Manhattan School of Music
Manhattan School of Music
The official account of Manhattan School of Music, one of the world's leading music conservatories.
Founded as a community music school by Janet Daniels Schenck in 1918, today MSM is recognized for its more than 960 superbly talented undergraduate and graduate students who come from more than 50 countries and nearly all 50 states; its innovative curricula and world-renowned artist-teacher faculty that includes musicians from the New York Philharmonic, the Met Orchestra, and the top ranks of the jazz and Broadway communities; and a distinguished community of accomplished, award-winning alumni working at the highest levels of the musical, educational, cultural, and professional worlds.
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what a nice surprise!
That “Later” was insanely clever. Good stuff
What a boring class. Hampton keeps talking and too much. Let the guy sing, then see what happens. To make somebody self-conscious of their action is no use. I think Hampton is trying to compensate for what he could not do himself. We are in America now. What does that mean? So he is your boss! Come-on man. It is not America but the US of America, the boss of wars and the arts?!! Metaphysician & Philosopher
Congratulations and best wishes. 🏅🍀🏆⭐
Congratulations and best wishes. 🏅🍀🏆
Great teaching! Bravissimo, Maestro Hampson!
"Voice is not projection"! Thank you!
Very Nice!
very nice!
13:09
MR Hampson talking about Jung's Collective and Tesla vibration, spiral.
I will be living and going there My name is Trina Cynthia Randall
Suoni orribili, cambiare metodi
Thomas Hampson is the best baritone I have ever heard of. SeokJong Baek has been amazing as a baritone in the masterclass and as of now he is a superior and amazing tenor that sang a wonderful Calaf at the Met.
i need to see this so bad i would drive 18 hours just to witness this masterpiece 😭
Khazar milkers
Mr Hampson you are a precious singer and a wonderful teacher!
Can’t wait to see Benjamin in this opera ❤
This isn't my singing monsters..
Saw a local production of this! It’s so good.
That singer needs to learn about the passaggio. It’s wide open at the top.
Basically he spent the whole class trying to teach him to sing legato, quietly and cupo. Not rocket science in the singing world.
백석종 ㄷㄷ
The drummer seems really tense and tight...
He is the best maestro on this planet !!! Fantastic!!!
Pianist sounds like she's playing Stephen Foster
Yohhh powerful, am blessed... What a voice 😮
He should tell him he is producing the tone wrongly in the first place, instead of going on and on about posture and confusing the poor fellow.
What is this from? I keep Tryina find the musical but I cant !
it's from a musical called Hundred Days by The Bengsons
Excellent! I learned a lot.
Are there any Synagogues with in walking distance? Carole
fantastic cover. it's obvious everyone had an absolute blast performing this.
Wow
The young barítono who has a very good voice was singing " se vuol ballare" from "Le nozze di Figaro" as it were "VI ravviso" from "LA Sonnambula" and il maestro didn't say anything about Mozart style.
Too much conversation and NOTHING! Good voices, but in my opinión they didn't learn anything in this máster class.
🙏💛
Thomas Hampson is SCULPTING - this is brilliant. Bravi tutti!
Parla troppo ....
P
Magnificent 💫
Marvelous ❤️
My singing monsters
Beautiful!!!!!!!!!!!😮
From operawire 2022's top 10 rising stars Pest - He didn't listen to Hampson and went tenor🙂 SeokJong Baek The South Korean tenor began his career as a baritone, during which time studying as an Adler Fellow, a member of San Francisco Opera’s Merola Programme, and a Resident Artist at the Lyric Opera of Kansas. With San Francisco, he performed in various productions including “Carmen,” “Romeo et Juliette,” Manon Lescaut,” “Rusalka,” and Le Nozze di Figaro.” However, he moved into the tenor repertoire over the past two years slowly building his career. In 2021 he received the third prize at the Tenor Viñas Competition as well as the Plácido Domingo prize, Public prize, and Teatro Real de Madrid prize. He was also the first place winner of the 2021 Loren L. Zachary Society National Vocal Competition, First Prize, Audience Award, and Enrico Caruso Award winner of the 2021 Vincero World Singing Competition. But it was in 2022 that the tenor broke out and made an unprecedented debut at the Royal Opera House in a new production of “Samson et Dalila;” this also represented a role debut and his highest-profile assignment to date. OperaWire raved about the tenor noting he “may well be the outstanding voice of the cast.” The debut was even filmed in HD and presented in cinemas. That was followed by more performances at the Royal Opera in “Cavalleria Rusticana,” where the tenor was once again praised and subsequently signed with Intermusica for General Management. Up next, the tenor will return to the Royal Opera House for “Aida,” make his Prague State Opera debut, and will also make his Arizona Opera debut. He is also set to join the Metropolitan Opera’s roster.
7 years and many more pounds later he ignored Hampson's advice and became a tenor 😞
Are you sure this is how SInatra did it?
Gold!
"We make our thoughts audible. We don't sing text."
The end....now he is a lirico spinto tenor hahahah
Yeah .... so amazing hahaha
I like Seokjong Baek but I still believe Thomas Hampson was right about his voice? Tenor roles he sings lack squillo and timber of true tenors, just as Domingo's and Kaufmann's.
I'm at the point now where I am listening to the song and guessing what Thomas will pin point. I'm getting really good. Mr. Thomas thank you so much for allowing me to see this treasure trove of information. Opera sadly needs more attention.