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I saw an indication in the title here that apparently indicates that this is from 2021. It must be so because I notice a huge difference between this performance and the way you sound today. Today I hear no AK nasality (that nasal thing only worked for him and his students all sounded like ducks being neck-squeezed, unfortunately), much better legato singing and no out of tune singing. I also perceive today much better support, a much more apparent and much clearer voice line connectivity, no head tilting to the left and much more relaxation in general at the same time you're supporting your sound much more strongly. And, importantly, as a result of all the things you're doing differently currently, the sound is more beautiful nowadays. José, you've come a long way. Keep up the great work! But, if it's a recent performance, just listen and look at it critically, as I am sure you're already doing, and you'll correct everything. I have no doubt about it. But I am still sure it's an old performance. Best of lucks always!
Thicc❤
Bravissimo!
This is how I think I sound in my mind. Then reality sets in.....
Just wanted to mention that the Melocchi method created the greatest operatic voices of the XXth century like Mario del Monaco, Franco Corelli, Giuseppe Giacomini, Gianfranco Cecchele, Nicola Martinucci, Angelo Mori, Silvano Carroli, Amadeo Zambon, Robert Kerns, Gastone Limarilli and I could go on like this for quite a while. So in my opinion it's not very intelligent to criticize a method that created the most famous singers in the history of opera.
@@Tenor_Simerilla Did you study with Marcello del Monaco or any students of Marcello del Monaco or Arturo Melocchi that you say that you include the method when singing? Well the method is quite "manly" in way that doing special exercises you strengthen the laryngeal muscles that fully lower the larynx. Also neither Melocchi nor Mario or Marcello ever spoke about head voice ;)
@@ignas0220 you’re more than welcome to sing your own way bud. I only share what has benefited me in hope that it helps others. I wish you the best of luck on your journey! 👍
Gracias hermano por tus verdaderas valiosas aportaciones de corazón eres un grande de grandes y llegarás muy,muy lejos eres genial tenor,que palabras tan coherentes Bravi Simerilla!!!!
Gran tenor que eres hermano de las voces más bellas y llenas que conozco abrazo Hermano vaya técnica!!!! Bravooooooo
I’m at the stage where I can only sing my high notes in a disconnected falsetto and it sounds exactly like yours. It’s easy and I can do it all the time. How do I start adding more chest? I feel like when I try I just end up pushing and then it becomes hard. I also tend to push my falsetto to try and sound louder and have more weight but it becomes tiring. I don’t know what to do.
Plot twist: He isn't mic'd.
Beautiful !
BRAVO!!!!👏👏👏🇦🇷
Bravo!!!
Tu debiste cantar el nessum dorma en París, pero colocaron a un tenor ligero. Que en ese Si4 final dejo mucho que desear.
That relaxed B4 flat at the start of the video doesn't feel like full or so called "mixed" voice imo. It sounds like reinforced falsetto.Not an expert on vocal terminology though.
Maybe both? 😂
Great performance from you both . Jose, love, love, love your voice and singing. Bravo. 👏👏👏👏
Well... looks like I have to put more effort in my singing lessons in order to stop being lone wolf one day😆
@@Delectatio 👌
Very good performance but which one is your girl?
Which one brother let us know
Isn’t it obvious? Gilda. Unfortunately they didn’t have a long together. It all goes to pieces in Act II. Damn you Monterone 😂
@@colonelmustard7817 🤣
Weird question. How would you go about feminizing your voice as a tenor? Or is that not possible? I just don’t like the fact that it sounds so masculine when I sing
Seriously 😂😂😂 Which one?
You have a beautiful, appealing tenor voice. Plus you sing with a lot of dynamic differentiation which is nice.
Bravo, bravisimo🎉🎉
Que maravilla como canta 🎉🎉🎉🎉
Bravo!
Exactly which one?
Okay but which one???
very good performance 👏
WHAT AN AMAZING DUO. I have finally understood passagio/tilt since I started watching their videos.
I want to join the confused tenor society, please 🙏
Great video and great voice!! When talking about tuning the mix of chest voice and head voice, you used the word "nodules". Don't you mean "dials", like on a radio? We use dials to tune in a radio station, not nodules. Look at 7:00
@@st.lukescentralmusic3738 right 👍. My mistake
@@Tenor_Simerilla Keep up the great work!!
L'uomo è un cantante fantastico!
Aweful music
Sei migliorato molto
Absolutely brilliant. Also a great example to show tongue placement.
Pity KZread wasn’t around when I was studying, this information cost me thousands back in the day 😂. You sound fantastic and your teaching style is wonderful.
SANNNNNNGGG MY BROTHER!!!!! BRAVO SIR!!!!😄
What a beautiful voice! Bravo!!
For a long time I have been trying to find answers to this exact exercise, I finally not only got the concept of passage but also was able to produce it with great ease, I was never able to reach those high notes, I am very but very thankful. than you Jose.
Bravoooo!!!🇦🇷
Excellent as always.
Hola, no estoy de acuerdo con el comentario sobre Pavarotti y que no imitaba. Su profesor era Arrigo Pola y si escuchamos a Pola y a Pavarotti encontraremos que suenan MUY parecido. Lo que me hace pensar que si aprendio imitando.
José you're singing better than ever. On top of the fact that you have an extremely beautiful voice, you sound like the great oldschool masters now. It's just amazing! Keep up the good work! Just a few humble suggestions: get totally rid of the h between bowels as the phrasing always sounds cleaner and clearer, and the sound more beautiful and more polished without the h. So no h between vowels ever, Björling style. Keep working on that strong diaphragmatic support and super legato singing you have almost perfected by now. Your piano-forte, forte- piano are becoming absolutely fantastic!! And you're using it strategically, only to express a feeling and not without an expressive purpose. Bravo!! It will become even stronger when your support gets stronger. Believe it or not, the softer you sing, the more support you need but also the more neck and throat relaxation you need to have at the same time. The piangendo, keep it. It sounds great. Your suono coperto is fantastic nowadays, not too little, not too much. I don't know why I am telling you all of this though, you already know it. I can't wait to see you at La Scala and The Met, etc., ASAP. Congratulations!
What a great conversation thank you! 🙏🏽 Jack is amazing and a great ‘air traffic controller’ QUESTION: why must the larynx be low? I never understood this 🤷🏼♂️
God! thank you for not talking the " static globe" principles, big bang" and Leonardo Da Vinchi ( only over reacting other useless videos) ; anyway, I love your videos, usefull, didactic, not bla, bla, demonstrations, thanks, awesome❤❤
Bravo! Jose! The best tenor of all time!! I enjoy this recitative.
Bellissimo mi amico!:) greetings from Montana.
Thank you sir.... Help my a lot.... From Greece
OMG!!!!!! This information is MONUMENTAL!!!!!! Two wonderful Artist discussing the art of singing!!!! I will definitely be referring to this video for the rest of my singing career!!! Question Mr. Simerilla, when are you coming to Vienna???