My name is Josh Ruble.
I create onscreen lyric videos to songs of the band Evanescence. There are no pictures so the words are clearly visible and easy to see and follow along with. I use what I believe to be fun and creative font that I feel matches the mood and themes of the songs and their artist. Additionally, I try to keep the fonts in fun, varying colors to keep each video fresh and original in its own right, and the animations unique and different while still fitting with the lyrics and themes of the songs. My main goal is to create lyric videos for songs and bands that I love that are fun, creative, expressive, along with being easy and enjoyable to watch. Enjoy!
Пікірлер
Her voice is that of an angels
My favorite song ever! ♥️
Evanescence means a lot to me! ♥️
Demo songs need to go on Spotify
KOL TALABTI FI SANIA ALA SANIA MN MOSTASHFA AL RAKHWAI
SATAN ZELO ZEBRA AL SHYATAN ZELOA SAGNO AKHROG MNO W KOL RALABTO AHLA SALAM W TAHYIA MNI LI KOL AMAMMMMMMM
LIES ANKALAB ASKARI FI USA
My nephew liked a video with clips of "The Ring" relating to the lyrics. After a few plays I started liking the melody in "oh I , I want to go back to..." and then I listened to it myself and didn't realize a message related to my empathic thoughts...what a masterpiece! Why is this not on Spotify?!
Evanescence no tiene canciónes malas , todas sus canciones me encantan ❤
Tenia años sin escuchar esta increíble canción ❤ es realmente increíble
Any Canibus fans here?
ME TOO SADEEKHI WASADAKAA2I AL KBAR
Evanescence - Confused
كنسيت الارمن من امريكا شفوتهم من زمان ايام الاحتلال والعدوان الثلاثي من ايام القائد حنال عبد الناصر قتلوه بقهوة والسجاره والولاعه من بيته ومن جيوشه الخونع انقلاب عسكري عقلت كل الاعلام اصلا لا اله الا الله محمد رسول الله لا اله الا الله سيف الله الحقيقي الي هبيدكم بيه مع احلي حصان جديد ربنا كلكم ارةاح الشهداء زي حصنه وزي سلاح تمام علشان تبقي حرب منتصرين فيها ان شاء الله علي كل
Pero qué temazo ❤
It's painful when you had someone to dedicate this song, but now, you have no more
LIFE IS NOT A PROBLEM TO BE SOLVED, BUT A REALITY TO BE EXPERIENCED. (Das Leben ist kein Problem, das gelöst werden muss, sondern eine Realität, die es zu erleben gilt.) - SOREN KIERKEGAARD Evanescence blends various musical styles in their music, primarily rock, classical, alternative, heavy metal, industrial, and electronic. Music journalists vary in terming Evanescence a rock or metal band, and many identify gothic elements in their music. The band is generally classified as alternative metal, gothic rock, gothic metal, and hard rock. Other genres used to describe the band's sound over the years include industrial rock, symphonic metal, nu metal, and symphonic rock. Evanescence have also incorporated other styles in their music, including several forms of electronic music, progressive rock, R&B, soul, trip hop, and Eastern music. The band cites Garbage, Living Sacrifice, Type O Negative, Portishead, Counting Crows and Sarah McLachlan as musical influences. The music was compared to that of Lacuna Coil, with less aggressive instrumental playing, and to that of Linkin Park, albeit “with a female voice”. Initially Evanescence was assigned to the Christian rock scene. Although Amy Lee says she is a Christian, Evanescence as a band has distanced itself from the Christian music scene since the release of their album Fallen. Meanwhile, in their metal encyclopedia, Rosenberg and Krovatin assign Hellraisers to the wave of success of Nu Metal. The music played uses elements of nu and alternative metal, in the form of modern and guitar-heavy rock music, which the group features with the “expressive, often melancholic-powerful vocals of Amy Lee, […] interspersed with one or two synth sounds and one slight tendency towards ballads.” Although the group is referred to as Gothic Metal due, among other things, to their popularity in the black scene and their corresponding appearance, they keep their distance from the Gothic scene. “We’re not goth kids. Our music is inspired from a variety of sources, we love Björk, but more than anything we are into orchestral music.” There are also no musical overlaps with the independent style of Gothic Metal. In genre representations, the band is even cited as an example of foreign uses of style terms in the black scene and especially in gothic metal music. Amy Lee, Ben Moody, and David Hodges have writing credits on this song. Hodges sings backup vocals. The story of Romeo and Juliet - as well as the Claire Danes/Leonardo DiCaprio movie version of it - may be an inspiration for this song. Original versions of Origin feature an "Anywhere" outtake in which Hodges sings the chorus horridly. The outtake can be accessed by rewinding the CD from the 30-second "Origin" intro that starts the album. In a Reddit AMA thread in 2016, Amy said that when she listens to the song, she can picture "a Renaissance fair date" The Origin vinyl features the official version, as part of the Ultimate Collection box set. (Evanescence vereint in ihrer Musik verschiedene Musikstile, hauptsächlich Rock, Klassik, Alternative, Heavy Metal, Industrial und Elektronik. Musikjournalisten unterscheiden sich darin, Evanescence als Rock- oder Metal-Band zu bezeichnen, und viele identifizieren Gothic-Elemente in ihrer Musik. Die Band wird allgemein in Alternative Metal, Gothic Rock, Gothic Metal und Hard Rock eingeteilt. Andere Genres, die im Laufe der Jahre zur Beschreibung des Sounds der Band verwendet wurden, sind Industrial Rock, Symphonic Metal, Nu Metal und Symphonic Rock. Evanescence hat auch andere Stile in ihre Musik integriert, darunter verschiedene Formen elektronischer Musik, Progressive Rock, R&B, Soul, Trip Hop und östliche Musik. Als musikalische Einflüsse führt die Band unter anderem Garbage, Living Sacrifice, Type O Negative, Portishead, Counting Crows und Sarah McLachlan an. Verglichen wurde die Musik indes mit jener von Lacuna Coil, mit weniger Aggressivität im instrumentalen Spiel, sowie mit jener von Linkin Park, allerdings „mit Frauenstimme“. Anfangs wurde Evanescence der christlichen Rock-Szene zugeordnet. Zwar ist Amy Lee nach eigenen Angaben Christin, als Band distanziert sich Evanescence allerdings seit der Veröffentlichung ihres Albums Fallen von der christlichen Musikszene. Indes ordnen Rosenberg und Krovatin in ihrer Metal-Enzyklopädie Hellraisers der Erfolgswelle des Nu Metal zu. Die gespielte Musik nutzt Elemente des Nu- und Alternative-Metal, in Form moderner und gitarrenlastiger Rockmusik die die Gruppe mit dem „ausdrucksstarken, oftmals melancholisch-kraftvollen Gesang von Amy Lee, […] durchsetzt von dem ein oder anderen Synth-Sound und einem leichten Hang zur Balladenlastigkeit.“ Obwohl die Gruppe, unter anderem aufgrund ihrer Popularität in der Schwarzen Szene und ihres entsprechenden Auftretens, mit dem Sammelbegriff Gothic Metal versehen wird, geht sie zur Gothic-Szene auf Distanz. „Wir sind keine Gothic-Kids. Unsere Musik ist aus einer Vielzahl von Quellen inspiriert, wir lieben Björk, aber mehr als alles andere stehen wir auf orchestrale Musik.“ Musikalische Überschneidungen zum eigenständigen Stil Gothic Metal sind ebenfalls nicht vorhanden. In Genredarstellungen wird die Band gar als Exempel für Fremdnutzungen von Stilbegriffen in der Schwarzen Szene und speziell im Gothic Metal angeführt. Amy Lee, Ben Moody und David Hodges haben an diesem Song mitgewirkt. Hodges singt den Hintergrundgesang. Die Geschichte von Romeo und Julia - sowie die Filmversion von Claire Danes/Leonardo DiCaprio - könnte eine Inspiration für dieses Lied sein. Originalversionen von Origin enthalten ein „Anywhere“-Outtake, in dem Hodges den Refrain schrecklich singt. Auf das Outtake kann durch Zurückspulen der CD ab dem 30-sekündigen „Origin“-Intro zugegriffen werden, mit dem das Album beginnt. In einem Reddit-AMA-Thread im Jahr 2016 sagte Amy, dass sie sich beim Hören des Liedes „einen Renaissance-Jahrmarktstermin“ vorstellen könne. Das Origin-Vinyl enthält die offizielle Version als Teil der Ultimate Collection-Box.)
Amo essa música
Essa música é especial 🩷🕷️
Best Gothic Metal Ever
She cries to God, our Creator. Jesus IS King.
Her young voice is so precious ❤❤
Amy você poderia trazer essas músicas antigas de volta😢
Still listening...!? 2024
I feel like this song is about her foreseeing a crime scene…like she predicted a homicidal rampage (followed by suicide possibly) but she was only able to watch the massacre happen, and unable to do anything to help! She was having dejavus until she finally woke up from a coma and got revenge! Okay epic anime plot!
This actually sounds like my novel hol up
That better sound I heard in my life
Fallen received generally positive reviews from music critics. Johnny Loftus of AllMusic wrote that the album “does include flashes of the single's PG-rated nu-metal ('Everybody's Fool,' 'Going Under'). But it's the symphonic goth rock of groups like Type O Negative that influences most of Fallen." Entertainment Weekly, graded the album B-minus: "The genre now too old to be called nü-metal isn't exactly overflowing with spine-tinglingly great vocalists - let alone female ones. Amy Lee, lead singer of gloomy Arkansas rockers Evanescence, is an exception." Kirk Miller of Rolling Stone said that "when vocalist Amy Lee croons about lying 'in my field of paper flowers' or 'pouring crimson regret,' she gives Fallen a creepy spiritual tinge that the new-metal boys lack." Billboard's Christa Titus called the album a "highly polished, hook-filled affair." Melissa Maerz of Spin gave it four out of five stars: "Nu metal gets a powdering of Andrew Lloyd Webber theatrics as Lee aces her piano A-levels, adds a string section, and tackles capital letter issues - God ('Tourniquet'), Love ('Going Under'), and Death ('Bring Me To Life') - with the grandeur they deserve." Adrien Begrand of PopMatters opined that the album "has a small handful of transcendent moments, but a complete lack of musical adventurousness has the band mucking around either in stultifying nu-metal riffage, pretentious high school journal caterwauling, or even worse, both." Begrand praised Lee's "soaring, enchanting, angelic" voice, writing that "Evanescence would be nothing" without her. Christopher Gray of the Austin Chronicle found the album to be "a little too by the numbers to fully capitalize on Lee's obvious talents."According to Village Voice critic Robert Christgau, "Their faith, as embodied in Amy Lee's clarion sopralto [sic], lends their goth-metal a palpable sweetness". He jokingly concluded, "Now if only it wasn't goth-metal at all." In 2017, Rolling Stone ranked Fallen number 99 on their list of "The 100 Greatest Metal Albums of All Time", calling it an "unlikely classic" with "a horror-movie-level ambience that was as chilling as it was campy". (Fallen erhielt allgemein positive Kritiken von Musikkritikern. Johnny Loftus von AllMusic schrieb, dass das Album „Anklänge des PG-bewerteten Nu-Metal der Single enthält („Everybody's Fool“, „Going Under“). Aber es ist der symphonische Gothic-Rock von Gruppen wie Type O Negative, der die meisten von Fallen beeinflusst.“ Entertainment Weekly bewertete das Album mit B-Minus: „Das Genre, das mittlerweile zu alt ist, um als Nü-Metal bezeichnet zu werden, ist nicht gerade überfüllt mit Gänsehaut erzeugenden großartigen Sängern - ganz zu schweigen von den weiblichen. Amy Lee, Leadsängerin der düsteren Arkansas-Rockband Evaneszenz, ist eine Ausnahme.“ Kirk Miller vom Rolling Stone sagte: „Wenn Sängerin Amy Lee davon schwärmt, ‚in meinem Feld voller Papierblumen‘ zu liegen oder ‚rotes Bedauern auszugießen‘, gibt sie Fallen eine gruselige spirituelle Note, die den New-Metal-Jungs fehlt.Christa Titus von Billboard nannte das Album eine „hochglanzpolierte, mit Hooks gefüllte Angelegenheit“. Melissa Maerz von Spin gab ihm vier von fünf Sternen: „Nu Metal erhält eine Prise Andrew Lloyd Webber-Theatralik, während Lee ihr Klavier-Abitur meistert, eine Streichersektion hinzufügt und sich mit Großbuchstaben beschäftigt - Gott („Tourniquet“), Liebe („Going Under“) und Tod („Bring Me To Life“) - mit der Erhabenheit, die sie verdienen.“ Adrien Begrand von PopMatters meinte, dass das Album „eine kleine Handvoll transzendenter Momente hat, aber ein völliger Mangel an musikalischer Abenteuerlust führt dazu, dass die Band entweder mit verdummendem Nu-Metal-Riffing, prätentiösem High-School-Journal-Geschrei oder noch schlimmer mit beidem herumspielt.“ Begrand lobte Lees „aufsteigende, bezaubernde, engelhafte“ Stimme und schrieb, dass „Evaneszenz ohne sie nichts wäre“. Christopher Gray vom Austin Chronicle fand, dass das Album „den Zahlen nach ein wenig zu viel ist, um Lees offensichtliche Talente voll auszuschöpfen“. Laut dem Village-Voice-Kritiker Robert Christgau „ist ihr Glaube, wie er in Amy Lees Clarion-Sopralto [sic] zum Ausdruck kommt, verleiht ihrem Gothic-Metal eine spürbare Süße. Scherzhaft kam er zu dem Schluss: „Wenn es doch nur überhaupt kein Gothic-Metal wäre.“ Im Jahr 2017 platzierte der Rolling Stone Fallen auf Platz 99 seiner Liste der „100 größten Metal-Alben aller Zeiten“ und nannte es einen „unwahrscheinlichen Klassiker“ mit „einer Horrorfilm-ähnlichen Atmosphäre, die ebenso gruselig wie kitschig war“.)
فكر انا تفكر جواك من موساد من افريقا تو اسيا تو ايجيلت زب نا عملت تمام نو نو تفدقاش نو ف شروطه والرحاله من بعيد ملكش دعوة بيعا تاني
اه اخ اه اه سا اه يا الله يا واحد قهار اه يا ماك الله الذي لا يبلي
بحاول افوق فرق تسد ٢ اي مجمةعه راحل ست محترمه اي صدقه ك اخب اه اي هلا كل الهلال والصليب يحي الهلال مع الصليب يحيي الهلال مع الصليب اصليب الصحيح الحقيقي الاسود لقد كفرةا ان قالوا ان الله هو المسيح بن مريم لا تقلوا ثلاثه انتهوا انما للهكم اله واحد و عيموت فؤ صما في كل ملك الله الذي لايبلي من موسادك في العالم جواكن كل جيوش وملك الله الذي لا يبلي الله هنا ا ب س ا ا ن هو بشروط السيسي فقط لا غير اما هو ده الي عندي يا قوم عشريكم وعليكن سلام لاكن الصديقه الاخت ت اذا صديقيقه ك اخت
This song fits for CoD Black Ops 6 Trailer
I love this song so much it hurts and heals at the same time
Like a play of my obsessions. Make me understand the lesson. So I'll find myself, so I wont be lost again . Deep
You fu ked all the lyrics man you fuck8ng suck
Amy Lee wrote the song in 1996 about a hypothetical of loving someone so much that you'd bring them back from the dead. It's 1 of 5 pre-Fallen songs to be played on radio. Additionally, "Even In Death" is the only pre-Fallen song to ever be performed live on radio. Amy re-recorded the song for the compilation album Lost Whispers. The intro uses a sample from White Zombie's "Ratfinks, Suicide Tanks and Cannibal Girls", which was released four years prior. The same sample was also used later in "Snow White Queen" from 2006's The Open Door. The song also features a clip from the movie "The Crow". Amy's quote about the song from a 2004 Metal Edge magazine interview: "It's interesting - I don't understand why, but it's more sexual, not necessarily in the lyrical content, but just in the feel of the music for me, the song seems really sexual. I have no good reason for that, but that has always been that song for me, it's cool because that song is kind of different. The song wasn't written from life experience, it was basically just a cool story." Ben's quote about the song from that 2003 interview: "That was so long ago...I was like eighteen, and we just found this little loop thing, and we just thought it sounded really cool and crazy and we thought it would be really cool to build a song around it. Then, one day, Amy and I thought about someone who's in a relationship, they lose their loved one, and they kind of flip out, and they go and dig them up, kind of like [Tom Petty's ]"Mary Jane's Last Dance" - We kind of thought we'd take that one step further." In the Metal Edge interview, when asked why the song wasn't on Fallen, Amy said: "Well, we have a lot of songs that I think are pretty good that didn't make it on the record. That's one of my favorites that didn't make it, one out of maybe six." In 2016, speaking about the Origin demo and her re-recording of the song on Lost Whispers, Amy stated that the song was 20 years old, from 1996, and stated: "That song was a little bit of storytelling about not wanting to accept the death of your loved one and just going nuts-to the point that I would go out and dig up the grave. We rerecorded it for the box set because the only recording I had was a rough demo from [when I was] a kid. [The album it’s on,] Origin, is made up of very old embarrassing journal pages from middle school. [The new version of] “Even in Death” is still a cool song; it honors the things I loved about the original, but it’s now in a beautiful light that speaks to who I am today. It feels like redemption." "Even in Death" was remade for the compilation album Lost Whispers and specifically for the release of The Ultimate Collection box set. The instrumentals of the remake are solely piano-based with a cello (by Dave Eggar) playing occasionally in the background. Amy on the re-recording of the song: I looked through Origin for the first time in many years this year, through this experience, and that song has always been one that has a good heart and I still like the lyrics. [But] our old recording of it is really bad, it’s us as kids with whatever we can find to record with. I think that’s the hardest part for me. You can always redo production but lyrics are lyrics; if the lyrics are dumb, I just can’t get my head around enjoying it. I think that ‘Even in Death’ has some beautiful lyrics that actually are very much in the art and vision of what Evanescence grew into. So I took that song and redid it with my collaborator friend Dave Eggar, on cello, in New York, and we made this really different version that I love. It just felt like redeeming the song. (Amy Lee schrieb das Lied 1996 über die Hypothese, jemanden so sehr zu lieben, dass man ihn von den Toten zurückholen würde. Es ist einer von fünf Pre-Fallen-Songs, die im Radio gespielt werden. Darüber hinaus ist „Even In Death“ der einzige Song vor „Fallen“, der jemals live im Radio aufgeführt wurde. Amy hat das Lied für das Compilation-Album Lost Whispers neu aufgenommen. Das Intro verwendet ein Sample aus „Ratfinks, Suicide Tanks and Cannibal Girls“ von White Zombie, das vier Jahre zuvor veröffentlicht wurde. Das gleiche Sample wurde später auch in „Snow White Queen“ aus The Open Door aus dem Jahr 2006 verwendet. Das Lied enthält auch einen Ausschnitt aus dem Film „The Crow“. Amys Zitat über das Lied aus einem Interview mit dem Metal Edge-Magazin von 2004: „Es ist interessant - ich verstehe nicht warum, aber es ist sexueller, nicht unbedingt im lyrischen Inhalt, sondern einfach im Gefühl der Musik. Für mich wirkt das Lied wirklich sexuell. Ich habe keinen guten Grund dafür, aber das.“ war für mich schon immer dieses Lied, es ist cool, weil das Lied irgendwie anders ist. Das Lied wurde nicht aus Lebenserfahrung geschrieben, es war im Grunde nur eine coole Geschichte. Bens Zitat über das Lied aus diesem Interview von 2003: „Das ist so lange her … ich war ungefähr achtzehn, und wir haben gerade dieses kleine Loop-Ding entdeckt und fanden, dass es wirklich cool und verrückt klang, und wir dachten, es wäre wirklich cool, einen Song darauf aufzubauen. Dann Eines Tages dachten Amy und ich an jemanden, der in einer Beziehung ist, seinen geliebten Menschen verliert und irgendwie ausrastet und ihn ausgräbt, so wie [Tom Pettys] „Mary Janes letzter Tanz“ - Wir Ich dachte, wir gehen noch einen Schritt weiter. Im Metal Edge-Interview antwortete Amy auf die Frage, warum der Song nicht auf Fallen war: „Nun, wir haben viele Songs, die ich für ziemlich gut halte und die es nicht auf die Platte geschafft haben. Das ist einer meiner Favoriten.“ das hat es nicht geschafft, einer von vielleicht sechs.“ Als Amy 2016 über die Origin-Demo und ihre Neuaufnahme des Liedes auf Lost Whispers sprach, gab sie an, dass das Lied 20 Jahre alt sei, also aus dem Jahr 1996, und erklärte: „Dieses Lied war ein bisschen Geschichtenerzählen darüber, nicht akzeptieren zu wollen.“ Der Tod eines geliebten Menschen und das Durchdrehen - bis zu dem Punkt, dass ich rausging und das Grab ausgrub. Wir haben es für das Boxset neu aufgenommen, weil die einzige Aufnahme, die ich hatte, eine Rohdemo aus meiner Kindheit war [Das Album, auf dem es sich befindet,] besteht aus sehr alten, peinlichen Tagebuchseiten aus der Mittelschule. [Die neue Version von] „Even in Death“ ist immer noch eine Hommage an die Dinge, die ich am Original geliebt habe. Aber jetzt erscheint es in einem wunderschönen Licht, das zeigt, wer ich heute bin. Es fühlt sich wie Erlösung an. „Even in Death“ wurde für das Compilation-Album Lost Whispers und speziell für die Veröffentlichung des Boxsets The Ultimate Collection neu gemacht. Die Instrumentalstücke des Remakes basieren ausschließlich auf Klavier, wobei gelegentlich ein Cello (von Dave Eggar) im Hintergrund spielt. Amy über die Neuaufnahme des Songs: Durch diese Erfahrung habe ich Origin dieses Jahr zum ersten Mal seit vielen Jahren durchgesehen, und dieser Song war schon immer einer, der ein gutes Herz hatte, und der Text gefällt mir immer noch. [Aber] unsere alte Aufnahme davon ist wirklich schlecht, wir als Kinder haben alles, was wir zum Aufnehmen finden können. Ich denke, das ist der schwierigste Teil für mich. Man kann die Produktion jederzeit wiederholen, aber Texte sind Texte; Wenn die Texte dumm sind, kann ich es einfach nicht genießen. Ich denke, dass „Even in Death“ einige wunderschöne Texte hat, die tatsächlich sehr gut zur Kunst und Vision dessen passen, woraus sich Evaneszenz entwickelt hat. Also habe ich dieses Lied genommen und es mit meinem befreundeten Kollegen Dave Eggar am Cello in New York neu aufgenommen, und wir haben diese wirklich andere Version gemacht, die ich liebe. Es fühlte sich einfach so an, als würde man das Lied erlösen.)
Actually, the name of this song is I MUST BE DREAMING
listening in 2024 <3 Origin version is the absolute best. 5:51-6:30 minutes <3
Oi gente
These songs in the ep and origins kinda have the same amy lee grunge sound yet they are so different. I dont know how she comes up with so many songs with different rifts but still all heart-tug worthy. I've always been so happy with myself for being able to sing the "who you really are" part of this song pitch perfect. Although my voice sucks its very satisfying to get the notes right in this part.
This song takes the No.1 spot for me. Then Lithium comes back at the top. Then Tourniquet comes back too! Haha <3
Betting this never made it onto an album.
The vocals here are somehow even more beautiful than in the Fallen version… 🥺
Interesting that it has the Origin intro! Must be an outtake
This song takes me back somewhere in the past of my soul, something deep that I can't explain, a feeling of nostalgia...
I just realized…is this Field of Innocence slowed down?
I'd chose the door while it's still an option....sir
a good song for manifesting. I doing that's !
this will always be my favorite song by Evanescence❤️🩹
You hold the answers deep within your own mind Você guarda as respostas em sua própria mente Consciously, you've forgotten them Conscientemente, você as esqueceu That's the way the human mind works Essa é a forma como a mente humana funciona Whenever something is too unpleasant Sempre que algo é muito desagradável Or too shameful for us to entertain Ou muito vergonhoso para suportarmos We reject it Nós rejeitamos isso We erease it from our memory Nós apagamos isso da nossa memória But the imprint is always there Mas a marca está sempre lá The pain that grips you A dor que te consome The fear that blinds you O medo que te cega Releases life in me Liberta a vida em mim In our mutual shame Em nossa vergonha mútua We hide our eyes Nós escondemos nossos olhos To blind them from the truth Para cegá-los da verdade That finds a way from who we are Que descobre um caminho através de quem somos Please, don't be afraid Por favor, não tenha medo When the darkness fades away Quando a escuridão desaparecer The dawn will break the silence O amanhecer quebrará o silêncio Screaming in our hearts Gritando em nossos corações My love for you still grows Meu amor por você ainda cresce This I do for you Isso eu faço por você For I've tried to fight the truth Pois eu tentei lutar contra a verdade My final time Pela última vez We're supposed to try to be real Nós devemos tentar ser reais And when you feel alone E quando vocês se sentem sozinhos You're not together Vocês não estão juntos And that is real E isso é real Can't wash it all away Não consigo limpar tudo Can't wish it all away Não consigo desejar tudo Can't cry it all away Não consigo chorar tudo Can't scratch it all away Não consigo rasgar tudo Lying beside you Deitada ao seu lado Listening to you breathe Ouvindo você respirar The life that flows inside of you A vida que flui dentro de você Burns inside of me Queima dentro de mim Hold and speak to me Abrace-me e fale comigo Of love without a sound Sobre amor, sem um som Tell me you will live through this Diga que você vai superar isso And I will die for you E eu morrerei por você Cast me not away Não me afaste Say you'll be with me Diga que você estará comigo For I know I cannot Porque eu sei que não posso Bear it all alone Suportar tudo isso sozinha You're not alone, honey, never, never "Você não está sozinha, querida, nunca, nunca" Can't fight it all away Não consigo lutar contra tudo Can't hope it all away Não consigo esperar por tudo Can't scream it all away Não consigo gritar tudo It just won't fade away Simplesmente não vai desaparecer Oh, can't wash it all away Oh, não consigo apagar tudo Can't wish it all away Não consigo desejar tudo Yeah, yeah, yeah Yeah, yeah, yeah Can't cry it all away Não consigo chorar tudo Can't scratch it all away, yeah Não consigo rasgar tudo, sim Can't cry it all away Não consigo chorar tudo Can't hope it all away Não consigo esperar por tudo Can't scream it all away Não consigo gritar tudo Oh, it all away Oh, até que vá embora Oh, it all away, yeah, yeah Oh, até que vá embora, sim, sim But the imprint is always there " Mas a marca está sempre lá Nothing is ever really forgotten Nada é realmente esquecido God, just don't hate me Deus, por favor, não me odeie Because I'll die if you do Porque eu morrerei se você me odiar Because I'll die if you do Porque eu morrerei se você me odiar Because I'll die if you do Porque eu morrerei se você me odiar Because I'll die if you do Porque eu morrerei se você me odiar Because I'll die if you do Porque eu morrerei se você me odiar
@evanescence please re-release