You Were Here, they are also about "how fucking miserable it (fucked-up modern human society, injustice and tragedy) all is". I also consider all of the pre-Meddle Pink Floyd albums honorable Pink Floyd classics thanks to their pastoral psychedelic and whimsical music and/or lyrics and even far-out experimentation. As awesome as "The Magnificent Seven Pink Floyd" albums however, they still owe a lot to The Piper At The Gates Of Dawn, A Saucerful Of Secrets, More, Ummagumma, the rare Zabriskie Point and Atom Heart Mother. I love all of the 1966-1983 golden era Pink Floyd albums. However I believe the true Pink Floyd magic is gone after Roger Waters's 1983 departure. Even with Richard Wright's return in varying capacity, A Momentary Lapse Of Reason, The Division Bell and The Endless River albums sound clinical and without the true Pink Floyd magic, these 3 near Ambient and at least in the case of AMLOR even corporate albums are in effect the end products of the Pink Floyd cog of "The Machine".

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  @TheFpCassini Жыл бұрын

  odd that after 4 years this has only 63 views and 2 likes

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  @234cheech Жыл бұрын

  i bought this in a shop called our price in the uk in 1991 £15.99 i loved most of it as a 14/15 year old kid

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  @aalexjohna Жыл бұрын

  Ask for your money back.

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  @sigmasix371911 ай бұрын

  @@aalexjohnaask for a brain or cure for you conceited ignorance fixation

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  @sergioquiroga1684 Жыл бұрын

  Recuerdos de los '80, gracias...., saludos desde Chile...!

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  @husq48 Жыл бұрын

  You're not sure if the songs on this are not quite as good as those on DSOTM? Let me assure you, they are not! 🤣

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  @excelerater Жыл бұрын

  i was at the Toronto rehearsals.. crazy 100 people in a 20K stadium ,what a treeat

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  @robertshetsen8691 Жыл бұрын

  God i wish to go back in time just for a some time

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  @QuestforaMeaningfulLife Жыл бұрын

  Great doc, really brings out the atmosphere of this time.

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  @melvinstevens9211 Жыл бұрын

  Very emotional album

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  @fireman9191 Жыл бұрын

  Crossing A Canyon = Wallflowers - 3 Marlenas?? Copyright Much

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  @astrosjer822 Жыл бұрын

  Nice work on a controversial album for many

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  @Mr3Submarine2 жыл бұрын

  Really good documentary overall, but it’s disappointing that “If” and “Summer ‘68” are not discussed.

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  @dianelefebvre52652 жыл бұрын

  Wow , Love that Band!

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  @tabeaschumann50272 жыл бұрын

  DANKESCHÖN für dieses Superstück ❣👏🏽👏🏽👏🏽👏🏽👏🏽

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  @mikeschock92252 жыл бұрын

  I finally got to see these guys at the Commodore earlier this year! I just saw them over the weekend at Golden Spike Days in Port Moody, BC. Always an awesome show with these guys! For me bucket list! I agree with some of the other comments that this band flies under the radar a bit. Can’t wait to see them again at the Commodore!

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  @NeonBluePastaChef2 жыл бұрын

  Fun to see. This medly was always a great part of their concerts.

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  @Rhialto-the-Marvellous2 жыл бұрын

  Masters of mood - perhaps no other example of the marriage of orchestra, choral, and rock can eclipse this magical music. Both the Atom Heart Mother suite and Ommadawn are exceptional in conjuring up and encapsulating a bucolic, pastorale atmosphere; tapping into the very spirit and soul of these Sceptred Isles. I might be in the minority, but If, is superior and vastly more appealing than any post Animals Waters rant.

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  @trannongoble77222 жыл бұрын

  This is a masterpiece work and a terrific album overall.

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  @juanbercial26682 жыл бұрын

  Ron Geesin, what a legend! No wonder he got on so well with Waters -hilarious dude! I wonder if he was involved in "Several species"...

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  @carolineprigent71902 жыл бұрын

  Dont kill inch allah

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  @sudsysutherland3592 жыл бұрын

  I really like the song called “Apollo & Me” by the extremely underrated Canadian band 54•40 \m/

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  @sudsysutherland3592 жыл бұрын

  I know i’m the thousandth person to say this but for fu€k sakes is 54•40 ever EvEr Underrated beyond words can possibly describe! I’ve seen them live 4-5 times in London,Chatham & Windsor & they never disappoint. I gotta say my favourite 54•40 gig was in Chatham at this small bar in which i forget the name of now & this was in the early 2000’s & that gig had a very cool vibe to it because it was 54•40’s last show for that tour so they were all tired of the travel but yet still had enough gas in the tank knowing it was their last gig before heading back home out west in beautiful Vancouver B.C. & lead singer/guitarist Neil Osborne was in a cheerful mood sharing a few old 54•40 stories & taking requests from fans because there were honestly no more than 60 fans at this small bar/restaurant in which a lot of us absolutely loved!! Anyways a lot of people say that RUSH & the Tragically Hip are the best Canadian rock bands but for myself “54•40” is at least in the top 3 if not top 5.

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  @veeveeisallyouneed11 ай бұрын

  Totally agree!!! Seen them four times... love them.

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  @glennaa112 жыл бұрын

  Thanks again for posting this. It popped up in my YT Music likes. I'll never understand why people go to a concert and then just talk the whole time.