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  @hansrichardnohrer28347 сағат бұрын

  Ein sehr gutes Video gut Orchester Dirigent Sänger Chor

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  @n.barendregt21129 сағат бұрын

  What a pity that it isn't complete!!!

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  @Matt-cm8hh13 сағат бұрын

  Wow such great quality sound and video! Amazing upload! Viva Domingo!

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  @brendafu557415 сағат бұрын

  Best opera costume ever.

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  @pablocarrascosamiguel768019 сағат бұрын

  Parece ser que en estas funciones llegaron a su cima las desavenencias entre Caballé y Domingo, que habían empezado en I vespri siciliani...

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  @cualalumpur2Күн бұрын

  No cantes mas la Africana, vente conmigo a Aragón, que allí la jota que es gloria, nos cantaremos los dos!!!

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  @juliogonzalezcampayo3201Күн бұрын

  Muchas gracias. Con 2 horas de duración sospecho que hay cortes, pero...

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  @giacomomeyerbeersohnКүн бұрын

  A parte de los cortes de la propia representación, desgraciadamente TVE no grabó todo o se perdió. Falta una parte del acto segundo y todo el tercero :( Aquí la grabación "completa" de la radio: kzread.info/dash/bejne/poR1mZSeXa-1aNo.html

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  @juliogonzalezcampayo3201Күн бұрын

  @@giacomomeyerbeersohn Muchas gracias de nuevo.

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  @treesny2 күн бұрын

  Not sure if anyone else has already posted about this but the familiar "Italian version" of this opera is a combination of the original music by Luigi Cherubini (1760-1842) and recitatives composed much later by Ferdinand Lachner (1856-1910). Moreover, I believe Lachner composed his linking recitatives to a German text, hence some peculiar emphases in the Italian translation. While performances of the original French version with its extensive spoken dialogue will for many reasons always be a rarity, it's good for once to be able to appreciate Cherubini's score without the Romantic accretions.

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  @bsb33392 күн бұрын

  Is it just me or does Treigl also sometimes remind you of Pinza? Amazing Singer, too little known by far!

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  @Angelo-eh3mh4 күн бұрын

  Sempre con te !❤

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  @giovic98025 күн бұрын

  1:37:58

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  @EduardoCifuentesayucar-mh6rf5 күн бұрын

  Montserrat. Ermonella. Sondra. Mariella. Anna.

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  @kaysmulczynski80256 күн бұрын

  ❤

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  @maitestorchi249710 күн бұрын

  Bon sang, c'est magnifique !

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  @markushuber533613 күн бұрын

  Eine meiner Aller-Zeiten-Favoriten-Opern, Danke!

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  @ahogbin264417 күн бұрын

  Thanks so much for posting. I attended one of these performances. Bumbry was superbly imperious and Bonisolli a fine Vasco.

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  @eugenecusack635618 күн бұрын

  Could you please give us Wagner Das Liebesverbot BBC Northern Symphony Orchestra Edward Downes conductor. A truly outstanding performance. Thank you.

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  @meisterwue24 күн бұрын

  ❤❤❤❤❤❤❤

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  @simonkawasaki422929 күн бұрын

  Thank you very much for this. How disappointed I was by the Met's presentation of Don Carlos... it was literally just the Modena version with French text, there was nothing artistically enlightening about the project except to say "Look! They're singing in French!" Very little original music. No L'hiver est lang, no ballet... disappointment.

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  @lucszaiАй бұрын

  Wonderful performance! With the return of Le Prophete (aix) and Vestale (Paris), I really hope for a great revival of Grand Opera.. Meyerbeer, Auber, Halevy, Spontini, Sadly Meyerbeer was forgotten, as May 2nd "celebrates" his 160 years of death :/. Not even a gala concert. Not even the 200 years of Crociato. Hope next year we have a 160 years of Africaine somewhere. 🙏

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  @giacomomeyerbeersohnАй бұрын

  No, sadly l'Africaine is not scheduled in anywhere. I'm really sadly about il Crociato. Fagioli would be ideal for Armando.

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  @lucszaiАй бұрын

  @@giacomomeyerbeersohn Pity... I'm still hoping for Oropesa singing Isabelle in a staged Robert someday, though. She sang her cavatina recently in some venues such as Scala.

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  @estevanfringuello1756Ай бұрын

  Merci pour ce document, quelques semaines avant les représentations qui en seront données à Paris !

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  @giacomomeyerbeersohnАй бұрын

  Gloire à la Vestale!

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  @synthifou5815Ай бұрын

  ACTE I 1. Ouverture et Introduction A. Ouverture 00:00 B. Chœur 05:00 C. Morceau d'ensemble 07:43 et Entrée de Raoul 10:22 D. Orgie 12:37 2. Scène 15:50 et Romance 17:26 / 19:41 3. Récitatif 26:02 et Choral 28:11 4. Scène 30:08 et Chanson huguenote 31:37 5. Morceau d'ensemble 37:27 6. Final A. Chœur 43:34 B. Cavatine du page 45:02 C. Suite du final 48:36 D. Stretta 52:12 ACTE II 7. Entracte 55:38 et Air 58:07 8. Chœur des baigneuses 1:11:45 Rondeau du page 1:17:20 9. Scène du bandeau 1:22:45 10. Duo 1:25:52 11. Récitatif 1:35:40 et Entrée de la cour 1:36:59 12. Final A. Serment 1:39:59 B. Scène 1:43:43 C. Stretta 1:44:35 ACTE III 13. Entracte et Chœur 1:49:09 14. A. Complets militaires des soldats huguenots 1:50:41 B. Litanies 1:53:15 C. Morceau d'ensemble 1:55:01 15. Ronde bohémienne 1:56:03 16. Danse bohémienne 1:57:15 17. Couvre-feu 2:06:26 Choral de Marcel 2:09:18 18. Scène 2:14:59 et Duo 2:17:27 19. Septuor du duel 2:31:41 20. Chœur de la dispute 2:38:19 21. Final 2:43:01 Le cortège de noce 2:55:10 ACTE IV 22. Entracte et Récitatif 2:59:55 Romance et Scène 3:01:40 23. Conjuration 3:08:46 et Bénédiction des poignards 3:19:20 24. Grand duo 3:26:03 Strette 3:37:43 ACTE V 25. Entracte et Ballet 3:42:56 26. Récitatif 3:45:26 et Air 3:46:05 27. Scène 3:50:25 et Grand trio A. Interrogatoire 3:58:52 B. Chœur des meurtriers 4:02:57 C. Vision 4:04:01 28. Scène finale 4:07:53

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  @nicolasgelormini860Ай бұрын

  Muy buen video

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  @RWBHereАй бұрын

  Une production vraiment délicieuse, même avec une vidéo de mauvaise qualité. nous avons vraiment aimé regarder et écouter cela. Merci de l'avoir partagé avec nous, @Giacomo Meyerbeer Sohn 🙂

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  @josepgarciadevant6355Ай бұрын

  Això es un d'aquells moments que es recorden per tota la vida. No cal afegir res més, nomes cal escoltar. Quant re-escolto aquests fragments comprenc perquè ara tot em sembla descafeïnat.

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  @vibersinthestreetАй бұрын

  J’addore

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  @medeajason1612Ай бұрын

  What happened to the complete performance with Richard Tucker and Rita Shane?

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  @matthiasgebhard3135Ай бұрын

  Sehr schön

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  @hodgrixАй бұрын

  Started watching at Medee's entrance and was blown away at the quality of acting from opera singer.. then i realized the double cast.. the actress playing Medee truly is stunning though.. wow

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  @alanhowe1455Ай бұрын

  The whole performance is to be released commercially on the LSO Live label on 28th June 2024.

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  @ransomcoates546Ай бұрын

  It sounds like Laurence Kilsby, a very promising singer - Ian Bostridge, in vocal type, but with a beautiful voice.

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  @JorgereflexivoАй бұрын

  23:06 Le Walhalla + Metro Goldwyn Meyer? hehehehee.

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  @stephanemorisse9610Ай бұрын

  Mon coeur va en priorité à Lamberti Berchthold Alagna et Spyres 😍 merci beaucoup pour cette compilation !

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  @cardinalbrownie1644Ай бұрын

  La mélodie du ténor est très bizarre, on dirait que Meyerbeer a dû la reprendre et la peaufiner laborieusement... Les développements de la version complète sont excellents. Du pur Meyerbeer. Ça n'en finit pas, ça module dans tous les sens, c'est excitant en diable, merci !

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  @estevanfringuello1756Ай бұрын

  Quelle belle compilation, je ne savais pas que Michael Spyres avait chanté ce rôle ! Il existe un live (en assez mauvaise condition) du ténor Gustave Botiaux qui chante une version coupée cet extrait. Savez-vous dans quelle mesure la version donnée à Marseille cette saison a été coupée ?

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  @cardinalbrownie1644Ай бұрын

  J'ai vu _L'Africaine_ de Marseille le 10 octobre 2023. C'était beaucoup, beaucoup coupé. Cette strette était donnée dans sa version "habituelle".

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  @estevanfringuello1756Ай бұрын

  @@cardinalbrownie1644 Quel dommage ! Car avec la belle distribution qui a été rassemblés pour l'occasion, ç'aurait pu être formidable. J'espère que moins de coupures seront à déplorer dans le Sigurd de l'an prochain !

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  @stephanemorisse96102 ай бұрын

  A part Mignon et Hamlet il serait temps qu'on redecouvre ses autres ouvrages . Merci à Opera rara d'avoir enregistré la Cour de Célimène et merci à vous pour cet opéra comique délicieux !

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  @robertwatson48402 ай бұрын

  This is helping me so much! There are so many little bits and pieces in scenes that are cut and I could not find recordings of while learning the role! You are a real massive help!

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  @giacomomeyerbeersohn2 ай бұрын

  Robert it is a honor for me to help you. Are you going to sing the complete score or with cuts? My best wishes

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  @robertwatson48402 ай бұрын

  @@giacomomeyerbeersohn not much, at least for Jean. As far as I can tell it’s only a little bit of recit right before the act 3 aria and we are just doing one verse of the act 2 aria, but I want to do both and see if they will let me.

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  @giacomomeyerbeersohn2 ай бұрын

  ​@@robertwatson4840 you can tell them the composer's son wants the complete score, or only with tiny cuts 😂

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  @FranciscoFerrerGaliana19302 ай бұрын

  Un deleite

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  @mickyalexandru68942 ай бұрын

  I love Medea, but in its Italian version. It is more dramatic. Listen to Callas in one of her recordings - she is Fury Incarnate ! it is not only her acting , it is the dramatic Italian language.

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  @giacomomeyerbeersohn2 ай бұрын

  So I think you love Callas but not Médée 😆

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  @mickyalexandru68942 ай бұрын

  @@giacomomeyerbeersohn I do love Callas and when she interprets the role, Medea is just in front of us ! P.S. - I don't think that anybody loves Medea. There isn't much or at all to love about her ! None of us would like to have such a mother, sister, wife or......mother-in -law !!!!!! 🤣🤣🤣

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  @giacomomeyerbeersohn2 ай бұрын

  @@mickyalexandru6894 you understood me... Callas made HER Medea. But I think it wasn't Médée by Cherubini.

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  @mickyalexandru68942 ай бұрын

  @@giacomomeyerbeersohn This is a question of the approach to the original. We can say the same about Verdi's FRENCH ORIGINAL Don Carlos or Les Vepres Siciliennes . They were composed to a French libretto. It is a question of personal taste how one prefers to hear / listen to the opera. As for Cherubini, one of the biggest reformators of opera, he used spoken dialogue. Now, not everyone is fluent in French. In this case the non French speaker , can fall asleep ! And here comes Lachner to save the situation. The same happens with Carmen. The spoken dialogue is difficult for non speakers of French. But, trying to become as close as possible to the original, the dialogue was introduced again. Callas was not the only one who sang the Italian version. We have Sass, Jones, Farrell and a few others. I have a live recorded version in French with Jano Tamar. The music is most beautiful but the spoken dialogue is exhausting. Here comes my preference for the Italian version. It does not depend only on the singer but the conductor as well, to create the atmosphere and the individual characterization - Callas or Sass in this case. But, we have Cherubini without dialogue. The question is what each of us prefers. A few years ago, I found in Paris , a disc of Le Trouvere ! The French version of Il Trovatore. The version Verdi wrote for the Paris opera, including a ballet . It was recorded in 1954. Shall I say this is not Verdi ? No ! This is Verdi, from another point of view. Another perspective, the same as his grand works, written especially for the Paris opera/stage. But, I am so glad and appreciate the fact that we can discuss these points of view , especially about an opera almost forgotten but most beautiful and most influential, like the use of Leitmotif !

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  @treesny2 күн бұрын

  @@mickyalexandru6894 The comparisons with Don Carlos and Carmen are not really apt. In whatever language you perform Don Carlos, all the music is by Verdi; personally, I find the word setting far better in the original French. And Guiraud's recitatives for Carmen were written not long after the premiere of the original, and so come from the same musical world. had Bizet not died suddenly at 35, he would surely have composed them himself. By contrast, Lachner's recitatives for Cherubini's work date from much, much later, definitely in the Romantic era, which oddly makes Cheribini's forward-looking music sound a bit old-fashioned.

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  @annamariabakosi64822 ай бұрын

  John Osborn mimikáját a legjobb színész is megirigyelheti!

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  @annamariabakosi64822 ай бұрын

  Majdnem megragad a zene...de rendkívüli énekesek - kivételes színészi tehetséggel - és kivételes kreativitású rendezés...

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  @cesarnicotera55572 ай бұрын

  Tutto molto bello, ma chi canta?

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  @stephanemorisse96102 ай бұрын

  Une belle version moderne sur instruments d'époque serait bienvenue !

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  @stephanemorisse96102 ай бұрын

  Magnifique aria pleine de douceur qui me rappelle l'aria de l'autre Iphigenie celle en Tauride : "Malheureuse Iphigénie" !

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  @giacomomeyerbeersohn2 ай бұрын

  Judith van Wanroij. It is in the video information

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  @henryzhang20532 ай бұрын

  C'est Michèle Command !!!

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  @Toscarpia2 ай бұрын

  I'm so glad I was in the audience that night ! As soon as I found out Ms DeShong would replace the scheduled artist in that impossible role, I remembered her magnificent Arsace at the Met and thought "If this lady had the guts to be the second Arsace after Marilyn Horne in this house, she'll have what it takes to sing Fidès in Aix-en-Provence !" I wish her all the best for whatever is coming, and please may the artistic managers around the world give her the great roles she deserves... (which means no more Suzukis, thank you !)

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  @beppetapparelli36332 ай бұрын

  Ottima esecuzione , peccato per le ( troppe ) abbreviazioni e tagli di battute.....

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  @beppetapparelli36332 ай бұрын

  Meyerbeer , in effetti, ha parecchi sprazzi di fantasia ed efficacia, a volte pure di genialità musicale . ma il confronto con Verdi risulta perdente come quello che può risultare fra Caravaggio (Verdi) e Mengs ( Meyerbeer) : Non può esserci confronto.......Il secondo, artisticamente PAGA......Ma non APPAGA come il primo!!

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  @sylvainsimard43842 ай бұрын

  J’ai attendu et attendu de nombreuses années pour revoir cette série qui m’avait beaucoup marqué lorsqu’elle passait à ICI Radio-Canada, c’était en 1983 si je me souviens bien. Merci pour l’intégrale 😊